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  1. Rewriting Arthurian romance in Renaissance France
    from manuscript to printed book
    Published: 2014
    Publisher:  Boydell & Brewer, Suffolk

    Arthurian romance in Renaissance France has long been treated by modern critics as marginal - although manuscripts and printed volumes, adaptations and rewritings, show just how much writers, and especially publishers, saw its potential attractions... more

    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Universitätsbibliothek Passau
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    Arthurian romance in Renaissance France has long been treated by modern critics as marginal - although manuscripts and printed volumes, adaptations and rewritings, show just how much writers, and especially publishers, saw its potential attractions for readers. This book is the first full-length study of what happens to Arthur at the beginning of the age of print. It explores the fascinations of Arthurian romance in the sixteenth and early seventeenth centuries, from the magnificent presentation volumes offered by Antoine Vérard or Galliot du Pré in the early years of the century to the perfunctory abbreviated Lancelot published by Benoît Rigaud in Lyon in 1591; from PierreSala's dutiful "translation" of Yvain to Jean Maugin's exuberant rewriting of the prose Tristan; from attempts at "new" romance like the little-known Giglan to the runaway best-seller Amadis de Gaule.The book's primary focus is the techniques and stratagems employed by publishers and their workshops to renew Arthurian romance for a new readership: the ways in which the publishers, the translators and the adapters of the Renaissance tailor romance to fit new cultural contexts. Their story - which is the story of the rise and fall of one of the great genres of the Middle Ages - allows privileged insights into socio-cultural and ideological attitudes in the France of the Renaissance, and into issues of literary taste, particular patterns of choice and preference. Jane H.M. Taylor is Emeritus Professor of French at Durham University

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781782042013; 9781843843658
    Subjects: Arthurian romances / History and criticism; Arthurian romances / Appreciation / France; French literature / To 1500 / History and criticism; French literature / 16th century / History and criticism; Renaissance / France; Literatur; Übersetzung; Rezeption; Artusepik; Französisch
    Other subjects: Sala, Pierre / approximately 1457-1529 / Tristan
    Scope: 1 online resource (xiv, 278 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

  2. Essaying Montaigne
    a study of the Renaissance institution of writing and reading
    Published: 2001
    Publisher:  Liverpool University Press, Liverpool

    John O’Neill reads Montaigne’s Essays from their central principle of friendship as a communicative and pedagogical practice operative in society, literature and politics. The friendship between Montaigne and La Boétie was ruled neither by plenitude... more

    Bayerische Staatsbibliothek
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    John O’Neill reads Montaigne’s Essays from their central principle of friendship as a communicative and pedagogical practice operative in society, literature and politics. The friendship between Montaigne and La Boétie was ruled neither by plenitude nor lack but by a capacity for recognition and transitivity. As an essayist Montaigne is an exemplary practitioner of a technique of difference and recognition that puts all certainties of history, philosophy and culture in the balance of weighted comparison. The essayist reveals how every absolute subjectivity or authority is shaken by its internal weakness once we move inside the contrastive structure of domination in politics, gender and race. O’Neill’s reading of the Essays strives to be faithful to the phenomenology of their embodied practices of reading-to-write-to re-read and re-write. From this standpoint he engages the principal critical readings of the Essays over the last century that have examined with great brilliance their history, structure and psychology. Whether the structure is evolutionary, structuralist, Marxist or psychoanalytical, O’Neill provides close readings of Montaigne’s literary critics. By bringing to bear the ethico-critical practice of ‘essaying’ to resist the subjection of the Essays to dominant criticism, O’Neill reminds readers that Montaigne’s appeal is in how he survived bloody cultural war with a balance of modesty and tolerance, invoking compromise where others practice violence

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    RVK Categories: IF 3580
    Edition: Second edition
    Series: Studies in social and political thought ; 5
    Subjects: Authors and readers / France / History / 16th century; Books and reading / France / History / 16th century; French essays / History and criticism; Renaissance / France
    Other subjects: Montaigne, Michel de / 1533-1592 / Essais; Montaigne, Michel Eyquem de (1533-1592): Essais; Montaigne, Michel Eyquem de (1533-1592)
    Scope: 1 online resource (viii, 264 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 11 Aug 2017)

