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  1. Stages of Madness
    Sin, Sickness and Seneca in Shakespearean Drama
    Published: 2023
    Publisher:  Peter Lang Ltd, Oxford ; Peter Lang International Academic Publishers, Bern

    «Stages of Madness is an important new study of the representation of madness on the early modern English stage. Rigorously researched yet also highly readable, Andrew J. Power’s book provides original and compelling close readings of early modern... more

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    Universitätsbibliothek Gießen
    No inter-library loan

     

    «Stages of Madness is an important new study of the representation of madness on the early modern English stage. Rigorously researched yet also highly readable, Andrew J. Power’s book provides original and compelling close readings of early modern plays such as The Spanish Tragedy and Hamlet while establishing a lineage of ideas about madness stemming from classical and medieval drama.» (Dr Rory Loughnane, Reader in Early Modern Studies, University of Kent)   «Power propels the reader through an enlightened tour of madness. From the Bedlam-laden performance of Edgar in King Lear, through the schism-inflected demonic possession of The Comedy of Errors, to the furious revenges of Titus Andronicus, this book asks the biggest questions imaginable about the evolution of cultural understandings of how mind relates to self and how notions of sanity are constructed through the reflection of madness in religious and medical contexts.» (Dr Timothy Ryan Day, Associate Professor of English, Saint Louis University – Madrid Campus)   In re-evaluating the contemporary staging of madness in the early modern period this book provides a clearer understanding and interpretation of characters who suffer from mental and emotional extremities in Shakespearean drama. It addresses three factors that contribute to early modern concepts of madness. These are theories of the «self» current and emergent in the late-sixteenth and early-seventeenth centuries; contemporary medical writings on madness; and the legacy of portrayals of madness from classical Greek and Roman drama, with a particular focus on the Roman tragedian, Seneca. The more complete understanding that this combined approach provides, facilitates a better-informed reading of Shakespeare’s plays, plays that so often deal with mental and emotional extremities that were once thought of as «madness». Blurbs for Stages of Madness: sin, sickness and Seneca in Shakespearean drama Stages of Madness is an important new study of the representation of madness on the early modern English stage. Rigorously researched yet also highly readable, Power's book provides original and compelling close readings of early modern plays such as The Spanish Tragedy and Hamlet while establishing a lineage of ideas about madness stemming from classical and medieval drama. Stages of Madness should be considered required reading for anyone interested in early modern drama as well as in premodern medical practice and intellectual history. Dr Rory Loughnane, Reader in Early Modern Studies, University of Kent Stages of Madness is an absolute must for the early modern bookshelf. Andrew J. Power propels the reader through an enlightened tour of madness. From the Bedlam-laden performance of Edgar in King Lear, through the schism-inflected demonic possession of The Comedy of Errors, to the furious revenge of Titus Andronicus, this book asks the biggest questions imaginable about the evolution of cultural understandings of how mind relates to self and how notions of sanity are constructed through the reflection of madness in religious and medical contexts. Dr Timothy Ryan Day, Associate Professor of English, Saint Louis University – Madrid Campus...

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781803740768
    Other identifier:
    RVK Categories: HI 3385
    DDC Categories: 820
    Edition: 1st, New ed.
    Subjects: Drama; Wahnsinn <Motiv>; Psychische Störung <Motiv>; Andrew; Anthony; Drama; Early Modern; Early Modern Drama; Madness; Mason; Melancholy; Power; Psychology; Seneca; Shakespeare; Shakespearean; Sickness; Sin; Stages; Theatre
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (178 Seiten), Illustrationen
  2. Comedy on stage and screen
    an introduction
  3. Comedy on Stage and Screen
    An Introduction
    Published: 2022
    Publisher:  Narr Francke Attempto Verlag, Tübingen

  4. Comedy on stage and screen
    an introduction
    Published: [2022]
    Publisher:  Gunter Narr Verlag

    This book introduces readers to the genre of comedy, both on the stage and on the screen. It chronicles the history of comedy, starting with Ancient Greece, before summarising key chapters in Anglophone literary history, such as Shakespearean comedy,... more

    Hochschulbibliothek Ansbach
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Würzburg
    Unlimited inter-library loan, copies and loan

     

    This book introduces readers to the genre of comedy, both on the stage and on the screen. It chronicles the history of comedy, starting with Ancient Greece, before summarising key chapters in Anglophone literary history, such as Shakespearean comedy, Restoration comedy, and Theatre of the Absurd. The book features an overview of key comic techniques (including slapstick, puns, and wit), as well as concise summaries of major theoretical debates (including the superiority theory and the Freudian account of laughter). The book works with many examples from the history of Anglophone comedy, including Oscar Wilde, Monty Python, and classic sitcoms. It addresses current research into cringe humour and the controversial topic of diversity in the field of comedy, and it connects classical tropes of comedy (like the fool or the marriage plot) to present-day examples. The book thus serves as an up-to-date study guide for everyone interested in comedy and its various subgenres

     

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  5. Comedy on Stage and Screen
    An Introduction
    Published: 2022
    Publisher:  Narr Francke Attempto Verlag, Tübingen ; UTB GmbH, Stuttgart

    This book introduces readers to the genre of comedy, both on the stage and on the screen. It chronicles the history of comedy, starting with Ancient Greece, before summarising key chapters in Anglophone literary history, such as Shakespearean comedy,... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan

     

    This book introduces readers to the genre of comedy, both on the stage and on the screen. It chronicles the history of comedy, starting with Ancient Greece, before summarising key chapters in Anglophone literary history, such as Shakespearean comedy, Restoration comedy, and Theatre of the Absurd. The book features an overview of key comic techniques (including slapstick, puns, and wit), as well as concise summaries of major theoretical debates (including the superiority theory and the Freudian account of laughter). The book works with many examples from the history of Anglophone comedy, including Oscar Wilde, Monty Python, and classic sitcoms. It addresses current research into cringe humour and the controversial topic of diversity in the field of comedy, and it connects classical tropes of comedy (like the fool or the marriage plot) to present-day examples. The book thus serves as an up-to-date study guide for everyone interested in comedy and its various subgenres.

