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  1. <<The>> Cambridge companion to British romanticism and religion
    Contributor: Barbeau, Jeffrey W. (Publisher)
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

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    Source: Union catalogues
    Contributor: Barbeau, Jeffrey W. (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781108482844; 9781108711050
    RVK Categories: HL 1131
    Series: Cambridge companions to literature
    Subjects: Romantik; Religion; Literatur; Englisch; Geschichte 1780-1832;
    Other subjects: Religion and literature / Great Britain / History / 18th century; Religion and literature / Great Britain / History / 19th century; Romanticism / Great Britain; English literature / 18th century / History and criticism; English literature / 19th century / History and criticism
    Scope: xii, 346 Seiten, Illustrationen, 24 cm
    Notes:

    Enthält Literaturangaben

  2. Romantic Rebels
    Essays on Shelley and His Circle
    Published: [1973]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674732001; 9780674731998
    Other identifier:
    Subjects: Authors, English / 19th century / Biography; Poets, English / 19th century / Biography; Romanticism / Great Britain; Écrivains anglais / 19e siècle / Biographies; Englische Literatur; Umkreis; Literatur; Aufsatzsammlung; Romantik; Authors, English; Friendship; Poets, English; Romanticism; Romantik; Englisch; Umkreis; Literatur
    Other subjects: Shelley, Percy Bysshe (1792-1822)
    Scope: 1 Online-Ressource (vi,320p.)
    Notes:

    The rebels of the Romantic period speak more directly to the issues of today than any other group of writers of the past. This collection provides a cohesive picture of some of the Romantics whose lives interlocked in the early 1800's

    The rebels of the Romantic period speak more directly to the issues of today than any other group of writers of the past. Mary Wollstonecraft exposed the problem of women's rights; her husband William Godwin protested against war, economic and social imbalances, and cruel penal practices; their daughter Mary Shelley produced the original science fiction, Frankenstein, and introduced into the novel radical social and antireligious views. Shelley campaigned in Ireland for Irish separation, wrote pamphlets on parliamentary reform, and propounded an egalitarian world; Byron addressed himself to problems of social injustice and lost his life as a result of his participation in the Greek war of independence. Leigh Hunt, the first radical, crusading journalist, battled all forms of injustice from child labor to army flogging; Thomas Love Peacock's lively, satiric novels excoriated sham. Their rebellion carried into their personal lives: Mary Wollstonecraft, Shelley, and Byron openly flouted the laws of marital relations, and several adopted unconventional dress. The rebels paid dearly for their public and private views. Shelley was deprived of his children, Byron was driven into exile, and Leigh Hunt was imprisoned. The lives and works of these major Romantics are sketched in a concise and lively way in these twelve essays, which are derived from Shelley and His Circle, Volumes I through IV. The collection provides a cohesive picture of some of the Romantics whose lives interlocked in the early 1800's

  3. The Self as Mind
    Vision and Identity in Wordsworth, Coleridge, and Keats
  4. Politics in English Romantic Poetry
    Published: [1970]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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  5. Metamorphosis
    The Mind in Exile
    Published: [1981]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674424982; 9780674424975
    Other identifier:
    Subjects: Imagination / History; Romanticism / Great Britain; Romanticism / Germany; Empiricism / History; Enlightenment / History; Imagination / Histoire; Siècle des lumières / Histoire; Romantisme / Grande-Bretagne; Romantisme / Allemagne; Empirisme / Histoire; Geschichte; Philosophie; Enlightenment; Creation (Literary, artistic, etc.); Création littéraire; Empiricism; Imagination; Romanticism; Creativiteit; Verbeelding; Verbeeldingskracht; Verlichting (cultuurgeschiedenis); Romantiek; Deutsch; Englisch; Literatur; Romantik; Theorie; Metamorphose <Motiv>; Literatur
    Scope: 1 Online-Ressource (244p.)
    Notes:

