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Displaying results 1 to 25 of 250.

  1. Sound Rising from the Paper
    Nineteenth-Century Martial Arts Fiction and the Chinese Acoustic Imagination
    Author: Keulemans, Paize
    Published: 2014
    Publisher:  BRILL, Leiden

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781684175444; 9780674417120
    Other identifier:
    Series: Harvard East Asian Monographs ; 369
    Harvard University Asia Center E-Book Collection, ISBN: 9789004407077
    Subjects: Chinese fiction; Martial arts fiction, Chinese; Sound in literature; Sound
    Scope: 1 Online-Ressource
  2. Paysages sonores du Moyen Âge
    le versant épistémologique
    Author: Fritz, Jean-Marie
    Published: 2000
    Publisher:  Champion, Paris

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 425110
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2745303244
    RVK Categories: IE 4438
    Series: Sciences, techniques et civilisations du Moyen Âge à l'aube des Lumières ; 5
    Subjects: Literature, Medieval; Music; Noise in literature; Senses and sensation in literature; Sound in literature
    Scope: 477 S
  3. Eardrums
    literary modernism as sonic warfare
    Author: Whitney, Tyler
    Published: [2019]; ©2019
    Publisher:  Northwestern University Press, Evanston, Illinois

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    Saarländische Universitäts- und Landesbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780810140233
    Subjects: German literature ; 19th century ; History and criticism; German literature ; 20th century ; History and criticism; Modernism (Literature) ; Germany ; History and criticism; Sound in literature; Electronic books
    Scope: 1 online resource (233 pages)
    Notes:

    Includes bibliographical references and index. Description based on print version record
  4. Postcolonial overtures
    the politics of sound in contemporary Northern Irish poetry
    Author: Obert, Julia C.
    Published: 2015
    Publisher:  Syracuse University Press, Syracuse

    c -- Obert Final -- bc more

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    Hochschulbibliothek Friedensau
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    c -- Obert Final -- bc

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Edition: First edition
    Series: Irish studies
    Subjects: English poetry; Sound in literature; English poetry
    Other subjects: Carson, Ciaran (1948-); Muldoon, Paul; Mahon, Derek (1941-)
    Scope: Online-Ressource (pages cm)
    Notes:

    Includes bibliographical references and index

    Of homing refrainsCiaran Carson: sounding the city -- Ciaran Carson: from song to stutter -- Derek Mahon: bearing earwitness -- Derek Mahon: a "politics of frequency" -- Paul Muldoon: becoming opera -- Paul Muldoon: poetic sonography -- Coda: "the new north".
  5. Sounding modernism
    rhythm and sonic mediation in modern literature and film
    Contributor: Murphet, Julian (HerausgeberIn); Groth, Helene (HerausgeberIn); Hone, Penelope (HerausgeberIn)
    Published: [2017]
    Publisher:  Edinburgh University Press, Edinburgh

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 6713
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    Source: Staatsbibliothek zu Berlin
    Contributor: Murphet, Julian (HerausgeberIn); Groth, Helene (HerausgeberIn); Hone, Penelope (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1474416365; 9781474416368
    Subjects: English literature; English literature; Sound in literature; Modernism (Aesthetics); Sound (Philosophy); Sound in literature; Sound in motion pictures
    Scope: 254 Seiten, Illustrationen
  6. Sound rising from the paper
    nineteenth century martial arts fiction and the Chinese acoustic imagination
    Author: Keulemans, Paize
    Published: 2014
    Publisher:  Harvard Univ. Asia Center [u.a.], Cambridge, Mass.

