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  1. Fotografischer Kosmos
    Der Beitrag eines Mediums zur visuellen Ordnung der Welt
    Author: Cohnen, Thomas
    Published: [2015]; ©2008
    Publisher:  transcript-Verlag, Bielefeld

    Unter Rückgriff auf zahlreiche, insbesondere symboltheoretische Ansätze unternimmt diese Studie den interessanten Versuch, eine medienphilosophische Erschließung des Mediums »Fotografie« konzeptuell voranzubringen. Dabei nimmt sie das Medium der... more

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    Unter Rückgriff auf zahlreiche, insbesondere symboltheoretische Ansätze unternimmt diese Studie den interessanten Versuch, eine medienphilosophische Erschließung des Mediums »Fotografie« konzeptuell voranzubringen. Dabei nimmt sie das Medium der Fotografie als Weise des Weltzugangs bzw. der Welterschließung philosophisch ernst und öffnet zugleich die philosophische Analyse für medientheoretische Perspektiven.Daneben wird in überzeugender Weise herausgearbeitet, dass der philosophische Diskurs über das Symbol einen zentralen Beitrag zu einer solchen disziplinär entgrenzten Analyse des Mediums Fotografie darstellen kann und muss

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839409916
    Other identifier:
    Edition: 1. Aufl
    Series: Edition Moderne Postmoderne
    Other subjects: Photographie / Ästhetik; Photography / Philosophy; Bild; Bildwissenschaft; Culture; Image; Kultur; Media Philosophy; Media Studies; Media; Medien; Medienphilosophie; Medienwissenschaft; Philosophie; Philosophy; Symbol; Visual Studies; Fotografie; Erkenntnistheorie; Wahrnehmung; PHILOSOPHY / General
    Scope: 1 online resource
  2. Kants Ästhetik im Zeitalter der Photographie
    Analysen zwischen Sprache und Bild
    Author: Richtmeyer, Ulrich
    Published: [2015]; ©2009
    Publisher:  transcript-Verlag, Bielefeld

    Pierre Bourdieu zufolge gibt es in der allgegenwärtigen Photographie keine Ästhetik. Leitend sind vielmehr soziale Distinktionen, die auch den gesamten Bildgebrauch (das 'Knipsen', Manipulieren, Vorführen und Versenden) bestimmen. Diese radikale... more

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    Pierre Bourdieu zufolge gibt es in der allgegenwärtigen Photographie keine Ästhetik. Leitend sind vielmehr soziale Distinktionen, die auch den gesamten Bildgebrauch (das 'Knipsen', Manipulieren, Vorführen und Versenden) bestimmen. Diese radikale These wird hier mit philosophischen (Immanuel Kant) und phänomenologischen (Roland Barthes) Analysen zum ästhetischen Urteil konfrontiert. Dabei erweist sich gerade die Schnittstelle zwischen Bild und öffentlicher Sprache als das entscheidende Initial ästhetischer Wahrnehmungen und unverbrauchter Diskurse. Kants sensus communis und die photographischen Utopien von Walter Benjamin und Vilém Flusser zielten auf diesen thematischen Ort, dem die Studie eine interdisziplinäre Analyse widmet. Damit wird erstmalig der Status ästhetischer Interjektionen in der photographischen Kultur begründet

     
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  3. Fotografischer Kosmos
    Der Beitrag eines Mediums zur visuellen Ordnung der Welt
    Author: Cohnen, Thomas
    Published: [2015]; ©2008
    Publisher:  transcript-Verlag, Bielefeld

    Unter Rückgriff auf zahlreiche, insbesondere symboltheoretische Ansätze unternimmt diese Studie den interessanten Versuch, eine medienphilosophische Erschließung des Mediums »Fotografie« konzeptuell voranzubringen. Dabei nimmt sie das Medium der... more

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    Unter Rückgriff auf zahlreiche, insbesondere symboltheoretische Ansätze unternimmt diese Studie den interessanten Versuch, eine medienphilosophische Erschließung des Mediums »Fotografie« konzeptuell voranzubringen. Dabei nimmt sie das Medium der Fotografie als Weise des Weltzugangs bzw. der Welterschließung philosophisch ernst und öffnet zugleich die philosophische Analyse für medientheoretische Perspektiven.Daneben wird in überzeugender Weise herausgearbeitet, dass der philosophische Diskurs über das Symbol einen zentralen Beitrag zu einer solchen disziplinär entgrenzten Analyse des Mediums Fotografie darstellen kann und muss

