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Displaying results 1 to 25 of 73.

  1. Brève histoire de l' ombre
    Author: Stoichiţă, Victor I.
    Published: 2000
    Publisher:  Droz, Genève

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Media type: Book
    Format: Print
    ISBN: 2600005188
    RVK Categories: CC 6900
    Series: Titre courant ; 18
    Subjects: Human figure in art; Shades and shadows in art
    Scope: 300 S, 110 Abb. u. Taf, 8[grad]
  2. Shadows
    depiction of cast shadows in Western art ; a companion volume to an exhibition at the National Gallery, [26 April - 18 June 1995]
    Contributor: Gombrich, Ernst H. (Publisher)
    Published: 1995
    Publisher:  National Gallery Publ. [u.a.], London [u.a.]

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    Source: Union catalogues
    Contributor: Gombrich, Ernst H. (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1857090918
    RVK Categories: LH 70060 ; LH 61040
    Edition: 1. publ.
    Subjects: Array; Array
    Scope: 64 S., überwiegend Ill., 23 cm
  3. Grasping shadows
    the dark side of literature, painting, photography, and film
    Author: Sharpe, William
    Published: 2020
    Publisher:  Oxford University Press, New York

    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first... more

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first full-length study of art shadows in over a decade, Grasping Shadows ranges from classic works by Rembrandt, Dickens, Picasso, Disney, and Warhol to contemporary street art, popular songs, billboards, and architecture to propose a general theory of how all shadows function in texts and visual media, ultimately offering four main categories. Sharpe explores the diverse ways shadows appear in literature, painting, photography, and film, insisting that literary and visual meanings of shadows cannot be separated, and that art-shadows must be analyzed as part of a cultural field in which words and images continually overlap and reinforce each other's meanings. Beginning with a summary of scholarship to date, the introduction addresses how real-world shadows function, and gives an overview of the strategies involved in representing shadows from the Renaissance onward. The first chapter sets out a theory of how the meanings of shadows are generated. Subsequent chapters, each centered on an influential literary text, explore in detail the four kinds of shadows that visual artists and writers use. The last chapter presents a case study of how shadows have impacted the art of the modern city, from Renoir and Zola to film noir to advanced projection systems capturing the shadows of passers-by on streets around the globe. The book concludes with a philosophical meditation on how living with shadows enriches everyday life. "-- "Grasping Shadows is the most comprehensive book to date on the artistic use of cast shadows, the first to offer a general theory of how all shadows function in texts and visual images. Accessibly written, it gives new insight into classic works while also exploring contemporary street art, popular songs, and advertising"-- Machine generated contents note: -- Acknowledgements -- Introduction -- Chapter 1: The Shadow Speaks -- Chapter 2: The Vital Shadow -- Chapter 3: The Look Elsewhere Shadow -- Chapter 4: The Completing Shadow -- Chapter 5: The Independent Shadow -- Chapter 6: City of Shadows -- Epilogue -- Bibliography -- Index

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190682255
    Subjects: Shades and shadows in art; Shades and shadows in literature
    Notes:

    Includes bibliographical references and index
  4. Artificial darkness
    an obscure history of modern art and media
    Author: Elcott, Noam Milgrom
    Published: 2016
    Publisher:  University of Chicago Press, Chicago

    Artificial darkness -- Dark theaters -- Black screens -- The black art of Georges Méliès -- Spaceless play: Oskar Schlemmer's dance against enlightenment -- Coda: historical darknesses more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2016:4867:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 B 169913
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    DFF - Deutsches Filminstitut & Filmmuseum, Bibliothek
    Signature:
    Thomas Elsaesser 1459
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    UB Weimar
    Signature:
    Mag Ih 4082
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    UB Weimar
    Signature:
    Ih 4082/8
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    Artificial darkness -- Dark theaters -- Black screens -- The black art of Georges Méliès -- Spaceless play: Oskar Schlemmer's dance against enlightenment -- Coda: historical darknesses