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    Universitäts- und Landesbibliothek Münster
    Signature:
    3K 54681
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780674417120
    Series: Harvard East Asian monographs ; 369
    Subjects: Martial arts fiction, Chinese; Chinese fiction; Sound in literature; Sound; Literatur; Chinesisch; Geräusch <Motiv>; Kampfsport
    Scope: XIII, 324 S., Ill., 23 cm
  7. Victorian soundscapes
    Author: Picker, John M.
    Published: 2003
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    Location:
    Hochschule für Musik Detmold, Bibliothek
    Signature:
    MLe 77
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    Universitäts- und Landesbibliothek Düsseldorf
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    Universitäts- und Landesbibliothek Münster
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    3H 83889
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  8. El mundo sonoro de Gabriel Miró
    Author: Porpetta, Antonio
    Published: 1996
    Publisher:  Fundación Caja del Mediterráneo, Alicante

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    Universität Köln, Romanisches Seminar, Bibliothek
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    412/Sp/M1250POR/1
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    Source: Union catalogues
    Language: Spanish
    Media type: Book
    ISBN: 847599167X
    Subjects: Sensualismus; Klang <Motiv>
    Other subjects: Miró, Gabriel (1879-1930); Miró, Gabriel / 1879-1930 / Criticism and interpretation; Sound in literature
    Scope: 325 S
    Notes:

    Based on the author's thesis (doctoral--Universidad Complutense de Madrid). - Includes bibliographical references (p. [309]-325)
  9. Sonic modernity
    representing sound in literature, culture and the arts
    Author: Halliday, Sam
    Published: [2013]
    Publisher:  Edinburgh University Press, Edinburgh

    Drawing on a wealth of texts and thinkers, the book shows the distinctive nature of sonic cultures in modernity. Arguing that these cultures are not reducible to sound alone, the book further shows that these encompass representations of sound in... more

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    Drawing on a wealth of texts and thinkers, the book shows the distinctive nature of sonic cultures in modernity. Arguing that these cultures are not reducible to sound alone, the book further shows that these encompass representations of sound in 'other' media: especially literature; but also, cinema and painting. Figures discussed include canonical writers such as Joyce, Richardson, and Woolf; relatively neglected writers such as Henry Roth and Bryher; and a whole host of musicians, artists, and other commentators, including Wagner, Schoenberg, Kandinsky, Adorno, and Benjamin. Conceptually as well as topically diverse, the book engages issues such as city noise and 'foreign' accents, representations of sound in 'silent' cinema, the relationship of music to language, and the effects of technology on sonic production and reception Introduction : the sonic cultures of modernity -- Theorising sound and hearing -- Sound and social life -- Seeing sound -- Modernising music -- The art of listening

     
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  10. Sounding modernism
    rhythm and sonic mediation in modern literature and film
    Contributor: Murphet, Julian (Herausgeber); Groth, Helen (Herausgeber); Hone, Penelope (Herausgeber)
    Published: [2018]
    Publisher:  Edinburgh University Press, Edinburgh

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    Universitäts- und Landesbibliothek Düsseldorf
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    anga869.m978
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    Source: Union catalogues
    Contributor: Murphet, Julian (Herausgeber); Groth, Helen (Herausgeber); Hone, Penelope (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9781474437721; 9781474416368
    Subjects: English literature; English literature; Sound in literature; Modernism (Aesthetics); Sound; Ästhetik; Film; Moderne; Literatur; Englisch
    Scope: vi, 254 Seiten, 24 cm
  11. Resonant Alterities
    Sound, Desire and Anxiety in Non-Realist Fiction
    Author: Mieszkowski, Sylvia
    Published: [2014]; ©2014
    Publisher:  transcript-Verlag, Bielefeld

    »Resonant Alterities« bridges the gap between sound studies and literary criticism. A queer ghost story by Vernon Lee, an occultist novel of psychic adventure by Algernon Blackwood, a dystopian science fiction tale by J.G. Ballard and a... more

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    Hochschulbibliothek der Fachhochschule Aachen
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    »Resonant Alterities« bridges the gap between sound studies and literary criticism. A queer ghost story by Vernon Lee, an occultist novel of psychic adventure by Algernon Blackwood, a dystopian science fiction tale by J.G. Ballard and a post-traumatic short novel by Don DeLillo are its primary objects of analysis. Each is explored within the context of its contemporary cultural debates on sound. Meanwhile, all four theory-enriched readings focus on intersecting and desire-laden processes of meaning making, knowledge production and subject formation. Focal points are aurally/audio-visually structured phenomena expressive of both collective and individual anxieties

     
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  12. The Novel and the Multispecies Soundscape
    Author: De Bruyn, Ben
    Published: 2020
    Publisher:  Springer International Publishing AG, Cham ; ProQuest, Ann Arbor, Michigan

