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  1. Early modern tragedy, gender and performance, 1984-2000
    the destined livery
    Author: Barker, Roberta
    Published: 2007
    Publisher:  Palgrave Macmillan, Basingstoke ; ProQuest Ebook Central, New York

    Roberta Barker advances a new model for politically engaged spectatorship of contemporary productions by Shakespeare and his contemporaries more

     

    Roberta Barker advances a new model for politically engaged spectatorship of contemporary productions by Shakespeare and his contemporaries

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230597488
    Subjects: Sex role in the theater; Feminism and theater; Theater; Sex role in motion pictures; Gender identity in motion pictures; English drama; English drama; Gender identity in the theater; English drama (Tragedy)
    Scope: Online-Ressource (xii, 237 Seiten), Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (p. 208-229) and index

    Cover; Contents; List of Figures; Acknowledgments; List of Abbreviations; Introduction: The Destined Livery? Tragedy, Performance, Subject and Spectator; Part I: Realism and Reinscription; 1 What We Are, But Not What We May Be: The Feminist Ophelia and the (Re)production of Gender; 2 An Actor in the Main of All: Individual and Relational Selves in The Duchess of Malfi; 3 The Natural Father and the Imaginary Daughter: Patriarchy as Realism and Representation in Titus; Part II: Performance and Performativity; 4 'Let Me Forget Myself': What a Queen is Good For in Edward II

    5 Death and the Married Maiden: Gender Reproduction as Destruction in The Broken Heart6 Tricked Like a Bride: A New Traffic in A Woman Killed with Kindness; Conclusion: Cultural Drag; or, Hamlet and Ophelia Redux; Appendix: Casts, Production Teams and Opening Dates of Productions Discussed; Notes; Bibliography; Index
  2. Race, class, and gender in "medieval" cinema
    Contributor: Ramey, Lynn Tarte (Publisher)
    Published: 2007
    Publisher:  Palgrave Macmillan, Basingstoke

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    Source: Union catalogues
    Contributor: Ramey, Lynn Tarte (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1403974276
    RVK Categories: AP 52600
    Edition: 1. ed.
    Series: The new Middle Ages
    Subjects: Middle Ages in motion pictures; Race in motion pictures; Social classes in motion pictures; Sex role in motion pictures
    Scope: VIII, 228 S., Ill., 22 cm
    Notes:

    Literaturangaben
  3. Motherhood in Mexican cinema, 1941 - 1991
    the transformation of femininity on screen
    Author: Arredondo, Isabel
    Published: 2014
    Publisher:  McFarland, Jefferson, NC

    "How were femininity and motherhood understood in Mexican cinema from the 1940s to the early 1990s? Film analysis, interviews, articles, and reviews are used to answer the question and trace the changes. Images of mothers in films are contrasted with... more

     

    "How were femininity and motherhood understood in Mexican cinema from the 1940s to the early 1990s? Film analysis, interviews, articles, and reviews are used to answer the question and trace the changes. Images of mothers in films are contrasted with those of mothers in Mexican classical films (1935-1950) and in Mexican films from the 1970s and 1980s"..

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780786468041
    Subjects: Mothers in motion pictures; Motion pictures; Motherhood in motion pictures; Sex role in motion pictures
    Scope: X, 221 S., Ill.
    Notes:

    Literaturverz. S. 204 - 218
  4. Gender, nationalism, and war
    conflict on the movie screen
    Author: Evangelista, Matthew
    Published: 2011
    Publisher:  Cambridge Univ. Press, Cambridge

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107001947; 9780521173544
    Edition: 1. publ.
    Subjects: Women in motion pictures; War films / History and criticism; Sex role in motion pictures; Nationalism in motion pictures; Political violence in motion pictures; Men in motion pictures; Women / Political activity; Violence in women
    Scope: XIII, 289 S., Ill.
    Notes:

    Literaturangaben

    Online-Ausg.
  5. Filming difference
    actors, directors, producers, and writers on gender, race, and sexuality in film
    Contributor: Bernardi, Daniel (Publisher)
    Published: 2009
    Publisher:  Univ. of Texas Press, Austin