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839409916
    Other identifier:
    Edition: 1. Aufl
    Series: Edition Moderne Postmoderne
    Subjects: Photographie / Ästhetik; Photography / Philosophy; Bild; Bildwissenschaft; Culture; Image; Kultur; Media Philosophy; Media Studies; Media; Medien; Medienphilosophie; Medienwissenschaft; Philosophie; Philosophy; Symbol; Visual Studies; Fotografie; Erkenntnistheorie; Wahrnehmung; PHILOSOPHY / General
    Scope: 1 online resource
  4. Ultra-peau
    au-delà de la dermatologie photographique
    Author: Zúñiga, Rodrigo
    Published: 2017
    Publisher:  L'Harmattan, Paris

    La métaphore de la peau révèle un aspect crucial du passage entre l'argentique et le numérique. Avec ce dernier, l'auteur se réfère au caractère non dermatologique de la surface numérique, du fait qu'il s'est produit sur elle une soustraction de la... more

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    La métaphore de la peau révèle un aspect crucial du passage entre l'argentique et le numérique. Avec ce dernier, l'auteur se réfère au caractère non dermatologique de la surface numérique, du fait qu'il s'est produit sur elle une soustraction de la peau : c'est l'époque de l'ultra-peau, par opposition à l'époque de la dermatologie photographique. Nous vivons la fin de la surface contactée. Il vaut la peine de se demander ce que signifie pour nous d'abandonner les ombres et les peaux qui étaient à la base de l'expérience photographique.0Quels types de subjectivités ressortiront d'un processus d'une telle ampleur ?

     
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 9782343127729
    RVK Categories: AP 94500
    Series: Array ; 111ème livre
    Subjects: Haut <Motiv>; Fotografie
    Other subjects: Photography / Philosophy; Digital media / Influence; Photography / Philosophy; Digital media / Influence
    Scope: 87 Seiten, Illustrationen, 22 cm
    Notes:

    Includes bibliographical references
  5. Inadvertent images
    a history of photographic apparitions
    Author: Geimer, Peter
    Published: [2018]; © 2018
    Publisher:  The University of Chicago Press, Chicago and London

    As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how... more

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    As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how it works. Peter Geimer explores all kinds of photographic irritation from throughout the history of the medium, as well as accidental images that occur through photo-like means, such as the image of Christ on the Shroud of Turin, brought into high resolution through photography. Geimer's investigations complement the history of photographic images by cataloging a corresponding history of their symptoms, their precarious visibility, and the disruptions threatened by image noise. Interwoven with the familiar history of photography is a secret history of photographic artifacts, spots, and hazes that historians have typically dismissed as 'spurious phenomena', 'parasites', or 'enemies of the photographer'. With such photographs, it is virtually impossible to tell where a 'picture' has been disrupted--where the representation ends and the image noise begins

     
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    Source: Union catalogues
    Contributor: Jackson, Gerrit
    Language: English
    Media type: Book
    ISBN: 9780226471877; 022647187X
    RVK Categories: AP 93550 ; AP 94800
    Subjects: Visuelle Wahrnehmung; Turiner Grabtuch; Erscheinung; Fototechnik; Ästhetik; Interpretation; Psiphänomen <Motiv>; Fotografie; Zufall
    Other subjects: Luys, Jules (1828-1897); Pia, Secondo (1855-1941); Vignon, Paul (1865-1943); Photography / Psychological aspects; Photography / History; Photography / Philosophy; Phenomenology; Phenomenology; Photography; Photography / Philosophy; Photography / Psychological aspects; 21.42 history of photographic art; History
    Scope: 234 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, 26 cm
    Notes:

    History and "prehistory" -- Visibility by destruction/disturbance: incidents of photography -- Case study I: signs of life or "false flames" : Jules Luys and the controversy over "effluviography" -- Case study II: a self-portrait of Christ or the white noise of photography : Paul Vignon and the earliest photograph of the Shroud of Turin -- Visible/invisible : critique of a dichotomy -- The "optical unconscious" of photography
  6. Photography and ontology
    unsettling images
    Contributor: Brett, Donna West (Publisher); Lusty, Natalya (Publisher)
    Published: 2019
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    This edited collection explores the complex ways in which photography is used and interpreted: as a record of evidence, as a form of communication, as a means of social and political provocation, as a mode of surveillance, as a narrative of the self,... more

