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Displaying results 1 to 16 of 16.

  1. Quinze études autour de El siglo de las luces de Alejo Carpentier
    Published: 1983
    Publisher:  L'Harmattan, Paris

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    Universitätsbibliothek Augsburg
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  2. Writing in limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell Univ. Press, Ithaca, N.Y. [u.a.]

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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801425751
    RVK Categories: HQ 7023 ; IJ 50045
    Subjects: West Indian fiction (English); Modernism (Literature); Modernism (Literature); Caribbean fiction (English)
    Other subjects: Carpentier, Alejo (1904-1980): Siglo de las luces
    Scope: X, 260 S, 24 cm
    Notes:

    Includes bibliographical references and index
  3. Writing in Limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca ; London

    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history... more

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    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. On the one hand, Gikandi says, the Caribbean was central to Europe's conceptions of its own modernity, and Caribbean writers, in turn, borrowed European' modernist techniques to define their own decolonized identity. On the other hand, even though many texts from the Caribbean use narrative techniques and discursive practices that seem modern or postmodern, the ideology underlying their use is strongly revisionist. According to Gikandi, Caribbean literature simultaneously appropriates and subverts European notions of modernism and modernity." "Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. Gikandi also calls into question the universal claims of European modernism and modernity by examining the unique sets of problems these concepts generate once they have been transferred to the "margins" of the modern world. Because modernity, Gikandi asserts, is a colonial legacy, the concept of modernism in the Caribbean is invariably linked to the cultures and ideologies of colonialism and nationalism." "Writing in Limbo reveals how postcolonial literature and theory compel us to revise the protocols that govern the reading of modern literature. It will be welcomed by scholars in the fields of literary theory, postcolonial literature, cultural studies, and Caribbean studies."--BOOK JACKET.

     
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  4. Poétique baroque de la Caraïbe
    Author: Chancé, Dominique
    Published: 2001
    Publisher:  Éd. Karthala, Paris

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    Universitätsbibliothek Bayreuth
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  5. Writing in limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca, N.Y

    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history... more

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    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. On the one hand, Gikandi says, the Caribbean was central to Europe's conceptions of its own modernity, and Caribbean writers, in turn, borrowed European' modernist techniques to define their own decolonized identity. On the other hand, even though many texts from the Caribbean use narrative techniques and discursive practices that seem modern or postmodern, the ideology underlying their use is strongly revisionist. According to Gikandi, Caribbean literature simultaneously appropriates and subverts European notions of modernism and modernity." "Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C.L.R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. Gikandi also calls into question the universal claims of European modernism and modernity by examining the unique sets of problems these concepts generate once they have been transferred to the "margins" of the modern world. Because modernity, Gikandi asserts, is a colonial legacy, the concept of modernism in the Caribbean is invariably linked to the cultures and ideologies of colonialism and nationalism." "Writing in Limbo reveals how postcolonial literature and theory compel us to revise the protocols that govern the reading of modern literature. It will be welcomed by scholars in the fields of literary theory, postcolonial literature, cultural studies, and Caribbean studies."--Jacket

     
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  6. Poétique baroque de la Caraïbe
    Author: Chancé, Dominique
    Published: 2001
    Publisher:  Éd. Karthala, Paris

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  7. Quinze études autour de El siglo de las luces de Alejo Carpentier
    Published: 1983
    Publisher:  L'Harmattan, Paris

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: French
    Media type: Book
    ISBN: 2858022631
    RVK Categories: IQ 01561
    Series: Collection récifs ; 1
    Subjects: Carpentier, Alejo; ; Carpentier, Alejo;
    Other subjects: Carpentier, Alejo <1904-> / Siglo de las luces; Hugues, Victor, dans la littérature; Carpentier, Alejo <1904-1980>: Siglo de las luces; Hugues, Victor; Carpentier, Alejo (1904-1980): El siglo de las luces; Carpentier, Alejo (1904-1980)
    Scope: 247 S.
  8. Writing in Limbo
    Modernism and Caribbean Literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca, N.Y.

