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Displaying results 1 to 25 of 275.

  1. Männermacht und Frauenopfer
    Sexualität und Gewalt bei Goya
    Author: Volland, Gerlinde
    Published: 1993
    Publisher:  Reimer, Berlin

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Kunsthochschule Berlin-Weißensee, Bibliothek
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität der Künste Berlin, Universitätsbibliothek
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    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
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    Europa-Universität Viadrina, Universitätsbibliothek
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    Fachhochschule Potsdam, Hochschulbibliothek
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    Universität Potsdam, Universitätsbibliothek
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  2. Empathic vision
    affect, trauma, and contemporary art
    Author: Bennett, Jill
    Published: 2005
    Publisher:  Stanford Univ. Press, Stanford, Calif.

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0804750742; 0804751714
    RVK Categories: LH 61100 ; LH 65870
    Edition: Orig. print.
    Series: Cultural memory in the present
    Subjects: Violence in art; Art, Modern; Political violence
    Scope: XIV, 188 S., Ill.
    Notes:

    Literaturverz. S. [175] - 182
  3. <<The>> muddied mirror
    materiality and figuration in Titian's later paintings
    Author: Cranston, Jodi
    Published: 2010
    Publisher:  Pennsylvania State Univ. Press, University Park, Pa.

    "Extends formalism to facture and situates the materiality of Titian's later works within the late sixteenth-century interest in embodiment and violence rather than within the Renaissance ideals of classicizing beauty and perfection"--Provided by... more

     

    "Extends formalism to facture and situates the materiality of Titian's later works within the late sixteenth-century interest in embodiment and violence rather than within the Renaissance ideals of classicizing beauty and perfection"--Provided by publisher.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780271035291
    Subjects: Painting, Renaissance; Painting, Italian; Figurative painting; Violence in art
    Other subjects: Titian (ca. 1488-1576)
    Scope: XI, 147 S., zahlr. Ill.
    Notes:

    "Extends formalism to facture and situates the materiality of Titian's later works within the late sixteenth-century interest in embodiment and violence rather than within the Renaissance ideals of classicizing beauty and perfection"

    Literaturverz. S. 136 - 143
  4. Torture of women
    Contributor: Spero, Nancy (Publisher); Pearson, Lisa (Publisher)
    Published: 2010
    Publisher:  Siglio Press, Los Angeles, Calif.

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    Source: Union catalogues
    Contributor: Spero, Nancy (Publisher); Pearson, Lisa (Publisher)
    Language: English
    Media type: Book
    Format: Print
    RVK Categories: LI 99999
    Edition: First ed.
    Subjects: Violence in art; Women artists / United States / Interviews; Feminism and art; Feminism in art; Women in art; Art / Political aspects
    Other subjects: Spero, Nancy / 1926-2009 / Catalogs
    Scope: 155 S., überw. Ill., 24 cm
    Notes:

    Includes textual excerpts from Nancy Spero, Diana Nemiroff, Elaine Scarry, and Luisa Valenzuela

    Includes bibliographical references
  5. After the lovedeath
    sexual violence and the making of culture
    Author: Kramer, Lawrence
    Published: 1997
    Publisher:  Univ. of California Press, Berkeley, Calif. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0520210123; 0520224892
    RVK Categories: LR 56610 ; LR 57810
    Subjects: Sex role; Array; Array; Masculinity; Femininity; Sex role in art; Violence in art; Sex in art; Sex in music
    Scope: IX, 281 S., Notenbeisp., 22cm
    Notes:

    Literaturverz. S. 269 - 276
  6. Rendering violence
    riots, strikes, and upheaval in nineteenth-century American art
    Author: Barrett, Ross
    Published: 2014
    Publisher:  Univ. of California Press, Oakland, Calif.