    Society and Self-study: the Problem of Literary Authority -- - Literary Anxiety and the Romance of Books -- - Rival Readings -- - Writing and Embodiment -- - Reading and Temperament -- - The Paradox of Communication: Reading the Essays Otherwise -- - Portrait of the Essayist Without Qualities -- - On Public and Private Life -- - Civilisation, Literacy and Barbarism -- - On Living and Dying as We Do

  3. The construction of a national vernacular literature in the Renaissance
    essays in honor of Edwin M. Duval
    Contributor: DeVos, Jessica (Publisher); Hayes, Bruce (Publisher); Duval, Edwin M.
    Published: [2018]
    Publisher:  Yale University Press, New Haven ; London

    Universitätsbibliothek Bayreuth
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    Source: Union catalogues
    Contributor: DeVos, Jessica (Publisher); Hayes, Bruce (Publisher); Duval, Edwin M.
    Language: English
    Media type: Book
    ISBN: 9780300235999
    RVK Categories: ID 1450 ; IF 2000
    Series: Yale French studies ; number 134
    Subjects: Französisch; Geistesleben; Literatur
    Other subjects: French literature / 16th century; French literature / 16th century / History and criticism; Renaissance / France; France / Intellectual life / 16th century; French literature; Intellectual life; Renaissance; France; 1500-1599; Criticism, interpretation, etc
    Scope: 191 Seiten, 24 cm
    Notes:

    Editor's preface : French Renaissance literary and scholarly legacies / Jessica Devos and Bruce Hayes -- Rabelais's innovations. The "design" of Rabelais's Gargantua : a note on structure and meaning at midpoint / François Rigolot ; Panurge and the blameless knight : from Bouchet's Panegyric to Rabelais's Pantagruel / François Cornilliat ; Cynic charity and Christian satire : blending genres and programming readings in the "Prologue of the author" to Rabelais's Tiers livre / Edward Tilson -- Rabelaisian encryptions / Mireille Huchon -- Italy and France : identity and boundaries. Praise and (more) blame of Dante in late Renaissance France / Richard Cooper ; Intimacy and public display : secretarial design in Montaigne's Journal de voyage / Richard E. Keatley -- Women and the fashioning of poetic legacies. "Idol of my life" : idolatry and poetic immortalization in Scève's Délie / Brooke D. Di Lauro ; Ronsard's Discours for two queens : the poetics of political pamphlets / Cathy Yandell ; Ronsard's poetic progeny : fashioning Madeleine de l'Aubespine's literary persona / Jessica Devos -- Politics, religion, and propaganda during the wars of religion. From affinity groups to partisan narratives : Brantôme, Pierre de L'Estoile, and the guises / Dora Polachek ; From monologue to dialogue : the uses and misuses of genre in Le pacifique / Shira Weidenbaum -- Ethical legacy of humanism. Of an illusion in Montaigne / David Quint

  4. The Smile of Truth
    The French Satirical Eulogy and Its Antecedents
    Published: [1990]
    Publisher:  Princeton University Press, Princeton, N.J.

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400860975
    Other identifier:
    Subjects: Französische Literatur; French literature / 16th century / History and criticism; Satire, French / History and criticism; Eulogies / History and criticism; Satire, Latin (Medieval and modern) / History and criticism; Renaissance / France; LITERARY CRITICISM / European / French; Eulogies; French literature; Renaissance; Satire, French; Griechisch; Französisch; Satire; Literatur; Spottgedicht; Renaissance; Satura; Preisgedicht; Panegyrikus
    Scope: 1 Online-Ressource (368p.)
    Notes:

    To teach the truth smilingly was, during the Renaissance, a frequently expressed goal among prose writers and poets such as Erasmus, Berni, Ronsard, Rabelais, and du Bellay, who adopted an ironic posture within their mock encomia in order to refer the reader beyond the realm of the literary structure. In this book Annette Tomarken reconstructs the history of the classical satirical eulogy as it was revived, expanded, and finally adapted to new purposes in Renaissance literature. Tracing the development of this type of paradox from its classic roots through the Neo-Latin, Italian, and French mock encomia, Tomarken examines its various forms in the Renaissance, including the Pliade "hymne-blason," the mock epitaph, and the stage "harangue." Her book provides a new context for such works as In Praise of Folly and for such literary passages as Rabelais's praise of debts and Falstaff's denunciation of honor. Dividing the eulogies into three groups--praises of vices, disease, and animals and insects--Tomarken brings humor as well as close textual analysis to her study. She finds that the practitioners of the form were aware of its history and that such self-awareness became an integral part of the works themselves. An increased sensitivity to the literary structure and history of the paradoxical encomium, Tomarken stresses, first requires and then enriches our understanding of the genre's relationship to the extra-literary domain.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

