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  1. On the Importance of Being an Individual in Renaissance Italy
    Men, Their Professions, and Their Beards
    Author: Biow, Douglas
    Published: [2015]

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812290509
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    Series: Haney Foundation Series
    Subjects: Sozialwissenschaften, Soziologie, Anthropologie; Renaissance / Italy; Beards / Social aspects / History / 17th century; Beards / Social aspects / History / 16th century; Masculinity / Italy / History / 17th century; Masculinity / Italy / History / 16th century; Individualism / Italy / History / 17th century; Individualism / Italy / History / 16th century; Geschichte; Gesellschaft; Mann <Motiv>; Bildnis; Kultur; Individuum; Männlichkeit <Motiv>; Bart <Motiv>; Gesellschaft
    Scope: 1 Online-Ressource (328p.)
    Notes:

    56 illus

    Arguing that the notion of individuality is central to understanding Renaissance Italy, Douglas Biow examines the ways that men of the period asserted their individuated selves, such as becoming masters of an art, creating a signature professional style or voice, or asserting themselves through a distinctive, fashionable look
  2. Collecting art in the Italian Renaissance court
    objects and exchanges
    Author: Clark, Leah Ruth
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    In this book, Leah R. Clark examines collecting practices across the Italian Renaissance court, exploring the circulation, exchange, collection, and display of objects. Rather than focusing on patronage strategies or the political power of individual... more

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    Universitätsbibliothek Bamberg
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    In this book, Leah R. Clark examines collecting practices across the Italian Renaissance court, exploring the circulation, exchange, collection, and display of objects. Rather than focusing on patronage strategies or the political power of individual collectors, she uses the objects themselves to elucidate the dynamic relationships formed through their exchange. Her study brings forward the mechanisms that structured relations within the court, and most importantly, also with individuals, representations, and spaces outside the court. The volume examines the courts of Italy through the wide variety of objects - statues, paintings, jewellery, furniture, and heraldry - that were valued for their subject matter, material forms, histories, and social functions. As Clark shows, the late fifteenth-century Italian court an be located not only in the body of the prince, but also in the objects that constituted symbolic practices, initiated political dialogues, caused rifts, created memories, and formed associations

     
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  3. The enemy in Italian renaissance epic
    images of hostility from Dante to Tasso
    Author: Moudarres, Andrea
    Published: 2019
    Publisher:  Newark ; University of Delaware Press

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    Universitätsbibliothek Bamberg
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781644530009; 9781644530016
    RVK Categories: IB 5050
    Edition: First published
    Series: The early modern exchange
    Subjects: Feindschaft <Motiv>; Epik; Italienisch
    Other subjects: Epic poetry, Italian / History and criticism; Renaissance / Italy
    Scope: x, 249 Seiten
  4. On the Importance of Being an Individual in Renaissance Italy
    Men, Their Professions, and Their Beards
    Author: Biow, Douglas
    Published: [2015]

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812290509
    Other identifier:
    Series: Haney Foundation Series
    Subjects: Sozialwissenschaften, Soziologie, Anthropologie; Renaissance / Italy; Beards / Social aspects / History / 17th century; Beards / Social aspects / History / 16th century; Masculinity / Italy / History / 17th century; Masculinity / Italy / History / 16th century; Individualism / Italy / History / 17th century; Individualism / Italy / History / 16th century; Geschichte; Gesellschaft; Mann <Motiv>; Bildnis; Kultur; Individuum; Männlichkeit <Motiv>; Bart <Motiv>; Gesellschaft
    Scope: 1 Online-Ressource (328p.)
    Notes:

    56 illus

    Arguing that the notion of individuality is central to understanding Renaissance Italy, Douglas Biow examines the ways that men of the period asserted their individuated selves, such as becoming masters of an art, creating a signature professional style or voice, or asserting themselves through a distinctive, fashionable look
  5. Ariosto's Bitter Harmony
    Crisis and Evasion in the Italian Renaissance
    Author: Ascoli, Albert Russell
    Published: [1987]
    Publisher:  Princeton University Press, Princeton, N.J.