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2016:2191:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 B 163866
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    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    KGS-AAA 5014,54
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520282896
    Subjects: Violence in art; Art, American; Art and society
    Scope: IX, 216, 12 S., Ill.
    Notes:

    Includes index

    How could a mob be painted? Picturing political violence in the Jacksonian eraPainting that 'might prove injurious': Cinque and the representation of African American political violence -- Riot, rowdyism, and reform: George Henry Hall and the picturing of midcentury urban upheaval -- Trouble on the home front: art, democracy, and disorder during the Civil War -- Painting and political violence at century's end.
  7. The muddied mirror
    materiality and figuration in Titian's later paintings
    Author: Cranston, Jodi
    Published: 2010
    Publisher:  Pennsylvania State University Press, University Park, Pa.

    "Extends formalism to facture and situates the materiality of Titian's later works within the late sixteenth-century interest in embodiment and violence rather than within the Renaissance ideals of classicizing beauty and perfection"--Provided by... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2010:2991:
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    B/101519
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    "Extends formalism to facture and situates the materiality of Titian's later works within the late sixteenth-century interest in embodiment and violence rather than within the Renaissance ideals of classicizing beauty and perfection"--Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780271035291
    Subjects: Painting, Renaissance; Painting, Italian; Figurative painting; Violence in art
    Other subjects: Titian (approximately 1488-1576)
    Scope: XI, 147 S, zahlr. Ill
    Notes:

    Includes bibliographical references and index
  8. Les mémoires de la violence
    littérature, peinture, photographie, cinéma
    Published: 2009
    Publisher:  L'Harmattan, Paris

    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signature:
    2009/10253
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782296105195; 229610519X
    RVK Categories: AP 47970 ; AP 50300 ; EC 5410
    Series: Array
    Subjects: Violence in art; Violence in literature; Violence in motion pictures; Collective memory and literature; Picture interpretation; Twentieth century
    Scope: 242 S., 22 cm
  9. Ecce homo
    the male-body-in-pain as redemptive figure
    Author: Brintnall, Kent
    Published: c2011
    Publisher:  University of Chicago Press, Chicago, Ill. [u.a.]

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2012:1460:
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signature:
    LH 84390 B858
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    Herzog August Bibliothek Wolfenbüttel
    Signature:
    62.1214
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0226074692; 0226074706; 9780226074696; 9780226074702
    Subjects: Suffering in art; Masculinity in art; Violence in art; Sex in art; Redemption in art
    Scope: XIV, 220 S, Ill, 24 cm
    Notes:

    Includes bibliographical references and index

    Suffering/triumph -- Masochism/masculinity -- Content/form -- Crucifixion/representation.
  10. Humor and violence
    seeing Europeans in Central African art
    Author: Strother, Z. S.
    Published: [2016]
    Publisher:  Indiana University Press, Bloomington

    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 994878
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    "Humor and Violence examines the rich history of portraying Europeans in Central African art in images ranging from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor and violence reveals deep insights into the psychology of power and resistance that continues to operate in the region today. Her argument is built on a set of works of art and demonstrates the important role that patronage and political and social history played in their creation. Strother conveys Central African ideas about how the therapeutic power of humor can initiate social change and upset power relations between oppressors and oppressed. This analysis plunges seemingly benign figures into a maelstrom of violence and crime -- rape, murder, torture, and forced labor on a massive scale. By restoring the dialectic of humor, this study reveals the complicated psychological codependency of Africans and Europeans over a long period of history and maintains that art plays a mediating function in the mechanics and ethics of power."--Front cover flap

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780253022677
    RVK Categories: LC 91534 ; LC 91535
    Series: African expressive cultures
    Subjects: Art; Art; Europeans in African art; Wit and humor in art; Violence in art; Art; Art, Congolese (Democratic Republic); Art, African; Art; Art; Art; Art, African; Art, Congolese (Democratic Republic); Europeans in African art; Violence in art; Wit and humor in art
    Scope: xv, 344 pages, illustrations, 23 cm
  11. Einschnitte
    Signaturen der Gewalt in textorientierten Medien
    Contributor: Hoff, Dagmar von (HerausgeberIn); Jirku, Brigitte E. (HerausgeberIn); Sanna, Simonetta (HerausgeberIn); Ribeiro, António Sousa (HerausgeberIn)
    Published: [2016]; ©2016
    Publisher:  Königshausen & Neumann, Würzburg

