Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Last searches

Results for *

Displaying results 1 to 25 of 29.

  1. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: 2020
    Publisher:  The University of Chicago Press, Chicago ; Oxford University Press, Oxford

    From colonialism to anticolonialism, from nationalism to postnationalism, this text explores how gwoka participates in five auralities, fields of sonic relations that make audible multiple - and often seemingly contradictory - cultural belongings and... more

    Access:

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Inter-library loan:
    No inter-library loan

     

    From colonialism to anticolonialism, from nationalism to postnationalism, this text explores how gwoka participates in five auralities, fields of sonic relations that make audible multiple - and often seemingly contradictory - cultural belongings and political longings. Drawing from Edouard Glissant's poetics of relation and re-interpreting creolization as a double play of resistance and accommodation, 'Creolized Aurality' moves away from narratives of anticolonial rupture and overcoming to elucidate (post)coloniality as an unstable relational matrix from which emerges a politics caught in the tension between a struggle for sovereignty and demands for full citizenship.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226631806
    Other identifier:
    RVK Categories: LC 87640 ; LS 48700
    Series: Chicago studies in ethnomusicology
    Chicago scholarship online
    Subjects: Antikolonialismus; Postkolonialismus; Volksmusik; Gwoka; Popular music; Popular music; Postcolonialism and music
    Scope: 1 Online-Ressource, Illustrations (black and white).
    Notes:

    Previously issued in print: 2019

    Includes bibliographical references, discography and index
  2. Global perspectives on orchestras
    collective creativity and social agency
    Contributor: Ramnarine, Tina K. (Publisher)
    Published: [2017]; © 2017
    Publisher:  Oxford University Press, New York

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule für Musik Nürnberg, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Ramnarine, Tina K. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780199352227
    RVK Categories: LR 12746
    Series: Studies in musical performance as creative practice ; volume 4
    Subjects: Interkulturalität; Kulturleben; Postkolonialismus; Globalisierung; Kreativität; Orchester
    Other subjects: Orchestra / Social aspects; Music in intercultural communication; Postcolonialism and music
    Scope: xvi, 404 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  3. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: 2019
    Publisher:  The University of Chicago Press, Chicago ; London

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226631776; 9780226631639
    RVK Categories: LC 87640 ; LS 48700
    Series: Chicago studies in ethnomusicology
    Subjects: Volksmusik; Antikolonialismus; Gwoka; Postkolonialismus
    Other subjects: Popular music / Guadeloupe / History and criticism; Popular music / Political aspects / Guadeloupe; Postcolonialism and music / Guadeloupe; Popular music; Popular music / Political aspects; Postcolonialism and music; Guadeloupe; Criticism, interpretation, etc
    Scope: X, 234 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole aurality: aesthetics and politics across the abyss -- Postnational aurality: institutional detour and the creolization of sovereignty -- Coda. Bigidi
  4. Music scenes and migrations
    space and transnationalism in Brazil, Portugal and the Atlantic
    Contributor: Treece, David (Publisher)
    Published: 2020
    Publisher:  Anthem Press, London

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Treece, David (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781785273841
    RVK Categories: LS 19000
    Series: Anthem Brazilian studies
    Subjects: Interkulturalität; Postkolonialismus; Migration; Musik
    Other subjects: Music and transnationalism; Ethnomusicology; Music and race; Postcolonialism and music; Music / Portuguese-speaking countries; Musicians / Portuguese-speaking countries; Music; Portuguese-speaking countries; Criticism, interpretation, etc
    Scope: vi, 241 Seiten, Illustrationen, Portraits
  5. Flip the script
    European Hip Hop and the politics of postcoloniality
    Author: Rollefson, J. Griffith
    Published: 2017
    Publisher:  The University of Chicago Press, Chicago ; London