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030301224
    Series: Palgrave Studies in Animals and Literature Ser.
    Subjects: Literatur; Tiere <Motiv>; Geräusch <Motiv>; Sound in literature
    Scope: 1 Online-Ressource (310 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  13. Sound recording technology and American literature from the phonograph to the remix
    Author: Teague, Jessica
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge, UK

    Phonographs, tapes, stereo LPs, digital remix - how did these remarkable technologies impact American writing? This book explores how twentieth-century writers shaped the ways we listen in our multimedia present. Uncovering a rich new archive of... more

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Universität Frankfurt, Elektronische Ressourcen
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    Phonographs, tapes, stereo LPs, digital remix - how did these remarkable technologies impact American writing? This book explores how twentieth-century writers shaped the ways we listen in our multimedia present. Uncovering a rich new archive of materials, this book offers a resonant reading of how writers across several genres, such as John Dos Passos, Langston Hughes, William S. Burroughs, and others, navigated the intermedial spaces between texts and recordings. Numerous scholars have taken up remix - a term co-opted from DJs and sound engineers - as the defining aesthetic of twenty-first century art and literature. Others have examined modernism's debt to the phonograph. But in the gap between these moments, one finds that the reciprocal relationship between the literary arts and sonic technologies continued to evolve over the twentieth century. A mix of American literary history, sound studies, and media archaeology, this interdisciplinary study will appeal to scholars, students, and audiophiles.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108879002
    Series: Cambridge studies in American literature and culture
    Subjects: Literatur; Geräusch; Musik <Motiv>; CD <Motiv>; Phonograph; Technologie <Motiv>; American literature; Sound; Literature and technology; Sound in literature
    Scope: 1 Online-Ressource (xi, 248 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 07 May 2021)
  14. Sounding modernism
    rhythm and sonic mediation in modern literature and film
    Contributor: Murphet, Julian (Herausgeber); Groth, Helen (Herausgeber); Hone, Penelope (Herausgeber)
    Published: 2020
    Publisher:  Oxford University Press, Oxford

    This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies.

     
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    Source: Union catalogues
    Contributor: Murphet, Julian (Herausgeber); Groth, Helen (Herausgeber); Hone, Penelope (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474434591
    Other identifier:
    Series: Edinburgh scholarship online
    Subjects: Englisch; Literatur; Moderne; Sound; Ästhetik; Film; Sound (Philosophy); Sound in literature; Sound in motion pictures
    Scope: 1 Online-Ressource (vi, 254 pages).
    Notes:

    Previously issued in print: Edinburgh: Edinburgh University Press, 2017

    Includes bibliographical references and index
  15. Sonic modernity
    representing sound in literature, culture and the arts
    Author: Halliday, Sam
    Published: 2013
    Publisher:  Edinburgh University Press, Edinburgh ; Oxford University Press, Oxford

    Drawing on a wealth of primary and secondary source materials this book describes the distinctive nature of modernity's sonic cultures, arguing controversially that they are not reducible to sound alone. In fact, they encompass representations of... more

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    Drawing on a wealth of primary and secondary source materials this book describes the distinctive nature of modernity's sonic cultures, arguing controversially that they are not reducible to sound alone. In fact, they encompass representations of sound in 'other' media as well, particularly within literature yet also within cinema and painting.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748689156
    Other identifier:
    RVK Categories: AP 14900 ; EC 2440
    Series: Edinburgh critical studies in modernist culture
    Subjects: Literatur; Kunst; Film; Moderne; Klang <Motiv>; Klang; Musikwahrnehmung; Sound; Sound in literature; Sound in motion pictures; Sound in art; Modernism (Literature); Modernism (Art)
    Scope: 1 Online-Ressource (ix, 206 pages), Illustrations (black and white).
    Notes:

    Includes bibliographical references and index
  16. The fact of resonance
    modernist acoustics and narrative form
    Author: Napolin, Julie Beth
    Published: 2021
    Publisher:  Fordham University Press, New York ; Oxford University Press, Oxford

    'The Fact of Resonance' returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. The text shows how the experience of reading is... more