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    a asl 615.8/663
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    CD g 2016
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    Location:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signature:
    GL/450/53
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    Content information
    Source: Union catalogues
    Contributor: Hoff, Dagmar von (HerausgeberIn); Jirku, Brigitte E. (HerausgeberIn); Sanna, Simonetta (HerausgeberIn); Ribeiro, António Sousa (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3826059220; 9783826059223
    Other identifier:
    9783826059223
    RVK Categories: GE 5207 ; EC 5410
    Subjects: German literature; Violence in literature; Violence in art; Mass media and literature
    Scope: 152 Seiten
    Notes:

    Dagmar von Hoff: Vorwort ; Irritationen der Gewalt : Lektüren von Heinrich von Kleists Novelle das Erdbeben in Chili

    António Sousa Ribeiro: Komik und Gewalt : die Autorität des Opfers

    Dennis Bock: Macht und (sexuelle) Gewalt in Liana Millus Erzählungen der Rauch über Birkenau

    Simonetta Sanna: Die Kommandeuse (1954) von Stephan Hermlin : an den ursächlichsten Quellen von Gewalt

    Júlia Garraio: "Der Vergewaltiger unter uns" : Gedächtniskultur und deutsche Sexualverbrecher im Zweiten Weltkrieg

    Lena Wetenkamp: "Wer darstellt, übt aus" : Gewalt in Terézia Moras Erzählungen

    Catarina Martins: Gegen den deutschen Spiegel schreiben : Selbstbilder schwarzer Frauen in Deutschland

    Brigitte E. Jirku: Spielräume der Gewalt in Elfriede Jelineks die Schutzbefohlenen

    Franco Masia: Zum Titelbild Kentaur mit Putto und Anemonen
  12. Concerning consequences
    studies in art, destruction, and trauma
    Author: Stiles, Kristine
    Published: [2016]
    Publisher:  The University of Chicago Press, Chicago

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2016:4424:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 B 171085
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signature:
    262584 - B
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226774510; 9780226774534
    Subjects: Art, Modern; Psychic trauma in art; Violence in art
    Scope: XI, 478 Seiten, Illustrationen
    Notes:

    Literaturangaben

    Survival ethos and destruction artShaved heads and marked bodies : representations from cultures of trauma -- Remembering invisibility : documentary photography of the nuclear age -- The ideal gifts and the Trinity session of Istvan Kantor -- Franz West's dialogic Passstücke -- 1.1.78-2.2.78 : Lynn Hershman's Roberta Breitmore -- Larry Miller's Mom-me -- Unbosoming Lennon : the politics of Yoko Ono's experience -- Burden of light : Chris Burden -- Teaching a dead hand to draw : Kim Jones, war, and art -- Jean Toche : Impressions from the rogue Bush imperial presidency -- Cloud with its shadow : Marina Abramović -- Thunderbird immolation : William Pope.L and burning racism -- Barbara Turner Smith's haunting -- The aesthetics of the misfit : the case of Henry Flynt and David Tudor -- Notes on Rudolf Schwarzkogler's images of healing, a biographical sketch -- Rauschenberg's "gap" -- Warhol's "What?" -- 7:47 a.m. (the traumatic visual vocabulary of Maurice Benayoun's So.so.so. somebody, somewhere, some time) -- Wangechi Mutu's Family tree.
  13. The aesthetics of violence
    art, fiction, drama and film
    Author: Appelbaum, Robert
    Published: [2017]
    Publisher:  Rowman & Littlefield International, London ; New York

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Signature:
    MPB8849
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    Location:
    Universitätsbibliothek Dortmund
    Signature:
    SCD 10/13
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    Location:
    Universitäts- und Landesbibliothek Münster
    Signature:
    3K 76067
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781786605030
    Series: Futures of the archive
    Subjects: Violence in art; Violence in literature; Violence in motion pictures; Arts; Film; Gewalt <Motiv>; Philosophie; Kunst; Gewalt; Literatur
    Scope: xxvi, 169 Seiten, Illustrationen, 23 cm
  14. Revolts and political violence in early modern imagery
    Contributor: Griesse, Malte (Herausgeber); Barget, Monika (Herausgeber); De Boer, David (Herausgeber)
    Published: [2022]
    Publisher:  Brill, Leiden ; Boston