  5. The politics of print during the French wars of religion
    literature and history in an age of "nothing said too soon"
    Published: [2021]; © 2021
    Publisher:  Brill Rodopi, Leiden ; Boston

    "In The Politics of Print During the French Wars of Religion, Gregory Haake examines how, in late sixteenth-century France, authors and publishers used the new medium of the printed text to control the terms of public discourse and determine history,... more

    Universitätsbibliothek Augsburg
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    "In The Politics of Print During the French Wars of Religion, Gregory Haake examines how, in late sixteenth-century France, authors and publishers used the new medium of the printed text to control the terms of public discourse and determine history, or at least their narrative of it. The creativity of the Renaissance ushered in new instability of discourse and a decline of traditional centres of authority. Gregory Haake shows that poets, authors, printers, and polemicists - including historians, such as Simon Goulart; the great poets of the time, such as Pierre de Ronsard or Agrippa d'Aubigné; or anonymous authors of polemical texts - rushed in to take advantage of discursive uncertainty to discredit their enemies and shape the meaning of history as it unfolded"

     

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9789004440807
    RVK Categories: NN 3980
    Series: Faux titre ; volume 443
    Subjects: Politik; Literatur; Hugenottenkriege; Buchdruck; Geschichtsbild; Diskurs; Kommunikation
    Other subjects: French literature / 16th century / History and criticism; Printing / France / History / 16th century; Authors and publishers / France / History / 16th century; Literature and society / France / History / 16th century; Renaissance / France; France / History / Wars of the Huguenots, 1562-1598 / Literature and the war
    Scope: VIII, 351 Seiten
    Notes:

    Includes bibliographical references and index

    Dissertation, Stanford University, 2015

  6. The gargantuan polity
    on the individual and the community in the French Renaissance
    Published: c2008
    Publisher:  University of Toronto Press, Toronto

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0802098142; 1442688157; 9780802098146; 9781442688155
    Subjects: Individualisme / France / Histoire / 16e siècle; Littérature française / 16e siècle / Histoire et critique; Renaissance / France; HISTORY / Europe / France; LITERARY CRITICISM / European / French; Civilization; French literature; Individualism; Intellectual life; Political science; Renaissance; Geschichte; Politische Wissenschaft; Individualism; Renaissance; French literature; Individualismus; Literatur; Französisch; Individualismus <Motiv>; Utopie; Geschichtsprophetie; Subjektivismus
    Scope: 1 Online-Ressource (xii, 374 p.)
    Notes:

    Includes bibliographical references (p. [341]-361) and index

    Bottom-up vs top-down polities : the Council and the Pope -- The representation of Basel in Chants Royaux written for the Puy de Rouen -- Late-medieval polity and poetics : Jean Molinet's Ressource du petit peuple -- The Kings two portraits in Claude de Seyssel and Guillaume Cretin -- Barthélemy de Chasseneuz and the top-down polity -- Rabelais and the ideal imperfect polity -- The death of consensual politics and the individual in Agrippa d'Aubigné

  7. Roman antiquities in Renaissance France
    1515 - 65
    Published: 2013
    Publisher:  Ashgate, Farnham [u.a.]

    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Deutsches Forum für Kunstgeschichte, Bibliothek
    Universitätsbibliothek Regensburg
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781409452652
    RVK Categories: IF 2000 ; IF 2050 ; LG 9100
    Subjects: Renaissance / France; Literatur; Antike; Französisch; Rezeption
    Scope: XI, 435 S., Ill.
  8. The judgment of Palaemon
    the contest between Neo-Latin and vernacular poetry in Renaissance France
    Author: Ford, Philip
    Published: 2013
    Publisher:  Brill, Leiden [u.a.]

