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Displaying results 1 to 25 of 47.
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Der postindividualistische Roman
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Literary theory and Sanskrit poetics
language, consciousness, and meaning -
Lektüren
von der Autorintention hin zur freien Semiose ; Schleiermacher - Gadamer - Iser - Derrida - Pynchon - Kundera - Jelinek -
Approaches to teaching Pynchon's 'The crying of lot 49' and other works
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Aufbauende Zerstörung
zur Paradoxie des Geschichts-Sinns bei Franz Kafka und Thomas Pynchon -
New essays on The crying of lot 49
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Companion to the Crying of Lot 49
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A companion to the crying of lot 49
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Beyond and beneath the mantle
on Thomas Pynchon's The crying of lot 49 -
Postmodernism and notions of national difference
a comparison of postmodern fiction in Britain and America -
Der postindividualistische Roman
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A companion to The crying of lot 49
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Aufbauende Zerstörung
zur Paradoxie des Geschichts-Sinns bei Franz Kafka und Thomas Pynchon -
A companion to the crying of lot 49
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"How had it ever happened here?"
a constructivist reading of Thomas Pynchon's The crying of lot 49 and its role in the Pynchon canon -
Noise culture
Kultur und Ästhetik des Rauschens in der Informationsgesellschaft ; am Beispiel von Thomas Pynchon und Don DeLillo -
A companion to The crying of lot 49
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"How had it ever happened here?"
a constructivist reading of Thomas Pynchon's "The crying of lot 49" and its role in the Pynchon canon -
Reflecting on the city through literature
urban spaces, differences and embodiments -
The dialectics of black humor: process and product
a reorientation toward contemporary American and German black humor fiction -
New essays on the crying of lot 49
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Satire in narrative: Petronius, Swift, Gibbon, Melville, and Pynchon
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Lektüren
von der Autorintention hin zur freien Semiose ; Schleiermacher, Gadamer, Iser, Derrida, Pynchon, Kundera, Jelinek -
Noise culture
Kultur und Ästhetik des Rauschens in der Informationsgesellschaft ; am Beispiel von Thomas Pynchon und Don DeLillo -
"How had it ever happened here?"
a constructivist reading of Thomas Pynchon's "The crying of lot 49" and its role in the Pynchon canon