    Fusing the methods of comparative literature, intellectual history, and philosophical analysis, Skulsky explores a motif that has fascinated storytellers since antiquity: the miraculous transformation of a character into a plant, an animal, or a different human being. The thesis of the study is that the fantasy of metamorphosis challenges the narrator and his audience to confront certain basic anxieties about the human condition

    Fusing the methods of comparative literature, intellectual history, and philosophical analysis, Harold Skulsky explores a motif that has fascinated storytellers since antiquity: the miraculous transformation of a character into a plant, an animal, or a different human being. The thesis of the study is that the fantasy of metamorphosis challenges the narrator and his audience to confront certain basic anxieties about the human condition: Is the mind reducible to physical properties? What constitutes personhood? How does physical form affect personal identity and continuity of the self? Testing instances in which these and related perplexities appear in literature, Skulsky systematically and provocatively interprets ten major illustrative texts drawn from diverse epochs and languages, including the works of Homer, Ovid, Apuleius, Marie de France, Dante, Donne, Spenser, Keats, Kafka, and Woolf. Through Skulsky's masterly analysis the victims of metamorphosis in narrative literature--whether werewolf, ass, beetle, swine, or tree--provide a profound insight into the complexities of human experience

  6. The Romantic Impulse in Victorian Fiction
    Published: [1980]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674594302; 9780674594296
    Other identifier:
    Subjects: English fiction / 19th century / History and criticism; Romanticism / Great Britain; Englische Literatur; English fiction; Romanticism; Roman; Romantik; Romantik; Englisch; Roman
    Scope: 1 Online-Ressource (viii,396p.)
  7. English Romanticism and the French Tradition
  8. The creative imagination
    enlightenment to romanticism
  9. British Romanticism and peace
    Author: Bugg, John
    Published: 2022
    Publisher:  Oxford University Press, Oxford

    Universitäts- und Landesbibliothek Düsseldorf
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191875496
    Other identifier:
    RVK Categories: HL 1131
    Edition: First edition
    Subjects: Englisch; Romantik; Friede <Motiv>; Literatur
    Other subjects: Romanticism / Great Britain; English literature / 18th century / History and criticism; English literature / 19th century / History and criticism; Peace in literature; English literature; Romanticism; Great Britain; 1700-1899; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (viii, 216 Seiten), Illustrationen
  10. Romanticism and the emotions
    Contributor: Faflak, Joel (Herausgeber); Sha, Richard C. (Herausgeber)
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    There has recently been a resurgence of interest in the importance of the emotions in Romantic literature and thought. This collection, the first to stress the centrality of the emotions to Romanticism, addresses a complex range of issues including... more

    Universitätsbibliothek der RPTU in Kaiserslautern
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    There has recently been a resurgence of interest in the importance of the emotions in Romantic literature and thought. This collection, the first to stress the centrality of the emotions to Romanticism, addresses a complex range of issues including the relation of affect to figuration and knowing, emotions and the discipline of knowledge, the motivational powers of emotion, and emotions as a shared ground of meaning. Contributors offer significant new insights on the ways in which a wide range of Romantic writers, including Jane Austen, William Wordsworth, Immanuel Kant, Lord Byron, Mary and Percy Bysshe Shelley, Thomas De Quincey and Adam Smith, worried about the emotions as a register of human experience. Though varied in scope, the essays are united by the argument that the current affective and emotional turn in the humanities benefits from a Romantic scepticism about the relations between language, emotion and agency

     

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    Source: Union catalogues
    Contributor: Faflak, Joel (Herausgeber); Sha, Richard C. (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107280564
    Other identifier:
    RVK Categories: HL 1131
    Subjects: Romanticism / Great Britain; Emotions in literature; English literature / 18th century / History and criticism; Literatur; Gefühl; Romantik; Englisch
    Scope: 1 Online-Ressource (x, 264 Seiten)
  11. Mellem ånd og tryksværte
    studier i trykkekulturen og den romantiske litteratur
    Published: 2015
    Publisher:  Museum Tusculanums Forlag, Københavns Universitet, København

