Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Narrow Search
Search narrowed by
Last searches

Results for *

Displaying results 1 to 8 of 8.

  1. Das Unschärfebild
    Medientheorie einer Wissensform
    Author: Lauenburger, Adina
    Published: [2019]
    Publisher:  Büchner-Verlag, Wissenschaft und Kultur, Marburg

    Location:
    Lehrstuhl und Institut für Kunstgeschichte, Bibliothek
    Signature:
    211:Mt 218
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Bonn
    Signature:
    2019/6171
    Inter-library loan:
    Loan of volumes, no copies

    Location:
    Universitätsbibliothek der Fernuniversität
    Signature:
    KNMX/LAUE
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Signature:
    45A2452
    Inter-library loan:
    Loan of volumes, no copies

    Location:
    Universitäts- und Landesbibliothek Münster
    Signature:
    3K 87331
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Paderborn
    Signature:
    KNMX3054
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Location:
    Universitätsbibliothek Paderborn
    Signature:
    KNMX3054+1
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 9783963171833; 3963171839
    Other identifier:
    9783963171833
    DDC Categories: 300
    Series: Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; Band 39
    Subjects: Medientheorie; Unschärfe; Kino
    Other subjects: Begriffsgeschichte; Diskurstheorie; Fernsehen; Film; Filmgeschichte; Gilles Deleuze; Josef von Sternberg; Kino; Leinwand; Lorenz Engell; Marshall McLuhan; Materialisierung; Medientheorie; Medienwissenschaft; Michel Foucault; Montage; Ornament; Schleier; Schärfentiefe; Taktilität; Techne; Telegrafie; Unschärfe; Video
    Scope: 325 Seiten, Illustrationen, 20.5 cm x 14.5 cm
    Notes:

    "Dieses Buch ist die durchgesehene Fassung meiner Dissertationsschrift ..." (Danksagung, S.8)

    Dissertation, Bauhaus-Universität Weimar, 2018
  2. Das Unschärfebild
    Medientheorie einer Wissensform
    Author: Lauenburger, Adina
    Published: [2019]
    Publisher:  Büchner-Verlag, Wissenschaft und Kultur, Marburg

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783963176982
    DDC Categories: 300
    Series: Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; Band 39
    Subjects: Unschärfe; Kino; Medientheorie
    Other subjects: Begriffsgeschichte; Diskurstheorie; Fernsehen; Film; Filmgeschichte; Gilles Deleuze; Josef von Sternberg; Kino; Leinwand; Lorenz Engell; Marshall McLuhan; Materialisierung; Medientheorie; Medienwissenschaft; Michel Foucault; Montage; Ornament; Schleier; Schärfentiefe; Taktilität; Techne; Telegrafie; Unschärfe; Video
    Scope: 1 Online-Ressource (325 Seiten), Illustrationen
    Notes:

    "Dieses Buch ist die durchgesehene Fassung meiner Dissertationsschrift ..." (Danksagung, S.8)

    Dissertation, Bauhaus-Universität Weimar, 2018
  3. Das Unschärfebild
    Medientheorie einer Wissensform
    Author: Lauenburger, Adina
    Published: 2019
    Publisher:  Büchner-Verlag, Marburg

    Export to reference management software   RIS file
      BibTeX file
  4. Das Unschärfebild
    Medientheorie einer Wissensform
    Author: Lauenburger, Adina
    Published: [2019]
    Publisher:  Büchner-Verlag, Marburg

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783963171833; 3963171839
    Other identifier:
    9783963171833
    Edition: [1. Auflage]
    Series: Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; Band 39
    Other subjects: (Produktform)Paperback / softback; (Produktform (spezifisch))Card cover; Begriffsgeschichte; Diskurstheorie; Fernsehen; Film; Filmgeschichte; Gilles Deleuze; Josef von Sternberg; Kino; Leinwand; Lorenz Engell; Marshall McLuhan; Materialisierung; Medientheorie; Medienwissenschaft; Michel Foucault; Montage; Ornament; Schleier; Schärfentiefe; Taktilität; Techne; Telegrafie; Unschärfe; Video; (VLB-WN)1744: Hardcover, Softcover / Medien, Kommunikation/Medienwissenschaft; (BISAC Subject Heading)SOC052000; (BISAC Subject Heading)ART057000
    Scope: 325 Seiten, Illustrationen, 22 cm
    Notes:

    Dissertation, Bauhaus-Universität Weimar, 2018
  5. Tracing Techne
    Distributed Histories of Invention, Creativity, and Text-Technologies in Rhetoric and Composition Scholarship from the 1990s
    Author: Healy, Michael John
    Published: 2021
    Publisher:  ProQuest Dissertations & Theses, Ann Arbor

    This dissertation presents a novel approach to tracing the history of techne in 1990s through a data feminist curation methodology that selects, models, visualizes, and analyzes a selection of 1990s journals in Rhetoric and Composition. This... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Inter-library loan:
    No inter-library loan

     

    This dissertation presents a novel approach to tracing the history of techne in 1990s through a data feminist curation methodology that selects, models, visualizes, and analyzes a selection of 1990s journals in Rhetoric and Composition. This dissertation arises from an interest with invention arising out of the 1990s to historicize creative pedagogies and theories of composing that were influenced by the discipline's own historiographic uptake of the social turn to contextualize theory, pedagogy, and rhetorical history. I turn to techne for its theorizing of rhetorical invention in deriving value in the process of making with language and the utility of things made with language and point to the difficulty of tracing techne through traditional database research tools and historiographic methodologies. Out of this historical moment, this dissertation asks: What can a keyword examination of techne in 1990s rhetoric and composition scholarship reveal about its historical placements in the field? What are the principal ways in which histories of techne are linked to (or have been delinked from) histories of creativity, imagination, invention, and text technologies? What material or residual aspects of techne should historiographers trace in order to best explore the constellations of techne in published scholarship? How can a data curation methodology assist with the emergence of this trace? I propose a feminist data curation as a methodology that brings together data feminism and rhetorical historiography to trace the impressions of techne within a corpus made of nine rhetoric and composition journals from the 1990s. This project provides a methodology for using big data methods in Rhetoric and Composition scholarship in data curation, and enriches digital humanities work in the discipline. Out of this corpus, I use data curation to generate and analyze topics models of the corpus and snapshots of the corpus to identify and contextualize impressions of techne which emerge. To assist with locating impressions of techne within the scholarship, I use Kelly Pender's five composition definitions of techne, topic modeling, and visualizations to trace impressions of techne within the scholarship of the decade. Visualizations help to contextualize and argue for relationships and trend in the generated topic models for the impressions of techne. Using data curation to trace techne, I found that impressions of the techne can be found throughout the decade and embedded within and alongside a number of other contexts. I then create a provisional historiographic trace of techne using data to support a re-historicization of the concept as emerging form 1990s scholarship. I further the history of techne through these provisional tracings of the concept through the selection of scholarship in the 1990s and propose avenues for enriching the history of techne. I also suggest that this history enriches theories of invention that inform current theory and pedagogies for composition.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9798460426096
    Series: Dissertations Abstracts International
    Subjects: Rhetoric; Data curation; Digital humanities; History; Invention; Techne; Topic modeling
    Scope: 1 Online-Ressource (1 electronic resource (229 pages))
    Notes:

    Source: Dissertations Abstracts International, Volume: 83-04, Section: A. - Advisors: Graban, Tarez Samra Committee members: Houck, Davis; Fleckenstein, Kristie S.; Neal, Michael

    Ph.D., The Florida State University, 2021.
  6. Tracing Techne
    Distributed Histories of Invention, Creativity, and Text-Technologies in Rhetoric and Composition Scholarship from the 1990s
    Author: Healy, Michael John
    Published: 2021
    Publisher:  ProQuest Dissertations & Theses, Ann Arbor

