Last searches

Results for *

Displaying results 1 to 2 of 2.

  1. Titian's "Venus of Urbino"
    Published: 1997
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    A quintessential work of the High Renaissance in Venice, Titian's Venus of Urbino also represents one of the major themes of Western art: the female nude. But how did Titian intend this work to be received? Is she Venus, as the popular title - a... more

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsgemäldesammlungen, Bibliothek
    No inter-library loan
    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Regensburg
    Unlimited inter-library loan, copies and loan
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
    Universitätsbibliothek Würzburg
    Unlimited inter-library loan, copies and loan

     

    A quintessential work of the High Renaissance in Venice, Titian's Venus of Urbino also represents one of the major themes of Western art: the female nude. But how did Titian intend this work to be received? Is she Venus, as the popular title - a modern invention - implies, or is she merely a courtesan? This book tackles this and other questions in six essays by European and American art historians. Examining the work within the context of Renaissance art theory, as well as the psychology and society of sixteenth-century Italy, and even in relation to Manet's nineteenth-century "translation" of the work, their observations begin and end with the painting itself and with appreciation of Titian's great achievement in creating this archetypal image of feminine beauty.

     

    Export to reference management software   RIS file
      BibTeX file
  2. Titian's "Venus of Urbino"
    Published: 1997
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    A quintessential work of the High Renaissance in Venice, Titian's Venus of Urbino also represents one of the major themes of Western art: the female nude. But how did Titian intend this work to be received? Is she Venus, as the popular title - a... more

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    A quintessential work of the High Renaissance in Venice, Titian's Venus of Urbino also represents one of the major themes of Western art: the female nude. But how did Titian intend this work to be received? Is she Venus, as the popular title - a modern invention - implies, or is she merely a courtesan? This book tackles this and other questions in six essays by European and American art historians. Examining the work within the context of Renaissance art theory, as well as the psychology and society of sixteenth-century Italy, and even in relation to Manet's nineteenth-century "translation" of the work, their observations begin and end with the painting itself and with appreciation of Titian's great achievement in creating this archetypal image of feminine beauty.

     

    Export to reference management software   RIS file
      BibTeX file
    Content information