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Displaying results 1 to 25 of 27.
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Le roman à éditeur
la fiction de l'éditeur dans La religieuse, La nouvelle Héloi͏̈se et Les liaisons dangereuses -
The medieval poet as voyeur
looking and listening in medieval love-narratives -
Vision voiced
narrative viewpoint in autobiographical writing -
Feminist metafiction and the evolution of the British novel
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The voices of African American women
the use of narrative and authorial voice in the works of Harriet Jacobs, Zora Neale Hurston, and Alice Walker -
Erzähler und Perspektive bei Robert Louis Stevenson
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Irony in the short stories of Edith Wharton
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Vision voiced
narrative viewpoint in autobiographical writing -
Autonomous voices
an exploration of polyphony in the novels of Samuel Richardson -
Erzähler und Perspektive bei Robert Louis Stevenson
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The disenchanted self
representing the subject in the Canterbury tales -
The voices of African American women
the use of narrative and authorial voice in the works of Harriet Jacobs, Zora Neale Hurston, and Alice Walker -
Telling glances
voyeurism in the French novel -
Vision voiced
narrative viewpoint in autobiographical writing -
Vision voiced
narrative viewpoint in autobiographical writing -
<<The>> medieval poet as voyeur
looking and listening in medieval love-narratives -
<<The>> voices of African American women
the use of narrative and authorial voice in the works of Harriet Jacobs, Zora Neale Hurston, and Alice Walker -
<<The>> voices of African American women
the use of narrative and authorial voice in the works of Harriet Jacobs, Zora Neale Hurston, and Alice Walker -
Feminist metafiction and the evolution of the British novel
-
Vision voiced
narrative viewpoint in autobiographical writing -
Erzähler und Perspektive bei Robert Louis Stevenson
-
Erzähler und Perspektive bei Robert Louis Stevenson
-
Le roman à éditeur
la fiction de l'éditeur dans La religieuse, La nouvelle Héloi͏̈se et Les liaisons dangereuses -
The voices of African American women
the use of narrative and authorial voice in the works of Harriet Jacobs, Zora Neale Hurston, and Alice Walker -
The disenchanted self
representing the subject in the "Canterbury tales"