    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history... more

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    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. On the one hand, Gikandi says, the Caribbean was central to Europe's conceptions of its own modernity, and Caribbean writers, in turn, borrowed European' modernist techniques to define their own decolonized identity. On the other hand, even though many texts from the Caribbean use narrative techniques and discursive practices that seem modern or postmodern, the ideology underlying their use is strongly revisionist. According to Gikandi, Caribbean literature simultaneously appropriates and subverts European notions of modernism and modernity." "Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C.L.R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. Gikandi also calls into question the universal claims of European modernism and modernity by examining the unique sets of problems these concepts generate once they have been transferred to the "margins" of the modern world. Because modernity, Gikandi asserts, is a colonial legacy, the concept of modernism in the Caribbean is invariably linked to the cultures and ideologies of colonialism and nationalism." "Writing in Limbo reveals how postcolonial literature and theory compel us to revise the protocols that govern the reading of modern literature. It will be welcomed by scholars in the fields of literary theory, postcolonial literature, cultural studies, and Caribbean studies."--Jacket

     
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  9. Poétique baroque de la Carai͏̈be
    Author: Chancé, Dominique
    Published: c2001
    Publisher:  Karthala, Paris

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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    A 02::2990
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    a rom 075.9/911
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    ROM:PD:632:Kar::2001
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    Content information
    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2845861761
    RVK Categories: IJ 50067 ; IH 46521 ; IQ 01561 ; IH 63291
    Series: Lettres du Sud
    Subjects: Carpentier, Alejo <1904-1980>; Glissant, Edouard <1928->; Maximin, Daniel <1947->; Caribbean fiction
    Other subjects: Maximin, Daniel (1947-): Isolé soleil; Glissant, Édouard (1928-2011): Case du commandeur; Carpentier, Alejo (1904-1980): Siglo de las luces
    Scope: 261 S, 22 cm
    Notes:

    Includes bibliographical references
  10. Poétique baroque de la Carai͏̈be
    Author: Chancé, Dominique
    Published: c2001
    Publisher:  Karthala, Paris

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2845861761
    RVK Categories: IJ 50067 ; IH 46521 ; IQ 01561 ; IH 63291
    Series: Lettres du Sud
    Subjects: Carpentier, Alejo <1904-1980>; Glissant, Edouard <1928->; Maximin, Daniel <1947->; Caribbean fiction
    Other subjects: Maximin, Daniel (1947-): Isolé soleil; Glissant, Édouard (1928-2011): Case du commandeur; Carpentier, Alejo (1904-1980): Siglo de las luces
    Scope: 261 S, 22 cm
    Notes:

    Includes bibliographical references
  11. Writing in limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell Univ. Press, Ithaca, N.Y. [u.a.]

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    Staats- und Universitätsbibliothek Bremen
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    a ang 728/114
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    eng 944.50:qd24/g44
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    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801425751
    RVK Categories: HQ 7023 ; IJ 50045
    Subjects: West Indian fiction (English); Modernism (Literature); Modernism (Literature); Caribbean fiction (English)
    Other subjects: Carpentier, Alejo (1904-1980): Siglo de las luces
    Scope: X, 260 S, 24 cm
    Notes:

    Includes bibliographical references and index
  12. Sobre dos fuentes antillanas y su elaboración en "El siglo de las luces" de Alejo Carpentier
    Author: Salomon, Noël
    Published: [1972]
    Publisher:  Institut d'études ibériques et ibéro-américaines de l'Université de Bordeaux III, Talence

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Cub:xr:120:::4
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    Source: Union catalogues
    Language: Spanish
    Media type: Book
    Format: Print
    Other subjects: Carpentier, Alejo (1904-1980): Siglo de las luces; Hugues, Victor
    Scope: 20 S, graph. Darst, 27 cm
    Notes:

    Cover title

    Includes bibliographical references
  13. Writing in limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca, N.Y