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9789004245396; 9789004245402
    RVK Categories: FV 2240 ; IF 1725 ; IF 2500
    Series: Medieval and Renaissance authors and texts ; 9
    Subjects: Französisch; Neulatein; Renaissance; Versdichtung
    Other subjects: French poetry / 16th century / History and criticism; Latin poetry, Medieval and modern / France / History and criticism; Renaissance / France
    Scope: XV, 270 S., Ill., graph. Darst., Kt.
  9. Studi sul Cinquecento
    Author: Balmas, Enea
    Published: 2004
    Publisher:  L. S. Olschki, Firenze

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: Italian
    Media type: Ebook
    Format: Online
    ISBN: 9788822254252; 8822254252
    RVK Categories: IB 5050 ; IF 1710 ; IU 1950
    Series: Archivum Romanicum / Biblioteca / 1 ; 320
    Subjects: Letterkunde; Romaanse talen; Literatur; French literature; Renaissance; French literature / 16th century / History and criticism; Renaissance / France; Italienisch; Literatur; Französisch
    Other subjects: Balmas, Enea (1924-1994)
    Scope: 1 Online-Ressource (xxix, 664 p., [6] leaves of plates), ill
    Notes:

    Collected writings. - Publ. on the occasion of the 10th anniversary of the death of the author. - On back cover: ISSN 0066-6807

    Includes bibliographical references

  10. The judgment of Palaemon
    the contest between Neo-Latin and vernacular poetry in Renaissance France
    Author: Ford, Philip
    Published: 2013
    Publisher:  Brill, Leiden [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9789004245396; 9789004245402
    RVK Categories: FV 2240 ; IF 1725 ; IF 2500
    Series: Medieval and Renaissance authors and texts ; 9
    Subjects: Französisch; Neulatein; Renaissance; Versdichtung
    Other subjects: French poetry / 16th century / History and criticism; Latin poetry, Medieval and modern / France / History and criticism; Renaissance / France
    Scope: XV, 270 S., Ill., graph. Darst., Kt.
  11. French Renaissance tragedy
    the dramatic word
    Published: september 2009
    Publisher:  Cambridge University Press, Cambridge

    The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. To this end, Gillian Jondorf examines a range of plays (all accessible in modern editions) in two ways. She suggests, by means of comparisons... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. To this end, Gillian Jondorf examines a range of plays (all accessible in modern editions) in two ways. She suggests, by means of comparisons with other works, that techniques such as allusiveness need be no more forbidding in humanist tragedy than in, say, Racine or Lamartine. She shows how other features, such as characterization, structure, and the use of Choruses, become not only comprehensible but satisfying when the guiding theme or idée maîtresse of a play has been identified and its organizing principles understood. Dr Jondorf argues that these plays should be seen not as pardonably clumsy experiments by the first practitioners of a genre, but as competent works which display skilful deployment of technique in the service of dramatic aims which are, in the broadest sense, didactic. French Renaissance tragedy has too often been treated, even by its defenders, merely as a staging post on the road that leads to Corneille and Racine. This book corrects that perspective

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511470370
    Other identifier:
    RVK Categories: IF 2650 ; IF 2625
    Series: Cambridge studies in French ; 32
    Subjects: French drama / 16th century / History and criticism; French drama (Tragedy) / History and criticism; Renaissance / France; Renaissance; Französisch; Tragödie
    Scope: 1 Online-Ressource (xii, 174 Seiten)
    Notes:

    First published 1990

  12. The rhetoric of sexuality and the literature of the French Renaissance
    Published: August 2010
    Publisher:  Cambridge University Press, Cambridge

    This 1991 book examines the relationship between psychoanalytic theory and the literature of the French Renaissance by exploring the issues of gender, the body, and repression in many of the key literary texts of the period, including Scève,... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    This 1991 book examines the relationship between psychoanalytic theory and the literature of the French Renaissance by exploring the issues of gender, the body, and repression in many of the key literary texts of the period, including Scève, Rabelais, Marguerite de Navarre, Ronsard, and Montaigne. By means of detailed readings of individual texts, Lawrence Kritzman examines how sexuality functions as a rhetorical trope through which desire is represented. Professor Kritzman's study concentrates on three major objectives: the issues of gender identity and sexual difference in French Renaissance texts; the question of how the body is represented in the blasons, love poetry and prose of the period; and the way in which figural language depicts the libidinal, political and social tensions at work in texts. It was the first wide-ranging theoretical study to provide reading models to investigate the taboo subject of sexuality underlying literary production in the French Renaissance

