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Displaying results 1 to 25 of 89.

  1. Pouvoir et sexualité dans le roman africain
    analyse du roman africain contemporain
    Author: Cornaton, Michel
    Published: 1990
    Publisher:  L'Harmattan, Paris

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    Universitätsbibliothek Bayreuth
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  2. Victorian sages and cultural discourse
    renegotiating gender and power
    Published: 1990
    Publisher:  Rutgers Univ. Pr., New Brunswick u.a.

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    Universitätsbibliothek Augsburg
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  3. Roi d'un jour
    les métamorphoses d'un rêve dans le théâtre européen
    Author: Le Bourg-Oulé, Anne-Marie
    Published: 1996
    Publisher:  Michel, Paris

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  4. Gender and power in the plays of Harold Pinter
    Author: Cahn, Victor L.
    Published: 1993
    Publisher:  St. Martin's Press, New York, NY

    Throughout the twentieth century, artists have become increasingly concerned with the search for meaning in a fragmented, unfathomable world. In the plays of Harold Pinter, that search leads to a struggle for security through the control of territory... more

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    Throughout the twentieth century, artists have become increasingly concerned with the search for meaning in a fragmented, unfathomable world. In the plays of Harold Pinter, that search leads to a struggle for security through the control of territory and of people. By examining many of Pinter's major works, Cahn shows that this struggle often manifests itself in a gender battle, where men dominate the physical arena, but women control the emotional battleground. This disparity creates tension that is at once comic and unnerving. Most importantly, Pinter dramatizes how these gender differences are not social constructs but rather inherent qualities. The conflicts that arise from these innate values reflect our eternal quest for identify and, ultimately, meaning.

     
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  5. (Out)classed women
    contemporary Chicana writers on inequitable gendered power relations
    Author: Kafka, Phillipa
    Published: 2000
    Publisher:  Greenwood Press, Westport, Conn. [u.a.]

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  6. Fictions of India
    narrative and power
    Author: Morey, Peter
    Published: 2000
    Publisher:  Edinburgh Univ. Press, Edinburgh

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  7. Putting history to the question
    power, politics, and society in English Renaissance drama
    Author: Neill, Michael
    Published: 2000
    Publisher:  Columbia Univ. Press, New York

    "Putting History to the Question is the result of Neill's ongoing investigation of how literature provides a revealing portrait of nation, social order, and empire, and how the flow of literary discourse affects the progress of history. Covering... more

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    "Putting History to the Question is the result of Neill's ongoing investigation of how literature provides a revealing portrait of nation, social order, and empire, and how the flow of literary discourse affects the progress of history. Covering dramatic works by Shakespeare, John Fletcher, Philip Massinger, and others - and reflecting upon subjects rangings from social attitudes toward racial difference and adultery to the politics of mercantilism and the hierarchy of master/servant relationships - the book reenergizes the discussion of Renaissance drama and history." "For the many scholars and students accustomed to reading from photocopies of Neill's writings. Putting History to the Question will be a valuable addition to the critical library."--BOOK JACKET.

     
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  8. L' écrivain et les pouvoirs
    Published: 2001
    Publisher:  Champion, Paris

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  9. Le pouvoir au miroir de la littérature en Espagne aux XVIe et XVIIe siècles
    Published: 2001
    Publisher:  Publ. de la Sorbonne, Paris

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  10. Whitman possessed
    poetry, sexuality, and popular authority
    Author: Maslan, Mark
    Published: 2001
    Publisher:  Johns Hopkins Univ. Press, Baltimore [u.a.]

    This is a challenging theory of Whitman's poetics of possession and his understandings of individual and national identity. The author reads his works in relation to 19th-century theories of sexual desire, poetic inspiration and political... more

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    This is a challenging theory of Whitman's poetics of possession and his understandings of individual and national identity. The author reads his works in relation to 19th-century theories of sexual desire, poetic inspiration and political representation.

     
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  11. Subjectivity and subjugation in seventeenth-century drama and prose
    the family romance of French classicism
    Author: Greenberg, Mitchell
    Published: 1992
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Universitätsbibliothek Bamberg
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  12. Le pouvoir
    Published: 1994
    Publisher:  Presses Univ. de Nancy, Nancy

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2864808617
    RVK Categories: CB 5100
    Series: [Collection Prépa-concours / Commerce] ; 1994/1996
    Subjects: Pouvoir (Sciences sociales) dans la littérature; Pouvoir (philosophie); Pouvoir dans la littérature - Bibliographie analytique; Puissance (philosophie) - Bibliographie analytique; Power (Philosophy); Power (Philosophy) in literature
    Scope: 247 S.
  13. Harold Pinter and the language of cultural power
    Author: Silverstein, Marc
    Published: 1993
    Publisher:  Bucknell Univ. Press u.a., Lewisburg