    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. On the one hand, Gikandi says, the Caribbean was central to Europe's conceptions of its own modernity, and Caribbean writers, in turn, borrowed European' modernist techniques to define their own decolonized identity. On the other hand, even though many texts from the Caribbean use narrative techniques and discursive practices that seem modern or postmodern, the ideology underlying their use is strongly revisionist. According to Gikandi, Caribbean literature simultaneously appropriates and subverts European notions of modernism and modernity." "Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C.L.R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. Gikandi also calls into question the universal claims of European modernism and modernity by examining the unique sets of problems these concepts generate once they have been transferred to the "margins" of the modern world. Because modernity, Gikandi asserts, is a colonial legacy, the concept of modernism in the Caribbean is invariably linked to the cultures and ideologies of colonialism and nationalism." "Writing in Limbo reveals how postcolonial literature and theory compel us to revise the protocols that govern the reading of modern literature. It will be welcomed by scholars in the fields of literary theory, postcolonial literature, cultural studies, and Caribbean studies."--Jacket

     
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  14. Sobre dos fuentes antillanas y su elaboración en "El siglo de las luces" de Alejo Carpentier
    Author: Salomon, Noël
    Published: [1972]
    Publisher:  Institut d'études ibériques et ibéro-américaines de l'Université de Bordeaux III, Talence

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Source: Union catalogues
    Language: Spanish
    Media type: Book
    Format: Print
    Other subjects: Carpentier, Alejo (1904-1980): Siglo de las luces; Hugues, Victor
    Scope: 20 S, graph. Darst, 27 cm
    Notes:

    Cover title

    Includes bibliographical references
  15. Quinze études autour de "El Siglo de las Luces" de Alejo Carpentier
    Published: 1983
    Publisher:  L'Harmattan, Paris

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    03.g.3061
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    Sp.Cuba.L.c 104
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    R Spa.5 Qui
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    K fIII l 45/24
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signature:
    84/317
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    Universitätsbibliothek Osnabrück
    Signature:
    FSF C 2979 4282-546 3
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2858022631
    Series: Collection Récifs
    Other subjects: Carpentier, Alejo (1904-1980): Siglo de las luces; Hugues, Victor
    Scope: 247 S
    Notes:

    Includes bibliographical references
  16. Writing in Limbo
    modernism and Caribbean literature
    Author: Gikandi, Simon
    Published: 1992
    Publisher:  Cornell University Press, Ithaca ; London

    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history... more

    Location:
    Alice Salomon Hochschule Berlin, Bibliothek
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    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Europa-Universität Viadrina, Universitätsbibliothek
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    "In Simon Gikandi's view, Caribbean literature (and postcolonial literature more generally) negotiate an uneasy relationship with the concepts of modernism and modernity--a relationship in which the Caribbean writer, unable to escape a history encoded by Europe, accepts the challenge of rewriting it. On the one hand, Gikandi says, the Caribbean was central to Europe's conceptions of its own modernity, and Caribbean writers, in turn, borrowed European' modernist techniques to define their own decolonized identity. On the other hand, even though many texts from the Caribbean use narrative techniques and discursive practices that seem modern or postmodern, the ideology underlying their use is strongly revisionist. According to Gikandi, Caribbean literature simultaneously appropriates and subverts European notions of modernism and modernity." "Drawing on contemporary deconstructionist theory, Gikandi looks at how such Caribbean writers as George Lamming, Samuel Selvon, Alejo Carpentier, C. L. R. James, Paule Marshall, Merle Hodge, Zee Edgell, and Michelle Cliff have attempted to confront European modernism. Gikandi also calls into question the universal claims of European modernism and modernity by examining the unique sets of problems these concepts generate once they have been transferred to the "margins" of the modern world. Because modernity, Gikandi asserts, is a colonial legacy, the concept of modernism in the Caribbean is invariably linked to the cultures and ideologies of colonialism and nationalism." "Writing in Limbo reveals how postcolonial literature and theory compel us to revise the protocols that govern the reading of modern literature. It will be welcomed by scholars in the fields of literary theory, postcolonial literature, cultural studies, and Caribbean studies."--BOOK JACKET.

     
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