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400858347
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    Subjects: Italienische, rumänische, rätoromanische Literatur; Renaissance / Italy; POETRY / European / General; Renaissance
    Other subjects: Ariosto, Ludovico (1474-1533): Orlando furioso
    Scope: 1 Online-Ressource (448p.)
    Notes:

    Focusing on the fundamental Ariostan pairing of education and madness, with all its implications for poetry, Professor Ascoli generates a global reading of the greatest literary work of the Italian RenaissanceOriginally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  6. Hollow men
    writing, objects, and public image in Renaissance Italy
    Author: Gaylard, Susan
    Published: 2013
    Publisher:  Fordham Univ. Press, New York, NY

    "Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that... more

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    Universitätsbibliothek Augsburg
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that seemed fixed but could adapt to changing circumstances"--

     
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  7. The Italian Renaissance reader
    Contributor: Bondanella, Julia Conaway (Publisher); Musa, Mark (Publisher)
    Published: 1987
    Publisher:  Penguin, New York, NY

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Contributor: Bondanella, Julia Conaway (Publisher); Musa, Mark (Publisher)
    Language: English
    Media type: Book
    RVK Categories: LH 65720
    Series: Meridian
    Subjects: Italian literature / 15th century; Italian literature / 16th century; Renaissance / Italy; Italian literature; Italian literature; Renaissance
    Scope: XVIII, 396 Seiten, Illustrationen, 21 cm
    Notes:

    "A Meridian book"

    Includes bibliographical references (p. 394-396)

    Francesco Petrarca: Letter to posterity ; the ascent of Mount Ventoux ; Selected poems from the Canzoniere -- Giovanni Boccaccio: Stories from the Decameron -- Leon Battista Alberti: Selections from the Book of the Family -- Giovanni Pico Della Mirandola: Selections from the Oration on the Dignity of Man -- Leonardo Da Vinci: Selections from the Notebooks - Baldesar Castiglione: Selections from the Book of the courtier -- Niccolo Machiavelli: Selections from The prince -- Francesco Guicciardini: Selections from the Ricordi -- Benvenuto Cellini: Selections from Cellini's Life --Michelangelo Buonarroti: Selected poems -- Giorgio Vasari: Selections from Lives of the most famous artists

    Francesco Petrarca -- Giovanni Boccaccio -- Leon Battista Alberti -- Giovanni Pico Della Mirandola -- Leonardo Da Vinci -- Baldesar Castiglione -- Niccolò Machiavelli -- Francesco Guicciardini -- Benvenuto Cellini -- Michelangelo Buonarroti -- Giorgio Vasari
  8. Idealizing women in the Italian Renaissance
    Contributor: Brizio, Elena (Publisher); Piana, Marco (Publisher)
    Published: 2022
    Publisher:  Centre for Renaissance and Reformation Studies, Toronto

    "The twelve articles in this volume analyse the process of idealization of women in Italy from the fifteenth to the seventeenth century, the rhetorical, philosophical, or historical tools used in this process, and how this vision differed from theory... more

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "The twelve articles in this volume analyse the process of idealization of women in Italy from the fifteenth to the seventeenth century, the rhetorical, philosophical, or historical tools used in this process, and how this vision differed from theory to practice. Each article explores a concrete situation in the literary or visual arts in which women, as creators or as consumers or both, engage with those ideals. The ideals themselves are drawn from religious sources, from Neoplatonic philosophy, and from querelle des femmes literature."--

     
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    Source: Union catalogues
    Contributor: Brizio, Elena (Publisher); Piana, Marco (Publisher)
    Language: English
    Media type: Book
    Series: Essays and studies ; 55
    Subjects: Women / Italy / History / Renaissance, 1450-1600; Women and religion / Italy / History / Renaissance, 1450-1600; Women in art; Women in literature; Renaissance / Italy; Femmes / Italie / Histoire / 1450-1600 (Renaissance); Femmes dans l'art; Femmes dans la littérature; Renaissance / Italie; Philosophie; Sozialgeschichte; Kunst; Idealisierung; Literatur; Frau
    Scope: 305 Seiten, Illustrationen
    Notes:

    Mandates for Women’s Mourning in the Early Renaissance: Paintings and the Law in Trecento Siena / Judith B. Steinhoff -- A Depiction of Virtue and Beauty: The Patronage of The Saint Ursula Fresco in the Church of San Giorgio at Montemerano / Sandra Cardarelli -- Idealizing the Female Hero: Representations of Judith in Seventeenth-Century Italian Painting / Mathilde Legeay -- A Good Woman, a Good Wife: Strategies of Idealization in Sperone Speroni’s Dialogo della Dignità delle Donne / Benedetta Lamanna -- Philosophy, Religion, and the Praise of Women in Lucrezia Marinella / Francesca D’Alessandro Behr -- Female Exemplarity, Identity, and Devotion in Lucrezia Marinella’s Rime sacre (1603) / Sarah Rolfe Prodan -- Idealized Actresses: Rebellious Female Voices / Rosalind Kerr -- Incarnating the Ideal: Vincenza Armani, the First Diva / Serena Laiena -- For his Wife and Lover: Pontano’s De Amore Coniugali / Pina Palma -- Femininity and Food Culture in Cinquecento Italy / Laura Giannetti -- Ideal Sister, Ideal Poet: Cassandra and Gaspara Stampa / Jane Tylus
  9. <<The>> enemy in Italian renaissance epic
    images of hostility from Dante to Tasso
    Author: Moudarres, Andrea
    Published: [2019]
    Publisher:  University of Delaware Press, Newark

    Location:
    Universitäts- und Landesbibliothek Bonn
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    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9781644530016; 9781644530009
    Series: <<The>> early modern exchange
    Subjects: Epic poetry, Italian / History and criticism; Renaissance / Italy; Epic poetry, Italian; Renaissance; Italy; Criticism, interpretation, etc
    Scope: x, 249 Seiten, 24 cm
    Notes:

    Dissertation, Yale University, 2011
  10. Collecting art in the Italian Renaissance court
    objects and exchanges
    Author: Clark, Leah Ruth
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108681155
    Other identifier:
    Subjects: Art / Collectors and collecting / Italy / History / 16th century; Art objects / Collectors and collecting / Italy / History / 16th century; Renaissance / Italy
    Scope: 1 Online-Ressource (xiii, 326 Seiten, 9 ungezählte Seiten Tafeln), Illustrationen
  11. Beyond Aristotle's poetics in the Italian renaissance
    new directions in criticism
    Published: 2020
    Publisher:  Bloomsbury Academic, [London, England] ; Bloomsbury Publishing

    Location:
    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350078963
    Other identifier:
    Edition: First edition
    Subjects: Poetry / Early works to 1800; Aesthetics / Early works to 1800; Renaissance / Italy; Western philosophy: Medieval & Renaissance, c 500 to c 1600,Literature: history & criticism,History of Western philosophy
    Other subjects: Aristotle / Poetics
    Scope: 1 online resource (312 pages)
    Notes:

    Includes bibliographical references and index

    Also published in print
  12. <<The>> enemy in Italian renaissance epic
    images of hostility from Dante to Tasso
    Author: Moudarres, Andrea
    Published: 2019
    Publisher:  Newark ; University of Delaware Press

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9781644530009; 9781644530016
    RVK Categories: IB 5050
    Series: <<The>> early modern exchange
    Subjects: Italienisch; Epik; Feindschaft <Motiv>; Geschichte 1400-1600;
    Other subjects: Epic poetry, Italian / History and criticism; Renaissance / Italy
    Scope: x, 249 Seiten
    Notes:

    Dissertation, Yale University, 2011
  13. The enemy in Italian renaissance epic
    images of hostility from Dante to Tasso
    Author: Moudarres, Andrea
    Published: [2019]
    Publisher:  University of Delaware Press, Newark

    Location:
    Universitäts- und Landesbibliothek Bonn
    Signature:
    W 2020/74
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    Universitäts- und Landesbibliothek Münster
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    3K 85402
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9781644530016; 9781644530009
    Series: The early modern exchange
    Subjects: Italienisch; Epik; Feindschaft <Motiv>
    Other subjects: Epic poetry, Italian / History and criticism; Renaissance / Italy; Epic poetry, Italian; Renaissance; Italy; Criticism, interpretation, etc
    Scope: x, 249 Seiten, 24 cm
    Notes:

    Dissertation, Yale University, 2011
  14. Collecting art in the Italian Renaissance court
    objects and exchanges
    Author: Clark, Leah R.
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