    "In the early modern period, images of revolts and violence became increasingly important tools to legitimize or contest political structures. This volume offers the first in-depth analysis of how early modern people produced and consumed violent... more

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    Universitäts- und Landesbibliothek Bonn
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    "In the early modern period, images of revolts and violence became increasingly important tools to legitimize or contest political structures. This volume offers the first in-depth analysis of how early modern people produced and consumed violent imagery and assesses its role in memory practices, political mobilization, and the negotiation of cruelty and justice. Critically evaluating the traditional focus on Western European imagery, the case studies in this book draw on evidence from Russia, China, Hungary, Portugal, Germany, North America and other regions. The contributors highlight the distinctions among visual cultures of violence, as well as their entanglements in networks of intensive transregional communication, early globalization and European colonization. Contributors include: Monika Barget, David de Boer, Nóra G. Etényi, Fabian Fechner, Joana Fraga, Malte Griesse, Alain Hugon, Gleb Kazakov, Nancy Kollmann, Ya-Chen Ma, Galina Tirnanic, and Ramon Voges"--

     
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    Content information
    Source: Union catalogues
    Contributor: Griesse, Malte (Herausgeber); Barget, Monika (Herausgeber); De Boer, David (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004461949
    Other identifier:
    Series: Brill's studies on art, art history, and intellectual history ; volume 54
    Subjects: Aufstand <Motiv>; Gewalt <Motiv>; Druckgrafik
    Other subjects: Art / Political aspects; Visual communication / Political aspects; Violence in art; Political violence
    Scope: 1 Online-Ressource (XV, 324 Seiten), Illustrationen
    Notes:

    Includes index
  15. The aesthetics of violence
    art, fiction, drama and film
    Author: Appelbaum, Robert
    Published: 2017
    Publisher:  Rowman & Littlefield International, London ; New York

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781786605047
    Series: Futures of the archive
    Subjects: Violence in art; Violence in literature; Violence in motion pictures; Arts; Kunst; Literatur; Film; Gewalt; Gewalt <Motiv>; Philosophie
    Scope: 1 Online-Ressource (xxvi, 169 Seiten), Illustrationen
  16. Concerning consequences
    studies in art, destruction, and trauma
    Author: Stiles, Kristine
    Published: 2017
    Publisher:  The University of Chicago Press, Chicago ; Oxford University Press, Oxford

    Kristine Stiles here considers some of the most notorious art of the second half of the 20th century by artists who use their bodies to address destruction and violence. From war and environmental pollution to racism and sexual assault, she analyses... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Kristine Stiles here considers some of the most notorious art of the second half of the 20th century by artists who use their bodies to address destruction and violence. From war and environmental pollution to racism and sexual assault, she analyses the consequences of trauma as seen in the works of artists such as Marina Abramovic, Pope.L and Chris Burden. Assembling rich intellectual explorations on everything from Paleolithic paintings to the Bible's patriarchal legacies to documentary images of nuclear explosions, she explores how art can provide a distinctive means of understanding trauma, and promote individual and collective healing.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226304403
    Other identifier:
    Subjects: Psychisches Trauma <Motiv>; Zerstörung <Motiv>; Kunst; Performance <Künste>; Fotografie; Art, Modern; Psychic trauma in art; Violence in art
    Scope: 1 Online-Ressource, Illustrations (black and white)
    Notes:

    Previously issued in print: 2016

    Includes bibliographical references and index
  17. The forms of violence
    narrative in Assyrian art and modern culture
    Author: Bersani, Leo; Dutoit, Ulysse
    Published: 1985
    Publisher:  Schocken Books, New York

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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  18. The violent muse
    violence and the artistic imagination in Europe ; 1910 - 1939
    Published: 1994
    Publisher:  Manchester Univ. Press, Manchester u.a.