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    Source: Union catalogues
    Contributor: Bernardi, Daniel (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780292719743; 9780292719231
    RVK Categories: AP 59783 ; AP 44983
    Edition: 1. ed.
    Subjects: Social problems in motion pictures; Sex role in motion pictures; Race relations in motion pictures; Motion picture producers and directors; Motion picture actors and actresses; Screenwriters
    Scope: VIII, 378 S., Ill.
    Notes:

    Literaturverz. S. [343] - 356
  6. Gender, ethnicity and sexuality in contemporary American film
    Author: Davies, Jude; Smith, Carol R.
    Published: 2004
    Publisher:  Keele Univ. Press, Edinburgh

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 185331174X
    RVK Categories: AP 59783
    Edition: Repr., transferred to digital print
    Series: BAAS paperbacks
    Subjects: Sex role in motion pictures; Sex in motion pictures; Minorities in motion pictures; Homosexuality in motion pictures; Motion pictures
    Scope: VII, 156 S., 22 cm
  7. Screening genders
    Contributor: Gabbard, Krin (Publisher)
    Published: 2008
    Publisher:  Rutgers Univ. Press, Piscataway, N.J.

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    Source: Union catalogues
    Contributor: Gabbard, Krin (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780813543390; 0813543401; 9780813543406
    RVK Categories: AP 47950
    Series: Rutgers depth of field series
    Subjects: Sex role in motion pictures
    Scope: X, 195 S., Ill., 26 cm
    Notes:

    Literaturverz. S. [169] - 180
  8. High contrast
    race and gender in contemporary Hollywood film
    Author: Willis, Sharon,
    Published: 2002
    Publisher:  Duke Univ. Press, Durham, NC [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0822320290; 082232041X
    RVK Categories: AP 44983 ; AP 50300
    Edition: 2nd printing
    Subjects: African Americans in motion pictures; Sex role in motion pictures
    Scope: 266 S.
    Notes:

    Literaturangaben
  9. Performativität und Performance
    Geschlecht in Musik, Theater und MedienKunst
    Contributor: Oster, Martina (Publisher)
    Published: 2008
    Publisher:  LIT-Verl., Münster

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    Source: Union catalogues
    Contributor: Oster, Martina (Publisher)
    Language: German; English
    Media type: Book
    Format: Print
    ISBN: 9783825806606; 382580660X
    RVK Categories: AP 66600 ; AP 67600 ; LH 65830
    Series: Focus Gender ; 8
    Subjects: Performance; Arts and society; Sex role in music; Sex role in the theater; Sex role in motion pictures
    Scope: 323 S., Ill., Notenbeisp., 21 cm
    Notes:

    Literaturangaben
  10. Gendering images
    Geschlechterinszenierung in den Filmen Pedro Almodóvars
    Author: Huven, Kerstin
    Published: 2002
    Publisher:  Lang, Frankfurt am Main

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783631391532; 3631391536
    RVK Categories: AP 59737 ; MS 2850 ; MS 2900
    Series: Studien zum Theater, Film und Fernsehen ; 38
    Subjects: Sex role in motion pictures
    Scope: XIII, 153 S., Ill., graph. Darst., 21 cm
    Notes:

    Zugl.: Münster (Westfalen), Univ., Magisterarb., 2001
  11. Alien woman
    the making of Lt. Ellen Ripley
    Author: Gallardo C., Ximena; Smith, C. Jason
    Published: 2004
    Publisher:  Continuum, New York

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0826415695; 0826415709
    Subjects: Ripley (Fictitious character); Alien films; Sex role in motion pictures
    Scope: XI, 241 S., 24cm
    Notes:

    Literaturverz. S. 205 - 219
  12. Complicated women
    sex and power in pre-code Hollywood
    Author: LaSalle, Mick
    Published: 2001
    Publisher:  Griffin, New York

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0312284314; 0312252072
    Subjects: Women in motion pictures; Array; Sex role in motion pictures
    Scope: 293 S., Ill., 24cm
    Notes:

    Originally published: St Martin's, 2000

    Literaturverz. S. [273] - 279
  13. Identidades maternacionales en el cine de María Novaro
    Author: Robles, Óscar
    Published: 2005
    Publisher:  Lang, New York, NY

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    Source: Union catalogues
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 0820471399
    Other identifier:
    9780820471396
    RVK Categories: IQ 23990 ; IQ 12007
    DDC Categories: 791
    Series: Currents in comparative Romance languages and literatures ; 138
    Subjects: Sex role in motion pictures; Nationalism in motion pictures
    Scope: 242 S., 24 cm
    Notes:

    Literaturverz. S. 225 - 242
  14. You Tarzan
    masculinity, movies and men
    Contributor: Kirkham, Pat (Publisher)
    Published: 1993
    Publisher:  Lawrence & Wishart, London

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    Source: Union catalogues
    Contributor: Kirkham, Pat (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0853157782
    RVK Categories: AP 45700
    Edition: 1. publ.
    Subjects: Men in motion pictures; Machismo in motion pictures; Sex role in motion pictures
    Scope: 221 S., Ill.
    Notes:

    Filmogr. S. 215 - 217. - Literaturangaben
  15. All that Hollywood allows
    re-reading gender in 1950s melodrama
    Author: Byars, Jackie
    Published: 1991
    Publisher:  Univ. of North Carolina Press, Chapel Hill, NC [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0807819530; 0807843121
    RVK Categories: AP 44983 ; AP 50300
    Series: Gender & American culture
    Subjects: Sex role in motion pictures; Women in motion pictures; Melodrama in motion pictures; Feminist film criticism; Motion pictures; Popular culture; Culture in motion pictures
    Scope: X, 326 S., Ill., 23 cm
    Notes:

    Literaturverz. und Filmogr. S. 289 - 314
  16. Media-tions
    forays into the culture and gender wars
    Author: Rapping, Elayne
    Published: 1994
    Publisher:  South End Press, Boston, Mass.

  17. Hollywood androgyny
    Author: Bell-Metereau, Rebecca
    Published: 1993
    Publisher:  Columbia Univ. Press, New York, NY

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0231084676
    Edition: 2. ed.
    Subjects: Female impersonators in motion pictures; Male impersonators in motion pictures; Sex role in motion pictures; Array
    Scope: XXII, 345 S., Ill.
    Notes:

    Literaturverz. S. [315] - 327
  18. Dames in the driver's seat
    rereading film noir
    Author: Wager, Jans B.
    Published: 2005
    Publisher:  Univ. of Texas Press, Austin, Tex.

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0292706944; 0292709668
    RVK Categories: AP 44400 ; AP 45700 ; AP 53600
    Edition: 1. ed.
    Subjects: Film noir; Sex role in motion pictures; Race in motion pictures; Social classes in motion pictures
    Scope: IX, 190 S., Ill.
    Notes:

    Literaturverz. S. 173 - 180
  19. Lady Chatterley's Legacy in the Movies
    Sex, Brains, and Body Guys
    Author: Lehman, Peter; Hunt, Susan
    Published: [2010]; © 2010
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Titanic. Two Moon Junction. A Night in Heaven. Sirens. Henry & June. 9 Songs. Lady Chatterley. And more. A new "body guy" genre has emerged in film during the last twenty years-a working-class man of the earth or bohemian artist awakens and fulfills... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Titanic. Two Moon Junction. A Night in Heaven. Sirens. Henry & June. 9 Songs. Lady Chatterley. And more. A new "body guy" genre has emerged in film during the last twenty years-a working-class man of the earth or bohemian artist awakens and fulfills the sexuality of a beautiful, intelligent woman frequently married or engaged to a sexually incompetent, educated, upper-class man. This body guy exhibits a masterful athletic, penile-centered sexual performance that enlivens and transforms the previously discontented woman's life. Peter Lehman and Susan Hunt relate a host of wide-ranging films to a literary tradition dating back to D. H. Lawrence's Lady Chatterley's Lover and an emerging body culture of our time. Through an engaging and compelling narrative, they argue that the hero's body, lovemaking style, and penis-revealed through extensive male nudity-celebrate conformity to norms of masculinity and male sexuality. Simultaneously, these films denigrate the vital, creative, erotic world of the mind. Just when women began to successfully compete with men in the workplace, these movies, if you will, unzip the penis as the one thing women do not have but want and need for their fulfillment. But Lehman and Hunt also find signs of a yearning for alternative forms of sexual and erotic pleasure in film, embracing diverse bodies and vibrant minds. Lady Chatterley's Legacy in the Movies shows how filmmakers, spectators, and all of us can be empowered to dethrone the body guy, his privileged body, and preferred style of lovemaking, replacing it with a wide range of alternatives