    This book addresses three matters of fundamental importance for an understanding of Harold Pinter's work - how language functions in Pinter's plays, what the relationship is between language and subjectivity in the plays, and what the plays reveal... more

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    This book addresses three matters of fundamental importance for an understanding of Harold Pinter's work - how language functions in Pinter's plays, what the relationship is between language and subjectivity in the plays, and what the plays reveal about how language serves as a vehicle for cultural power. Pinter's work rejects any attempt to conceptualize language in terms of reference, expression, or communication. Rather, his plays exhibit a semiotic understanding of language that demands his audience focus not only on parole, the individual speech act, but also on langue, language as structured system that both enables and constrains parole. The langue that Pinter explores is the ensemble of codes, dominant discourses and structures of representation, and fragments of ideology that give voice to cultural power, creating the speaking subject in the image of that power For all their attempts to "own" language, Pinter's characters discover that words constitute alienable property; that language forms, de-forms, and re-forms subjectivity; that, as a system preceding the individual, language carries embedded within it the values, desires, and imperatives of the Other - the dominant cultural order. By introducing questions of subject position and ideology into his discussion, author Marc Silverstein shows how the plays exhibit a political dimension largely ignored by the bulk of Pinter criticism, which attempts to classify his oeuvre as a form of absurdist drama. It is Silverstein's contention that Pinter does not concern himself with the fate of the individual lost in an incomprehensible and meaningless universe (the "absurdist" Pinter), but instead explores the vicissitudes of living within ideological, discursive, and social structures that always exceed the subject Through detailed readings of The Birthday Party, The Collection, The Homecoming, Old Times, One for the Road, and Mountain Language, Silverstein argues that what is at stake in these plays is the status of cultural power itself. The plays insistently raise the question, does there exist any possibility for the kind of resistance that can dismantle the network of cultural power, or is that network unassailably monolithic? While arguing that Pinter's plays appear to adopt the latter position, the author emphasizes that these plays still have valuable political lessons to teach. At a moment when much Ideologiekritik naively equates the demystification of ideology and the unveiling of contradictions with the inevitable collapse of that field, Pinter's plays compel us to consider a more viable mode of intervention within cultural formations that seem infinitely recuperable

     
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  14. Wordsworth's vagrant muse
    poetry, poverty and power
    Author: Harrison, Gary L.
    Published: 1994
    Publisher:  Wayne State Univ. Press, Detroit

    William Wordsworth's poems are inhabited by beggars, vagrants, peddlers, and paupers. This book analyzes how a few key poems from Wordsworth's early years constitute a direct engagement with and intervention into the politics of poverty and reform... more

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    William Wordsworth's poems are inhabited by beggars, vagrants, peddlers, and paupers. This book analyzes how a few key poems from Wordsworth's early years constitute a direct engagement with and intervention into the politics of poverty and reform that swept the social, political, and cultural landscape in England during the 1790s. Harrison brilliantly demonstrates the socio-political significance of Wordsworth's poetry as a critical force in the debate over the Poor Laws, offering evidence that nineteenth-century readers recognized both the reactionary and utopian potentials of his work, depending upon their political orientation.

     
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  15. Reclaiming myths of power
    women writers and the Victorian spiritual crisis
    Author: Jenkins, Ruth Y.
    Published: 1995
    Publisher:  Bucknell Univ. Press u.a., Lewisburg u.a.

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  16. Historicizing Milton
    spectacle, power, and poetry in restoration England
    Author: Knoppers, Laura Lunger
    Published: 1994
    Publisher:  Univ. of Georgia Press, Athens u.a.

    Although Milton's three major poems, Paradise Lost, Paradise Regained, and Samson Agonistes, appeared well into the Restoration era, they have long been regarded as belonging philosophically to the earlier seventeenth century. The canonical view is... more

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    Although Milton's three major poems, Paradise Lost, Paradise Regained, and Samson Agonistes, appeared well into the Restoration era, they have long been regarded as belonging philosophically to the earlier seventeenth century. The canonical view is of Milton as a relic in the Restoration - either belated humanist or belated Puritan. Addressing this long-standing anomaly of literary history, Historicizing Milton shows how Milton's major poems respond specifically and powerfully to royalist spectacles of the 1660s and 1670s, spectacles that were intended as displays of divinely approved monarchical power. Laura Lunger Knoppers traces such public spectacles as the execution of the regicides, the exhumation of Cromwell, the punishment of fifth monarchists, and the coronation triumph of Charles II. Drawing on a range of sources, including letters, diaries, newspaper accounts, sermons, royal proclamations, and parliamentary accounts, Knoppers reconstructs the discourses that interpreted and contested spectacles of power and punishment. Milton's poems are part of this oppositional discourse, Knoppers argues, and his revisions of such key terms as martyrdom, treason, joy, glory, and conquest boldly and defiantly challenge the spectacles by which the monarchy constituted and conveyed its power. Questioning the nature of earthly spectacle altogether, Milton rewrites display as inner witness before God alone. His radically iconoclastic art creates a mode of antispectacle, not only exposing but also redefining and appropriating the spectacles of state.