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    This edited collection explores the complex ways in which photography is used and interpreted: as a record of evidence, as a form of communication, as a means of social and political provocation, as a mode of surveillance, as a narrative of the self, and as an art form. What makes photographic images unsettling and how do the re-uses and interpretations of photographic images unsettle the self-evident reality of the visual field? Taking up these themes, this book examines the role of photography as a revelatory medium underscored by its complex association with history, memory, experience and identity

     
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    Source: Union catalogues
    Contributor: Brett, Donna West (Publisher); Lusty, Natalya (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780815374299; 0815374291
    Series: Routledge history of photography
    Subjects: Ontologie; Fotografie; Rezeption; Ästhetik
    Other subjects: Photography / Philosophy; Ontology
    Scope: viii, 204 Seiten, 26 cm
    Notes:

    Acknowledgements: "This book had its genesis as an international symposium co-presented by the Photographic Cultures Research Group and the Art and the Documents Research Cluster at the University of Sydney in 2016." - Titel des Symposiums: "Photography.Ontology.Symposium." und Datum ermittelt

    Photography and ontology: an introduction / Natalya Lusty and Donna West Brett -- Ontology or metaphor? / Andrés Mario Zervigón -- Unsettling the archive: the Stasi, photography, and escape from the GDR / Donna West Brett -- Dark archive: the afterlife of forensic photographs / Katherine Biber -- Hard looks: faces, bodies, lives in early Sydney police portrait photography / Peter Doyle -- Anticipatory photographs: Sarah Pickering and An-My Lê / Shawn Michelle Smith -- Eli Lotar's para-urban visions / Natalya Lusty -- The presence of video: making the displaced and disappeared self visible / John Di Stefano -- Contemplating life: Rinko Kawauchi's autobiography of seeing / Jane Simon -- Suspending productive time: some photographs by Gabriel Orozco and Jacques Rancière's thinking of modern aesthetics / Toni Ross -- Photography as indexical data: Hans Eijkelboom and pattern recognition algorithms / Daniel Palmer -- Afterword: photography against ontology / Blake Stimson
  7. Photography and the contemporary cultural condition
    commemorating the present
    Author: Osborne, Peter D.
    Published: 2019
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    In this book, Osborne demonstrates why and how photography as photography has survived and flourished since the rise of digital processes, when many anticipated its dissolution into a generalized system of audio-visual representations or its collapse... more

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    In this book, Osborne demonstrates why and how photography as photography has survived and flourished since the rise of digital processes, when many anticipated its dissolution into a generalized system of audio-visual representations or its collapse under the relentless overload of digital imagery. He examines how photography embodies, contributes to, and even in effect critiques how the contemporary social world is now imagined, how it is made present and how the concept and the experience of the Present itself is produced. Osborne bases his discussions primarily in cultural studies and visual cultural studies. Through an analysis of different kinds of photographic work in distinct contexts, he demonstrates how aspects of photography that once appeared to make it vulnerable to redundancy turn out to be the basis of its survival and have been utilized by much important photographic work of the last three decades

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780415736251
    Series: Routledge advances in art and visual studies
    Subjects: Ästhetik; Medientheorie; Sozialer Wandel; Fotografie
    Other subjects: Photography / Philosophy; Photography / Social aspects; Photography, Artistic; Photography, Artistic; Photography / Philosophy; Photography / Social aspects
    Scope: xv, 194 Seiten, Illustrationen
  8. Pour une poétique de la mémoire
    photographie, littérature & arts
    Author: Erbetta, Alejandro
    Published: [2019]
    Publisher:  L'Harmattan, Paris

    Par un travail d'interprétation des traces matérielles et immatérielles, mais aussi à travers le prisme de l'imaginaire, certains artistes tentent de construire leurs travaux depuis les blancs et lacunes de la mémoire. Pour la photographie, cette... more

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Par un travail d'interprétation des traces matérielles et immatérielles, mais aussi à travers le prisme de l'imaginaire, certains artistes tentent de construire leurs travaux depuis les blancs et lacunes de la mémoire. Pour la photographie, cette recréation serait-elle une voie d'accès à de nouvelles significations ? Les images rêvent-elles et comment les faire rêver ? Après cette première étape d'interprétation, s'accomplit un travail de montage. Il s'agit alors d'un assemblage qui permet d'établir des correspondances inédites et d'offrir des récits singuliers face à l'histoire. Cet ouvrage propose une réflexion sur la poétique de la mémoire dans certaines pratiques artistiques contemporaines

