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  1. William Gibson's "Neuromancer"
    A Critical Companion
    Published: 2024
    Publisher:  Springer Nature Switzerland, Imprint: Palgrave Macmillan, Cham

    Zusammenfassung: Graham J. Murphy demonstrates his bona fides as an expert reader of cyberculture in this study of William Gibson’s hugely consequential first novel, already canonized as one of the late twentieth century’s most influential... more

     

    Zusammenfassung: Graham J. Murphy demonstrates his bona fides as an expert reader of cyberculture in this study of William Gibson’s hugely consequential first novel, already canonized as one of the late twentieth century’s most influential expressions of technoculture. Murphy’s concise and nuanced analysis looks at Neuromancer through a variety of critical lenses and, in the process, very usefully addresses issues such as gender, embodiment, and the posthuman that have sometimes been over-simplified in earlier readings. Riffing on Fredric Jameson, he concludes that Neuromancer is “the supreme literary expression of capitalist realism,” set in a future-present that seems increasingly to mirror our own moment. Murphy convincingly makes the case for Neuromancer’s ongoing relevance to a present scarred by eco-crisis and hyper-globalization. —Dr. Veronica Hollinger, Science Fiction Studies William Gibson’s Neuromancer: A Critical Companion offers everything you could hope for from such a volume, and more. Graham J. Murphy not only provides historical and critical contexts, citing an impressive array of sources, but also offers an authoritative and insightful reading of the novel that makes significant contributions to an understanding of what the book is actually about and how it remains chillingly relevant today. One does not typically expect original insights in a companion volume, but Murphy offers several highly persuasive ones here. Accessible and engaging, this book has much to offer anyone interested in Gibson, from advanced scholars to undergraduate students. Essential reading. – Dr. Dominick Grace, Non-Fiction Reviews Editor, SFRA Review Graham J. Murphy had had his own cyberpunk implant, and like many of us it’s a Gibson augmentation. You can upgrade yours by reading this ecstatic account of how William Gibson’s Neuromancer does what it does. Murphy matches Gibson's super specificity with his own, keenly detailing the cultural factors that shape cyberpunk and Neuromancer. The range of scholarly references here indicate the importance of Gibson's novel as much as Murphy's seriousness about representing the discourse. Read it, teach it, cite it. – Dr. Brent Ryan Bellamy, Trent University William Gibson’s Neuromancer: A Critical Companion presents Gibson’s rise as an influential figure within and beyond the science fiction field. Gibson’s success with Neuromancer, the first novel to win the Hugo Award, Nebula Award, and Philip K. Dick Award, is in part a direct result of the rising popularity of cyberpunk in the early- to mid-1980s, although it could just as easily be said cyberpunk’s success was in no small part a direct result of Neuromancer’s explosion onto the science fiction scene. Neuromancer’s ongoing relevance remains undiminished because we are effectively living in a technocultural age that is increasingly difficult to distinguish from Gibson’s novel. As Graham J. Murphy demonstrates in this companion, the novel remains instrumental in thinking through the ongoing explorations of the posthuman: transhumanism, the Utopia/Anti-Utopia dynamic, and capitalist realism, to name a few of the more significant critical vehicles with which to better understand and contextualize our technocultural age and Neuromancer’s role in both shaping it and responding to it. This book provides a critical introduction to Neuromancer and cyberpunk culture. Graham J. Murphy is Professor with the School of English and Liberal Studies, Seneca Polytechnic, Canada. He is co-editor of Fifty Key Figures in Cyberpunk Culture (2022), The Routledge Companion to Cyberpunk Culture (2020), Cyberpunk and Visual Culture (2018), and Beyond Cyberpunk: New Critical Perspectives (2010) and co-author of Ursula K. Le Guin: A Critical Companion (2006)

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783031566271
    Other identifier:
    Edition: 1st ed. 2024
    Series: Palgrave Science Fiction and Fantasy: A New Canon
    Other subjects: (lcsh)Literature, Modern--20th century.; (lcsh)Literature, Modern--21st century.; (lcsh)Literature and technology.; (lcsh)Mass media and literature.; (lcsh)Popular Culture.; (lcsh)Science--Social aspects.; Contemporary Literature.; Literature and Technology.; Popular Culture.; Posthumanism.
    Scope: Online-Ressource, XV, 122 p., online resource.
    Notes:

    Introduction -- Chapter One: The Posthuman Problematic -- Chapter Two: A Case Study of the Post/Human -- Chapter 3: Transhumanism and the Myth of Morphological Freedom -- Chapter Four: 'Things are Things': The Resigned Pessimism of the Psuedo-Dystopia -- Conclusion: Neuromancer and Accessible Moments -- Appendix