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813550299
    Other identifier:
    Subjects: PERFORMING ARTS / General; Men in motion pictures; Sex in motion pictures; Sex role in motion pictures; Stereotypes (Social psychology) in motion pictures; Women in motion pictures; Mann <Motiv>; Erotik <Motiv>; Film; Männerbild
    Scope: 1 online resource, 40 illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  20. Phantom Ladies
    Hollywood Horror and the Home Front
    Author: Snelson, Tim
    Published: [2014]; © 2014
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted their production and marketing strategies accordingly. Phantom Ladies reveals the untold story of how the Hollywood horror film changed dramatically in the early 1940s, including both female heroines and female monsters while incorporating elements of "women’s genres" like the gothic mystery. Drawing from a wealth of newly unearthed archival material, from production records to audience surveys, Tim Snelson challenges long-held assumptions about gender and horror film viewership. Examining a wide range of classic horror movies, Snelson offers us a new appreciation of how dynamic this genre could be, as it underwent seismic shifts in a matter of months. Phantom Ladies, therefore, not only includes horror films made in the early 1940s, but also those produced immediately after the war ended, films in which the female monster was replaced by neurotic, psychotic, or hysterical women who could be cured and domesticated. Phantom Ladies is a spine-tingling, eye-opening read about gender and horror, and the complex relationship between industry and audiences in the classical Hollywood era

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813570440
    Other identifier:
    Subjects: PERFORMING ARTS / General; Horror films; Motion pictures and women; Sex role in motion pictures; Women in motion pictures; Frau <Motiv>; Horrorfilm
    Scope: 1 online resource, 16 photographs
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  21. Girls Will Be Boys
    Cross-Dressed Women, Lesbians, and American Cinema, 1908-1934
    Author: Horak, Laura
    Published: [2016]; © 2016
    Publisher:  Rutgers University Press, New Brunswick, NJ

    2016 Choice Outstanding Academic Title Finalist for 2016 Richard Wall Memorial Award by the Theatre Library Long listed for the 2017 Kraszna-Krausz Best Photography Book Award from the Kraszna-Krausz Foundation Marlene Dietrich, Greta Garbo, and... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    2016 Choice Outstanding Academic Title Finalist for 2016 Richard Wall Memorial Award by the Theatre Library Long listed for the 2017 Kraszna-Krausz Best Photography Book Award from the Kraszna-Krausz Foundation Marlene Dietrich, Greta Garbo, and Katharine Hepburn all made lasting impressions with the cinematic cross-dressing they performed onscreen. What few modern viewers realize, however, is that these seemingly daring performances of the 1930s actually came at the tail end of a long wave of gender-bending films that included more than 400 movies featuring women dressed as men. Laura Horak spent a decade scouring film archives worldwide, looking at American films made between 1908 and 1934, and what she discovered could revolutionize our understanding of gender roles in the early twentieth century. Questioning the assumption that cross-dressing women were automatically viewed as transgressive, she finds that these figures were popularly regarded as wholesome and regularly appeared onscreen in the 1910s, thus lending greater respectability to the fledgling film industry. Horak also explores how and why this perception of cross-dressed women began to change in the 1920s and early 1930s, examining how cinema played a pivotal part in the representation of lesbian identity. Girls Will Be Boys excavates a rich history of gender-bending film roles, enabling readers to appreciate the wide array of masculinities that these actresses performed—from sentimental boyhood to rugged virility to gentlemanly refinement. Taking us on a guided tour through a treasure-trove of vintage images, Girls Will Be Boys helps us view the histories of gender, sexuality, and film through fresh eyes