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226496184; 022649618X; 9780226496214; 022649621X
    RVK Categories: LS 48650
    Series: Chicago studies in ethnomusicology
    Subjects: Musik; Postkolonialismus; Hip-Hop
    Other subjects: Hip-hop / Europe, Western; Postcolonialism and music; Music / Europe, Western / African American influences; Hip-hop; Music / African American influences; Postcolonialism and music; Europe, Western
    Scope: X, 295 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Introduction: hip hop as postcolonial art and practice -- "J'accuse": hip hop's postcolonial politics in Paris -- Nostalgia "en noir et blanc": Black music and postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- Musical (African) Americanization: strategic essentialism, hybridity, and commerce in Aggro Berlin -- Heisse Waren: hot commodities, "der Neger bonus," and the commercial authentic -- M.I.A..'s "terrorist chic": Black Atlantic music and South Asian postcolonial politics in London -- Marché noir: the hip hop hustle in the City of Light -- "Wherever we go": UKhip hop and the deformation of mastery -- "Straight outta B.C.": differance, defness, and Juice Aleem's precolonial Afrofuturist critique -- Conclusion: hip hop studies and/as postcolonial studies
  6. Global perspectives on orchestras
    collective creativity and social agency
    Contributor: Ramnarine, Tina K. (Publisher)
    Published: [2017]
    Publisher:  Oxford University Press, New York

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Ramnarine, Tina K. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199352258
    Other identifier:
    RVK Categories: LR 12746
    Series: Studies in musical performance as creative practice ; volume 4
    Subjects: Kreativität; Orchester; Postkolonialismus; Kulturleben; Interkulturalität; Globalisierung
    Other subjects: Orchestra / Social aspects; Music in intercultural communication; Postcolonialism and music
    Scope: 1 Online-Ressource, Illustrationen
    Notes:

    Includes bibliographical references and index
  7. Music scenes and migrations
    space and transnationalism in Brazil, Portugal and the Atlantic
    Contributor: Treece, David (Publisher)
    Published: 2020
    Publisher:  Anthem Press, London

    <i>Music Scenes and Migrations</i> brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe. Moving beyond now-contested... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Music Scenes and Migrations brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe. Moving beyond now-contested models for conceptualizing international musical relations and hierarchies of powers and influence, such as global/local or centre/periphery, the volume draws attention instead to the role of the city, and in particular, in producing, signifying and mediating music-making in the colonial and post-colonial Portuguese-speaking world. In considering the roles played by cities as hubs of cultural intersection, socialization, exchange and transformation; as sites of political intervention and contestation; and as homes to large concentrations of consumers, technologies and media, Rio de Janeiro necessarily figures prominently, given its historical importance as an international port at the centre of the Lusophone Atlantic world. The volume also gives attention to other urban centres, within Brazil and abroad, towards which musicians and musical traditions have migrated and converged - such as São Paulo, Lisbon and Madrid - where they have reinvented themselves; where notions of Brazilian and Lusophone identity have been reconfigured; and where independent, peripheral and underground scenes have contested the hegemony of the musical 'mainstream'.

    The contributions to the volume are grouped according to three key thematic areas: Colonial and post-Colonial transnationalisms, migrations and diasporas; relocating Rio de Janeiro; and demetropolitanizing the musical city: other scenes, industries, technologies

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Treece, David (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781785273858
    RVK Categories: LS 19000
    Subjects: Music and transnationalism; Ethnomusicology; Music and race; Postcolonialism and music; Music / Portuguese-speaking countries; Musicians / Portuguese-speaking countries; Musik; Interkulturalität; Postkolonialismus; Migration
    Scope: 1 Online-Ressource (vi, 241 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 20 Jan 2022)
  8. Global perspectives on orchestras
    collective creativity and social agency
    Contributor: Ramnarine, Tina K. (HerausgeberIn)
    Published: 2018
    Publisher:  Oxford University Press, New York, NY

    This work adopts global perspectives on orchestras. It draws on ethnographic, historical and comparative approaches to analyze a variety of orchestral traditions (such as symphony, steel, Indonesian gamelan, Indian film and Vietnamese court). It... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Universität Chemnitz, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule für Bildende Künste Dresden, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule für Musik 'Carl Maria von Weber', Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule für Technik und Wirtschaft Dresden, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
    Inter-library loan:
    No inter-library loan
    Location:
    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule für Grafik und Buchkunst, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig, Bibliothek und Archiv
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule für Technik, Wirtschaft und Kultur Leipzig, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Leipzig
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Mittweida (FH), Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Zittau / Görlitz, Hochschulbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Westsächsische Hochschule Zwickau, Bibliothek
    Signature:
    E-Book Oxford
    Inter-library loan:
    No inter-library loan