    Compilation of articles exploring the links between literary Romanticism and print culture with a focus on Scandinavia and Great Britain more

    Institut für Skandinavistik / Fennistik, Abteilung Skandinavistik, Bibliothek
    407/5d1990
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    Compilation of articles exploring the links between literary Romanticism and print culture with a focus on Scandinavia and Great Britain

     

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    Source: Union catalogues
    Language: Danish; Swedish
    Media type: Book
    ISBN: 9788763542258
    RVK Categories: GW 6660
    Subjects: Literatur; Skandinavische Sprachen; Buchherstellung; Romantik; Englisch
    Other subjects: Romanticism / Scandinavia; Romanticism / Great Britain; Book industries and trade / Scandinavia / 19th century; Book industries and trade / Great Britain / 19th century
    Scope: 201 S., Ill.
    Notes:

    Literaturangaben

  12. Revisionary gleam
    De Quincey, Coleridge, and the high romantic argument
    Published: 2000
    Publisher:  Liverpool University Press, Liverpool

    This study includes much new information on Thomas De Quincey and his critical engagement with Coleridge, Wordsworth, Burke, Kant and others. The author subtly and convincingly brings overlooked dimensions of De Quincey’s politics to the fore, and... more

    Bayerische Staatsbibliothek
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    This study includes much new information on Thomas De Quincey and his critical engagement with Coleridge, Wordsworth, Burke, Kant and others. The author subtly and convincingly brings overlooked dimensions of De Quincey’s politics to the fore, and examines essays often ignored. The impressive reading of the Liverpool circle and the 1803 Diary should lead to reassessments of this period in De Quincey’s development

     

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  13. Victorian quest romance
    Stevenson, Haggard, Kipling, and Conan Doyle
    Published: 1998
    Publisher:  Northcote House, in association with the British Council, Plymouth, U.K.

    This book interprets the quest romances of Stevenson, Haggard, Kipling and Conan Doyle in the light of Victorian debates about buried human pasts more

    Universitätsbibliothek Bamberg
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    This book interprets the quest romances of Stevenson, Haggard, Kipling and Conan Doyle in the light of Victorian debates about buried human pasts

     

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  14. Recognizing the romantic novel
    new histories of British fiction, 1780-1830
    Contributor: Heydt-Stevenson, Jillian (Publisher); Sussman, Charlotte (Publisher)
    Published: 2010
    Publisher:  Liverpool University Press, Liverpool

    The British Romantic era was a vibrant and exciting time in the history of the novel. Yet, aside from a few iconic books —Pride and Prejudice, Frankenstein—it has been ignored or dismissed by later readers and critics. Bringing this rich but... more

    Universitätsbibliothek Bamberg
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    The British Romantic era was a vibrant and exciting time in the history of the novel. Yet, aside from a few iconic books —Pride and Prejudice, Frankenstein—it has been ignored or dismissed by later readers and critics. Bringing this rich but neglected body of works to the fore, Recognizing the Romantic Novel: New Histories of British Fiction, 1780-1830 challenges us to rethink our ideas of the novel as a genre, as well as our long-held assumptions about the literary movement of Romanticism. Ranging from pre-Revolution to post-Waterloo, this volume celebrates the experimental drive and revisionary spirit of the Romantic novel. With essays on authors ranging from Burney to Austen to Hogg, it argues that the Romantic-era novel can be understood as a field, not simply a heterogeneous mass of fictional forms—a field, furthermore, that can hold its own against more widely read eighteenth-century and Victorian novels. Eleven essays by prominent scholars in the field demonstrate that previously unexplored contexts can help us recognize even familiar Romantic-era novels in new and fuller ways. These essays thoughtfully explore such varied concerns as the critique of Enlightenment ideals, the close affiliation between poetry and prose, a fraught engagement with politico-ethical issues, the limits of our access to and understanding of the past, and a rethinking of communities outside the conventions of the marriage plot