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511627651
    Other identifier:
    RVK Categories: IF 2050 ; IF 1725
    Series: Cambridge studies in French ; 33
    Subjects: French literature / 16th century / History and criticism; Sex in literature; Renaissance / France; Psychoanalysis and literature; Literatur; Erotik <Motiv>; Französisch; Sexualität; Sexualverhalten; Renaissance; Rhetorik
    Scope: 1 Online-Ressource (xii, 260 Seiten)
    Notes:

    Druck-Ausgabe erschienen 1991. - Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  13. Roman antiquities in Renaissance France
    1515 - 65
    Published: 2013
    Publisher:  Ashgate, Farnham [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9781409452652
    RVK Categories: IF 2000 ; IF 2050 ; LG 9100
    Subjects: Renaissance / France; Literatur; Antike; Französisch; Rezeption
    Scope: XI, 435 S., Ill.
  14. Rewriting Arthurian romance in Renaissance France
    from manuscript to printed book
    Published: 2014
    Publisher:  Boydell & Brewer, Suffolk

    Arthurian romance in Renaissance France has long been treated by modern critics as marginal - although manuscripts and printed volumes, adaptations and rewritings, show just how much writers, and especially publishers, saw its potential attractions... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Arthurian romance in Renaissance France has long been treated by modern critics as marginal - although manuscripts and printed volumes, adaptations and rewritings, show just how much writers, and especially publishers, saw its potential attractions for readers. This book is the first full-length study of what happens to Arthur at the beginning of the age of print. It explores the fascinations of Arthurian romance in the sixteenth and early seventeenth centuries, from the magnificent presentation volumes offered by Antoine Vérard or Galliot du Pré in the early years of the century to the perfunctory abbreviated Lancelot published by Benoît Rigaud in Lyon in 1591; from PierreSala's dutiful "translation" of Yvain to Jean Maugin's exuberant rewriting of the prose Tristan; from attempts at "new" romance like the little-known Giglan to the runaway best-seller Amadis de Gaule.The book's primary focus is the techniques and stratagems employed by publishers and their workshops to renew Arthurian romance for a new readership: the ways in which the publishers, the translators and the adapters of the Renaissance tailor romance to fit new cultural contexts. Their story - which is the story of the rise and fall of one of the great genres of the Middle Ages - allows privileged insights into socio-cultural and ideological attitudes in the France of the Renaissance, and into issues of literary taste, particular patterns of choice and preference. Jane H.M. Taylor is Emeritus Professor of French at Durham University

     

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  15. The construction of a national vernacular literature in the Renaissance
    essays in honor of Edwin M. Duval
    Contributor: DeVos, Jessica (Publisher); Hayes, Bruce (Publisher); Duval, Edwin M.
    Published: [2018]
    Publisher:  Yale University Press, New Haven ; London

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Contributor: DeVos, Jessica (Publisher); Hayes, Bruce (Publisher); Duval, Edwin M.
    Language: English
    Media type: Book
    ISBN: 9780300235999
    RVK Categories: ID 1450 ; IF 2000
    Series: Yale French studies ; number 134
    Subjects: Französisch; Geistesleben; Literatur
    Other subjects: French literature / 16th century; French literature / 16th century / History and criticism; Renaissance / France; France / Intellectual life / 16th century; French literature; Intellectual life; Renaissance; France; 1500-1599; Criticism, interpretation, etc
    Scope: 191 Seiten, 24 cm
    Notes:

    Editor's preface : French Renaissance literary and scholarly legacies / Jessica Devos and Bruce Hayes -- Rabelais's innovations. The "design" of Rabelais's Gargantua : a note on structure and meaning at midpoint / François Rigolot ; Panurge and the blameless knight : from Bouchet's Panegyric to Rabelais's Pantagruel / François Cornilliat ; Cynic charity and Christian satire : blending genres and programming readings in the "Prologue of the author" to Rabelais's Tiers livre / Edward Tilson -- Rabelaisian encryptions / Mireille Huchon -- Italy and France : identity and boundaries. Praise and (more) blame of Dante in late Renaissance France / Richard Cooper ; Intimacy and public display : secretarial design in Montaigne's Journal de voyage / Richard E. Keatley -- Women and the fashioning of poetic legacies. "Idol of my life" : idolatry and poetic immortalization in Scève's Délie / Brooke D. Di Lauro ; Ronsard's Discours for two queens : the poetics of political pamphlets / Cathy Yandell ; Ronsard's poetic progeny : fashioning Madeleine de l'Aubespine's literary persona / Jessica Devos -- Politics, religion, and propaganda during the wars of religion. From affinity groups to partisan narratives : Brantôme, Pierre de L'Estoile, and the guises / Dora Polachek ; From monologue to dialogue : the uses and misuses of genre in Le pacifique / Shira Weidenbaum -- Ethical legacy of humanism. Of an illusion in Montaigne / David Quint