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226328973
    RVK Categories: AP 14350
    Subjects: Shades and shadows in art; Art, Modern
    Scope: xi, 306 Seiten, Fotografien, Illustrationen
    Notes:

    Includes bibliographical references and index

    Artificial darknessDark theaters -- Black screens -- The black art of Georges Méliès -- Spaceless play : Oskar Schlemmer's dance against enlightenment -- Coda : historical darknesses.
  5. Grasping shadows
    the dark side of literature, painting, photography, and film
    Author: Sharpe, William
    Published: [2017]
    Publisher:  Oxford University Press, New York, NY

    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first... more

    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
    Signature:
    KMB/CLK 2017 A
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    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first full-length study of art shadows in over a decade, Grasping Shadows ranges from classic works by Rembrandt, Dickens, Picasso, Disney, and Warhol to contemporary street art, popular songs, billboards, and architecture to propose a general theory of how all shadows function in texts and visual media, ultimately offering four main categories. Sharpe explores the diverse ways shadows appear in literature, painting, photography, and film, insisting that literary and visual meanings of shadows cannot be separated, and that art-shadows must be analyzed as part of a cultural field in which words and images continually overlap and reinforce each other's meanings. Beginning with a summary of scholarship to date, the introduction addresses how real-world shadows function, and gives an overview of the strategies involved in representing shadows from the Renaissance onward. The first chapter sets out a theory of how the meanings of shadows are generated. Subsequent chapters, each centered on an influential literary text, explore in detail the four kinds of shadows that visual artists and writers use. The last chapter presents a case study of how shadows have impacted the art of the modern city, from Renoir and Zola to film noir to advanced projection systems capturing the shadows of passers-by on streets around the globe. The book concludes with a philosophical meditation on how living with shadows enriches everyday life. "... "Grasping Shadows is the most comprehensive book to date on the artistic use of cast shadows, the first to offer a general theory of how all shadows function in texts and visual images. Accessibly written, it gives new insight into classic works while also exploring contemporary street art, popular songs, and advertising"...

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780190675271
    Subjects: Shades and shadows in art; Shades and shadows in literature; ART / General; PHILOSOPHY / Aesthetics; Schatten <Motiv>; Künste
    Scope: xvii, 420 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  6. Apparition, Körper, Bild
    das Helldunkel in Malerei und Film
    Author: Bleek, Jennifer
    Published: [2016]; © 2016
    Publisher:  Wilhelm Fink, Paderborn

    Gemeinsame Eigenschaft der Werke aus der Malerei der Frührenaissance und dem Film der 1920er bis 1940er Jahre ist die perspektivische Darstellung körperlich-räumlicher Gebilde. Inwiefern ruft das Helldunkel, auch chiaroscuro genannt, ein Bewusstsein... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Gemeinsame Eigenschaft der Werke aus der Malerei der Frührenaissance und dem Film der 1920er bis 1940er Jahre ist die perspektivische Darstellung körperlich-räumlicher Gebilde. Inwiefern ruft das Helldunkel, auch chiaroscuro genannt, ein Bewusstsein für die Verlebendigung des im Bild Wiedergegebenen hervor? Die Natur wird nicht nur täuschend echt dargestellt, es wird auch die Möglichkeit ihrer Erfahrbarkeit thematisiert. Die Spannung zwischen zwei Aspekten des Helldunkel findet sich in beiden Epochen: Dem Skulpturalen einerseits, das die Figur vom Bildgrund löst und ihr statische Festigkeit, Plastizität verleiht. Der malerischen Dimension des Grundes andererseits, welche die Objektivierung entschärft, die Figur in den Tiefenraum einbettet und sie durch die Auflösung der Körpergrenzen bewegt erscheinen lässt. Dies wird im Film durch die tatsächliche Bewegung noch deutlicher. So wird das chiaroscuro mit seinen Möglichkeiten in einem Bereich beschrieben, der bisher in der Kunstgeschichte wenig erschlossen ist