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    Universitäts- und Landesbibliothek Münster
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  15. Beyond Aristotle's poetics in the Italian renaissance
    new directions in criticism
    Published: 2020
    Publisher:  Bloomsbury Academic, [London, England] ; Bloomsbury Publishing

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    Hochschulbibliothek der Fachhochschule Aachen
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350078963
    Other identifier:
    Edition: First edition
    Other subjects: Aristotle / Poetics; Poetry / Early works to 1800; Aesthetics / Early works to 1800; Renaissance / Italy; Western philosophy: Medieval & Renaissance, c 500 to c 1600,Literature: history & criticism,History of Western philosophy; Electronic books
    Scope: 1 online resource (312 pages)
    Notes:

    Includes bibliographical references and index

    Also published in print
  16. The mapping of power in Renaissance Italy
    painted cartographic cycles in social and intellectual context
    Author: Rosen, Mark
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    How did maps of the distant reaches of the world communicate to the public in an era when exploration of those territories was still ongoing and knowledge about them remained incomplete? And why did Renaissance rulers frequently commission... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    How did maps of the distant reaches of the world communicate to the public in an era when exploration of those territories was still ongoing and knowledge about them remained incomplete? And why did Renaissance rulers frequently commission large-scale painted maps of those territories when they knew that they would soon be proven obsolete by newer, more accurate information? The Mapping of Power in Renaissance Italy addresses these questions by bridging the disciplines of art history and the histories of science, cartography, and geography to closely examine surviving Italian painted maps that were commissioned during a period better known for its printed maps and atlases. Challenging the belief that maps are strictly neutral or technical markers of geographic progress, this well-illustrated study investigates the symbolic and propagandistic dimensions of these painted maps as products of the competitive and ambitious European court culture that produced them

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107589254
    Other identifier:
    RVK Categories: ND 8570
    Subjects: Geschichte; Politik; Early maps / Political aspects / Italy; Cartography / Italy / History / 16th century; Renaissance / Italy; Malerei; Karte; Karte <Motiv>; Innenarchitektur; Herrschaft
    Scope: 1 online resource (xiii, 271 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    A lost world: maps as decoration before the sixteenth century -- Wonders unknown to the ancients: maps as decoration in the early-mid sixteenth century -- The Medici Guardaroba and its role in the Florentine cosmos -- "All the things of heaven and earth together": the Guardaroba Program -- Manufacturing a universe: the Medici Guardaroba and its cosmographers -- The maps of the Medici Guardaroba -- The Guardaroba and the late cinquecento map-cycle competition
  17. Shakespeare and the Italian Renaissance
    appropriation, transformation, opposition
    Contributor: Marrapodi, Michele (Publisher)
    Published: [2014]; © 2014
    Publisher:  Ashgate, Farnham, Surrey ; Burlington, Vermont

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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  18. Scripts and scenarios
    the performance of comedy in Renaissance Italy
    Author: Andrews, Richard
    Published: 1993
    Publisher:  Cambridge University Press, Cambridge

    The Italian Renaissance produced a new type of stage comedy, experimental and even revolutionary in its time, by copying and updating the dramatic formats of Plautus and Terence from ancient Rome. These scripted comedies, first written and performed... more

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    Universitätsbibliothek Bamberg
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    The Italian Renaissance produced a new type of stage comedy, experimental and even revolutionary in its time, by copying and updating the dramatic formats of Plautus and Terence from ancient Rome. These scripted comedies, first written and performed for private audiences, ranged in tone from sober moralism to scurrilous farce, and influenced European dramatists from Shakespeare to Molière and Lope de Vega. This book gives an account of how the new dramatic experiment was born and grew, moving from closed courtly audiences to a wider public. It examines the performing values of these scripts rather than their literary qualities, in order to demonstrate their links with improvised commedia dell'arte, and thus explores a crucial phase in the development of European theatre. It will be of interest to scholars and students in both theatre history and Italian studies