     
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  9. Good pictures
    a history of popular photography
    Author: Beil, Kim
    Published: 2020
    Publisher:  Stanford University Press, Stanford, California

    "This richly illustrated and highly readable book offers a history of changing trends in amateur and commercial photography from the medium's invention until the present day"-- more

    Location:
    Universitätsbibliothek Bayreuth
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    "This richly illustrated and highly readable book offers a history of changing trends in amateur and commercial photography from the medium's invention until the present day"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781503608665
    RVK Categories: AP 94283 ; AP 94200 ; AP 94800
    Subjects: Kunststil; Massenkultur; Fotografie; Ästhetik; Trend
    Other subjects: Photography / Philosophy; Photography / Social aspects / History; Aesthetics
    Scope: 323 Seiten, Illustrationen
  10. Photography and philosophy
    essays on the pencil of nature
    Published: ©2008
    Publisher:  Blackwell Pub., Malden, MA

    Location:
    Technische Hochschulbibliothek Rosenheim
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0470695897; 0470696656; 9780470695890; 9780470696651
    Other identifier:
    RVK Categories: AP 94700 ; CC 6900
    Series: New directions in aesthetics ; 5
    Subjects: TECHNOLOGY & ENGINEERING / Imaging Systems; PHOTOGRAPHY / Reference; Photography, Artistic / Philosophy; Photography / Philosophy; Photographie; Philosophie; Philosophie; Photography / Philosophy; Photography, Artistic / Philosophy; Fotografie; Philosophie; Ästhetik
    Scope: 1 Online-Ressource (xii, 325 pages)
    Notes:

    Includes bibliographical references (pages 310-317) and index
  11. Picturing ourselves
    photography & autobiography
    Author: Rugg, Linda Haverty
    Published: ©1997
    Publisher:  University of Chicago Press, Chicago, Ill.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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  12. Photography as critical practice
    notes on otherness
    Contributor: Bate, David; Cramerotti, Alfredo; Wells, Liz
    Published: 2020
    Publisher:  Intellect, Bristol ; Chicago, IL

    The "other" is a topic of great interest within and across contemporary photographic practice and theory, yet it remains neglected outside the now well-established field of postcolonial studies. This volume brings together photography and written... more

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    The "other" is a topic of great interest within and across contemporary photographic practice and theory, yet it remains neglected outside the now well-established field of postcolonial studies. This volume brings together photography and written essays that relate to aspects of otherness and visual work. Presented together, the images and critical writings work in concert to construct a new social perspective on questions of otherness and alterity and to highlight photography as a form of critical practice. In a departure from existing conceptions of otherness in postcolonial discourse, 'Photography as Critical Practice' places emphasis on the human condition not as a liberal concept, but as something formed and framed by a broader dimension of social, sexual, and cultural otherness. In this way, the book provides a fascinating new vista on the otherness of photography

     
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    Source: Union catalogues
    Contributor: Bate, David; Cramerotti, Alfredo; Wells, Liz
    Language: English
    Media type: Book
    ISBN: 9781789381986
    RVK Categories: AP 94200
    Subjects: Alltag <Motiv>; Fotografie
    Other subjects: Bate, David (1956-); Bate, David / 1956-; Photography / Philosophy; Other (Philosophy)
    Scope: 303 Seiten, Illustrationen, 27 cm
    Notes:

    "This book draws together a number of my photographic works and essays, and places them chronologically alongside each other for the first time in one volume." (Introduction)
  13. Bewaar als afbeelding
    Author: De Blieck, Marc
    Published: [2020]
    Publisher:  Grafische Cel, LUCA School of Arts vzw, Brussel ; Graphius, Gent

    Marc De Blieck (1958) studeerde schilderkunst en fotografie en is sindsdien actief als beeldend kunstenaar. Hij doceert aan de Luca campus in Gent, waar hij het doctoraat in de kunst behaalde. "Bewaar als afbeelding" is zijn doctoraatspublicatie en... more

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Marc De Blieck (1958) studeerde schilderkunst en fotografie en is sindsdien actief als beeldend kunstenaar. Hij doceert aan de Luca campus in Gent, waar hij het doctoraat in de kunst behaalde. "Bewaar als afbeelding" is zijn doctoraatspublicatie en en handelt over het fotografische beeld, over de gedeelde plek, stilstand en vooruitgang