    This dissertation presents a novel approach to tracing the history of techne in 1990s through a data feminist curation methodology that selects, models, visualizes, and analyzes a selection of 1990s journals in Rhetoric and Composition. This... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This dissertation presents a novel approach to tracing the history of techne in 1990s through a data feminist curation methodology that selects, models, visualizes, and analyzes a selection of 1990s journals in Rhetoric and Composition. This dissertation arises from an interest with invention arising out of the 1990s to historicize creative pedagogies and theories of composing that were influenced by the discipline's own historiographic uptake of the social turn to contextualize theory, pedagogy, and rhetorical history. I turn to techne for its theorizing of rhetorical invention in deriving value in the process of making with language and the utility of things made with language and point to the difficulty of tracing techne through traditional database research tools and historiographic methodologies. Out of this historical moment, this dissertation asks: What can a keyword examination of techne in 1990s rhetoric and composition scholarship reveal about its historical placements in the field? What are the principal ways in which histories of techne are linked to (or have been delinked from) histories of creativity, imagination, invention, and text technologies? What material or residual aspects of techne should historiographers trace in order to best explore the constellations of techne in published scholarship? How can a data curation methodology assist with the emergence of this trace? I propose a feminist data curation as a methodology that brings together data feminism and rhetorical historiography to trace the impressions of techne within a corpus made of nine rhetoric and composition journals from the 1990s. This project provides a methodology for using big data methods in Rhetoric and Composition scholarship in data curation, and enriches digital humanities work in the discipline. Out of this corpus, I use data curation to generate and analyze topics models of the corpus and snapshots of the corpus to identify and contextualize impressions of techne which emerge. To assist with locating impressions of techne within the scholarship, I use Kelly Pender's five composition definitions of techne, topic modeling, and visualizations to trace impressions of techne within the scholarship of the decade. Visualizations help to contextualize and argue for relationships and trend in the generated topic models for the impressions of techne. Using data curation to trace techne, I found that impressions of the techne can be found throughout the decade and embedded within and alongside a number of other contexts. I then create a provisional historiographic trace of techne using data to support a re-historicization of the concept as emerging form 1990s scholarship. I further the history of techne through these provisional tracings of the concept through the selection of scholarship in the 1990s and propose avenues for enriching the history of techne. I also suggest that this history enriches theories of invention that inform current theory and pedagogies for composition.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9798460426096
    Series: Dissertations Abstracts International
    Subjects: Rhetoric; Data curation; Digital humanities; History; Invention; Techne; Topic modeling
    Scope: 1 Online-Ressource (1 electronic resource (229 pages))
    Notes:

    Source: Dissertations Abstracts International, Volume: 83-04, Section: A. - Advisors: Graban, Tarez Samra Committee members: Houck, Davis; Fleckenstein, Kristie S.; Neal, Michael

    Ph.D., The Florida State University, 2021.
  7. <<Das>> Unschärfebild
    Medientheorie einer Wissensform
    Author: Lauenburger, Adina
    Published: [2019]
    Publisher:  Büchner-Verlag, Wissenschaft und Kultur, Marburg

    Location:
    Universitätsbibliothek der RWTH Aachen
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Bonn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der Fernuniversität
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Paderborn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783963171833; 3963171839
    Other identifier:
    9783963171833
    DDC Categories: 300
    Series: Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; Band 39
    Subjects: Kino; Unschärfe; Medientheorie; Unschärfe
    Other subjects: Begriffsgeschichte; Diskurstheorie; Fernsehen; Film; Filmgeschichte; Gilles Deleuze; Josef von Sternberg; Kino; Leinwand; Lorenz Engell; Marshall McLuhan; Materialisierung; Medientheorie; Medienwissenschaft; Michel Foucault; Montage; Ornament; Schleier; Schärfentiefe; Taktilität; Techne; Telegrafie; Unschärfe; Video
    Scope: 325 Seiten, Illustrationen, 20.5 cm x 14.5 cm
    Notes:

    "Dieses Buch ist die durchgesehene Fassung meiner Dissertationsschrift ..." (Danksagung, S.8)

    Dissertation, Bauhaus-Universität Weimar, 2018
  8. <<Das>> Unschärfebild
    Medientheorie einer Wissensform
    Author: Lauenburger, Adina
    Published: [2019]
    Publisher:  Büchner-Verlag, Wissenschaft und Kultur, Marburg

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
    Inter-library loan:
    No inter-library loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783963176982
    DDC Categories: 300
    Series: Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; Band 39
    Subjects: Kino; Unschärfe; Medientheorie; Unschärfe
    Other subjects: Begriffsgeschichte; Diskurstheorie; Fernsehen; Film; Filmgeschichte; Gilles Deleuze; Josef von Sternberg; Kino; Leinwand; Lorenz Engell; Marshall McLuhan; Materialisierung; Medientheorie; Medienwissenschaft; Michel Foucault; Montage; Ornament; Schleier; Schärfentiefe; Taktilität; Techne; Telegrafie; Unschärfe; Video
    Scope: 1 Online-Ressource (325 Seiten), Illustrationen
    Notes:

    "Dieses Buch ist die durchgesehene Fassung meiner Dissertationsschrift ..." (Danksagung, S.8)

    Dissertation, Bauhaus-Universität Weimar, 2018