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511553073
    Other identifier:
    RVK Categories: IU 3100 ; IU 3190
    Subjects: Geschichte; Italian drama / To 1700 / History and criticism; Italian drama (Comedy) / History and criticism; Theater / Italy / History / 16th century; Renaissance / Italy; Theater; Commedia dell'arte; Italienisch; Aufführung; Drama; Renaissance
    Scope: 1 online resource (xiii, 298 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: Italy in the sixteenth century -- Precedents -- The first 'regular' comedies -- The second quarter-century, outside Venice -- The second quarter-century, Venice and Padua -- Improvised comedy -- Obstacles to comedy -- Scripts and scenarios
  19. The Renaissance dialogue
    literary dialogue in its social and political contexts, Castiglione to Galileo
    Author: Cox, Virginia
    Published: 1992
    Publisher:  Cambridge University Press, Cambridge

    This is a full-length study of the use of the dialogue form in Italy from the early sixteenth century until Galileo. Drawing on a wide range of sources, it examines the characteristics which determined the genre's unrivalled popularity in the period... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    This is a full-length study of the use of the dialogue form in Italy from the early sixteenth century until Galileo. Drawing on a wide range of sources, it examines the characteristics which determined the genre's unrivalled popularity in the period as a vehicle for polemic, debate, technical exposition and comic drama. More than simply an account of the development of an individual literary genre, however, the book is a contribution to the broader social and cultural history of the period. As representations of conversation, miniature dramas of persuasion, the dialogues of the Italian Renaissance constitute an extraordinarily rich - and largely untapped - source of information about the ideals and practice of communication in the early modern age

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511895715
    Other identifier:
    RVK Categories: IU 2500 ; IU 3910
    Series: Cambridge studies in Renaissance literature and culture ; 2
    Subjects: Dialogues, Italian / History and criticism; Italian literature / 16th century / History and criticism; Italian literature / 17th century / History and criticism; Renaissance / Italy; Renaissance; Literatur; Dialog; Italienisch
    Other subjects: Castiglione, Baldassare (1478-1529)
    Scope: 1 online resource (xiii, 236 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    1. Problems of method -- 2. History and invention in the dialogue -- 3. The uses of the dialogue in sixteenth-century Italy: celebration and control -- 4. The uses of the dialogue in sixteenth-century Italy: commerce and courtesy -- 5. Castiglione's Cortegiano: the dialogue as a drama of doubt -- 6. The changing form of the Italian Renaissance dialogue -- 7. The theory and practice of the dialogue in Counter-Reformation Italy -- 8. From the 'girevole strada' to the straight and narrow path -- 9. From the open dialogue to the closed book
  20. Print culture in Renaissance Italy
    the editor and the vernacular text, 1470-1600
    Author: Richardson, Brian
    Published: 1994
    Publisher:  Cambridge University Press, Cambridge

    The emergence of print in late fifteenth-century Italy gave a crucial new importance to the editors of texts, who determined the form in which texts from the Middle Ages would be read, and who could strongly influence the interpretation and status of... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    The emergence of print in late fifteenth-century Italy gave a crucial new importance to the editors of texts, who determined the form in which texts from the Middle Ages would be read, and who could strongly influence the interpretation and status of texts by adding introductory material or commentary. Brian Richardson here examines the Renaissance circulation and reception of works by earlier writers including Dante, Petrarch, Boccaccio and Ariosto, as well as popular contemporary works of entertainment. In so doing he sheds light on the impact of the new printing and editing methods on Renaissance culture, including the standardisation of vernacular Italian and its spread to new readers and writers, the establishment of new standards in textual criticism, and the increasing rivalry between the two cities on which this study is chiefly focused, Venice and Florence

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511597510
    Other identifier:
    RVK Categories: AN 19939 ; IU 1330 ; NN 1595
    Series: Cambridge studies in publishing and printing history
    Subjects: Geschichte; Printing / Italy / History / 16th century; Printing / Italy / History / Origin and antecedents; Early printed books / Italy / Venice / Bibliography; Early printed books / Italy / Florence / Bibliography; Incunabula / Italy / Bibliography; Transmission of texts / Italy; Renaissance / Italy; Editing / History; Edition; Buch; Buchdruck
    Scope: 1 online resource (xvi, 265 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    1. Printers, authors and the rise of the editor -- 2. Editors and their methods -- 3. Humanists, friars and others: Editing in Venice and Florence, 1470-1500 -- 4. Bembo and his influence, 1501-1530 -- 5. Venetian editors and 'the grammatical norm', 1501-1530 -- 6. Standardization and scholarship: Editing in Florence, 1501-1530 -- 7. Towards a wider readership: Editing in Venice, 1531-1545 -- 8. The editor triumphant: Editing in Venice, 1546-1560 -- 9. In search of a cultural identity: Editing in Florence, 1531-1560 -- 10. Piety and elegance: Editing in Venice, 1561-1600 -- 11. A 'true and living image': Editing in Florence, 1561-1600
  21. <<Die>> Kultur der Renaissance in Italien
    Author: Burckhardt, Jacob
    Published: 1928
    Publisher:  Verlag von Th. Knaur Nachf., Berlin ; Druck der Sparmerschen Buchdruckerei, Lepzig