     

    This work adopts global perspectives on orchestras. It draws on ethnographic, historical and comparative approaches to analyze a variety of orchestral traditions (such as symphony, steel, Indonesian gamelan, Indian film and Vietnamese court). It discusses how orchestras are embedded in socio-historical and economic contexts, and highlights intercultural, compositional and rehearsal processes.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Contributor: Ramnarine, Tina K. (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199352258
    Other identifier:
    RVK Categories: LR 12746
    Series: Studies in musical performance as creative practice ; volume 4
    Subjects: Orchestra; Music in intercultural communication; Postcolonialism and music
    Scope: 1 online resource, illustrations (black and white).
    Notes:

    Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 6, 2017)
  9. White musical mythologies
    sonic presence in modernism
    Author: Mendelssohn, Edmund
    Published: [2023]; © 2023
    Publisher:  Stanford University Press, Stanford, California

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781503636637
    Series: Sensing Media: Aesthetics, Philosophy, and Cultures of Media
    Subjects: bicssc / History of ideas; bicssc / Media studies; bisacsh / MUSIC / Philosophy & Social Aspects; bisacsh / SOCIAL SCIENCE / Media Studies; Modernism Music - History - 20th century; Avant-garde Music - History - 20th century - France; Modernism Aesthetics - History - 20th century - France; Music - Foreign influences - Western countries; Music - Philosophy and aesthetics; Philosophy, French - 20th century; Postcolonialism and music; Postkolonialismus; Musikästhetik; Experimentelle Musik; Neue Musik
    Scope: xiii, 287 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Prelude: A Silence Filled with Speech; 1. The Ontology of the Ineffable: Satie and Bergson; 2. Ontological Machines: Varese and Bataille; 3. Ontological Appropriation: Boulez and Artaud; 4. The Written Being of Sound: Cage and Derrida; Postlude: A Simulacrum of a Presence
  10. Transforming Vòdún
    musical change and postcolonial healing in Benin's jazz and brass band music
    Author: Politz, Sarah
    Published: 2023
    Publisher:  University of Michigan Press, Ann Arbor

    "Transforming Vòdún examines how musicians from the West African Republic of Benin transform Benin's cultural traditions, especially the ancestral spiritual practice of vòdún and its musical repertoires, as part of the process of healing postcolonial... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Transforming Vòdún examines how musicians from the West African Republic of Benin transform Benin's cultural traditions, especially the ancestral spiritual practice of vòdún and its musical repertoires, as part of the process of healing postcolonial trauma through music and ritual. Based on fieldwork in Benin, France, and New York City, Sarah Politz uses historical ethnography, music analysis, and participant observation to examine three case studies of brass band and jazz musicians from Benin. The multi-sited nature of this study highlights the importance of mobility, and diasporic connections in musicians' professional lives, while grounding these connections in the particularities of the African continent, its histories, its people, and its present."

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
  11. Flip the script
    European Hip Hop and the politics of postcoloniality
    Author: Rollefson, J. Griffith
    Published: [2017]
    Publisher:  The University of Chicago Press, Chicago ; London

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226496184; 022649618X; 9780226496214; 022649621X
    RVK Categories: LS 48650
    Series: Chicago studies in ethnomusicology
    Subjects: Musik
    Other subjects: Hip-hop / Europe, Western; Postcolonialism and music; Music / Europe, Western / African American influences; Hip-hop; Music / African American influences; Postcolonialism and music; Europe, Western
    Scope: X, 295 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Enthält Literaturverzeichnis Seite [267]-280 und Diskograhie und Videographie Seite [281]-282

    Introduction: hip hop as postcolonial art and practice -- "J'accuse": hip hop's postcolonial politics in Paris -- Nostalgia "en noir et blanc": Black music and postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- Musical (African) Americanization: strategic essentialism, hybridity, and commerce in Aggro Berlin -- Heisse Waren: hot commodities, "der Neger bonus," and the commercial authentic -- M.I.A..'s "terrorist chic": Black Atlantic music and South Asian postcolonial politics in London -- Marché noir: the hip hop hustle in the City of Light -- "Wherever we go": UKhip hop and the deformation of mastery -- "Straight outta B.C.": differance, defness, and Juice Aleem's precolonial Afrofuturist critique -- Conclusion: hip hop studies and/as postcolonial studies
  12. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: 2019; © 2019
    Publisher:  The University of Chicago Press, Chicago

    Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
    Signature:
    bestellt
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    SG Am 2019/1
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Popakademie Baden-Württemberg, Bibliothek
    Inter-library loan:
    No inter-library loan

     

    Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole aurality: aesthetics and politics across the abyss -- Postnational aurality: institutional detour and the creolization of sovereignty -- Coda. Bigidi.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226631639; 9780226631776
    Series: Chicago studies in ethnomusicology
    Subjects: Popular music; Popular music; Postcolonialism and music
    Scope: 234 Seiten
  13. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: [2019]
    Publisher:  University of Chicago Press, Chicago

    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization,... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization, movements against it, and the uneasy process of the island’s decolonization as an overseas territory of France. In Creolized Aurality, Jérôme Camal demonstrates that musical sounds and practices express the multiple—and often seemingly contradictory—cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are “creolized auralities”—expressions of a culture both of and against French coloniality and postcoloniality Frontmatter -- Contents -- List of Online Resources -- Introduction / Listening for (Post)colonial Entanglements -- One / The Poetics of Colonial Aurality -- Two / Building an Anticolonial Aurality: Gwoka modènn as Counterpoetics -- Three / Discrepant Creolizations: Music and the Limits of Hospitality -- Four / Diasporic or Creole Aurality? Aesthetics and Politics across the Abyss -- Five / Postnational Aurality: Institutional Detour and the Creolization of Sovereignty -- Coda / Bigidi -- Acknowledgments -- Basic Gwoka Rhythms -- Notes -- Discography -- Bibliography -- Index

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226631806
    Other identifier:
    Series: Chicago studies in ethnomusicology
    Subjects: Popular music; Popular music; Postcolonialism and music; MUSIC / General
    Scope: 1 Online-Ressource (x, 234 Seiten), Illustrationen, Noten
    Notes:

    restricted access online access with authorization star
  14. Flip the script
    European Hip Hop and the politics of postcoloniality
    Author: Rollefson, J. Griffith
    Published: [2017]; © 2017
    Publisher:  University of Chicago Press, Chicago

    Intro -- Contents -- Acknowledgments -- Introduction: Hip Hop as Postcolonial Art and Practice -- 1. "J'accuse": Hip Hop's Postcolonial Politics in Paris -- 2. Nostalgia "En noir et blanc": Black Music and Postcoloniality from Sefyu's Paris to Buddy... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
    Signature:
    eBook ProQuest
    Inter-library loan:
    No inter-library loan

     

    Intro -- Contents -- Acknowledgments -- Introduction: Hip Hop as Postcolonial Art and Practice -- 1. "J'accuse": Hip Hop's Postcolonial Politics in Paris -- 2. Nostalgia "En noir et blanc": Black Music and Postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- 3. Musical (African) Americanization: Strategic Essentialism, Hybridity, and Commerce in Aggro Berlin -- 4. Heiße Waren: Hot Commodities, "Der Neger Bonus," and the Commercial Authentic -- 5. M.I.A.'s "Terrorist Chic": Black Atlantic Music and South Asian Postcolonial Politics in London -- 6. Marché Noir: The Hip Hop Hustle in the City of Light -- 7. "Wherever We Go": UK Hip Hop and the Deformation of Mastery -- 8. "Straight Outta B.C.": Différance, Defness, and Juice Aleem's Precolonial Afrofuturist Critique -- Conclusion: Hip Hop Studies and/as Postcolonial Studies -- Notes -- Bibliography -- Discography and Videography -- Index.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226496351
    RVK Categories: LS 48650
    Series: Chicago Studies in Ethnomusicology
    Subjects: Hip-hop-Europe, Western; Postcolonialism and music; Music-Europe, Western-African American influences; Electronic books; Hip-hop; Music; Postcolonialism and music; Europe, Western
    Scope: 1 Online-Ressource (295 Seiten)
    Notes:

