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  1. The German Left and aesthetic politics
    cultural politics between the Second and Third Internationals
    Published: [2022]; © 2022
    Publisher:  Brill, Leiden ; Boston

    "The German Left and Aesthetic Politics examines the articulation of contending materialist aesthetic practices within the ideological fractures of the German Left between the Second and Third International. It is hinged on the major literary... more

    Bibliothek des Ruhrgebiets, Bestandsabteilung Institut für soziale Bewegungen
    D 1247/8
    Unlimited inter-library loan, copies and loan

     

    "The German Left and Aesthetic Politics examines the articulation of contending materialist aesthetic practices within the ideological fractures of the German Left between the Second and Third International. It is hinged on the major literary critical contributions of Franz Mehring, representative of the Second, and Karl Wittfogel and Georg Lukacs representing the Third. Both parties focussed on the bourgeois revolutionary cultural heritage and how it might provide examples for emulation. However, post the 1918 November Revolution a radical politically avant-garde challenged that tradition, and through figures like the Berlin Dadaists, Piscator's proletarian theatre and later Brecht, with contributions from dissident Marxist intellectuals, like Karl Korsch and Fritz Sternberg, asked other questions and proposed other answers. Revisiting the contexts and contents of these exchanges allows one to understand the serious role allocated to the cultural in constructing the 'third pillar of socialism', its integrative dimension."

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9789004297104
    Series: Historical materialism book series ; volume 237
    Subjects: Kommunismus; Ästhetik; Sozialismus; Marxismus; Kultur; Historischer Materialismus
    Other subjects: Communism / Germany / History / 20th century; Socialism / Germany / History / 20th century; Communist aesthetics; Communism and art / Germany / History / 20th century; Marxist criticism / Germany / History / 20th century; Historical materialism; Politics and culture / Germany / History / 20th century; Germany / Politics and government / 1871-1933; Communism; Communism and art; Communist aesthetics; Historical materialism; Marxist criticism; Politics and culture; Politics and government; Socialism; Germany; 1871-1999; History
    Scope: VI, 283 Seiten
    Notes:

    Includes bibliographical references and index

    Franz Mehring : literary practice as a socialist form -- Political spontaneism and cultural practice -- Märten and the development of a theoretical position : from reformism to the November Revolution -- The 'German October' and reconfiguration -- Wittfogel's critique of Thalheimer's introduction

  2. Scrivere con il mondo in testa
    intellettuali europei tra cultura e potere (1898-1956)
    Published: [2016]; © 2016
    Publisher:  Mimesis, Milano

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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  3. German colonialism, visual culture, and modern memory
    Published: [2010]; © 2010
    Publisher:  Routledge, New York

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Regensburg
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780415997799; 9780415647977
    RVK Categories: LB 53015 ; LC 95000 ; NQ 9400
    Series: Routledge studies in modern European history ; 13
    Subjects: Imperialism / History; Politics and culture / Germany / History / 19th century; Politics and culture / Germany / History / 20th century; Geschichte; Kolonie; Imperialism; Politics and culture; Politics and culture; Kolonialismus; Postkolonialismus
    Scope: xii, 316 Seiten, Illustrationen, Karten
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke. - Literaturangaben

  4. The German Left and aesthetic politics
    cultural politics between the Second and Third Internationals
    Published: [2022]; © 2022
    Publisher:  Brill, Leiden ; Boston

    "The German Left and Aesthetic Politics examines the articulation of contending materialist aesthetic practices within the ideological fractures of the German Left between the Second and Third International. It is hinged on the major literary... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan

     

    "The German Left and Aesthetic Politics examines the articulation of contending materialist aesthetic practices within the ideological fractures of the German Left between the Second and Third International. It is hinged on the major literary critical contributions of Franz Mehring, representative of the Second, and Karl Wittfogel and Georg Lukacs representing the Third. Both parties focussed on the bourgeois revolutionary cultural heritage and how it might provide examples for emulation. However, post the 1918 November Revolution a radical politically avant-garde challenged that tradition, and through figures like the Berlin Dadaists, Piscator's proletarian theatre and later Brecht, with contributions from dissident Marxist intellectuals, like Karl Korsch and Fritz Sternberg, asked other questions and proposed other answers. Revisiting the contexts and contents of these exchanges allows one to understand the serious role allocated to the cultural in constructing the 'third pillar of socialism', its integrative dimension."

