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  1. Sensory reflections
    traces of experience in medieval artifacts
    Contributor: Griffiths, Fiona J. (HerausgeberIn); Starkey, Kathryn (HerausgeberIn)
    Published: [2018]; ©2018
    Publisher:  De Gruyter, Berlin

    This volume draws on emerging scholarship at the intersection of two already vibrant fields: medieval material culture and medieval sensory experience. The rich potential of medieval matter (most obviously manuscripts and visual imagery, but also... more

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    This volume draws on emerging scholarship at the intersection of two already vibrant fields: medieval material culture and medieval sensory experience. The rich potential of medieval matter (most obviously manuscripts and visual imagery, but also liturgical objects, coins, textiles, architecture, graves, etc.) to complement and even transcend purely textual sources is by now well established in medieval scholarship across the disciplines. So, too, attention to medieval sensory experiences—most prominently emotion—has transformed our understanding of medieval religious life and spirituality, violence, power, and authority, friendship, and constructions of both the self and the other. Our purpose in this volume is to draw the two approaches together, plumbing medieval material sources for traces of sensory experience - above all ephemeral and physical experiences that, unlike emotion, are rarely fully described or articulated in texts.

     
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    Source: Union catalogues
    Contributor: Griffiths, Fiona J. (HerausgeberIn); Starkey, Kathryn (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110562866; 9783110563443
    Other identifier:
    RVK Categories: LH 65600
    DDC Categories: 800#DNB
    Series: Sense, matter, and medium ; volume 1
    Subjects: medieval culture.; Mittelalterliche Kultur.; objects.; Objekt.; Senses.; Sinne.
    Scope: 1 Online-Ressource (XIII, 286 Seiten)
    Notes:

    Griffiths, Fiona / Starkey, Kathryn --: Frontmatter -- ; Contents -- ; Acknowledgments -- ; List of Abbreviations -- ; Contributor Biographies -- ; Sensing Through Objects

    Rodin, Jesse --: 1. The Songbook as Sensory Artifact

    Garver, Valerie L. --: 2. Sensory Experiences of Low-Status Female Textile Workers in the Carolingian World

    Williams, Elizabeth Dospěl --: 3. Appealing to the Senses: Experiencing Adornment in the Early Medieval Eastern Mediterranean

    Herman, Melissa --: 4. Sensing Iconography: Ornamentation, Material, and Sensuousness in Early Anglo-Saxon Metalwork

    Blessing, Patricia --: 5. The Vessel as Garden: The “Alhambra Vases” and Sensory Perception in Nasrid Architecture

    Hahn, Cynthia --: 6. Theatricality, Materiality, Relics: Reliquary Forms and the Sensational in Mosan Art

    Ritchey, Sara --: 7. The Wound’s Presence and Bodily Absence: Activating the Spiritual Senses in a Fourteenth-Century Manuscript

    Sand, Alexa --: 8. Birds in Hand: Micro-books and the Devotional Experience

    Borland, Jennifer --: 9. Moved by Medicine: The Multisensory Experience of Handling Folding Almanacs

    Newhauser, Richard --: 10. “putten to ploughe”: Touching the Peasant Sensory Community

    Williamson, Beth --: Reflections on Sensory Reflections: An Afterword
  2. Kunst mit allen Sinnen :
    Multimodalität in zeitgenössischer Medienkunst /
    Author: Preiß, Cecilia Mareike Carolin,
    Published: [2021]; ©2021
    Publisher:  transcript Verlag,, Bielefeld :

    Die in diesem Buch vorgenommene Auseinandersetzung mit den Sinnen in der Kunst entfaltet sich an der Schnittstelle von Medien- und Kunstwissenschaft. Entgegen der Auffassung, dass in virtuellen Räumen Körperlichkeit und die Vielfalt sinnlicher... more

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    Die in diesem Buch vorgenommene Auseinandersetzung mit den Sinnen in der Kunst entfaltet sich an der Schnittstelle von Medien- und Kunstwissenschaft. Entgegen der Auffassung, dass in virtuellen Räumen Körperlichkeit und die Vielfalt sinnlicher Wahrnehmung an Bedeutung verlieren, deuten aktuelle Beispiele der Medienkunst in eine andere Richtung. Kunst löst sich hierbei vom Objekt und wandert auf die interagierenden Körper der Rezipient*innen. Wenn deren ephemere sensomotorische Erfahrung zum eigentlichen künstlerischen Gegenstand wird, kommen neue Praktiken des Dokumentarischen ins Spiel. Cecilia Preiß geht der Konjunktur der Multimodalität in zeitgenössischer digitaler Medienkunst auf den Grund.

     
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