     
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3770561171; 9783770561179
    Other identifier:
    9783770561179
    RVK Categories: LH 65020 ; AP 94700 ; LH 70190 ; LH 70060
    DDC Categories: 700
    Subjects: Shades and shadows in art; Light in art; Painting; Black and white films; Chiaroscuro
    Scope: 227 Seiten, Illustrationen, 23.3 cm x 15.7 cm
    Notes:

    Überarbeitete Fassung der Habilitationsschrift (Vorwort)

    Habilitationsschrift, Rheinisch-Westfälische Technische Hochschule Aachen, 2015
  7. La sombra
    Madrid, del 10 de febrero al 17 de mayo de 2009
    Contributor: Stoichiţă, Victor I. (Publisher); Arburg, Hans-Georg von; Coderch, Anna Maria
    Published: [2009]
    Publisher:  Museo Thyssen-Bornemisza, Madrid ; Fundación Caja Madrid

    Location:
    Archiv der Akademie der Künste, Bibliothek
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    Universität der Künste Berlin, Universitätsbibliothek
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    Content information
    Source: Union catalogues
    Contributor: Stoichiţă, Victor I. (Publisher); Arburg, Hans-Georg von; Coderch, Anna Maria
    Language: Spanish; English
    Media type: Book
    ISBN: 9788496233683
    RVK Categories: LH 65020
    Subjects: Art, Modern; Shades and shadows in art; Schatten; Schatten <Motiv>; Kunst
    Other subjects: Ausstellung
    Scope: 318 Seiten, 4 ungezählte Seiten, 28 cm
    Notes:

    Ermittelt: La parte del siglo XX de esta exposición tiene lugar en la Fundación Caja Madrid
  8. La sombra
    Madrid, del 10 de febrero al 17 de mayo de 2009
    Contributor: Stoichiţă, Victor I. (Publisher); Arburg, Hans-Georg von; Coderch, Anna Maria
    Published: [2009]
    Publisher:  Museo Thyssen-Bornemisza, Madrid ; Fundación Caja Madrid

    Location:
    Universitätsbibliothek Bamberg
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek
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    Content information
    Source: Union catalogues
    Contributor: Stoichiţă, Victor I. (Publisher); Arburg, Hans-Georg von; Coderch, Anna Maria
    Language: Spanish; English
    Media type: Book
    ISBN: 9788496233683
    RVK Categories: LH 65020
    Subjects: Art, Modern; Shades and shadows in art; Schatten; Schatten <Motiv>; Kunst
    Other subjects: Ausstellung
    Scope: 318 Seiten, 4 ungezählte Seiten, 28 cm
    Notes:

    Ermittelt: La parte del siglo XX de esta exposición tiene lugar en la Fundación Caja Madrid
  9. Eine kurze Geschichte des Schattens
    Author: Stoichiţă, Victor I.
    Published: [1999]; © 1997
    Publisher:  Wilhelm Fink Verlag, München

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Content information
    Source: Union catalogues
    Contributor: Jatho, Heinz (ÜbersetzerIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3770532732
    RVK Categories: LH 61342 ; LH 65020 ; LH 70000 ; LH 70060
    Series: Bild und Text
    Subjects: Shades and shadows in art; Perspective
    Scope: 271 Seiten, Illustrationen (farbig)
    Notes:

    Erstveröffentlichung u.d.T.: Stoichita, Victor I.: A short history of the shadow
  10. A short history of the shadow
    Author: Stoichiţă, Victor I.
    Published: 1997
    Publisher:  Reaktion Books, London

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Contributor: Stoichiţă, Victor I.
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1861890001
    RVK Categories: LH 70060
    Series: Essays in art and culture
    Subjects: Shades and shadows in art; Human figure in art; Shades and shadows; Perspective; Shadows in art
    Scope: 264 S, Ill, 24 cm
    Notes:

    Literaturverz. S. 243 - 258
  11. Painting, science, and the perception of coloured shadows
    'the most beautiful blue'
    Author: Smith, Paul
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, New York

    The science -- Light and dark -- Physics -- Contrast -- Constancy -- The criterion -- Aesthetic value. "Many artists and scientists - including Buffon, Goethe, and Philipp Otto Runge - who observed the vivid coloured shadows that appear outdoors... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    The science -- Light and dark -- Physics -- Contrast -- Constancy -- The criterion -- Aesthetic value. "Many artists and scientists - including Buffon, Goethe, and Philipp Otto Runge - who observed the vivid coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as 'beautiful'. Paul Smith explains what makes these ephemeral effects worthy of such appreciation - or how depictions of coloured shadows have genuine aesthetic and epistemological significance. This multi-disciplinary book synthesises methodologies drawn from art history (close pictorial analysis), psychology and neuroscience (theories of colour constancy), history of science (the changing paradigms used to explain coloured shadows), and philosophy (theories of perception and aesthetic value drawn from Wittgenstein and Merleau-Ponty). This title will be of interest to scholars in art history, art theory, and the history of science and technology"--

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138488090
    Series: Science and the arts since 1750
    Subjects: Color (Philosophy); Shades and shadows; Painting; Shades and shadows in art
    Scope: xiv, 176 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  12. Shadows and enlightenment
    Author: Baxandall, Michael
    Published: 1995
    Publisher:  Yale Univ. Press, New Haven [u.a.]

    Location:
    Universitätsbibliothek Bamberg
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0300059795
    RVK Categories: LH 61040 ; LH 70060
    Subjects: Shades and shadows in art; Visual perception; Art, Modern; Art, Modern; Licht; Naturwissenschaften; Geschichte; Kunst; Schatten; Forschung; Visuelle Wahrnehmung; Malerei; Ästhetik
    Other subjects: Leonardo da Vinci (1452-1519)
    Scope: XII, 192, XVI S., Ill., graph. Darst.
  13. Elogio dell'ombra
    Published: 1995
    Publisher:  Marsilio, Venezia

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 8831763091
    Edition: 1. ed.
    Series: Ricerche
    Subjects: Comparative literature; Shades and shadows in art; Shades and shadows in literature; Schatten; Literatur
    Scope: 101 S., Ill.
  14. Brève histoire de l'ombre
    Author: Stoichiţă, Victor I.
    Published: 2000
    Publisher:  Droz, Genève

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Universitätsbibliothek der LMU München
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    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek
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  15. L' atelier des nuits
    histoire et signification du nocturne dans l'art d'Occident
    Author: Choné, Paulette
    Published: 1992
    Publisher:  Presses Univ. de Nancy, Nancy

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Universitätsbibliothek Passau
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  16. Grasping shadows
    the dark side of literature, painting, photography, and film
    Author: Sharpe, William
    Published: [2017]; © 2017
    Publisher:  Oxford University Press, New York, NY

    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first... more

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first full-length study of art shadows in over a decade, Grasping Shadows ranges from classic works by Rembrandt, Dickens, Picasso, Disney, and Warhol to contemporary street art, popular songs, billboards, and architecture to propose a general theory of how all shadows function in texts and visual media, ultimately offering four main categories. Sharpe explores the diverse ways shadows appear in literature, painting, photography, and film, insisting that literary and visual meanings of shadows cannot be separated, and that art-shadows must be analyzed as part of a cultural field in which words and images continually overlap and reinforce each other's meanings. Beginning with a summary of scholarship to date, the introduction addresses how real-world shadows function, and gives an overview of the strategies involved in representing shadows from the Renaissance onward. The first chapter sets out a theory of how the meanings of shadows are generated. Subsequent chapters, each centered on an influential literary text, explore in detail the four kinds of shadows that visual artists and writers use. The last chapter presents a case study of how shadows have impacted the art of the modern city, from Renoir and Zola to film noir to advanced projection systems capturing the shadows of passers-by on streets around the globe. The book concludes with a philosophical meditation on how living with shadows enriches everyday life. "... "Grasping Shadows is the most comprehensive book to date on the artistic use of cast shadows, the first to offer a general theory of how all shadows function in texts and visual images. Accessibly written, it gives new insight into classic works while also exploring contemporary street art, popular songs, and advertising"...