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813574851
    Other identifier:
    Subjects: PERFORMING ARTS / General; Lesbianism in motion pictures; Lesbians in motion pictures; Male impersonators in motion pictures; Motion pictures; Sex role in motion pictures; Lesbe <Motiv>; Film; Geschlecht <Motiv>; Crossdresser <Motiv>
    Scope: 1 online resource, 40 photographs
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  22. Reel Vulnerability
    Power, Pain, and Gender in Contemporary American Film and Television
    Author: Hagelin, Sarah
    Published: [2013]; © 2013
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Wonder women, G.I. Janes, and vampire slayers increasingly populate the American cultural landscape. What do these figures mean in the American cultural imagination? What can they tell us about the female body in action or in pain? Reel Vulnerability... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Wonder women, G.I. Janes, and vampire slayers increasingly populate the American cultural landscape. What do these figures mean in the American cultural imagination? What can they tell us about the female body in action or in pain? Reel Vulnerability explores the way American popular culture thinks about vulnerability, arguing that our culture and our scholarship remain stubbornly invested in the myth of the helplessness of the female body. The book examines the shifting constructions of vulnerability in the wake of the cultural upheavals of World War II, the Cold War, and 9/11, placing defenseless male bodies onscreen alongside representations of the female body in the military, in the interrogation room, and on the margins. Sarah Hagelin challenges the ways film theory and cultural studies confuse vulnerability and femaleness. Such films as G.I. Jane and Saving Private Ryan, as well as such post-9/11 television shows as Battlestar Galactica and Deadwood, present vulnerable men who demand our sympathy, abused women who don’t want our pity, and images of the body in pain that do not portray weakness. Hagelin’s intent is to help scholarship catch up to the new iconographies emerging in theaters and in living rooms—images that offer viewers reactions to the suffering body beyond pity, identification with the bleeding body beyond masochism, and feminist images of the female body where we least expect to find them

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813561059
    Other identifier:
    Subjects: SOCIAL SCIENCE / General; Motion pictures; Pain in motion pictures; Power (Social sciences) in motion pictures; Sex role in motion pictures; Vulnerability (Personality trait) in motion pictures; Fernsehsendung; Film; Geschlecht <Motiv>; Verletzung <Motiv>
    Scope: 1 online resource, 24 illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  23. Women Through the Lens
    Gender and Nation in a Century of Chinese Cinema
    Author: Cui, Shuqin
    Published: [2003]; © 2003
    Publisher:  University of Hawaii Press, Honolulu

    Women Through the Lens raises the question of how gender, especially the image of woman, acts as a visual and discursive sign in the creation of the nation-state in twentieth-century China. Tracing the history of Chinese cinema through the last... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Women Through the Lens raises the question of how gender, especially the image of woman, acts as a visual and discursive sign in the creation of the nation-state in twentieth-century China. Tracing the history of Chinese cinema through the last hundred years from the perspective of transnational feminism, Shuqin Cui reveals how women have been granted a "privileged visibility" on screen while being denied discursive positions as subjects. In addition, her careful attention to the visual language system of cinema shows how "woman" has served as the site for the narration of nation in the context of China's changing social and political climate. Placing gender and nation in a historical framework, the book first shows how early productions had their roots in shadow plays, a popular form of public entertainment. In examining the "Red Classics" of socialist cinema as a mass cultural form, the book shows how the utopian vision of emancipating the entire proletariat, women included, produced a collective ideology that declared an end to gender difference. Cui then documents and discusses the cinematic spectacle of woman as essential to such widely popular films as Chen Kaige's "Farewell My Concubine" and Zhang Yimou's "Ju Do." Finally, the author brings a feminist perspective to the issues of gender and nation by turning her attention to women directors and their self-representations

