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Displaying results 1 to 4 of 4.

  1. The collected letters of Charlotte Smith
    Published: 2010
    Publisher:  Indiana University Press, Bloomington

    One of the most popular poets of her time, Charlotte Smith revived the sonnet form in England, influencing Wordsworth and Keats. Equally popular as a novelist, she experimented with many genres, and even her children's books were highly regarded by... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    One of the most popular poets of her time, Charlotte Smith revived the sonnet form in England, influencing Wordsworth and Keats. Equally popular as a novelist, she experimented with many genres, and even her children's books were highly regarded by her contemporaries. Charlotte Smith's letters enlarge our understanding of her literary achievement, for they show the private world of spirit, determination, anger, and sorrow in which she wrote

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0253340128; 9780253340122; 0253110599; 9780253110596
    Subjects: Authors, English; Écrivains anglais; Authors, English; Authors, English; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; Authors, English; Personal correspondence
    Other subjects: Smith, Charlotte 1749-1806; Smith, Charlotte Turner 1749-1806; Smith, Charlotte (1749-1806): Correspondence; Smith, Charlotte Turner 1749-1806
    Scope: Online Ressource (xlv, 813 pages), illustrations
    Notes:

    Includes bibliographical references (pages 783-786) and index. - Description based on print version record
  2. Romanticism, lyricism, and history
    Published: (c)1999
    Publisher:  State University of New York Press, Albany

    "Arguing against a persistent view of Romantic lyricism as an inherently introspective mode, this book examines how Charlotte Smith, William Wordsworth, and John Clare recognized end employed the mode's immense capacity for engaging reading audiences... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    "Arguing against a persistent view of Romantic lyricism as an inherently introspective mode, this book examines how Charlotte Smith, William Wordsworth, and John Clare recognized end employed the mode's immense capacity for engaging reading audiences in reflections both personal and social. Zimmerman focuses new attention on the Romantic lyric's audiences--not the silent, passive auditor of canonical paradigms, but historical readers and critics who can tell us more than we have asked about the mode's rhetorical possibilities. She situates poems within the specific circumstances of their production and consumption, including the aftermath in England of the French Revolution, rural poverty, the processes of parliamentary enclosure, the biographical contours of poet's careers, and the myriad exchanges among poets, patrons, publishers, critics, and readers in the literary marketplace. Book jacket."--Jacket Standard Referencesxxi --1The History of an Aura: Romantic Lyricism and the Millennium that Didn't Come1 --2"Dost thou not know my voice?": Charlotte Smith and the Lyric's Audience39 --3William Wordsworth and the Uses of Lyricism73 --4Dorothy Wordsworth and the Liabilities of Literary Production113 --5John Clare's Poetics and Politics of Loss147.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585091528; 9780585091525
    Subjects: English poetry; Literature and history; Literature and history; Romanticism; Poésie anglaise; Littérature et histoire; Littérature et histoire; Romantisme; Literature and history; Literature and history; Romanticism; English poetry; English poetry; Literature and history; Literature and history; Romanticism; POETRY ; English, Irish, Scottish, Welsh; Criticism and interpretation; English poetry; Literature and history; Romanticism; Criticism, interpretation, etc; History
    Other subjects: Wordsworth, William 1770-1850; Clare, John 1793-1864; Smith, Charlotte 1749-1806; Wordsworth, Dorothy 1771-1855; Wordsworth, William 1770-1850; Clare, John 1793-1864; Smith, Charlotte Turner 1749-1806; Wordsworth, Dorothy 1771-1855; Wordsworth, William (1770-1850); Clare, John (1793-1864); Smith, Charlotte (1749-1806); Wordsworth, Dorothy (1771-1855); Wordsworth, Dorothy (1771-1855); Smith, Charlotte (1749-1806); Clare, John (1793-1864); Wordsworth, William (1770-1850); Wordsworth, William; Clare, John; Smith, Charlotte; Wordsworth, Dorothy
    Scope: Online Ressource (xxii, 233 pages), illustrations
    Notes:

    Includes bibliographical references (pages 213-222) and index. - Description based on print version record