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9789004297104
    Series: Historical materialism book series ; volume 237
    Subjects: Linksintellektueller; Ästhetik; Kulturpolitik
    Other subjects: Wittfogel, Karl August (1896-1988); Mehring, Franz (1846-1919); Lukács, Georg (1885-1971); Communism / Germany / History / 20th century; Socialism / Germany / History / 20th century; Communist aesthetics; Communism and art / Germany / History / 20th century; Marxist criticism / Germany / History / 20th century; Historical materialism; Politics and culture / Germany / History / 20th century; Germany / Politics and government / 1871-1933; Communism; Communism and art; Communist aesthetics; Historical materialism; Marxist criticism; Politics and culture; Politics and government; Socialism; Germany; 1871-1999; History
    Scope: VI, 283 Seiten
    Notes:

    Includes bibliographical references and index

    Franz Mehring : literary practice as a socialist form -- Political spontaneism and cultural practice -- Märten and the development of a theoretical position : from reformism to the November Revolution -- The 'German October' and reconfiguration -- Wittfogel's critique of Thalheimer's introduction

  5. German colonialism, visual culture, and modern memory
    Published: [2010]; © 2010
    Publisher:  Routledge, New York

    Alice Salomon Hochschule Berlin, Bibliothek
    Unlimited inter-library loan, copies and loan
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    TU Berlin, Universitätsbibliothek
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    Europa-Universität Viadrina, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780415997799; 9780415647977
    RVK Categories: LB 53015 ; LC 95000 ; NQ 9400
    Series: Routledge studies in modern European history ; 13
    Subjects: Imperialism / History; Politics and culture / Germany / History / 19th century; Politics and culture / Germany / History / 20th century; Geschichte; Kolonie; Imperialism; Politics and culture; Politics and culture; Kolonialismus; Postkolonialismus
    Scope: xii, 316 Seiten, Illustrationen, Karten
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke. - Literaturangaben

  6. Scrivere con il mondo in testa
    intellettuali europei tra cultura e potere (1898-1956)
    Published: [2016]; © 2016
    Publisher:  Mimesis, Milano

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
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  7. Politics and culture in twentieth-century Germany
    Contributor: Niven, William John (Publisher); Jordan, James (Publisher)
    Published: 2003
    Publisher:  Boydell & Brewer, Suffolk

    The cultural history of 20th-century Germany, more perhaps than that of any other European country, was decisively influenced by political forces and developments. This volume of essays focuses on the relationship between German politics and culture,... more

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    The cultural history of 20th-century Germany, more perhaps than that of any other European country, was decisively influenced by political forces and developments. This volume of essays focuses on the relationship between German politics and culture, which is most obvious in the case of the Third Reich and the German Democratic Republic, where the one-party control of all areas of life was extended to the arts; these were expected to conform to the ideals of the day. But the relationship between politics and the arts has not always been one purely of coercion, censorship, collusion, and opportunism. Many writers greeted the First World War with quite voluntary enthusiasm; others conjured up the National Socialist revolution in intense Expressionist images long before 1933. The GDR was heralded by writers returning from Nazi exile as the anti-fascist answer to the Third Reich. And in West Germany, politics did not dictate artistic norms, nor was it greeted with any great enthusiasm among intellectuals, but writers did tend to ally themselves with particular parties. To an extent, the pre-1990 literary establishment in the Federal Republic was dominated by a left-liberal consensus that German division was the just punishment for Auschwitz. United Germany began its existence with a fierce literary debate in 1990-92, with leading literary critics arguing that East and West German literature had basically shored up the political order in the two countries. Now a new literature was required, one that was free of ideology, intensely subjective and experimental in its aesthetic. In 1998, the author Martin Walser called for an end to the author's role as "conscience of the nation" and for the right to subjective experience. This is the first book to examine this crucial relationship between politics and culture in Germany. William Niven and James Jordan are readers in German at the University of Nottingham Trent

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Niven, William John (Publisher); Jordan, James (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571136220
    RVK Categories: GN 1086 ; GN 1411 ; GN 1671
    Subjects: Geschichte; German literature / 20th century / History and criticism; Politics and literature / Germany / History / 20th century; Politics and culture / Germany / History / 20th century; Literatur; Deutsch; Politik <Motiv>
    Scope: 1 online resource (vi, 274 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    From nature to modernism / Fritz Wefelmeyer -- The German "Geist und Macht" dichotomy / Stuart Parkes -- "In the exile of internment" or "Von Versuchen, aus einer Not eine Tugend zu machen" / Charmian Brinson -- "Deutschland lebt an der Nahtstelle, an der Bruchstelle" / David Basker -- "Das habe ich getan, sagt mein Gedächtnis" / Hans-Joachim Hahn -- Stefan Heym and GDR cultural politics / Reinhard K. Zachau -- Reviving the dead / David Rbb -- Living without utopia / Gisela Shaw -- A worm's eye view and a bird's eye view / Ulrike Zitzlsperger -- Remembering for the future, engaging with the present / Caroline Gay -- "Wie kannst du mich lieben?" / Stuart Taberner -- Models of the intellectual in contemporary France and Germany / John Marks

  8. Politics and culture in twentieth-century Germany
    Contributor: Niven, William John (Publisher); Jordan, James (Publisher)
    Published: 2003
    Publisher:  Boydell & Brewer, Suffolk