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    'The Fact of Resonance' returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. The text shows how the experience of reading is undergirded by the sonic.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823290468
    Other identifier:
    RVK Categories: EC 5410
    Edition: First edition.
    Series: Idiom. Inventing writing theory
    Fordham scholarship online
    Subjects: Modernism (Literature); Literature; Sound in literature
    Other subjects: Conrad, Joseph (1857-1924)
    Scope: 1 Online-Ressource (288 pages), Illustrations (black and white).
    Notes:

    This edition previously issued in print: 2020

    Includes bibliographical references and index
  17. Germany in the loud twentieth century
    an introduction
    Contributor: Feiereisen, Florence; Hill, Alexandra Merley
    Published: 2011
    Publisher:  Oxford University Press, New York

    This book introduces German Sound Studies using a transdisciplinary approach. It invites readers to auralize space by describing characteristically German soundscapes in the long twentieth century, including the noisy city of the early 1900s the... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    This book introduces German Sound Studies using a transdisciplinary approach. It invites readers to auralize space by describing characteristically German soundscapes in the long twentieth century, including the noisy city of the early 1900s the sounds of East and West Germany, and hip-hop soundscapes of the millennium.

     
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    Source: Union catalogues
    Contributor: Feiereisen, Florence; Hill, Alexandra Merley
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199918911
    Other identifier:
    DDC Categories: 780; 300; 943
    Subjects: Literatur; Kulturelle Identität; Geräusch; Lärm; Lärmbelastung; Klangkunst; Sound; Loudness; Space; Music; German literature; Sound in literature; National characteristics, German
    Scope: 1 Online-Ressource (xiii, 184 p.), Ill.
    Notes:

    Includes bibliographical references and index
  18. Navigating urban soundscapes
    Dublin and Los Angeles in fiction
    Author: Eisenberg, Annika
    Published: 2023
    Publisher:  Palgrave Macmillan, Cham

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    D 126/3282
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    01/HN 1031 E36
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9783031167331; 3031167333
    RVK Categories: HN 1031
    Series: Literary urban studies
    Subjects: Sound in literature; City and town life in literature; City sounds; City sounds; City and town life in literature; City sounds; Sound in literature
    Scope: xii, 244 Seiten, 21 cm.
    Notes:

    Dissertation, Johann Wolfgang Goethe-Universität in Frankfurt am Main$Z2020,
  19. The treatment of sounds in language and literature
    Author: Chapman, Raymond
    Published: 1984
    Publisher:  Blackwell u.a., Oxford

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    ISBN: 0631136576
    RVK Categories: HG 180
    Edition: 1. publ.
    Series: The language library
    Subjects: English literature; Sound in literature; Schriftsprache; Literatur; Lautsymbolik; Englisch; Phonetik; Phonologie; Lautmalerei; Semantik
    Scope: 262 S.
  20. Gothic voices
    the vococentric soundworld of Gothic writing
    Author: Foley, Matt
    Published: 2023
    Publisher:  Cambridge University Press, Cambridge

    Drawing inspiration from the field of 'sonic Gothic' studies, which has been spearheaded by the writings of Isabella van Elferen, as well as from Mladen Dolar's articulation of the psychoanalytic 'object' voice, this study introduces the critical... more

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Drawing inspiration from the field of 'sonic Gothic' studies, which has been spearheaded by the writings of Isabella van Elferen, as well as from Mladen Dolar's articulation of the psychoanalytic 'object' voice, this study introduces the critical category of 'vococentric Gothic' into Gothic scholarship. In so doing, it reads important moments in Gothic fiction when the voice takes precedence as an uncanny, monstrous or seductive object. Historically informed, the range of readings proffered demonstrate the persistence of these vocal motifs across time (from the Gothic romance to contemporary Gothic) and across intermedia forms (from literature to film to podcasts). Gothic Voices, then, provides the first dedicated account of voices of terror and horror as they develop in the Gothic mode from the Romantic period until today.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Series: Cambridge elements. Elements in the Gothic
    Subjects: Gothic fiction (Literary genre); Sound in literature; Voice in literature
    Scope: 1 Online-Ressource (65 pages)
    Notes:

    Description based on online resource; title from PDF title page (viewed on February 3, 2023)
  21. Joyce's music and noise
    theme and variation in his writings
    Author: Weaver, Jack W.
    Published: 1998
    Publisher:  Univ. Press of Florida, Gainesville [u.a.]