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780190675271
    RVK Categories: EC 5410
    Subjects: ART / General / bisacsh; PHILOSOPHY / Aesthetics / bisacsh; Ästhetik; Shades and shadows in art; Shades and shadows in literature; ART / General; PHILOSOPHY / Aesthetics; Fotografie; Malerei; Film; Schatten <Motiv>; Kunst; Literatur
    Scope: xvii, 420 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  17. The shadow knows
    Contributor: Friedlander, Lee
    Published: 2020
    Publisher:  SPQR Editions, Brooklyn

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Contributor: Friedlander, Lee
    Language: English
    Media type: Book
    ISBN: 9781576879627; 1576879623
    RVK Categories: AP 94100
    Edition: First edition
    Subjects: Selbstbildnis; Fotografie; Schatten <Motiv>
    Other subjects: Friedlander, Lee (1934-); Portrait photography; Self-portraits; Shades and shadows / Pictorial works; Shades and shadows in art
    Scope: 101 Seiten, 25 x 28 cm
  18. Painting, science, and the perception of coloured shadows
    "the most beautiful blue"
    Author: Smith, Paul
    Published: 2021
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    "Many artists and scientists - including Buffon, Goethe, and Philipp Otto Runge - who observed the vivid coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "Many artists and scientists - including Buffon, Goethe, and Philipp Otto Runge - who observed the vivid coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as 'beautiful'. Paul Smith explains what makes these ephemeral effects worthy of such appreciation - or how depictions of coloured shadows have genuine aesthetic and epistemological significance. This multi-disciplinary book synthesises methodologies drawn from art history (close pictorial analysis), psychology and neuroscience (theories of colour constancy), history of science (the changing paradigms used to explain coloured shadows), and philosophy (theories of perception and aesthetic value drawn from Wittgenstein and Merleau-Ponty). This title will be of interest to scholars in art history, art theory, and the history of science and technology"

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781138488090
    RVK Categories: LH 70080
    Series: Science and the arts since 1750
    Subjects: Ästhetik; Schatten; Malerei; Farbe
    Other subjects: Color (Philosophy); Shades and shadows; Painting / Philosophy; Shades and shadows in art; Color (Philosophy); Painting / Philosophy; Shades and shadows; Shades and shadows in art
    Scope: xiv, 176 Seiten, Illustrationen, 26 cm
    Notes:

    The science -- Light and dark -- Physics -- Contrast -- Constancy -- The criterion -- Aesthetic value
  19. Silhouettes
    la Cinquieme Couche
    Contributor: Hussenot, Victor
    Published: [2019]
    Publisher:  La Cinquième Couche, Bruxelles

    Jeune auteur à la bibliographie galopante - une dizaine de livres et des participations à divers collectifs et revues ('Polychromies', 'Kiblind', 'Papier', 'Gorgonzola'...) - Victor Hussenot exprime une vision affirmée de la bande dessinée. Amateur... more

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    Jeune auteur à la bibliographie galopante - une dizaine de livres et des participations à divers collectifs et revues ('Polychromies', 'Kiblind', 'Papier', 'Gorgonzola'...) - Victor Hussenot exprime une vision affirmée de la bande dessinée. Amateur de contraintes, jouant souvent avec les codes, il multiplie les projets dans des directions biens différentes, mais toujours connectées.0Avec 'Les gris colorés', paru à La 5e Couche en 2014, Hussenot proposait une série d?histoires courtes et de dessins montrant les sensations et les relations des personnages uniquement par des couleurs et des formes. Cette fois-ci, le dispositif mis en place par l?auteur qui sont autant de récits intimes ou de descriptions des sentiments. L?Oubapo a profondément marqué Hussenot, qui a vu dans les contraintes une manière de représenter visuellement des questions existentielles et temporelles avec la boucle (Morlaque) par exemple, comme chez Escher que l?auteur apprécie beaucoup. Faire de la bande dessinée avec des contraintes, c?était un moyen de réfléchir aux questions humaines et universelles, tout en dessinant