     
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    Volltext (URL des Erstveröffentlichers)
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780824865634
    Other identifier:
    Subjects: Motion pictures; Sex role in motion pictures; Women in motion pictures; Geschlechterverhältnis; Nation <Motiv>; Film; Geschlechterrolle <Motiv>
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)
  24. Girls will be boys
    cross-dressed women, lesbians, and American cinema, 1908-1934
    Author: Horak, Laura
    Published: [2016]; © 2016
    Publisher:  Rutgers University Press, New Brunswick

    "Marlene Dietrich, Greta Garbo, and Katharine Hepburn all made lasting impressions with the cinematic cross-dressing they performed onscreen. What few modern viewers realize, however, is that these seemingly daring performances of the 1930s actually... more

    Location:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Signature:
    2016/145
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 973174
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    Staats- und Universitätsbibliothek Bremen
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    a tea 875.8/870
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    Technische Universität Chemnitz, Universitätsbibliothek
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    $BCh 1
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    DFF - Deutsches Filminstitut & Filmmuseum, Bibliothek
    Signature:
    Film 1452
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    Universitätsbibliothek Freiburg
    Signature:
    GE 2016/4828
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    Location:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signature:
    VG/280/1608
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    Thüringer Universitäts- und Landesbibliothek
    Signature:
    KMW:KB:4000:Hora::2016
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    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    Bx 3666
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    "Marlene Dietrich, Greta Garbo, and Katharine Hepburn all made lasting impressions with the cinematic cross-dressing they performed onscreen. What few modern viewers realize, however, is that these seemingly daring performances of the 1930s actually came at the tail end of a long wave of gender-bending films that included more than 400 movies featuring women dressed as men. Laura Horak spent a decade scouring film archives worldwide, looking at American films made between 1908 and 1934, and what she discovered could revolutionize our understanding of gender roles in the early twentieth century. Questioning the assumption that cross-dressing women were automatically viewed as transgressive, she finds that these figures were popularly regarded as wholesome and regularly appeared onscreen in the 1910s, thus lending greater respectability to the fledgling film industry. Horak also explores how and why this perception of cross-dressed women began to change in the 1920s and early 1930s, examining how cinema played a pivotal part in the representation of lesbian identity. Girls Will Be Boys excavates a rich history of gender-bending film roles, enabling readers to appreciate the wide array of masculinities that these actresses performed--from sentimental boyhood to rugged virility to gentlemanly refinement. Taking us on a guided tour through a treasure-trove of vintage images, Girls Will Be Boys helps us view the histories of gender, sexuality, and film through fresh eyes."--Publisher information

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780813574837; 9780813574820; 0813574838; 081357482X
    Other identifier:
    9780813574820
    RVK Categories: AP 44981
    Subjects: Motion pictures; Male impersonators in motion pictures; Lesbians in motion pictures; Lesbianism in motion pictures; Sex role in motion pictures
    Scope: xii, 311 Seiten, Illustrationen, 24 cm
    Notes:

    Literaturverzeichnis: Seiten 281-291

    : Introduction

    : Part 1. Cross-dressed women as American ideals (1908-1921)

    : Moving picture uplift and the female boy

    : Cowboy girls, girl spies, and the homoerotic frontier

    : Intermezzo codes of deviance (1892-1914)

    : Cultural hierarchy and the detection of sexual deviance in a Florida enchantment (1894 and 1914)

    : Part 2. The emergence of lesbian legibility (1921-1934)

    : Enter the lesbian: cosmopolitanism, trousers, and lesbians in the 1920s

    : The lesbian vogue and backlash against cross-dressed women in the 1930s

    : Conclusion

    : Appendix: U.S. films featuring cross-dressed women, 1895-1934
  25. Liebe '47 - Gesellschaft '49
    Geschlechterverhältnisse in der deutschen Nachkriegszeit ; eine Analyse des Films Liebe 47
    Author: Perinelli, Massimo
    Published: 1999
    Publisher:  LIT, Hamburg

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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3825841812
    Series: Geschlecht, Kultur, Gesellschaft ; 2
    Subjects: Sex role in motion pictures
    Scope: V, 227 S., Ill., graph. Darst., 21 cm
    Notes:

    Literaturverz. 209 - 226