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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  19. Revolts and political violence in early modern imagery
    Contributor: Griesse, Malte (Herausgeber); Barget, Monika (Herausgeber); Boer, David de (Herausgeber)
    Published: © 2022; [2022]
    Publisher:  Brill, Leiden

    Abstract: "In the early modern period, images of revolts and violence became increasingly important tools to legitimize or contest political structures. This volume offers the first in-depth analysis of how early modern people produced and consumed... more

     

    Abstract: "In the early modern period, images of revolts and violence became increasingly important tools to legitimize or contest political structures. This volume offers the first in-depth analysis of how early modern people produced and consumed violent imagery and assesses its role in memory practices, political mobilization, and the negotiation of cruelty and justice. Critically evaluating the traditional focus on Western European imagery, the case studies in this book draw on evidence from Russia, China, Hungary, Portugal, Germany, North America and other regions. The contributors highlight the distinctions among visual cultures of violence, as well as their entanglements in networks of intensive transregional communication, early globalization and European colonization. Contributors include: Monika Barget, David de Boer, Nóra G. Etényi, Fabian Fechner, Joana Fraga, Malte Griesse, Alain Hugon, Gleb Kazakov, Nancy Kollmann, Ya-Chen Ma, Galina Tirnanic, and Ramon Voges"--

     
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    Source: Union catalogues
    Contributor: Griesse, Malte (Herausgeber); Barget, Monika (Herausgeber); Boer, David de (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789004461932; 9004461930
    RVK Categories: LH 84060 ; LH 70360 ; LH 71340
    Series: Brill's studies on art, art history, and intellectual history ; volume 54
    Subjects: Kunst; Gewalt <Motiv>; Aufstand <Motiv>; Aufstand <Motiv>; Gewalt <Motiv>; Kunst
    Other subjects: Violence in art; Political violence; Art / Political aspects; Visual communication / Political aspects
    Scope: XV, 324 Seiten, Illustrationen, 25 cm
    Notes:

    Enthält Index
  20. Aus den Dunkelkammern der Moderne
    Destruktivität und Geschlecht in der Bildenden Kunst des 19. und 20. Jahrhunderts
    Author: Künkler, Karoline
    Published: 2012
    Publisher:  Böhlau, Köln

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Location:
    Universität Potsdam, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 341218005X; 9783412180058
    Other identifier:
    9783412180058
    RVK Categories: LH 61055 ; LH 84123
    Series: Array ; 39
    Subjects: Modernism (Art); Modernism (Art); Violence in art; Sex in art
    Scope: XIV, 636 S., [29] Bl., Ill., 230 mm x 155 mm
    Notes:

    Literaturverz. S. [599] - 626

    Zugl.: Düsseldorf, Univ., Diss.
  21. Visual aggression
    images of Martyrdom in late medieval Germany
    Author: Pinḳus, Assaf
    Published: [2021]; © 2021
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Weep Not for Me . . . But Weep on Yourselves -- Chapter 1. Visual Rhetoric -- Chapter 2. Between Theological and Juridical Positions -- Chapter 3. Bodily Imagination,... more

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Weep Not for Me . . . But Weep on Yourselves -- Chapter 1. Visual Rhetoric -- Chapter 2. Between Theological and Juridical Positions -- Chapter 3. Bodily Imagination, Imagined Bodies -- Chapter 4. Eroticized and Sexualized Bodies -- Chapter 5. The Body Reincarnated -- Epilogue. Effect and Response to Violence Imagery -- Notes -- Bibliography -- Index Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers’ bodies and minds so violently that they amounted to what Pinkus describes as “visual aggressions.” Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus’s research for years to come

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271087696
    Other identifier:
    RVK Categories: LK 83340
    Subjects: Art, Medieval; Martyrdom in art; Violence in art; ART / History / Medieval
    Scope: 1 Online-Ressource (xii, 178 Seiten, 25 ungezählte Seiten Tafeln), Illustrationen
  22. Gewalt und Ästhetik
    Zur Gewalt und ihrer Darstellung in der griechischen Klassik
    Published: 2008; ©2006
    Publisher:  de Gruyter, Berlin [u.a.]