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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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  22. Paysages sonores du Moyen Âge
    le versant épistémologique
    Author: Fritz, Jean-Marie
    Published: 2000
    Publisher:  Champion, Paris

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Verlag (Inhaltsverzeichnis)
    Verlag (Klappentext)
    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2745303244
    RVK Categories: IE 4438
    Series: Sciences, techniques et civilisations du Moyen Âge à l'aube des Lumières ; 5
    Subjects: Literature, Medieval; Music; Noise in literature; Senses and sensation in literature; Sound in literature
    Scope: 477 S
  23. Dichtung für die Ohren
    Literatur als tonale Kunst in der Moderne
    Contributor: Herrmann, Britta (HerausgeberIn)
    Published: [2015]; © 2015
    Publisher:  Vorwerk 8, Berlin

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Herrmann, Britta (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783940384676
    Other identifier:
    9783940384676
    Parent title:
    RVK Categories: ER 985 ; GN 1411 ; EC 2440
    Series: Audiotexte: Klang - Kunst - Kultur ; Bd. 1
    Subjects: Sound in literature; Sound recordings in literature; Poetics; Oral interpretation of poetry; German poetry; German poetry
    Scope: 374 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Literaturangaben

    Britta Herrmann: Auralität und Tonalität in der Moderne : Aspekte einer Ohrenphilologie

    Katja Meilmann: Theoretische Perspektiven zu Lesen, Hören und Klang ; Das innere Ohr : zum Phänomen der Subvokalisierung in stiller Lektüre

    Hans Lösener: Was hören wir beim Lesen? Zu einer Aporie kognitionspsychologischer Lesemodelle

    Patrizia Noel Aziz Hanna: Pause versus Stille

    Elena Ungeheuer: Sprachklang und Stimmklang als ästhetische Netzwerke : zur Analysierbarkeit klingender Dichtung

    Reinhart Meyer-Kalkus: Rhapsodenkünste : Überlegungen zur Geschichte und Theorie literarischer Vortragskünste

    Britta Herrmann: Goethe als Sound-Objekt : Phonographische Fantasien um 1900 und Aspekte einer Medienkulturwissenschaft des Klangs

    Lars Korten: Aspekte tonaler Poetiken ; Akzent und Ton : Prosodische Klang-Grundsätze in Martin Opitz' und Enoch Hanmanns Dichtungslehren

    Till Dembeck: Was ist hier defekt? Sprachdifferenz und Laut in Gedichten Ernst Jandls und Oskar Pastiors

    Monika Schmitz-Emans: Visionen akustischer Literatur : die Idee der Tonalität von Dichtung als Stimulus graphischer und buchgestalterischer Kunst

    John Neubauer: Stimme, Musik und Verschriftlichung : die wechselnden Aufschreibesysteme der Hebrew Melodies

    Harun Maye: Lautlesen als Programm : über das Hersagen von Gedichten im George-Kreis

    Vera Mütherig: Radio und Audio : medienästhetische Reflexionen ; "Das Ohr ist klüger als das Gedicht" : Autorenlesung als Form akustischer Literatur : Paratextuelle Rahmungsstrategien im Medium Hörbuch

    Ortwin Lämke: Hörbuchstimme : Hörbuchtext : die Stimme im Lyrik-Hörbuch als Medium des 'lyrischen' Ich?

