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Displaying results 1 to 2 of 2.

  1. Drawing degree zero
    the line from minimal to conceptual art
    Author: Lovatt, Anna
    Published: [2019]; © 2019
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    "Examines the centrality of drawing to the art of the late 1960s and early 1970s. Focuses on the work of Mel Bochner, Rosemarie Castoro, Sol LeWitt, Dorothea Rockburne, and Richard Tuttle"--Provided by publisher more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Examines the centrality of drawing to the art of the late 1960s and early 1970s. Focuses on the work of Mel Bochner, Rosemarie Castoro, Sol LeWitt, Dorothea Rockburne, and Richard Tuttle"--Provided by publisher

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780271082431
    RVK Categories: LO 94036 ; LO 96700
    Series: Refiguring modernism ; 31
    Subjects: Ästhetik; Minimal Art; Zeichnung; Concept-art
    Other subjects: Castoro, Rosemarie (1939-2015); Tuttle, Richard (1941-); LeWitt, Sol (1928-2007); Rockburne, Dorothea (1934-); Bochner, Mel (1940-); Drawing, American / 20th century; Drawing, American; 1900-1999
    Scope: xiii, 223 Seiten, Illustrationen, 25 cm
    Notes:

    The zero degree : Mel Bochner's generic drawings -- Impediment as idea : Sol Lewitt's wall drawings -- Mind traveling : Rosemarie Castoro's inventories -- Palimpsests : Dorothea Rockburne's drawing which makes itself -- Filaments of affect : Richard Tuttle's wire pieces
  2. Drawing degree zero
    the line from minimal to conceptual art
    Author: Lovatt, Anna
    Published: [2019]; © 2019
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    "Examines the centrality of drawing to the art of the late 1960s and early 1970s. Focuses on the work of Mel Bochner, Rosemarie Castoro, Sol LeWitt, Dorothea Rockburne, and Richard Tuttle"--Provided by publisher more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Examines the centrality of drawing to the art of the late 1960s and early 1970s. Focuses on the work of Mel Bochner, Rosemarie Castoro, Sol LeWitt, Dorothea Rockburne, and Richard Tuttle"--Provided by publisher

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780271082431
    RVK Categories: LO 94036 ; LO 96700
    Series: Refiguring modernism ; 31
    Subjects: Ästhetik; Minimal Art; Zeichnung; Concept-art
    Other subjects: Castoro, Rosemarie (1939-2015); Tuttle, Richard (1941-); LeWitt, Sol (1928-2007); Rockburne, Dorothea (1934-); Bochner, Mel (1940-); Drawing, American / 20th century; Drawing, American; 1900-1999
    Scope: xiii, 223 Seiten, Illustrationen, 25 cm
    Notes:

    The zero degree : Mel Bochner's generic drawings -- Impediment as idea : Sol Lewitt's wall drawings -- Mind traveling : Rosemarie Castoro's inventories -- Palimpsests : Dorothea Rockburne's drawing which makes itself -- Filaments of affect : Richard Tuttle's wire pieces