     
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  17. Reclaiming myths of power
    women writers and the Victorian spiritual crisis
    Author: Jenkins, Ruth Y.
    Published: 1995
    Publisher:  Bucknell Univ. Press u.a., Lewisburg u.a.

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  18. Sylvain Bemba
    récits entre folie et pouvoir
    Author: Djiffack, André
    Published: 1996
    Publisher:  Éd. L'Harmattan, Paris

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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2738427294
    RVK Categories: IJ 89275
    Series: Classiques pour demain
    Subjects: Folie dans la littérature; Pouvoir (Sciences sociales) dans la littérature
    Other subjects: Bemba, Sylvain <1934-> - Critique et interprétation; Bemba, Sylvain <1934->; Bemba, Sylvain (1934-)
    Scope: 149 S.
  19. Race, ethnicity and power in the Renaissance
    Published: 1997
    Publisher:  Fairleigh Dickinson Univ. Press [u.a.], Madison [u.a.]

    This book is a collection of essays addressing the subjects of race and racial difference in English Renaissance culture. Working from historicist, materialist, and feminist perspectives, reading texts as well as cultural practices, the authors... more

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    This book is a collection of essays addressing the subjects of race and racial difference in English Renaissance culture. Working from historicist, materialist, and feminist perspectives, reading texts as well as cultural practices, the authors present a detailed and sophisticated understanding of early modern views of what race meant. Beyond the question of how race was useful to English self-fashioning, the essays in this book are also concerned with how the practices of English culture helped endow notions of race with meaning. The authors here have assembled suggestive evidence of how race emerged from economics, technology, dramatic performance and popular culture, as well as how it was presented in more traditional kinds of literary evidence. That evidence is broad; although most of the essays here are centrally concerned with a single Shakespearean play, those plays are textualized within rich webs of racial discourse from the classical as well as the Renaissance world. The essays juxtapose noncanonical drama with these Shakespearean plays and, in one case, devote major attention to a work outside a traditionally conceived canon of Renaissance literature. The effect is to emphasize the breadth and pervasiveness of racial discourse, the rich resourcefulness enabling its production.

     
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  20. Echoes of desire
    English Petrarchism and its counterdiscourses
    Author: Dubrow, Heather
    Published: 1995
    Publisher:  Cornell University Press, Ithaca ; London

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  21. The English novel in history
    1840 - 1895
    Author: Ermarth, Elizabeth D.
    Published: 1997
    Publisher:  Routledge, London [u.a.]

    The English Novel in History 1840-1895 refocuses in cultural terms a particularly powerful achievement in Victorian narrative - its construction of history as a social common denominator. Using interdisciplinary material from literature, art,... more

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    The English Novel in History 1840-1895 refocuses in cultural terms a particularly powerful achievement in Victorian narrative - its construction of history as a social common denominator. Using interdisciplinary material from literature, art, political philosophy, religion, music, economic theory and physical science, this text explores how nineteenth-century narrative shifts from one construction of time to another and, in the process, reformulates fundamental modern ideas of identity, nature and society.

     
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  22. Gossip and subversion in nineteenth century British fiction
    echo's economies
    Author: Gordon, Jan B.
    Published: 1996
    Publisher:  Macmillan [u.a.], Basingstoke [u.a.]

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  23. Narrative, authority, and power
    the medieval exemplum and the Chaucerian tradition
    Author: Scanlon, Larry
    Published: 1994
    Publisher:  Cambridge Univ. Press, Cambridge u.a.

    "Until now, little attention has been paid to the political and ideological significance of the medieval exemplum, a brief narrative form used to illustrate a moral. Through a study of four major works in the Chaucerian tradition (the Canterbury... more

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    "Until now, little attention has been paid to the political and ideological significance of the medieval exemplum, a brief narrative form used to illustrate a moral. Through a study of four major works in the Chaucerian tradition (the Canterbury Tales, John Gower's Confessio Amantis, Thomas Hoccleve's Regement of Princes, and Lydgate's Fall of Princes), Professor Scanlon redefines the exemplum as "a narrative enactment of cultural authority." He traces its development through the two strands of the medieval Latin tradition which the Chaucerians appropriate: the sermon exemplum, and the public exemplum of the Mirrors of Princes. In doing so, he reveals how Chaucer and his successors used these two forms of the exemplum to explore the differences between clerical authority and lay power, and to establish the moral and cultural authority of their emergent vernacular tradition."--BOOK JACKET.

     
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  24. Achebe, Head, Marechera
    on power and change in Africa
    Author: Gagiano, Annie
    Published: 2000
    Publisher:  Lynne Rienner, Boulder [u.a.]

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  25. Enacting history in Henry James
    narrative, power, and ethics
    Published: 1997
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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