     

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    Source: Union catalogues
    Contributor: Heydt-Stevenson, Jillian (Publisher); Sussman, Charlotte (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846315633
    Edition: Paperback edition
    Subjects: English fiction / 18th century / History and criticism; English fiction / 19th century / History and criticism; Romanticism / Great Britain; Romantik; Englisch; Roman
    Scope: 1 online resource (xii, 345 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Array: Array

  15. Recognizing the romantic novel
    new histories of British fiction, 1780-1830
    Contributor: Heydt-Stevenson, Jillian (Publisher); Sussman, Charlotte (Publisher)
    Published: 2010
    Publisher:  Liverpool University Press, Liverpool

    The British Romantic era was a vibrant and exciting time in the history of the novel. Yet, aside from a few iconic books —Pride and Prejudice, Frankenstein—it has been ignored or dismissed by later readers and critics. Bringing this rich but... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    The British Romantic era was a vibrant and exciting time in the history of the novel. Yet, aside from a few iconic books —Pride and Prejudice, Frankenstein—it has been ignored or dismissed by later readers and critics. Bringing this rich but neglected body of works to the fore, Recognizing the Romantic Novel: New Histories of British Fiction, 1780-1830 challenges us to rethink our ideas of the novel as a genre, as well as our long-held assumptions about the literary movement of Romanticism. Ranging from pre-Revolution to post-Waterloo, this volume celebrates the experimental drive and revisionary spirit of the Romantic novel. With essays on authors ranging from Burney to Austen to Hogg, it argues that the Romantic-era novel can be understood as a field, not simply a heterogeneous mass of fictional forms—a field, furthermore, that can hold its own against more widely read eighteenth-century and Victorian novels. Eleven essays by prominent scholars in the field demonstrate that previously unexplored contexts can help us recognize even familiar Romantic-era novels in new and fuller ways. These essays thoughtfully explore such varied concerns as the critique of Enlightenment ideals, the close affiliation between poetry and prose, a fraught engagement with politico-ethical issues, the limits of our access to and understanding of the past, and a rethinking of communities outside the conventions of the marriage plot

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Heydt-Stevenson, Jillian (Publisher); Sussman, Charlotte (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846315633
    Edition: Paperback edition
    Subjects: English fiction / 18th century / History and criticism; English fiction / 19th century / History and criticism; Romanticism / Great Britain; Romantik; Englisch; Roman
    Scope: 1 online resource (xii, 345 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Array: Array

  16. Amorous aesthetics
    intellectual love in Romantic poetry and poetics, 1788-1853
    Author: Reno, Seth
    Published: 2020
    Publisher:  Liverpool University Press, Liverpool

    <div>Situated at the intersection of affect studies, ecocriticism, aesthetics, and Romantic studies, this book presents a genealogy of love in Romantic-era poetry, science, and philosophy. While feeling and emotion have been traditional mainstays of... more

    Universitätsbibliothek Bamberg
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    Situated at the intersection of affect studies, ecocriticism, aesthetics, and Romantic studies, this book presents a genealogy of love in Romantic-era poetry, science, and philosophy. While feeling and emotion have been traditional mainstays of Romantic literature, the concept of love is under-studied and under-appreciated, often neglected or dismissed as idealized, illusory, or overly sentimental. However, Seth Reno shows that a particular conception of intellectual love is interwoven with the major literary, scientific, and philosophical discourses of the period. Romantic-era writers conceived of love as integral to broader debates about the nature of life, the biology of the human body, the sociology of human relationships, the philosophy of nature, and the disclosure of being.

    Amorous Aesthetics traces the development of intellectual love from its first major expression in Baruch Spinoza's Ethics, through its adoption and adaptation in eighteenth-century moral and natural philosophy, to its emergence as a Romantic tradition in the work of six major poets. From William Wordsworth and John Clare's love of nature, to Percy Shelley's radical politics of love, to the more sceptical stances of Felicia Hemans, Alfred Tennyson, and Matthew Arnold, intellectual love is a pillar of Romanticism.