     
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    Source: Union catalogues
    Contributor: Hussenot, Victor
    Language: French
    Media type: Book
    ISBN: 9782390080527; 2390080529
    RVK Categories: LI 99999
    Subjects: Zeichnung; Silhouette <Motiv>
    Other subjects: Hussenot, Victor (1985-); Silhouettes; Charcoal drawing ; Technique; Shades and shadows in art
    Scope: 87 Seiten, 26 cm
  20. A short history of the shadow
    Author: Stoichiță, Victor Ieronim
    Published: 1999
    Publisher:  Reaktion Books, London

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1861890001; 9781861890009; 9781861898296
    Series: Essays in art and culture (London, England)
    Subjects: Geschichte; Kunst; Philosophie; Shades and shadows in art; Visual perception; Human figure in art; Art; Fotografie; Schatten; Schatten <Motiv>; Ästhetik; Zeichnung; Geschichte; Symbol; Entstehung; Malerei; Wahrnehmung; Kunst; Grafik
    Scope: 264 p.
    Notes:

    Includes bibliographical references (p. 243-264)
  21. Ombra
    saggi di letteratura, arte e musica
    Contributor: Garbini, Paolo (Publisher)
    Published: 2010
    Publisher:  Viella, Roma

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Contributor: Garbini, Paolo (Publisher)
    Language: Italian
    Media type: Book
    ISBN: 9788883344138
    Edition: 1. ed.
    Series: I libri di Viella ; 97
    Subjects: Shades and shadows in art; Shades and shadows in literature; Schatten <Motiv>; Schatten; Kultur
    Scope: 206 S., Ill., Notenbeisp., 21 cm
    Notes:

    Contains bibliographical references, notes and index (p. 195-206). - Rev. papers, originally presented at the seminar held in Rome, Italy, 2006-2007
  22. Grasping shadows
    the dark side of literature, painting, photography, and film
    Author: Sharpe, William
    Published: [2017]
    Publisher:  Oxford University Press, New York, NY

    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first... more

    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first full-length study of art shadows in over a decade, Grasping Shadows ranges from classic works by Rembrandt, Dickens, Picasso, Disney, and Warhol to contemporary street art, popular songs, billboards, and architecture to propose a general theory of how all shadows function in texts and visual media, ultimately offering four main categories. Sharpe explores the diverse ways shadows appear in literature, painting, photography, and film, insisting that literary and visual meanings of shadows cannot be separated, and that art-shadows must be analyzed as part of a cultural field in which words and images continually overlap and reinforce each other's meanings. Beginning with a summary of scholarship to date, the introduction addresses how real-world shadows function, and gives an overview of the strategies involved in representing shadows from the Renaissance onward. The first chapter sets out a theory of how the meanings of shadows are generated. Subsequent chapters, each centered on an influential literary text, explore in detail the four kinds of shadows that visual artists and writers use. The last chapter presents a case study of how shadows have impacted the art of the modern city, from Renoir and Zola to film noir to advanced projection systems capturing the shadows of passers-by on streets around the globe. The book concludes with a philosophical meditation on how living with shadows enriches everyday life. ".. "Grasping Shadows is the most comprehensive book to date on the artistic use of cast shadows, the first to offer a general theory of how all shadows function in texts and visual images. Accessibly written, it gives new insight into classic works while also exploring contemporary street art, popular songs, and advertising"..

