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Displaying results 1 to 24 of 24.

  1. New essays on Adventures of Huckleberry Finn
    Published: 1985
    Publisher:  Cambridge Univ. Pr., Cambridge u.a.

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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  2. The dramatic unity of Huckleberry Finn
    Author: Carrington, George C.
    Published: 1976
    Publisher:  Ohio State Univ. Press, Columbus

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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  3. Was Huck black?
    Mark Twain and African-American voices
    Author: Fishkin, Shelley Fisher
    Published: 1994
    Publisher:  Oxford Univ. Pr., New York [u.a.]

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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  4. Learning from difference
    teaching Morrison, Twain, Ellison, and Eliot
    Author: Moreland, Richard C.
    Published: 1999
    Publisher:  Ohio State Univ. Press, Columbus

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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  5. Huckleberry Finn
    Author: Beaver, Harold Lowther
    Published: 1987
    Publisher:  Allen & Unwin, London [u.a.]

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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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  6. New essays on Adventures of Huckleberry Finn
    Published: 1985
    Publisher:  Cambridge Univ. Press, Cambridge u.a.

    Location:
    Universitätsbibliothek Passau
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  7. Was Huck black?
    Mark Twain and African-American voices
    Author: Fishkin, Shelley Fisher
    Published: 1993
    Publisher:  Oxford Univ. Press, New York [u.a.]

    Published in 1884, Huckberry Finn has become one of the most widely taught novels in American curricula. But where did it come from, and what made it so distinctive? Shelly Fisher Fishkin suggests that in Huckleberry Finn, more than in any other... more

    Location:
    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    Published in 1884, Huckberry Finn has become one of the most widely taught novels in American curricula. But where did it come from, and what made it so distinctive? Shelly Fisher Fishkin suggests that in Huckleberry Finn, more than in any other work, Mark Twain let African-American voices, language, and rhetorical traditions play a major role in the creation of his art. In Was Huck Black?, Fishkin combines close readings of published and unpublished writing by Twain with intensive biographical and historical research and insights gleaned from linguistics, literary theory, and folklore to shed new light on the role African-American voices played in the genesis of Huckleberry Finn. Given that book's importance in American culture, her analysis illuminates, as well, how African-American voices have shaped our sense of what is distinctively "American" about American literature Fishkin shows that Mark Twain was surrounded, throughout his life, by richly talented African-American speakers whose rhetorical gifts Twain admired candidly and profusely. A black child named Jimmy whom Twain called "the most art-less, sociable, and exhaustless talker I ever came across" helped Twain understand the potential of a vernacular narrator in the years before he began writing Huckberry Finn, and served as a model for the voice with which Twain would transform American literature. A slave named Jerry whom Twain referred to as an "impudent and satirical and delightful young black man" taught Twain about "signifying" - satire in an African-American vein - when Twain was a teenager (later Twain would recall that he thought him "the greatest man in the United States" at the time). Other African-American voices left their mark on Twain's imagination as well - but their role in the creation of his art has never been recognized Was Huck Black? adds a new dimension to current debates over multiculturalism and the canon. American literary historians have told a largely segregated story: white writers come from white literary ancestors, black writers from black ones. The truth is more complicated and more interesting. While African-American culture shaped Huckleberry Finn, that novel, in turn, helped shape African-American writing in the twentieth century. As Ralph Ellison commented in an interview with Fishkin, Twain "made it possible for many of us to find our own voices." Was Huck Black? dramatizes the crucial role of black voices in Twain's art, and takes the first steps beyond traditional cultural boundaries to unveil an American literary heritage that is infinitely richer and more complex than we had thought

     
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  8. Mark Twain and William James
    crafting a free self
    Author: Horn, Jason Gary
    Published: 1996
    Publisher:  Univ. of Missouri Press, Columbia [u.a.]

    In Mark Twain and William James, Jason Gary Horn offers the first thorough investigation of the relationship between Mark Twain and William James, emphasizing Twain's friendship with James beyond their shared intellectual interests. James, in fact,... more

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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    In Mark Twain and William James, Jason Gary Horn offers the first thorough investigation of the relationship between Mark Twain and William James, emphasizing Twain's friendship with James beyond their shared intellectual interests. James, in fact, provides the cultural mirror most capable of reflecting Twain's own shifting thought and illuminating his often vaguely defined philosophical observations. Focusing on the experience of freedom embodied in three Twain texts, Adventures of Huckleberry Finn, Personal Recollections of Joan of Arc, and No. 44, the Mysterious Stranger, this book encapsulates both Twain's early and late theoretical speculations on the nature of the divided self. From the thoughts and actions of the protagonists in these works, we can trace and follow Twain's fictive map of mind, one that eventually leads to a new vision of personal freedom. Horn moves gracefully and effectively between James and Twain, expounding the virtues of the mind and temperament of James against which we can best observe Twain's mind and philosophical temperament. Providing a fresh estimate of Mark Twain's later years, Mark Twain and William James constitutes a significant revision in our way of viewing one of America's important, endearing, and yet intellectually undersung writers.