    This book will interest scholars and students of Romanticism, eighteenth- and nineteenth-century British literature, affect studies, ecocriticism, aesthetics, and those who work at the intersection of literature and science.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781786948465
    Series: Romantic reconfigurations
    Subjects: English poetry / 19th century / History and criticism; Love in literature; Aesthetics in literature; Romanticism / Great Britain
    Scope: 1 Online-Ressource (viii, 245 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 29 Jun 2020)

  17. The poetics of palliation
    romantic literary therapy, 1790-1850
    Published: 2020
    Publisher:  Liverpool University Press, Liverpool

    <div>Can literature heal? The Poetics of Palliation argues that our answers to this question have origins in the Romantic period. In the past twenty years, health humanists and scholars of literature and medicine have drawn on Romantic ideas to argue... more

    Universitätsbibliothek Bamberg
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    Can literature heal? The Poetics of Palliation argues that our answers to this question have origins in the Romantic period. In the past twenty years, health humanists and scholars of literature and medicine have drawn on Romantic ideas to argue that literature cures by making sufferers whole again. But this model oversimplifies how Romantic writers thought literature addressed suffering. Poetics documents how writers like William Wordsworth and Mary Shelley explored palliative forms of literary medicine: therapies that stressed literature's manifold relationship to pain and its power to sustain, comfort, and challenge even when cure was not possible. The book charts how Romantic writers developed these palliative poetics in conversation with their medical milieu. British medical ethics was first codified during the Romantic period. Its major writers, John Gregory and Thomas Percival, endorsed a palliative mandate to compensate for doctors' limited curative powers. Similarly, Romantic writers sought palliative approaches when their work failed to achieve starker curative goals. The startling diversity of their results illustrates how palliation offers a more comprehensive metric for literary therapy than the curative traditions we have inherited from Romanticism.

     

    'This erudite and beautifully written book stages a dialogue between historicist work on Romanticism and medicine, disability studies, and the emerging field of the health humanities. Starting from the premise that the Romantic period was the first to conceive of literature as the stuff of medical therapy, Pladek shows it was also the first to criticise a naïve version of that view. In five crisp chapters, she shows how writers as diverse as Coleridge, Wordsworth, Keats, Thomas Lovell Beddoes, John Stuart Mill and Mary Shelley thought of literature as a palliative, not a cure, for human suffering. In each of these discussions, she reveals how romantic literature anticipated some of the most controversial ideas in the health humanities today, notably the notion that to be effective medicine must treat the whole person, and she also traces fascinating genealogies of a great many ideas in modern medicine that are assumed to have no romantic pedigree. The result is an interdisciplinary dialogue of the first order and a literary tour de force.'

     

    Neil Vickers, University College London

     

    'The Poetics of Palliation

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  18. The Cambridge companion to British romanticism and religion
    Contributor: Barbeau, Jeffrey W. (Publisher)
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  19. Romanticism, self-canonization, and the business of poetry
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    This is the first book to examine how Romantic writers transformed poetic collections to reach new audiences. In a series of case studies, Michael Gamer shows Romantic poets to be fundamentally social authors: working closely with booksellers,... more

    Universitätsbibliothek Bamberg
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    This is the first book to examine how Romantic writers transformed poetic collections to reach new audiences. In a series of case studies, Michael Gamer shows Romantic poets to be fundamentally social authors: working closely with booksellers, intimately involved in literary production, and resolutely concerned with current readers even as they presented themselves as disinterested artists writing for posterity. Exploding the myth of Romantic poets as naive, unworldly, or unconcerned with the practical aspects of literary production, this study shows them instead to be engaged with intellectual property, profit and loss, and the power of reprinting to reshape literary reputation. Gamer offers a fresh perspective on how we think about poetic revision, placing it between aesthetic and economic registers and foregrounding the centrality of poetic collections rather than individual poems to the construction of literary careers