  16. The politics of print during the French wars of religion
    literature and history in an age of "nothing said too soon"
    Published: [2021]
    Publisher:  Brill Rodopi, Leiden ; Boston

    "In The Politics of Print During the French Wars of Religion, Gregory Haake examines how, in late sixteenth-century France, authors and publishers used the new medium of the printed text to control the terms of public discourse and determine history,... more

    Universitäts- und Landesbibliothek Bonn
    W 2020/4266
    Loan of volumes, no copies
    Historisches Institut, Abteilung für Mittlere und Neuere Geschichte mit Abteilung für Nationalismusforschung, Bibliothek
    420/Og199a566:4
    No inter-library loan

     

    "In The Politics of Print During the French Wars of Religion, Gregory Haake examines how, in late sixteenth-century France, authors and publishers used the new medium of the printed text to control the terms of public discourse and determine history, or at least their narrative of it. The creativity of the Renaissance ushered in new instability of discourse and a decline of traditional centres of authority. Gregory Haake shows that poets, authors, printers, and polemicists - including historians, such as Simon Goulart; the great poets of the time, such as Pierre de Ronsard or Agrippa d'Aubigné; or anonymous authors of polemical texts - rushed in to take advantage of discursive uncertainty to discredit their enemies and shape the meaning of history as it unfolded"--

     

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9789004440807
    Series: Faux titre ; volume 443
    Subjects: Schriftsteller; Literatur; Französisch; Buchdrucker; Religionskrieg <Motiv>
    Other subjects: French literature / 16th century / History and criticism; Printing / France / History / 16th century; Authors and publishers / France / History / 16th century; Literature and society / France / History / 16th century; Renaissance / France; France / History / Wars of the Huguenots, 1562-1598 / Literature and the war
    Scope: VIII, 351 Seiten
    Notes:

    Includes bibliographical references and index

    Dissertation, Stanford University, 2015

  17. Rewriting Arthurian romance in Renaissance France
    from manuscript to printed book
    Published: 2014
    Publisher:  Boydell & Brewer, Suffolk

    Arthurian romance in Renaissance France has long been treated by modern critics as marginal - although manuscripts and printed volumes, adaptations and rewritings, show just how much writers, and especially publishers, saw its potential attractions... more

    Universitätsbibliothek Bamberg
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    Arthurian romance in Renaissance France has long been treated by modern critics as marginal - although manuscripts and printed volumes, adaptations and rewritings, show just how much writers, and especially publishers, saw its potential attractions for readers. This book is the first full-length study of what happens to Arthur at the beginning of the age of print. It explores the fascinations of Arthurian romance in the sixteenth and early seventeenth centuries, from the magnificent presentation volumes offered by Antoine Vérard or Galliot du Pré in the early years of the century to the perfunctory abbreviated Lancelot published by Benoît Rigaud in Lyon in 1591; from PierreSala's dutiful "translation" of Yvain to Jean Maugin's exuberant rewriting of the prose Tristan; from attempts at "new" romance like the little-known Giglan to the runaway best-seller Amadis de Gaule.The book's primary focus is the techniques and stratagems employed by publishers and their workshops to renew Arthurian romance for a new readership: the ways in which the publishers, the translators and the adapters of the Renaissance tailor romance to fit new cultural contexts. Their story - which is the story of the rise and fall of one of the great genres of the Middle Ages - allows privileged insights into socio-cultural and ideological attitudes in the France of the Renaissance, and into issues of literary taste, particular patterns of choice and preference. Jane H.M. Taylor is Emeritus Professor of French at Durham University

     

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  18. French Renaissance tragedy
    the dramatic word
    Published: september 2009
    Publisher:  Cambridge University Press, Cambridge

    The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. To this end, Gillian Jondorf examines a range of plays (all accessible in modern editions) in two ways. She suggests, by means of comparisons... more

