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  1. Art History and Fetishism Abroad
    Global Shiftings in Media and Methods
    Author: Genge, Gabriele; Stercken, Angela
    Published: 2014
    Publisher:  transcript Verlag

    By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic... more

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    By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called »fetishes« take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839424117
    RVK Categories: LC 40465 ; LO 90850
    Series: Image ; 54
    Subjects: Culture; Ethnology; Cultural History; Arts; Visual Studies; Postcolonialism; Fine Arts; Fetishism; Object; Thingness; Transculturality; Medien; Postkolonialismus; Rezeption; Fetisch; Kunstproduktion; Kunstgeschichtsschreibung; Kunst
    Scope: 1 Online-Ressource
  2. Art history and fetishism abroad
    global shiftings in media and methods
    Contributor: Genge, Gabriele (Herausgeber); Stercken, Angela (Herausgeber)
    Published: 2014
    Publisher:  Transcript, Bielefeld

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  3. Art history and fetishism abroad
    global shiftings in media and methods
    Contributor: Genge, Gabriele (HerausgeberIn); Stercken, Angela (HerausgeberIn)
    Published: 2014
    Publisher:  transcript, Bielefeld

    By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic... more

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    By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called »fetishes« take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods

     
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    Source: Union catalogues
    Contributor: Genge, Gabriele (HerausgeberIn); Stercken, Angela (HerausgeberIn)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783839424117; 9783837624113
    Other identifier:
    RVK Categories: LC 40465 ; LO 90850
    Corporations / Congresses: International Conference "Between Fetish and Art" (2011, Duisburg; Essen; Bochum)
    Series: Image ; volume 54
    Subjects: Fetishism in art; Fetishism in art.; Fetisch.; Kunst.; Künste, Bildende Kunst allgemein.; Medien.; Art History, Fetishism, Culture, Object, Thingness, Visual Studies, Transculturality, Arts, Postcolonialism, Cultural History, Ethnology, Fine Arts; ART / History / General
    Other subjects: Arts; Cultural History; Culture; Ethnology; Fetishism; Fine Arts; Object; Postcolonialism; Thingness; Transculturality; Visual Studies
    Scope: 1 Online-Ressource (324 Seiten)
    Notes:

    Aus dem Impressum: "The essays collected in this publication are based on contributions to the international conference "Between Fetish and Art" which was held in January 2011 at the Duisburg-Essen University and the Ruhr University of Bochum [...]"

    cover Art History and Fetishism Abroad. Global Shiftings in Media and Methods; Content; Preface; Being Abroad - an Introduction; Phenomenologies; Survival of Images? Fetish and the Concept of the Image between West Africa and Europe; Speared Heads. Portraits as Things in 20th-Century Sculpture; Fetishism from the Space of Bowdich's Mission from Cape Coast Castle to Ashantee to the Time of Erasmus Osei Owusu's (film) Obidi? Aba: Time Will Tell; Production of Knowledge; Currency Affairs. Photography and Productivity

    Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of "African Art"[Arte]Fact, Object, Image. Jean-Michel Basquiat's Archives of the Black Atlantic; On a Pedestal? On the Problem of the Sculptural as a Category of Perception for Islamic Objects; Under the Influence of Things; Bocio. From nothingness to Liminality and Minimality; Encounters with Masks: Counter-Primitivism in 20th-Century Black Art; Fetishising Modernity: Bricolage Revisited; Fixing Shadows: Photography Beyond the Indexical; Politics of Identity

    Incorporations of the Other - Exotic Objects, Tropicalism, and AnthropophagyThe Court in Dakar. Political Aesthetics in the Post-Colony; Monumentality and Transnationality: The Fascination with Gigantic Ding Bronze Vessels in Modern China; Why Have There Been No Great Forgeries? Collectors, Artefacts, and the Question of Originality; Biographical Notes
  4. Art History and Fetishism Abroad
    Global Shiftings in Media and Methods
    Contributor: Genge, Gabriele (Herausgeber); Stercken, Angela (Herausgeber)
    Published: 2014
    Publisher:  transcript Verlag, Bielefeld

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  5. Art History and Fetishism Abroad
    Global Shiftings in Media and Methods
    Contributor: Genge, Gabriele (HerausgeberIn)
    Published: 2014
    Publisher:  transcript Verlag, Bielefeld

    By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic... more

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    By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called »fetishes« take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods. By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called »fetishes« take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods. Gabriele Genge is professor and chairholder of Art History and Theory at the University Duisburg-Essen (Germany). Her researches focus on visual culture from 18th to 21st centuries, on art and ethnography, modernism and postcolonialism. Angela Stercken (PhD) is art historian, curator, and writer focusing on art from the 19th to 21st centuries, exploring subjects such as the theory of image, the history of exhibition and the museum, the theory of art, space and technology, contemporary conceptual and digital art and transcultural processes.

     
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