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  1. Theatres of feeling
    affect, performance, and the eighteenth-century stage
    Author: Marsden, Jean I.
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    "Historicizing affect provides an important register of cultural developments, and because of this link between theatre and culture, explorations of performance as well as affect have turned to the work of Raymond Williams, in particular to his... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Historicizing affect provides an important register of cultural developments, and because of this link between theatre and culture, explorations of performance as well as affect have turned to the work of Raymond Williams, in particular to his discussion of 'structures of feelings,' as a means of approaching the complex operation of emotion and theatre. Williams's work has a strong affinity for eighteenth-century studies, and his discussion of what he famously termed 'structures of feeling' is admirably suited to a consideration of the overtly emotional world of eighteenth-century theatre. It is a slippery term, as Williams himself admits, and he suggests as an alternative structures of experience before rejecting that term because of its potential to imply past rather than present experience. These structures are, as Williams emphasizes, a process rather than an ideological system, growing out of lived experience, so that one of the crucial components of these structures of feeling is that they are immediate, situated in a specific moment"--

     
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  2. Dramatic minds
    performance, cognition, and the representation of interiority, essays in honour of Margarete Rubik
    Contributor: Huber, Werner (Publisher); Mettinger-Schartmann, Elke (Publisher); Müller-Zettelmann, Eva (Publisher); Rubik, Margarete
    Published: [2015]
    Publisher:  Peter Lang, Frankfurt am Main

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    Source: Union catalogues
    Contributor: Huber, Werner (Publisher); Mettinger-Schartmann, Elke (Publisher); Müller-Zettelmann, Eva (Publisher); Rubik, Margarete
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783653061802; 3653061806
    Series: Austrian studies in English ; Volume 105
    Subjects: Drama / Psychological aspects; Theater / Psychological aspects; Cognition in literature; Psychology and literature; Philosophy of mind in literature; Cognition in literature / (OCoLC)fst00866515; Drama / Psychological aspects / (OCoLC)fst00897494; Philosophy of mind in literature / (OCoLC)fst01060844; Psychology and literature / (OCoLC)fst01081551; Theater / Psychological aspects / (OCoLC)fst01149284; BIOGRAPHY & AUTOBIOGRAPHY / Literary
    Scope: 1 online resource (306 pages), illustrations
    Notes:

    Print version record

    Includes bibliographical references

    Cover; Table of Contents; Acknowledgements; Introduction (Eva Zettelmann and Elke Mettinger); Theoretical Approaches; Consciousness in Drama: A Cognitive Approach (Monika Fludernik); Drama and the Representation of Fictional Minds (Eva Zettelmann); From Medieval Iconography to Restoration Drama; Strategic Communication of Pathos and Suffering in Verbal and Visual Medieval Culture (Gabriella Mazzon); "Now is this golden crown like a deep well" -- Richard II from a Cognitive Point of View (Elke Mettinger)

    ""Othello"": Personality and Personality Building in Shakespeare's Tragedy and Verdi's Opera (Sabine Coelsch-Foisner)The ""Macbeth"" Trap: Productions of Shakespeare's Play in England, Germany, Austria and Switzerland (Michael Raab); ""Une Tempête"", Aimé Césaire's Subversion of the Imperial Scripts of Shakespeare's Tempest (Christa Knellwolf King); The Script of the Body and the Soul in ""The Country-Wife"" and ""Tristram Shandy"": the 'Cognitive Turn' from Restoration Drama to Sentimental Fiction (Dieter Fuchs); Modern Drama

    The (Im)Possible Worlds of Joe Orton: A Cognitive Approach to ""What the Butler Saw"" (Caterina Grasl)"I understand you not, my lord." -- Problems of Cognition and Perception in Tom Stoppard's Plays (Bernhard Reitz); John Arden and Margaretta D'Arcy -- A Cognitive Approach (Wolfgang J. Lippke); Pinter's One-Act Plays ""One for the Road, Mountain Language"", and ""Party Time"" in the Light of Conceptual Blending Theory (Ewald Mengel); Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama (Merle Tönnies)

    "Dennis is a Liar" -- Mendacity in the Plays of Dennis Kelly (Eckart Voigts)Breaking the Boundaries of Narrative: Post-Dramatic Story-Telling (Christopher Innes); Parapsychic Phenomena in Early Twentieth-Century American Drama (Peter Zenzinger); Tabula gratulatoria