     
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    Source: Union catalogues
    Language: Dutch
    Media type: Dissertation
    ISBN: 9789492574114; 949257411X
    Subjects: Fotografie; Kunst <Motiv>; Museum <Motiv>
    Other subjects: De Blieck, Marc (1958-); Photography, Artistic; Photography / Philosophy; Photography, Artistic; Photography / Philosophy
    Scope: 155 Seiten, Illustrationen, 21 cm
    Notes:

    Een doctoraatsstudie door een kunstenaar, BE, 2019

    Dissertation, LUCA, School of Arts, Gent, 2019
  14. New ways of seeing
    the democratic language of photography
    Author: Scott, Grant
    Published: 2020
    Publisher:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Delhi ; Sydney

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781350049314
    RVK Categories: AP 94700
    Subjects: Digitale Revolution; Visuelle Kommunikation; Fotografie; Ästhetik
    Other subjects: Photography / Philosophy; Photography, Artistic / Philosophy; Photography ; Philosophy; Photography, Artistic / Philosophy; Photography / Philosophy
    Scope: 230 Seiten, Illustrationen, 22 cm
    Notes:

    Includes bibliographical references and index
  15. Photographie & (re)construction d'histoires
    Author: Erbetta, Alejandro
    Published: [2019]
    Publisher:  L'Harmattan, Paris

    Dans les démarches rétrospectives qui réinterprètent le passé, les artistes travaillent à partir des traces matérielles et mnésiques, telles que les images d'albums de famille, les archives, les documents ou les témoignages. Leurs oeuvres deviennent... more

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Dans les démarches rétrospectives qui réinterprètent le passé, les artistes travaillent à partir des traces matérielles et mnésiques, telles que les images d'albums de famille, les archives, les documents ou les témoignages. Leurs oeuvres deviennent alors une recréation artistique, et postulent un espace narratif singulier qui évoque une poétique de la mémoire. Partielles et fragmentaires, elles donnent à voir un récit reconfiguré par l'imaginaire et le montage

     
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  16. Marvelous images
    on values and the arts
    Author: Walton, Kendall L.
    Published: 2008
    Publisher:  Oxford University Press, Oxford

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0195177940; 0195177959; 0199720908; 1435642066; 9780195177954; 9780199720903; 9781435642065
    RVK Categories: CC 6900
    Subjects: ART / General; Aesthetics; Art / Philosophy; Photography / Philosophy; Kunst; Philosophie; Ästhetik; Aesthetics; Art; Photography; Kunst; Ästhetik; Wert
    Scope: 1 Online-Ressource (viii, 254 p.)
    Notes:

    Includes bibliographical references and index
  17. Le réel de la photographie
    Published: 2012
    Publisher:  Filigranes Ed., Trézélan

    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 9782350462400; 2350462404
    RVK Categories: AP 94800
    Subjects: Philosophie; Ästhetik; Photography / Philosophy; Aesthetics; Philosophie; Fotografie; Ästhetik
    Scope: 343 S., Ill., 24 cm
  18. On photography
    Author: Sontag, Susan
    Published: 2008
    Publisher:  Penguin, London

    Location:
    Universitätsbibliothek Bamberg
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    Location:
    Katholische Stiftungshochschule München, Bibliothek Benediktbeuern
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    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Katholische Stiftungshochschule München, Bibliothek München
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780141035789; 0141035781
    RVK Categories: AP 94500 ; AP 94700 ; HU 8503
    Edition: Reissued
    Series: Penguin modern classics
    Subjects: Ethik; Gesellschaft; Philosophie; Photography / Philosophy; Photography / Social aspects; Photography / Moral and ethical aspects; Photography, Artistic; Ästhetik; Fotografie; Kunst
    Scope: 207 S., 18 cm
  19. Camera lucida
    reflections on photography
    Author: Barthes, Roland
    Published: 2010
    Publisher:  Hill and Wang, New York, NY

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780374532338; 0374532338
    RVK Categories: AP 94500 ; AP 94700 ; IH 14480
    Edition: Paperback ed.
    Subjects: Photography, Artistic; Photography / Philosophy; Philosophie; Philosophie; Fotografie; Theorie; Semiotik; Ästhetik
    Scope: xix, 119 Seiten, Illustrationen
  20. Photography and philosophy
    essays on the pencil of nature
    Published: 2008
    Publisher:  Blackwell, Malden, MA [u.a.]