     
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  9. Black, white, and Huckleberry Finn
    re-imagining the American dream
    Author: Mensh, Elaine; Mensh, Harry
    Published: 2000
    Publisher:  Univ. of Alabama Press, Tuscaloosa [u.a.]

    Location:
    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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  10. Refiguring Huckleberry Finn
    Author: Wieck, Carl F.
    Published: 2000
    Publisher:  Univ. of Georgia Press, Athens [u.a.]

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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  11. The dramatic unity of Huckleberry Finn
    Published: 1976
    Publisher:  Ohio State Univ. Press, Columbus

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Würzburg
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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0814202381
    RVK Categories: HT 4705
    Series: The Ohio State University Press Open Access Initiative
    Subjects: Boys in literature; Fiction; Finn, Huckleberry (Fictitious character); Handlung <Literatur>
    Other subjects: Twain, Mark <1835-1910> / Adventures of Huckleberry Finn; Twain, Mark <1835-1910>: Adventures of Huckleberry Finn; Twain, Mark <1835-1910>; Twain, Mark (1835-1910): The adventures of Huckleberry Finn
    Scope: 1 Online-Ressource (XVIII, 201 S.)
  12. Mark Twain et la parole noire
    Author: Lavoie, Judith
    Published: 2002
    Publisher:  Presses de l'Univ. de Montréal, Montréal

    Location:
    Universitätsbibliothek Bayreuth
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  13. Mark Twain's Huckleberry Finn
    Race, class and society
    Author: Egan, Michael
    Published: 1977
    Publisher:  Chatto & Windus, London

    Location:
    Universitätsbibliothek Augsburg
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    Location:
    Internationale Jugendbibliothek
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    Universitätsbibliothek Regensburg
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  14. Huckleberry Finn
    Author: Beaver, Harold Lowther
    Published: 1987
    Publisher:  Allen & Unwin, London u.a.

    Location:
    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0048000779
    RVK Categories: HT 4705
    Edition: 1. publ.
    Series: Unwin critical library
    Subjects: Amerikaans; Romans; Finn, Huckleberry (Fictitious character)
    Other subjects: Twain, Mark <1835-1910> / Adventures of Huckleberry Finn; Twain, Mark <1835-1910> / Huckleberry Finn; Twain, Mark (1835-1910); Twain, Mark <1835-1910>: Adventures of Huckleberry Finn; Twain, Mark (1835-1910): The adventures of Huckleberry Finn
    Scope: 214 S.
    Notes:

    Literaturverz. S. [201] - 210
  15. One hundred years of Huckleberry Finn
    the boy, his book and American culture ; centennial essays
    Published: 1985
    Publisher:  Univ. of Missouri Press, Columbia

    Location:
    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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  16. Satire or evasion?
    black perspectives on Huckleberry Finn
    Published: 1992
    Publisher:  Duke Univ. Press, Durham [u.a.]

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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  17. Black, white, and Huckleberry Finn
    re-imagining the American dream
    Author: Mensh, Elaine; Mensh, Harry
    Published: 2001
    Publisher:  Univ. of Alabama Press, Tuscaloosa [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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  18. New essays on Adventures of Huckleberry Finn
    Published: 1985
    Publisher:  Cambridge Univ. Pr., Cambridge u.a.

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    TU Berlin, Universitätsbibliothek
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  19. The dramatic unity of Huckleberry Finn
    Author: Carrington, George C.
    Published: 1976
    Publisher:  Ohio State Univ. Press, Columbus

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    TU Berlin, Universitätsbibliothek
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  20. Huckleberry Finn
    Author: Beaver, Harold Lowther
    Published: 1987
    Publisher:  Allen & Unwin, London u.a.

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0048000779
    RVK Categories: HT 4705
    Edition: 1. publ.
    Series: Unwin critical library
    Subjects: Amerikaans; Romans; Finn, Huckleberry (Fictitious character)
    Other subjects: Twain, Mark <1835-1910> / Adventures of Huckleberry Finn; Twain, Mark <1835-1910> / Huckleberry Finn; Twain, Mark (1835-1910); Twain, Mark <1835-1910>: Adventures of Huckleberry Finn; Twain, Mark (1835-1910): The adventures of Huckleberry Finn
    Scope: 214 S.
    Notes:

    Literaturverz. S. [201] - 210
  21. One hundred years of Huckleberry Finn
    the boy, his book and American culture ; centennial essays
    Published: 1985
    Publisher:  Univ. of Missouri Press, Columbia