    The cultural history of 20th-century Germany, more perhaps than that of any other European country, was decisively influenced by political forces and developments. This volume of essays focuses on the relationship between German politics and culture,... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    The cultural history of 20th-century Germany, more perhaps than that of any other European country, was decisively influenced by political forces and developments. This volume of essays focuses on the relationship between German politics and culture, which is most obvious in the case of the Third Reich and the German Democratic Republic, where the one-party control of all areas of life was extended to the arts; these were expected to conform to the ideals of the day. But the relationship between politics and the arts has not always been one purely of coercion, censorship, collusion, and opportunism. Many writers greeted the First World War with quite voluntary enthusiasm; others conjured up the National Socialist revolution in intense Expressionist images long before 1933. The GDR was heralded by writers returning from Nazi exile as the anti-fascist answer to the Third Reich. And in West Germany, politics did not dictate artistic norms, nor was it greeted with any great enthusiasm among intellectuals, but writers did tend to ally themselves with particular parties. To an extent, the pre-1990 literary establishment in the Federal Republic was dominated by a left-liberal consensus that German division was the just punishment for Auschwitz. United Germany began its existence with a fierce literary debate in 1990-92, with leading literary critics arguing that East and West German literature had basically shored up the political order in the two countries. Now a new literature was required, one that was free of ideology, intensely subjective and experimental in its aesthetic. In 1998, the author Martin Walser called for an end to the author's role as "conscience of the nation" and for the right to subjective experience. This is the first book to examine this crucial relationship between politics and culture in Germany. William Niven and James Jordan are readers in German at the University of Nottingham Trent

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Niven, William John (Publisher); Jordan, James (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571136220
    RVK Categories: GN 1086 ; GN 1411 ; GN 1671
    Subjects: Geschichte; German literature / 20th century / History and criticism; Politics and literature / Germany / History / 20th century; Politics and culture / Germany / History / 20th century; Politik <Motiv>; Literatur; Deutsch
    Scope: 1 online resource (vi, 274 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    From nature to modernism / Fritz Wefelmeyer -- The German "Geist und Macht" dichotomy / Stuart Parkes -- "In the exile of internment" or "Von Versuchen, aus einer Not eine Tugend zu machen" / Charmian Brinson -- "Deutschland lebt an der Nahtstelle, an der Bruchstelle" / David Basker -- "Das habe ich getan, sagt mein Gedächtnis" / Hans-Joachim Hahn -- Stefan Heym and GDR cultural politics / Reinhard K. Zachau -- Reviving the dead / David Rbb -- Living without utopia / Gisela Shaw -- A worm's eye view and a bird's eye view / Ulrike Zitzlsperger -- Remembering for the future, engaging with the present / Caroline Gay -- "Wie kannst du mich lieben?" / Stuart Taberner -- Models of the intellectual in contemporary France and Germany / John Marks

  9. <<The>> German Left and aesthetic politics
    cultural politics between the Second and Third Internationals
    Published: [2022]; © 2022
    Publisher:  Brill, Leiden ; Boston

    "The German Left and Aesthetic Politics examines the articulation of contending materialist aesthetic practices within the ideological fractures of the German Left between the Second and Third International. It is hinged on the major literary... more

    Bibliothek des Ruhrgebiets
    Unlimited inter-library loan, copies and loan

     

    "The German Left and Aesthetic Politics examines the articulation of contending materialist aesthetic practices within the ideological fractures of the German Left between the Second and Third International. It is hinged on the major literary critical contributions of Franz Mehring, representative of the Second, and Karl Wittfogel and Georg Lukacs representing the Third. Both parties focussed on the bourgeois revolutionary cultural heritage and how it might provide examples for emulation. However, post the 1918 November Revolution a radical politically avant-garde challenged that tradition, and through figures like the Berlin Dadaists, Piscator's proletarian theatre and later Brecht, with contributions from dissident Marxist intellectuals, like Karl Korsch and Fritz Sternberg, asked other questions and proposed other answers. Revisiting the contexts and contents of these exchanges allows one to understand the serious role allocated to the cultural in constructing the 'third pillar of socialism', its integrative dimension."

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789004297104
    Series: Historical materialism book series ; volume 237
    Subjects: Communism / Germany / History / 20th century; Socialism / Germany / History / 20th century; Communist aesthetics; Communism and art / Germany / History / 20th century; Marxist criticism / Germany / History / 20th century; Historical materialism; Politics and culture / Germany / History / 20th century; Communism; Communism and art; Marxist criticism; Politics and culture; Politics and government; Socialism
    Scope: VI, 283 Seiten
    Notes:

    Includes bibliographical references and index

    Franz Mehring : literary practice as a socialist form -- Political spontaneism and cultural practice -- Märten and the development of a theoretical position : from reformism to the November Revolution -- The 'German October' and reconfiguration -- Wittfogel's critique of Thalheimer's introduction

  10. German colonialism, visual culture, and modern memory
    Published: 2010
    Publisher:  Routledge, New York, NY [u.a.]

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415997799; 0203856902; 9780203856901; 9780415647977
    RVK Categories: LB 53015 ; LC 95000 ; NQ 9400
    Edition: 1. publ.
    Series: Routledge studies in modern European history ; 13
    Subjects: Imperialism / History; Politics and culture / Germany / History / 19th century; Politics and culture / Germany / History / 20th century; Imperialism; Politics and culture; Politics and culture
    Scope: XII, 316 S., Ill., Kt.
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke. - Literaturangaben