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781405139243
    RVK Categories: CC 6900
    Edition: 1. publ.
    Series: New directions in aesthetics ; 5
    Subjects: Photography / Philosophy; Photography, Artistic / Philosophy; Philosophie; Photography; Photography, Artistic; Philosophie; Ästhetik; Fotografie
    Scope: XII, 325 S., Ill., 24 cm
    Notes:

    Includes bibliographical references (p. [310]-317) and index
  21. Marvelous images
    on values and the arts
    Author: Walton, Kendall L.
    Published: 2008
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780195177947; 9780195177954
    RVK Categories: CC 6900
    Subjects: Aesthetics; Art / Philosophy; Photography / Philosophy; Kunst; Philosophie; Ästhetik; Aesthetics; Art; Photography; Wert; Kunst; Ästhetik
    Scope: VIII, 254 S., Ill., 24 cm
    Notes:

    Includes bibliographical references and index
  22. On photography
    Author: Sontag, Susan
    Published: 2008
    Publisher:  Penguin, London

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität der Künste Berlin, Universitätsbibliothek
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Content information
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780141035789; 0141035781
    RVK Categories: AP 94500 ; AP 94700 ; HU 8503
    Edition: Reissued
    Series: Penguin modern classics
    Subjects: Ethik; Gesellschaft; Philosophie; Photography / Philosophy; Photography / Social aspects; Photography / Moral and ethical aspects; Photography, Artistic; Ästhetik; Fotografie; Kunst
    Scope: 207 S., 18 cm
  23. Marvelous images
    on values and the arts
    Author: Walton, Kendall L.
    Published: 2008
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780195177947; 9780195177954
    RVK Categories: CC 6900
    Subjects: Aesthetics; Art / Philosophy; Photography / Philosophy; Kunst; Philosophie; Ästhetik; Aesthetics; Art; Photography; Wert; Kunst; Ästhetik
    Scope: VIII, 254 S., Ill., 24 cm
    Notes:

    Includes bibliographical references and index
  24. Fotografischer Kosmos
    Der Beitrag eines Mediums zur visuellen Ordnung der Welt
    Author: Cohnen, Thomas
    Published: [2008]
    Publisher:  transcript Verlag, Bielefeld

    Unter Rückgriff auf zahlreiche, insbesondere symboltheoretische Ansätze unternimmt diese Studie den interessanten Versuch, eine medienphilosophische Erschließung des Mediums »Fotografie« konzeptuell voranzubringen. Dabei nimmt sie das Medium der... more

     

    Unter Rückgriff auf zahlreiche, insbesondere symboltheoretische Ansätze unternimmt diese Studie den interessanten Versuch, eine medienphilosophische Erschließung des Mediums »Fotografie« konzeptuell voranzubringen. Dabei nimmt sie das Medium der Fotografie als Weise des Weltzugangs bzw. der Welterschließung philosophisch ernst und öffnet zugleich die philosophische Analyse für medientheoretische Perspektiven. Daneben wird in überzeugender Weise herausgearbeitet, dass der philosophische Diskurs über das Symbol einen zentralen Beitrag zu einer solchen disziplinär entgrenzten Analyse des Mediums Fotografie darstellen kann und muss

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839409916
    Other identifier:
    Series: Edition Moderne Postmoderne
    Subjects: Photographie / Ästhetik; Photography / Philosophy; Ästhetik; Communication Science, other; Communications; Erkenntnistheorie; Linguistics, Communication Studies; Philosophie; Photographie; Wahrnehmung
    Scope: 1 online resource(212 p.), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed October 7 2015)
  25. Photography theory
    Contributor: Elkins, James (Publisher)
    Published: 2008
    Publisher:  Routledge, New York

    <EM>Photography Theory</EM> presents forty of the world's most active art historians and theorists, including Victor Burgin, Joel Snyder, Rosalind Krauss, Alan Trachtenberg, Geoffrey Batchen and Carol Squiers in animated debate on the nature of... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Photography Theory presents forty of the world's most active art historians and theorists, including Victor Burgin, Joel Snyder, Rosalind Krauss, Alan Trachtenberg, Geoffrey Batchen and Carol Squiers in animated debate on the nature of photography

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Elkins, James (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780415977838
    Other identifier:
    RVK Categories: AP 93450
    Series: The art seminar ; Volume 2
    Subjects: Ästhetik; Fotografie; Theorie
    Other subjects: Photography / Philosophy; Electronic books
    Scope: 1 Online-Ressource (X, 470 Seiten), Diagramme
    Notes:

    Description based upon print version of record

    section 1. Introductionsection 2. Starting points -- section 3. The art seminar -- section 4. Assessments -- section 5. Afterwords