    Description based on publisher supplied metadata and other sources
  15. Transforming Vòdún
    musical change and postcolonial healing in Benin's jazz and brass band music
    Author: Politz, Sarah.
    Published: 2023; ©2023
    Publisher:  University of Michigan Press, Ann Arbor

    Transforming Vòdún examines how musicians from the West African Republic of Benin transform Benin's cultural traditions, especially the ancestral spiritual practice of vòdún and its musical repertoires, as part of the process of healing postcolonial... more

     

    Transforming Vòdún examines how musicians from the West African Republic of Benin transform Benin's cultural traditions, especially the ancestral spiritual practice of vòdún and its musical repertoires, as part of the process of healing postcolonial trauma through music and ritual. Based on fieldwork in Benin, France, and New York City, Sarah Politz uses historical ethnography, music analysis, and participant observation to examine three case studies of brass band and jazz musicians from Benin. The multi-sited nature of this study highlights the importance of mobility, and diasporic connections in musicians' professional lives, while grounding these connections in the particularities of the African continent, its histories, its people, and its present

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Cover (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780472075966; 9780472055968
    Series: Musics in motion
    Subjects: Vodou music; Jazz; Brass band music; Music; Vodou; Postcolonialism and music; MUSIC / Ethnomusicology; RELIGION / General; French; Jazz; Jazz; MUSIC / Genres & Styles / General; MUSIC / Genres & Styles / Jazz; MUSIC / Instruction & Study / Theory; Musikwissenschaft und Musiktheorie; National liberation & independence, post-colonialism; Nationale Befreiung und Unabhängigkeit, Postkolonialismus; POL045000; Französisch; Religion & beliefs; Religion und Glaube; SOCIAL SCIENCE / Anthropology / Cultural; SOCIAL SCIENCE / Sociology of Religion; Social & cultural anthropology, ethnography; Sozial- und Kulturanthropologie, Ethnographie; Theory of music & musicology; Unterhaltungsmusik, Popmusik
    Scope: pages cm
    Notes:

    Includes bibliographical references (pages 219-229) and index

    List of IllustrationsFon-language Pronunciation GuideAcknowledgmentsIntroductionPart I: Multiple Temporalities1. History and Healing in VÒdÚn Practice, Power, and Value2. Making la Musique Moderne: Cultural Renaissance in Postcolonial BeninPart II: Transforming VÒdÚn3. GangbÉ Brass Band: Producing VÒdÚn, Producing Livelihood4. Eyo nlÉ Brass Band: Transforming the Blues5. Jomion and the Uklos: Hwedo-Jazz and VÒdÚn in the New African DiasporaConclusion: Trauma, Translation, TransformationBibliographyGlossary
  16. White musical mythologies
    sonic presence in modernism
    Author: Mendelssohn, Edmund
    Published: 2023
    Publisher:  Stanford University Press, Stanford, California

    "Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez with Artaud, and John Cage with Derrida to offer an ambitious intellectual history of the colonial roots of modernist musical thought. Each of the musicians studied in this book re-created or appropriated non-European forms of expression as they conceived music ontologically, often thinking music as something immediate and immersive: from Satie's dabblings with mysticism and exoticism in bohemian Montmartre of the 1890s to Varèse's experience of ethnographic exhibitions and surrealist poetry in 1930s Paris, and from Boulez's endeavor to theorize a kind of musical writing that would "absorb" the sounds of non-European musical traditions to Cage, who took inspiration from Eastern thought as he wrote about sound, silence, and chance. Edmund Mendelssohn suggests that the Euro-American idea of "pure sound," and the twentieth-century quest to produce it, was premised on an assumed authority of "the West" over Europe's others. Intended for readers in philosophy, musicology, art theory, the history of modernism, sound studies, and postcolonial studies, this book demonstrates that we cannot fully understand French theory in its novelty and complexity without music and sound"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781503636637; 9781503636347
    Series: Sensing media: aesthetics, philosophy, and cultures of media
    Subjects: Modernism (Music); Avant-garde (Music); Modernism (Aesthetics); Music; Music; Philosophy, French; Postcolonialism and music
    Scope: xiii, 287 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index