  2. Where Are We Now? - Orientierungen nach der Postmoderne
    Published: 2022.
    Publisher:  transcript,, Bielefeld :

    Die Postmoderne ist zu Ende! Seit drei Dekaden hallt diese Diagnose durch den geisteswissenschaftlichen Diskursraum. Doch was kommt jetzt? Die Beiträger*innen des Bandes schlagen kein neues Epochenkonzept vor, sondern widmen sich den Phänomenen... more

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    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan

     

    Die Postmoderne ist zu Ende! Seit drei Dekaden hallt diese Diagnose durch den geisteswissenschaftlichen Diskursraum. Doch was kommt jetzt? Die Beiträger*innen des Bandes schlagen kein neues Epochenkonzept vor, sondern widmen sich den Phänomenen Postironie, Pop III, Heimat und Posthumanismus. Mit Hilfe kulturwissenschaftlichen Rüstzeugs klopfen sie zeitgenössische Filme, Serien und Romane auf ihr gegenwartsspezifisches Potenzial ab. Grimes, David Bowie und Olivia Wenzel werden dabei ebenso behandelt wie Donna Haraway, Andreas Gabalier und Leif Randt.

     

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    Content information
    Source: Union catalogues
    Contributor: Grevenbrock, Holger.; Scheerer, Katharina.
    Media type: Ebook
    Format: Online
    ISBN: 9783839462560; 3839462568
    Other identifier:
    Series: Edition Kulturwissenschaft
    Subjects: Postmodernism.; Allgemeine Literaturwissenschaft.; Epoche.; Film.; Heimat.; Ironie.; Kulturwissenschaft.; Literatur.; Musik.; Pop.; Popkultur.; Popmusik.; Populärkultur.; Posthumanismus.; Serie.; Postmodernisme.; SOCIAL SCIENCE / Popular Culture.; Postmodernism
    Other subjects: Cultural Studies.; Film.; Home.; Ironie.; Literary Studies.; Literature.; Music.; Periodicals.; Pop Music.; Pop.; Popular Culture.; Posthumanism.
    Scope: 1 online resource (417 p.).
    Notes:

    Description based upon print version of record.

    Includes bibliographical references.

    Cover -- Inhalt -- Where Are We Now? Eine Einleitung -- »Übergänge« -- Post-Postmoderne, Postmoderne, Moderne -- Literatur- und Quellenverzeichnis -- Postironie -- Postironie/New Sincerity: Eine Einführung -- Die Postmoderne nimmt kein Ende -- oder doch? Metamoderne und metamoderne Textstrukturen der Ultraromantik -- Zwischen Aufrichtigkeit und Ironie -- Future Islands' Seasons als Beispiel der Metamoderne -- Aussage gegen Aussage -- Bedeutungsschwanger? Über das Motiv der Schwangerschaft in Leif Randts Allegro Pastell (2020) -- Zum Verhältnis von Liebe und Ökonomie

    Literatur- und Quellenverzeichnis Sektion »Postironie« -- Pop III -- Pop III: Eine Einführung -- »Ach du meine Güte, ich bin doch noch gar nicht tot!« Pop und Museum -- »Die Toten sind ja immer mit uns.« Hauntology in Benjamin von Stuckrad-Barres Panikherz -- Post-Pop-Depression? -- Nicht mehr hier sein -- aber irgendwo ›Dazwischen‹: -- Zurück zur Oberfläche. Über die Erinnerungsarchäologie in Christian Krachts Eurotrash -- Reiseliteratur revisited -- Christiane Rösingers Berlin-Baku -- Literatur- und Quellenverzeichnis Sektion »Pop III« -- Posthumanismus -- Posthumanismus: Eine Einführung

    Künstliche Tierchen im Paradies -- Das Fremde vertraut machen: Retroästhetik in filmischen Zukunftsdarstellungen -- Posthumanismus und Pop-Musik -- »Nur Fun kann die Lösung sein.« Leif Randts Planet Magnon zwischen Utopie und Dystopie, Posthumanismus und Transhumanismus -- Miamification: Literarische Reflexionen über das Postdigitale -- Literatur- und Quellenverzeichnis Sektion »Posthumanismus« -- Heimat -- Heimat: Eine Einführung -- Zwischen Kirche und Kneipe? -- Ist das noch realistisch, glaubhaft, echt? -- Politisch wird's im heimischen Wald

    Zur Inszenierung von Heimat im aktuellen Deutschrap -- Heimatkonstruktionen im Computerspiel -- Eine narratologische Betrachtung -- Literatur- und Quellenverzeichnis Sektion »Heimat« -- Danksagung