    Klaus Schenk: Stimmen der 'Gegenzeit' : zur radiophonen Schreibweise von Ingeborg Bachmann

    Ines Bose: Radiostimmen (Radio-Ästhetiken : Radio-Identitäten)

    Lothar van Laak: Das "halbe Ohr des Hörers" : zum Problem der Aufmerksamkeit in den Radiotheorien von Rudolf Arnheim und Bertolt Brecht

    Michael Grote: Horoskop des Hörspiels 2012 : zur Geschichte und Gegenwart der akustischen Kunst

    : Zu den Beiträger, innen dieses Bandes.
  24. Literarische Resonanzen
    Studien zu Stimme und Raum
    Author: Fockel, Henrik
    Published: [2014]; © 2014
    Publisher:  LIT, Berlin

    Am Telefon : imaginierte Anwesenheit in Dieter Wellershoffs Die Sirene -- Am Radio : Wege aus der "Sprachhölle" in Friedrich Christian Delius' Der Sonntag, an dem ich Weltmeister wurde -- Am Grammophon : zum Kapitel "Fülle des Wohllauts" in Thomas... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Am Telefon : imaginierte Anwesenheit in Dieter Wellershoffs Die Sirene -- Am Radio : Wege aus der "Sprachhölle" in Friedrich Christian Delius' Der Sonntag, an dem ich Weltmeister wurde -- Am Grammophon : zum Kapitel "Fülle des Wohllauts" in Thomas Manns Der Zauberberg -- Am Lautsprecher : Herrenstimmen, Frontorgane, Lauschangriffe in Flughunde von Marcel Beyer -- Hier spricht der Dichter : auf der Lesebühne mit Georg Klein, Brigitte Oleschinski und Ulrike Draesner -- Im Theater : Friederike Kretzens Die Souffleuse und Ulla Berkewiczs Adam -- "Op huhdüksch" : Ulla Hahns Das verborgene Wort -- "Neue fremde Wörter" lernen : Sten Nadolnys Selim oder Die Gabe der Rede -- Auf Marktplätzen und Minaretten : Elias Canettis Die Stimmen von Marrakesch -- Übertragungen : zur körperlichen Aneignung der Stimme des Anderen am Beispiel von Don DeLillos Körperzeit -- Schrei, Stille, Schmerz : Anne Dudens Das Judasschaf -- Vom Gackern und Glucken oder "Der Schreier von Moor" in Christoph Ransmayrs Morbus Kitahara -- "Luftröhrengewitter" : Stimme und Gewalt in Ursula Krechels Der Übergriff -- Zur Aphasie in Siegfried Lenz' Der Verlust -- Jenseits von Zeit und Raum : magische und ästhetische Stimmen -- "Er jubilierte über die Entdeckung der Musik" : zum Gehör und Stimmklang Robert Schneiders Schlafes Bruder -- Mit Engelszungen : Margriet de Moors Der Virtuose -- Gott hat schon lang nichts mehr von sich hören lassen" : die Suche nach der Vox Dei in Helmut Kraussers Melodien

     
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783643128324
    RVK Categories: GE 5222
    Series: Literatur und ihre Kontexte ; Band4
    Subjects: German literature; German literature; Voice in literature; Sound in literature; Space in literature
    Scope: VIII, 367 Seiten, 21 cm
    Notes:

    Dissertation, Universität Paderborn, 2013
  25. The sound of Shakespeare
    Published: 2002
    Publisher:  Routledge, London

    "The Sound of Shakespeare reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture." "In this study, Wes Folkerth develops... more

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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    "The Sound of Shakespeare reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture." "In this study, Wes Folkerth develops listening as a critical practice, attending to the ways in which Shakespeare's plays express their author's awareness of early modern associations between sound and particular forms of ethical and aesthetic experience. Through readings of the acoustic representation of deep subjectivity in Richard III, of the 'public ear' in Antony and Cleopatra, the receptive ear in Coriolanus, the grotesque ear in A Midsummer Night's Dream, the 'greedy ear' in Othello, and the 'willing ear' in Measure for Measure, Folkerth demonstrates that by listening to Shakespeare himself listening, we derive a fuller understanding of why his works continue to resonate so strongly with us today."--BOOK JACKET

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781317797210; 1317797213
    RVK Categories: HI 3385 ; HI 3381 ; HI 3370
    Series: Accents on Shakespeare
    Subjects: Sound in literature; Sound in literature
    Other subjects: Shakespeare, William 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William 1564-1616
    Scope: Online Ressource (xii, 147 pages)
    Notes:

    Includes bibliographical references (pages 131-141) and index. - Print version record

    1. Shakespearience2. The public ear -- 3. Receptivity -- 4. Transformation and continuity -- 5. Shakespearean acoustemologies