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  1. Nationalism and irony
    Burke, Scott, Carlyle
    Published: 2007
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    "Nationalism and irony are two of the most significant developments of the Romantic period, yet they have not been linked in depth before now. This study shows how Romantic nationalism in Britain explored irony's potential as a powerful source of... more

    Universitätsbibliothek Würzburg
    Unlimited inter-library loan, copies and loan

     

    "Nationalism and irony are two of the most significant developments of the Romantic period, yet they have not been linked in depth before now. This study shows how Romantic nationalism in Britain explored irony's potential as a powerful source of civic cohesion. The period's leading conservative voices, self-consciously non-English figures such as Edmund Burke, Walter Scott, and Thomas Carlyle, accentuated rather than disguised the anomalous character of Britain's identity, structure, and history. Their irony publicly fractured while upholding sentimental fictions of national wholeness. Britain's politics of deference, its reverence for tradition, and its celebration of productivity all became not only targets of irony but occasions for its development as a patriotic institution. This study offers a different view of both Romantic irony and Romantic nationalism: irony is examined as an outgrowth of commercial society and as a force that holds together center and periphery, superiors and subordinates, in the culture of nationalism."--BOOK JACKET.

     

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  2. Nationalism and irony
    Burke, Scott, Carlyle
    Published: 2004
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    "Nationalism and irony are two of the most significant developments of the Romantic period, yet they have not been linked in depth before now. This study shows how Romantic nationalism in Britain explored irony's potential as a powerful source of... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Würzburg
    Unlimited inter-library loan, copies and loan

     

    "Nationalism and irony are two of the most significant developments of the Romantic period, yet they have not been linked in depth before now. This study shows how Romantic nationalism in Britain explored irony's potential as a powerful source of civic cohesion. The period's leading conservative voices, self-consciously non-English figures such as Edmund Burke, Walter Scott, and Thomas Carlyle, accentuated rather than disguised the anomalous character of Britain's identity, structure, and history. Their irony publicly fractured while upholding sentimental fictions of national wholeness. Britain's politics of deference, its reverence for tradition, and its celebration of productivity all became not only targets of irony but occasions for its development as a patriotic institution. This study offers a different view of both Romantic irony and Romantic nationalism: irony is examined as an outgrowth of commercial society and as a force that holds together center and periphery, superiors and subordinates, in the culture of nationalism."--BOOK JACKET.

     

    Export to reference management software   RIS file
      BibTeX file