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 0826204570
    RVK Categories: HT 4705
    Subjects: Twain, Mark; Finn, Huckleberry (Fictitious character); Boys in literature
    Other subjects: Twain, Mark <1835-1910> / Adventures of Huckleberry Finn; Twain, Mark (1835-1910); Twain, Mark <1835-1910>: Adventures of Huckleberry Finn; Twain, Mark (1835-1910): The adventures of Huckleberry Finn
    Scope: XVIII, 428 S., Ill.
    Notes:

    Literaturverz. S. 405 - 417
  22. Mark Twain's Huckleberry Finn
    Race, class and society
    Author: Egan, Michael
    Published: 1977
    Publisher:  Chatto & Windus, London

    Location:
    TU Berlin, Universitätsbibliothek
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  23. Was Huck black?
    Mark Twain and African-American voices
    Author: Fishkin, Shelley Fisher
    Published: 1993
    Publisher:  Oxford Univ. Press, New York [u.a.]

    Published in 1884, Huckberry Finn has become one of the most widely taught novels in American curricula. But where did it come from, and what made it so distinctive? Shelly Fisher Fishkin suggests that in Huckleberry Finn, more than in any other... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Published in 1884, Huckberry Finn has become one of the most widely taught novels in American curricula. But where did it come from, and what made it so distinctive? Shelly Fisher Fishkin suggests that in Huckleberry Finn, more than in any other work, Mark Twain let African-American voices, language, and rhetorical traditions play a major role in the creation of his art. In Was Huck Black?, Fishkin combines close readings of published and unpublished writing by Twain with intensive biographical and historical research and insights gleaned from linguistics, literary theory, and folklore to shed new light on the role African-American voices played in the genesis of Huckleberry Finn. Given that book's importance in American culture, her analysis illuminates, as well, how African-American voices have shaped our sense of what is distinctively "American" about American literature Fishkin shows that Mark Twain was surrounded, throughout his life, by richly talented African-American speakers whose rhetorical gifts Twain admired candidly and profusely. A black child named Jimmy whom Twain called "the most art-less, sociable, and exhaustless talker I ever came across" helped Twain understand the potential of a vernacular narrator in the years before he began writing Huckberry Finn, and served as a model for the voice with which Twain would transform American literature. A slave named Jerry whom Twain referred to as an "impudent and satirical and delightful young black man" taught Twain about "signifying" - satire in an African-American vein - when Twain was a teenager (later Twain would recall that he thought him "the greatest man in the United States" at the time). Other African-American voices left their mark on Twain's imagination as well - but their role in the creation of his art has never been recognized Was Huck Black? adds a new dimension to current debates over multiculturalism and the canon. American literary historians have told a largely segregated story: white writers come from white literary ancestors, black writers from black ones. The truth is more complicated and more interesting. While African-American culture shaped Huckleberry Finn, that novel, in turn, helped shape African-American writing in the twentieth century. As Ralph Ellison commented in an interview with Fishkin, Twain "made it possible for many of us to find our own voices." Was Huck Black? dramatizes the crucial role of black voices in Twain's art, and takes the first steps beyond traditional cultural boundaries to unveil an American literary heritage that is infinitely richer and more complex than we had thought

     
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  24. Mark Twain and William James
    crafting a free self
    Author: Horn, Jason Gary
    Published: 1996
    Publisher:  Univ. of Missouri Press, Columbia [u.a.]

    In Mark Twain and William James, Jason Gary Horn offers the first thorough investigation of the relationship between Mark Twain and William James, emphasizing Twain's friendship with James beyond their shared intellectual interests. James, in fact,... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In Mark Twain and William James, Jason Gary Horn offers the first thorough investigation of the relationship between Mark Twain and William James, emphasizing Twain's friendship with James beyond their shared intellectual interests. James, in fact, provides the cultural mirror most capable of reflecting Twain's own shifting thought and illuminating his often vaguely defined philosophical observations. Focusing on the experience of freedom embodied in three Twain texts, Adventures of Huckleberry Finn, Personal Recollections of Joan of Arc, and No. 44, the Mysterious Stranger, this book encapsulates both Twain's early and late theoretical speculations on the nature of the divided self. From the thoughts and actions of the protagonists in these works, we can trace and follow Twain's fictive map of mind, one that eventually leads to a new vision of personal freedom. Horn moves gracefully and effectively between James and Twain, expounding the virtues of the mind and temperament of James against which we can best observe Twain's mind and philosophical temperament. Providing a fresh estimate of Mark Twain's later years, Mark Twain and William James constitutes a significant revision in our way of viewing one of America's important, endearing, and yet intellectually undersung writers.

     
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    Content information