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780190675271
    Subjects: Shades and shadows in art; Shades and shadows in literature; ART / General; PHILOSOPHY / Aesthetics
    Scope: xvii, 420 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  23. Grasping shadows
    the dark side of literature, painting, photography, and film
    Author: Sharpe, William
    Published: 2017
    Publisher:  Oxford University Press, Oxford, [England]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190682255
    RVK Categories: EC 5410
    Subjects: Shades and shadows in art; Shades and shadows in literature; Fotografie; Malerei; Film; Schatten <Motiv>; Kunst; Literatur
    Scope: 1 Online-Ressource (441 pages), illustrations, photographs
    Notes:

    Description based on print version record
  24. Apparition, Körper, Bild
    Das Helldunkel in Malerei und Film
    Author: Bleek, Jennifer
    Published: [2016]; ©2016
    Publisher:  Wilhelm Fink Verlag, Paderborn, Germany

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783846761175
    RVK Categories: AP 94700 ; LH 70060 ; LH 70190
    Subjects: Shades and shadows in art; Light in art; Black and white films; Schatten; Licht <Motiv>; Schatten <Motiv>; Licht; Ästhetik; Renaissance; Malerei; Film; Mimesis; Helldunkelmalerei
    Scope: 1 Online-Ressource (227 Seiten), Illustrationen
    Notes:

    Description based on print version record
  25. Going dark
    the contemporary figure at the edge of visibility
    Author: James, Ashley; Carter, Jordan; Cortez, Rio; Dozier, Ayanna; Helal, Marwa; Henson, Kristian; Holiday, Harmony; Lee, Key Jo; Mutiti, Nontsikelelo; Rahim, Hassan; Russell, Legacy; Scriber, Abbe; Young, Kevin
    Published: [2023]; © 2023
    Publisher:  Guggenheim, New York, NY

    "Going Dark brings together a multigenerational group of contemporary artists who engage the "semi-visible" figure-representations that are partially (or fully) obscured, including, in some cases, literally darkened-and suggests that the concept of... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "Going Dark brings together a multigenerational group of contemporary artists who engage the "semi-visible" figure-representations that are partially (or fully) obscured, including, in some cases, literally darkened-and suggests that the concept of going dark is a tool that has been used by artists for decades to probe enduring questions surrounding both the potential and the discontents of social visibility. Across mediums-painting, photography, sculpture, video and installation-Going Dark names, charts and makes meaning of the semi-visible figure, arguing for its significance in contemporary art as a genre of unique conceptual and formal power. More than 125 works in all of these mediums by more than 25 artists are featured. Essays by such curators as Legacy Russell and Jordan Carter, and professor Abbe Schriber, among others, contextualize the histories that inspired these works. In addition, four award-winning poets and three acclaimed graphic designers have contributed works. Artists include: American Artist, Kevin Beasley, Rebecca Belmore, Dawoud Bey, John Edmonds, Ellen Gallagher, David Hammons, Lyle Ashton Harris, Tomashi Jackson, Titus Kaphar, Glenn Ligon, Kerry James Marshall, Tiona Nekkia McClodden, Joiri Minaya, Sandra Mujinga, Chris Ofili, Sondra Perry, Farah Al Qasimi, Faith Ringgold, Doris Salcedo, Lorna Simpson, Sable Elyse Smith, Stephanie Syjuco, Hank Willis Thomas, WangShui, Carrie Mae Weems and Charles White"--

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780892075638; 0892075635
    Subjects: Human beings in art / Exhibitions; Shades and shadows in art / Exhibitions; Absence in art / Exhibitions; Art, Modern / 21st century / Exhibitions; Absence in art; Art, Modern; Human beings in art; Shades and shadows in art; Dunkelheit <Motiv>; Unsichtbarkeit; Kunst
    Scope: 253 Seiten, Illustrationen
    Notes:

    Impressum: Published on the occasion of the exhibition 'Going Dark: The Contemporary Figure at the Edge of Visibility', Solomon R. Guggenheim Museum, New York, October 20, 2023 - April 7, 2024