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    Source: Union catalogues
    Contributor: Bode, Wilhelm <<von>> (Verfasser eines Geleitwortes); Heinemann, Leopold (Herausgeber)
    Language: German
    Media type: Book
    Format: Online
    Edition: Vollständige Ausgabe
    Subjects: Renaissance / Italy
    Scope: VII, 588 Seiten, 20 cm
    Notes:

    Personen- und Sachverzeichnis: Seite [563]-574

    Ortsverzeichnis: Seite [575]-576
  22. A sudden frenzy
    improvisation, orality, and power in Renaissance Italy
    Author: Coleman, James K.
    Published: [2022]
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    "In Renaissance Italy there existed a rich interplay between two cultural practices frequently regarded as entirely separate and mutually antagonistic: the humanistic study of the ancient world and ancient literature, and the oral and improvisational... more

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    "In Renaissance Italy there existed a rich interplay between two cultural practices frequently regarded as entirely separate and mutually antagonistic: the humanistic study of the ancient world and ancient literature, and the oral and improvisational performance of poetry which constituted one of the most popular forms of entertainment. A Sudden Frenzy explores the development and impact of these Renaissance practices of improvisation and oral poetry. James K. Coleman shows how the confluence of humanist culture and the art of oral poetry resulted in an extraordinary turn toward improvisation and spontaneity that profoundly influenced poetry, music, and politics. By examining the culture of improvisation, this book reveals the ways in which Renaissance thinkers transcended cultural dichotomies, both in theory and in practice. Drawing on a wide range of sources, including letters, poetry, visual art, and philosophical texts, A Sudden Frenzy reveals the far-reaching and sometimes surprising ways that these phenomena shaped cultural developments in the Italian Renaissance and beyond."--

     
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  23. Collecting art in the Italian Renaissance court
    objects and exchanges
    Author: Clark, Leah Ruth
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    In this book, Leah R. Clark examines collecting practices across the Italian Renaissance court, exploring the circulation, exchange, collection, and display of objects. Rather than focusing on patronage strategies or the political power of individual... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    In this book, Leah R. Clark examines collecting practices across the Italian Renaissance court, exploring the circulation, exchange, collection, and display of objects. Rather than focusing on patronage strategies or the political power of individual collectors, she uses the objects themselves to elucidate the dynamic relationships formed through their exchange. Her study brings forward the mechanisms that structured relations within the court, and most importantly, also with individuals, representations, and spaces outside the court. The volume examines the courts of Italy through the wide variety of objects - statues, paintings, jewellery, furniture, and heraldry - that were valued for their subject matter, material forms, histories, and social functions. As Clark shows, the late fifteenth-century Italian court an be located not only in the body of the prince, but also in the objects that constituted symbolic practices, initiated political dialogues, caused rifts, created memories, and formed associations

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108681155
    Other identifier:
    RVK Categories: LH 60400 ; LN 10240
    Subjects: Art / Collectors and collecting / Italy / History / 16th century; Art objects / Collectors and collecting / Italy / History / 16th century; Renaissance / Italy; Hermelin <Motiv>; Geschenk; Pferdekopf <Motiv>; Auftraggeber; Handel; Sammlung; Kunst; Plastik; Tausch; Diptychon; Kunsthandwerk; Netzwerk
    Other subjects: Eleonora Ferrara, Herzogin (1450-1493); Roberti, Ercole de' (1456-1496); Carafa, Diomede Bischof (1492-1560)
    Scope: 1 Online-Ressource (xiii, 326 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 20 Jun 2018)