    Biographical note: Bernd Seidensticker und Martin Vöhler, Freie Universität Berlin. Gewalt und die Formen ihrer Gestaltung sind ein lange Zeit vernachlässigtes, zentrales Element der griechischen Klassik. Die Studien des Bandes untersuchen nach einem... more

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    Biographical note: Bernd Seidensticker und Martin Vöhler, Freie Universität Berlin. Gewalt und die Formen ihrer Gestaltung sind ein lange Zeit vernachlässigtes, zentrales Element der griechischen Klassik. Die Studien des Bandes untersuchen nach einem Blick auf die an Gewalterfahrungen reiche Geschichte des 5. Jahrhunderts v. Chr. das Spannungsfeld von Gewalt und Ästhetik in den Bereichen von Mythos und Kult, Literatur mit dem Schwerpunkt auf der Tragödie und bildender Kunst. Violence and the forms of its representation are a long neglected central element of Classical Greece. After reviewing the history of the 5th century BC with its intensive experience of violence, the studies in this volume examine the tension between violence and aesthetics in the fields of myth, cult, and literature with particular reference to tragedy and visual art. Review text: "Der Sammelband „Gewalt und Ästhetik0 liefert einen interessanten und informativen Überblick über die Darstellung von Gewalt im antiken Griechenland."Udo Hartmann in: H-Soz-u-Kult 04/2007

     
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  23. Visions of violence
    German avant-gardes after fascism
    Author: Langston, Richard
    Published: 2008
    Publisher:  Northwestern Univ. Press, Evanston, Ill.

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0810124718; 0810124661; 9780810124714; 9780810124660
    Other identifier:
    9780810124660
    2007028620
    RVK Categories: GN 1411 ; GN 1501 ; LK 10357
    DDC Categories: 830.9/1109045
    Series: Avant-garde & modernism studies
    Subjects: Avant-garde (Aesthetics); German literature; Violence in literature; Violence in art; Fascism in literature; Avant-garde (Aesthetics); German literature; Violence in literature; Violence in art; Fascism in literature
    Scope: XVII, 317 S., Ill.
    Notes:

    Includes bibliographical references and index

    Introduction: Visions of violence -- Deaths and reconfigurations: avant-garde time after fascism -- Peter Weiss and the exilic body -- Nouveau Realismus: the male body and the space of history -- Holocaust simulations: evoking bare life -- Technologies of fascism and the poetics of silence and light -- Alexander Kluge's impossible film -- Phantasmagorias of normalcy: avant-gardes after unification
  24. The thief, the cross and the wheel
    pain and the spectacle of punishment in medieval and renaissance Europe
    Author: Merback, Mitchell B.
    Published: 1999
    Publisher:  Reaktion Books, London

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1861890265
    RVK Categories: LH 81100
    Edition: 1. publ.
    Series: Picturing history
    Subjects: Jesus Christ; Violence in art; Torture in art; Executions and executioners in art; Art, Medieval; Art, Renaissance; Art, Renaissance; Art, Medieval; Punishment in art; Pain in art
    Scope: 351 S, zahlr. Ill, 24 cm
  25. Bodily extremities
    preoccupations with the human body in early modern European culture
    Contributor: Egmond, Florike (Hrsg.)
    Published: 2003
    Publisher:  Ashgate, Aldershot, Hants [u.a.]

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Contributor: Egmond, Florike (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780754607267; 0754607267
    Other identifier:
    9780754607267
    RVK Categories: G:xa S:cg Z:31 ; G:xa S:cg Z:32 ; G:xa S:mh Z:31 ; G:xa S:mh Z:32 ; LC 59005 ; LH 84120 ; NN 1540 ; NW 8800 ; LH 64920
    Subjects: Human figure in art; Violence in art; Pain in art; Aufsatzsammlung; Geschichte 1450-1700
    Scope: VIII, 235 S., Ill.
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Includes bibliographical references