    Standard Referencesxxi1The History of an Aura: Romantic Lyricism and the Millennium that Didn't Come12"Dost thou not know my voice?": Charlotte Smith and the Lyric's Audience393William Wordsworth and the Uses of Lyricism734Dorothy Wordsworth and the Liabilities of Literary Production1135John Clare's Poetics and Politics of Loss147.
  3. Revolutionary women writers
    Charlotte Smith & Helen Maria Williams
    Author: Keane, Angela
    Published: 2013
    Publisher:  Northcote [u.a.], Tavistock

    In the 1790s, when Charlotte Smith and Helen Maria Williams were at the peak of their critical reputations, they were known to each other and often cited together approvingly. It was Smith who provided the young William Wordsworth with a letter of... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 892974
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2014 A 9983
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Signature:
    55 A 709
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signature:
    HL 4397 K24
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    69.865
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In the 1790s, when Charlotte Smith and Helen Maria Williams were at the peak of their critical reputations, they were known to each other and often cited together approvingly. It was Smith who provided the young William Wordsworth with a letter of introduction to Williams when he visited France in 1791 (though she had left by the time he got there). By the end of the decade Smith and Williams were being cited together more pejoratively, as two of a number of women who came to stand for the amoral, sexually suspect and politically naïve English Jacobins who were vilified in the conservative press. Neither were in fact Jacobins but they were revolutionary. This book looks at how Smith and Williams earned such reputations and at the politics and poetics of the works that reveal Smith to be a self-constructed Romantic and Williams as a mistress of intimate disguise.

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780746309711; 074631096X; 9780746310960; 0746309716
    Series: Writers and their work
    Subjects: Smith, Charlotte 1749-1806; Women authors, English; Smith, Charlotte Turner *1749-1806*; Williams, Helen Maria *1762-1827*
    Other subjects: Smith, Charlotte (1749-1806); Williams, Helen Maria (1762-1827)
    Scope: XIV, 156 S., 22 cm
    Notes:

    Includes bibliography and index

    Biographical outlinesAn unfinished work: Charlotte Smith's Elegiac sonnets -- Gossip and politics in Desmond -- Declarations of Independence in The Old manor house -- Double vision and The Emigrants -- Mourning complete?: Beachy head -- The ties that bind: William's poetry of the late 1780s -- Philosophical passions: Julia -- Revolution and romance: Letters from France -- Sublime exile: a tour of England.
  4. Revolutionary women writers
    Charlotte Smith & Helen Maria Williams
    Author: Keane, Angela
    Published: 2013
    Publisher:  Northcote [u.a.], Tavistock

    In the 1790s, when Charlotte Smith and Helen Maria Williams were at the peak of their critical reputations, they were known to each other and often cited together approvingly. It was Smith who provided the young William Wordsworth with a letter of... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In the 1790s, when Charlotte Smith and Helen Maria Williams were at the peak of their critical reputations, they were known to each other and often cited together approvingly. It was Smith who provided the young William Wordsworth with a letter of introduction to Williams when he visited France in 1791 (though she had left by the time he got there). By the end of the decade Smith and Williams were being cited together more pejoratively, as two of a number of women who came to stand for the amoral, sexually suspect and politically naïve English Jacobins who were vilified in the conservative press. Neither were in fact Jacobins but they were revolutionary. This book looks at how Smith and Williams earned such reputations and at the politics and poetics of the works that reveal Smith to be a self-constructed Romantic and Williams as a mistress of intimate disguise.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780746309711; 074631096X; 9780746310960; 0746309716
    Series: Writers and their work
    Subjects: Smith, Charlotte 1749-1806; Women authors, English; Smith, Charlotte Turner *1749-1806*; Williams, Helen Maria *1762-1827*
    Other subjects: Smith, Charlotte (1749-1806); Williams, Helen Maria (1762-1827)
    Scope: XIV, 156 S., 22 cm
    Notes:

    Includes bibliography and index

    Biographical outlinesAn unfinished work: Charlotte Smith's Elegiac sonnets -- Gossip and politics in Desmond -- Declarations of Independence in The Old manor house -- Double vision and The Emigrants -- Mourning complete?: Beachy head -- The ties that bind: William's poetry of the late 1780s -- Philosophical passions: Julia -- Revolution and romance: Letters from France -- Sublime exile: a tour of England.