     

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  6. George "Dadie" Rylands
    Shakespearean scholar and Cambridge legend
  7. George 'Dadie' Rylands
    Shakespearean Scholar and Cambridge Legend
  8. Stages of Madness
    Sin, Sickness and Seneca in Shakespearean Drama
  9. Comedy on stage and screen
    an introduction
    Published: [2022]; © 2022
    Publisher:  Narr Francke Attempto, Tübingen

    This book introduces readers to the genre of comedy, both on the stage and on the screen. It chronicles the history of comedy, starting with Ancient Greece, before summarising key chapters in Anglophone literary history, such as Shakespearean comedy,... more

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    Technische Universität Chemnitz, Universitätsbibliothek
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Zentrale Hochschulbibliothek Flensburg
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    Universitätsbibliothek Greifswald
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    Fachhochschule Westküste, Hochschule für Wirtschaft und Technik, Hochschulbibliothek
    No inter-library loan
    Universitätsbibliothek Hildesheim
    No inter-library loan
    Hochschulbibliothek Karlsruhe (PH)
    eBook Narr
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    Universitätsbibliothek Mannheim
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    Universitätsbibliothek Mannheim
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    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
    ebook Narr
    No loan of volumes, only paper copies will be sent
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
    No inter-library loan
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Universität Potsdam, Universitätsbibliothek
    No inter-library loan
    Universitätsbibliothek Rostock
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No loan of volumes, only paper copies will be sent
    Technische Hochschule Ulm, Bibliothek
    eBook Narr
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    Universitätsbibliothek Vechta
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
    No inter-library loan
    Hochschule Wismar, University of Applied Sciences: Technology, Business and Design, Hochschulbibliothek
    No inter-library loan

     

    This book introduces readers to the genre of comedy, both on the stage and on the screen. It chronicles the history of comedy, starting with Ancient Greece, before summarising key chapters in Anglophone literary history, such as Shakespearean comedy, Restoration comedy, and Theatre of the Absurd. The book features an overview of key comic techniques (including slapstick, puns, and wit), as well as concise summaries of major theoretical debates (including the superiority theory and the Freudian account of laughter). The book works with many examples from the history of Anglophone comedy, including Oscar Wilde, Monty Python, and classic sitcoms. It addresses current research into cringe humour and the controversial topic of diversity in the field of comedy, and it connects classical tropes of comedy (like the fool or the marriage plot) to present-day examples. The book thus serves as an up-to-date study guide for everyone interested in comedy and its various subgenres.

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783823395331; 9783823303817
    Other identifier:
    9783823395331
    RVK Categories: EC 4750 ; HG 590
    Series: narr STUDIENBÜCHER LITERATUR- UND KULTURWISSENSCHAFT
    Subjects: Englisch; Comedy; Humour; Shakespeare; Farce; Cringe; Oscar Wilde; Genre; Comic; Monty Python; Diversity; Sitcom; Shakespearean; Theatre; comedy of manners; history of comedy; Shakespearean comedy; Restoration comedy; Theatre of the Absurd; key comic techniques; superiority theory; Freudian account of laughter; Anglophone comedy; cringe humour
    Scope: 1 Online-Ressource (239 Seiten), Illustrationen
  10. Comedy on stage and screen
    an introduction
    Published: [2022]; © 2022
    Publisher:  Narr Francke Attempto, Tübingen

    This book introduces readers to the genre of comedy, both on the stage and on the screen. It chronicles the history of comedy, starting with Ancient Greece, before summarising key chapters in Anglophone literary history, such as Shakespearean comedy,... more

    Access:
    Verlag (lizenzpflichtig)
    Staats- und Universitätsbibliothek Bremen
    No inter-library loan
    Hochschule Zittau / Görlitz, Hochschulbibliothek
    No inter-library loan

     

    This book introduces readers to the genre of comedy, both on the stage and on the screen. It chronicles the history of comedy, starting with Ancient Greece, before summarising key chapters in Anglophone literary history, such as Shakespearean comedy, Restoration comedy, and Theatre of the Absurd. The book features an overview of key comic techniques (including slapstick, puns, and wit), as well as concise summaries of major theoretical debates (including the superiority theory and the Freudian account of laughter). The book works with many examples from the history of Anglophone comedy, including Oscar Wilde, Monty Python, and classic sitcoms. It addresses current research into cringe humour and the controversial topic of diversity in the field of comedy, and it connects classical tropes of comedy (like the fool or the marriage plot) to present-day examples. The book thus serves as an up-to-date study guide for everyone interested in comedy and its various subgenres.

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783823395331; 9783823303817
    Other identifier:
    9783823395331
    RVK Categories: EC 4750 ; HG 590
    Series: Narr Studienbücher Literatur- und Kulturwissenschaft
    Subjects: Comedy; Humour; Shakespeare; Farce; Cringe; Oscar Wilde; Genre; Comic; Monty Python; Diversity; Sitcom; Shakespearean; Theatre; comedy of manners; history of comedy; Shakespearean comedy; Restoration comedy; Theatre of the Absurd; key comic techniques; superiority theory; Freudian account of laughter; Anglophone comedy; cringe humou
    Scope: 1 Online-Ressource (239 Seiten), Illustrationen