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316670019
    Other identifier:
    RVK Categories: HL 1131 ; HL 1191
    Series: Cambridge studies in Romanticism
    Subjects: Geschichte; English poetry / 19th century / History and criticism; Romanticism / Great Britain; Literature and society / Great Britain / History / 19th century; Poetry / Publishing / Great Britain / History / 19th century; Anthologies / Publishing / Great Britain / History / 19th century; Canon (Literature); Literarisches Leben; Englisch; Romantik; Lyrik; Buchmarkt
    Scope: 1 Online-Ressource (xvi, 307 pages)
    Notes:

    Machine generated contents note: Introduction: re-collections intranquility; 1. Corpus, canon, and the self-collected author; 2. Subscription reprinting: the third and fifth Elegiac Sonnets; 3. 'Bell's poetics': from The Florence Miscellany to the books of The World; 4. 'A local habitation and a name': remaking Lyrical Ballads; 5. Robert Southey's laureate policy; 6. Shelley incinerated: the heart of The Posthumous Poems

  20. Radical Orientalism
    rights, reform, and Romanticism
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    This fascinating study reveals the extent to which the Orientalism of Byron and the Shelleys resonated with the reformist movement of the Romantic era. It documents how and why radicals like Bentham, Cobbett, Carlile, Hone and Wooler, among others in... more

    Universitätsbibliothek Regensburg
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    This fascinating study reveals the extent to which the Orientalism of Byron and the Shelleys resonated with the reformist movement of the Romantic era. It documents how and why radicals like Bentham, Cobbett, Carlile, Hone and Wooler, among others in post-Revolutionary Britain, invoked Turkey, North Africa and Mughal India when attacking and seeking to change their government's domestic policies. Examining a broad archive ranging from satires, journalism, tracts, political and economic treatises, and public speeches, to the exotic poetry and fictions of canonical Romanticism, Gerard Cohen-Vrignaud shows that promoting colonization was not Orientalism's sole ideological function. Equally vital was its aesthetic and rhetorical capacity to alienate the people's affection from their rulers and fuel popular opposition to regressive taxation, penal cruelty, police repression, and sexual regulation

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781107527041
    RVK Categories: HL 1131
    Edition: First paperback edition
    Series: Cambridge studies in Romanticism ; 111
    Subjects: Orientalism; English literature / 19th century / History and criticism; English literature / 18th century / History and criticism; Romanticism / Great Britain; Romantik; Reformbewegung; Englisch; Orientalismus <Kunst>; Literatur
    Scope: ix, 261 Seiten, Illustrationen
    Notes:

    Introduction : radical Orientalism and the rights of man -- Cruel and unusual romance : Beckford, Byron, and the abomination of violence -- Reading the Oriental riot act : petition, assembly, and Shelley's constitutional sublime -- Splendors and miseries of the British sultanate : economic Orientalism, inequality, and radical satire -- Reasoning like a Turk : indolence and fatalism in Sardanapalus and The last man -- Byronic infidelity and despotic individuality : sex, religion, and free agency

  21. Romanticism and the painful pleasures of modern life
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge [u.a.]

    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780521175449; 9780521884020
    Other identifier:
    9780521175449
    RVK Categories: HL 1101 ; HL 1131
    Edition: First paperback edition
    Series: Cambridge studies in Romanticism ; 75
    Subjects: Romantik; Unterordnung <Motiv>; Masochismus <Motiv>; Englisch; Literatur; Schmerz <Motiv>
    Other subjects: Romanticism / Great Britain; Power (Social sciences) in literature; Masochism in literature
    Scope: xi, 295 Seiten, Illustrationen, 23 cm
    Notes:

    Originally published: 2008

  22. Science, form, and the problem of induction in British romanticism
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation... more

    Universitätsbibliothek Bamberg
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    Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work.