    Prelude : a silence filled with speech -- The ontology of the ineffable : Satie and Bergson -- Ontological machines : Varèse and Bataille -- Ontological appropriation : Boulez and Artaud -- The written being of sound : Cage and Derrida -- Postlude : a simulacrum of presence.
  17. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: [2019]
    Publisher:  University of Chicago Press, Chicago

    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization,... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization, movements against it, and the uneasy process of the island’s decolonization as an overseas territory of France. In Creolized Aurality, Jérôme Camal demonstrates that musical sounds and practices express the multiple—and often seemingly contradictory—cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are “creolized auralities”—expressions of a culture both of and against French coloniality and postcoloniality Frontmatter -- Contents -- List of Online Resources -- Introduction / Listening for (Post)colonial Entanglements -- One / The Poetics of Colonial Aurality -- Two / Building an Anticolonial Aurality: Gwoka modènn as Counterpoetics -- Three / Discrepant Creolizations: Music and the Limits of Hospitality -- Four / Diasporic or Creole Aurality? Aesthetics and Politics across the Abyss -- Five / Postnational Aurality: Institutional Detour and the Creolization of Sovereignty -- Coda / Bigidi -- Acknowledgments -- Basic Gwoka Rhythms -- Notes -- Discography -- Bibliography -- Index

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226631806
    Other identifier:
    Series: Chicago studies in ethnomusicology
    Subjects: Popular music; Popular music; Postcolonialism and music; MUSIC / General
    Scope: 1 Online-Ressource (x, 234 Seiten), Illustrationen, Noten
    Notes:

    restricted access online access with authorization star
  18. Music scenes and migrations
    space and transnationalism in Brazil, Portugal and the Atlantic
    Contributor: Treece, David (Publisher)
    Published: 2020
    Publisher:  Anthem Press, London

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Treece, David (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781785273841
    RVK Categories: LS 19000
    Series: Anthem Brazilian studies
    Subjects: Interkulturalität; Postkolonialismus; Migration; Musik
    Other subjects: Music and transnationalism; Ethnomusicology; Music and race; Postcolonialism and music; Music / Portuguese-speaking countries; Musicians / Portuguese-speaking countries; Music; Portuguese-speaking countries; Criticism, interpretation, etc
    Scope: vi, 241 Seiten, Illustrationen, Portraits
  19. Flip the script
    European Hip Hop and the politics of postcoloniality
    Author: Rollefson, J. Griffith
    Published: 2017
    Publisher:  The University of Chicago Press, Chicago ; London

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226496184; 022649618X; 9780226496214; 022649621X
    RVK Categories: LS 48650
    Series: Chicago studies in ethnomusicology
    Subjects: Musik; Postkolonialismus; Hip-Hop
    Other subjects: Hip-hop / Europe, Western; Postcolonialism and music; Music / Europe, Western / African American influences; Hip-hop; Music / African American influences; Postcolonialism and music; Europe, Western
    Scope: X, 295 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Introduction: hip hop as postcolonial art and practice -- "J'accuse": hip hop's postcolonial politics in Paris -- Nostalgia "en noir et blanc": Black music and postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- Musical (African) Americanization: strategic essentialism, hybridity, and commerce in Aggro Berlin -- Heisse Waren: hot commodities, "der Neger bonus," and the commercial authentic -- M.I.A..'s "terrorist chic": Black Atlantic music and South Asian postcolonial politics in London -- Marché noir: the hip hop hustle in the City of Light -- "Wherever we go": UKhip hop and the deformation of mastery -- "Straight outta B.C.": differance, defness, and Juice Aleem's precolonial Afrofuturist critique -- Conclusion: hip hop studies and/as postcolonial studies
  20. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Author: Camal, Jerome
    Published: 2019
    Publisher:  The University of Chicago Press, Chicago ; London