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    The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. To this end, Gillian Jondorf examines a range of plays (all accessible in modern editions) in two ways. She suggests, by means of comparisons with other works, that techniques such as allusiveness need be no more forbidding in humanist tragedy than in, say, Racine or Lamartine. She shows how other features, such as characterization, structure, and the use of Choruses, become not only comprehensible but satisfying when the guiding theme or idée maîtresse of a play has been identified and its organizing principles understood. Dr Jondorf argues that these plays should be seen not as pardonably clumsy experiments by the first practitioners of a genre, but as competent works which display skilful deployment of technique in the service of dramatic aims which are, in the broadest sense, didactic. French Renaissance tragedy has too often been treated, even by its defenders, merely as a staging post on the road that leads to Corneille and Racine. This book corrects that perspective

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511470370
    Other identifier:
    RVK Categories: IF 2650 ; IF 2625
    Series: Cambridge studies in French ; 32
    Subjects: French drama / 16th century / History and criticism; French drama (Tragedy) / History and criticism; Renaissance / France; Tragödie; Renaissance; Französisch
    Scope: 1 Online-Ressource (xii, 174 Seiten)
    Notes:

    First published 1990

  19. The rhetoric of sexuality and the literature of the French Renaissance
    Published: August 2010
    Publisher:  Cambridge University Press, Cambridge

    This 1991 book examines the relationship between psychoanalytic theory and the literature of the French Renaissance by exploring the issues of gender, the body, and repression in many of the key literary texts of the period, including Scève,... more

    Universitätsbibliothek Bamberg
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    This 1991 book examines the relationship between psychoanalytic theory and the literature of the French Renaissance by exploring the issues of gender, the body, and repression in many of the key literary texts of the period, including Scève, Rabelais, Marguerite de Navarre, Ronsard, and Montaigne. By means of detailed readings of individual texts, Lawrence Kritzman examines how sexuality functions as a rhetorical trope through which desire is represented. Professor Kritzman's study concentrates on three major objectives: the issues of gender identity and sexual difference in French Renaissance texts; the question of how the body is represented in the blasons, love poetry and prose of the period; and the way in which figural language depicts the libidinal, political and social tensions at work in texts. It was the first wide-ranging theoretical study to provide reading models to investigate the taboo subject of sexuality underlying literary production in the French Renaissance

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511627651
    Other identifier:
    RVK Categories: IF 2050 ; IF 1725
    Series: Cambridge studies in French ; 33
    Subjects: French literature / 16th century / History and criticism; Sex in literature; Renaissance / France; Psychoanalysis and literature; Literatur; Erotik <Motiv>; Französisch; Sexualität; Sexualverhalten; Renaissance; Rhetorik
    Scope: 1 Online-Ressource (xii, 260 Seiten)
    Notes:

    Druck-Ausgabe erschienen 1991. - Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  20. <<The>> politics of print during the French wars of religion
    literature and history in an age of "nothing said too soon"
    Published: [2021]
    Publisher:  Brill Rodopi, Leiden ; Boston

    "In The Politics of Print During the French Wars of Religion, Gregory Haake examines how, in late sixteenth-century France, authors and publishers used the new medium of the printed text to control the terms of public discourse and determine history,... more

    Universitäts- und Landesbibliothek Bonn
    Unlimited inter-library loan, copies and loan
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    "In The Politics of Print During the French Wars of Religion, Gregory Haake examines how, in late sixteenth-century France, authors and publishers used the new medium of the printed text to control the terms of public discourse and determine history, or at least their narrative of it. The creativity of the Renaissance ushered in new instability of discourse and a decline of traditional centres of authority. Gregory Haake shows that poets, authors, printers, and polemicists - including historians, such as Simon Goulart; the great poets of the time, such as Pierre de Ronsard or Agrippa d'Aubigné; or anonymous authors of polemical texts - rushed in to take advantage of discursive uncertainty to discredit their enemies and shape the meaning of history as it unfolded"--

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9789004440807
    Series: Faux titre ; volume 443
    Subjects: French literature / 16th century / History and criticism; Printing / France / History / 16th century; Authors and publishers / France / History / 16th century; Literature and society / France / History / 16th century; Renaissance / France
    Scope: VIII, 351 Seiten
    Notes:

    Includes bibliographical references and index

    Dissertation, Stanford University, 2015