     

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  23. The poetics of decline in British romanticism
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781108420310
    RVK Categories: HL 1131
    Series: Cambridge studies in Romanticism ; 118
    Subjects: Literatur; Niedergang; Romantik; Englisch
    Other subjects: Romanticism / Great Britain; Regression (Civilization) in literature
    Scope: xiv, 226 Seiten, Illustrationen, 23 cm
  24. Jean-Jacques Rousseau and british romanticism
    gender and selfhood, politics and nation
    Contributor: Goulbourne, Russell (Publisher); Higgins, David (Publisher)
    Published: 2017
    Publisher:  Bloomsbury Academic, London

    "Bringing together leading scholars from the USA, UK and Europe, this is the first substantial study of the seminal influence of Jean-Jacques Rousseau on British Romanticism. Reconsidering Rousseau's connection to canonical Romantic authors such as... more

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    "Bringing together leading scholars from the USA, UK and Europe, this is the first substantial study of the seminal influence of Jean-Jacques Rousseau on British Romanticism. Reconsidering Rousseau's connection to canonical Romantic authors such as Wordsworth, Byron and Percy Bysshe Shelley, Jean-Jacques Rousseau and British Romanticism also explores his impact on a wide range of literature, including anti-Jacobin fiction, educational works, familiar essays, nature writing and political discourse. Convincingly demonstrating that the relationship between Rousseau's thought and British Romanticism goes beyond mere reception or influence to encompass complex forms of connection, transmission and appropriation, Jean-Jacques Rousseau and British Romanticism is a vital new contribution to scholarly understanding of British Romantic literature and its transnational contexts."--

     

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    Source: Union catalogues
    Contributor: Goulbourne, Russell (Publisher); Higgins, David (Publisher)
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Subjects: Romanticism / Great Britain; English literature / Philosophy; Politics and literature / Great Britain / History / 18th century; Politics and literature / Great Britain / History / 19th century; Gender identity in literature; Literatur; Romantik; Rezeption; Englisch
    Other subjects: Rousseau, Jean-Jacques / 1712-1778 / Influence; Rousseau, Jean-Jacques (1712-1778)
    Scope: 1 Online-Ressource (256 Seiten)
    Notes:

    Includes bibliographical references and index

    Machine generated contents note: -- Introduction -- 1. Rousseau and British Romantic Women Writers, Stephen C. Behrendt (University of Nebraska, USA) -- 2. 'Rousseau's Ground': Locating a Refuge for the Libertarian Man of Feeling in Julie, or the New Heloise and Childe Harold's Pilgrimage, Helen Stark (Queen Mary University of London, UK) -- 3. 'The Columbus of the Alps': Rousseau and the Writing of Mountain Experience in British Literature of the Romantic Period, Simon Bainbridge (Lancaster University, UK) -- 4. Romanticism and Rousseau in Wales, Heather Williams (University of Wales, UK) -- 5. Enchanted Ground?: Rousseau, Republicanism and Switzerland, Patrick Vincent (University of Neuchâtel, Switzerland) -- 6. Reading Rousseau in the Anti-Jacobin Novel, Pascal Fischer (University of Bamberg, Germany) -- 7. 'The Scene Itself': Rousseauvian Drama and Roman Space in Shelley's The Cenci, Rebecca Nesvet (University of Wisconsin, Green Bay, USA) -- 8. Rousseauvian Vision and Anthropology in Percy Shelley's Alastor, Thomas Roche (University of Georgia Press, USA) -- 9. Rousseau's Boat: The 'Fifth Walk', Romanticism and Idleness, Rowan Boyson (Kings College London, USA) -- 10. Jean-Jacques Rousseau, Emile and Britain, Frances Ferguson (University of Chicago, USA) -- 11. Rousseau and the Romantic Essayists, Gregory Dart (University College London, UK) Index

  25. Science, form, and the problem of induction in British romanticism
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    "Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation... more

    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Regensburg
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    "Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work."

     

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