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226631776; 9780226631639
    RVK Categories: LC 87640 ; LS 48700
    Series: Chicago studies in ethnomusicology
    Subjects: Volksmusik; Antikolonialismus; Gwoka; Postkolonialismus
    Other subjects: Popular music / Guadeloupe / History and criticism; Popular music / Political aspects / Guadeloupe; Postcolonialism and music / Guadeloupe; Popular music; Popular music / Political aspects; Postcolonialism and music; Guadeloupe; Criticism, interpretation, etc
    Scope: X, 234 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Introduction. Listening for (post)colonial entanglements -- The poetics of colonial aurality -- Building an anticolonial aurality: gwoka modènn as counterpoetics -- Discrepant creolizations: music and the limits of hospitality -- Diasporic or creole aurality: aesthetics and politics across the abyss -- Postnational aurality: institutional detour and the creolization of sovereignty -- Coda. Bigidi
  21. Global perspectives on orchestras
    collective creativity and social agency
    Contributor: Ramnarine, Tina K. (HerausgeberIn)
    Published: [2017]
    Publisher:  Oxford University Press, New York

    Location:
    Hochschule für Musik Freiburg, Bibliothek
    Signature:
    Sbh 9 Glob
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule für Musik, Theater und Medien Hannover, Bibliothek
    Signature:
    Sg 90
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2018 A 2994
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Deutsches Historisches Institut in Rom, Bibliothek
    Signature:
    Cb 7101
    Inter-library loan:
    No inter-library loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Ramnarine, Tina K. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199352227
    Series: Studies in musical performance as creative practice ; Volume 4
    Studies in musical performance as creative practice
    Subjects: Orchestra; Music in intercultural communication; Postcolonialism and music
    Scope: XVI, 404 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index
  22. Global perspectives on orchestras
    collective creativity and social agency
    Contributor: Ramnarine, Tina K. (HerausgeberIn)
    Published: 2018
    Publisher:  Oxford University Press, New York, NY

    This work adopts global perspectives on orchestras. It draws on ethnographic, historical and comparative approaches to analyze a variety of orchestral traditions (such as symphony, steel, Indonesian gamelan, Indian film and Vietnamese court). It... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This work adopts global perspectives on orchestras. It draws on ethnographic, historical and comparative approaches to analyze a variety of orchestral traditions (such as symphony, steel, Indonesian gamelan, Indian film and Vietnamese court). It discusses how orchestras are embedded in socio-historical and economic contexts, and highlights intercultural, compositional and rehearsal processes.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Contributor: Ramnarine, Tina K. (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199352258
    Other identifier:
    RVK Categories: LR 12746
    Series: Studies in musical performance as creative practice ; volume 4
    Subjects: Orchestra; Music in intercultural communication; Postcolonialism and music
    Scope: 1 online resource, illustrations (black and white).
    Notes:

    Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 6, 2017)
  23. Global perspectives on orchestras
    collective creativity and social agency
    Contributor: Ramnarine, Tina K. (Publisher)
    Published: [2017]; © 2017
    Publisher:  Oxford University Press, New York

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Ramnarine, Tina K. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780199352227
    RVK Categories: LR 12746
    Series: Studies in musical performance as creative practice ; volume 4
    Subjects: Interkulturalität; Kulturleben; Postkolonialismus; Globalisierung; Kreativität; Orchester
    Other subjects: Orchestra / Social aspects; Music in intercultural communication; Postcolonialism and music
    Scope: xvi, 404 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  24. Flip the script
    European hip hop and the politics of postcoloniality
    Author: Rollefson, J. Griffith
    Publisher:  The University of Chicago Press, Chicago ; De Gruyter, London

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226496351
    Other identifier:
    Series: Chicago studies in ethnomusicology
    Subjects: Hip-hop; Postcolonialism and music; Music
    Scope: 1 Online-Ressource (x, 295 Seiten), Illustrationen, Notenbeispiele
    Notes:

    Enthält Literaturverzeichnis auf Seite 267-282
  25. Flip the script
    European hip hop and the politics of postcoloniality
    Author: Rollefson, J. Griffith
    Published: 2017
    Publisher:  The University of Chicago Press, Chicago ; ProQuest Ebook Central, London

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226496351
    Series: Chicago studies in ethnomusicology
    Subjects: Hip-hop; Postcolonialism and music; Music
    Scope: 1 Online-Ressource (x, 295 Seiten), Illustrationen, Notenbeispiele
    Notes:

    Enthält Literaturverzeichnis auf Seite 267-282