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Displaying results 1 to 25 of 27.

  1. Das Autorenfoto in Buch und Buchwerbung
    Autorinszenierung und Kanonisierung mit Bildern
    Author: Oster, Sandra
    Published: [2014]
    Publisher:  De Gruyter, Berlin/Boston

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Gemeinsamer Bibliotheksverbund (GBV)
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110346329; 9783110346138; 9783110346336
    Other identifier:
    RVK Categories: EC 2280
    Series: Archiv für Geschichte des Buchwesens – Studien ; 11
    Subjects: Fotografie, Video, Computerkunst; Photography / History; Photography / Techniques; Photography; Geschichte; Schriftsteller; Literaturvermittlung; Porträtfotografie; Ikon; Verlag; Werbung; Autor
    Scope: 1 Online-Ressource (xii,311p.)
    Notes:

    In the modern era, photography was discovered by writers as a medium for self-presentation - and by publishers as a vehicle for advertising. Drawing on publishing house brochures and book covers, this work systematically investigates the iconography of the author and the meaning of author photos at the intersection between efforts to communicate content and boost sales
  2. Embodying relation
    art photography in Mali
    Author: Moore, Allison
    Published: 2020
    Publisher:  Duke University Press, Durham ; London

    In Embodying Relation Allison Moore examines the tensions between the local and the global in the art photography movement in Bamako, Mali, which blossomed in the 1990s after Malian photographers Seydou Keïta and Malick Sidibé became internationally... more

    Access:
    Verlag (lizenzpflichtig)
    Aggregator (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Gemeinsamer Bibliotheksverbund (GBV)

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    In Embodying Relation Allison Moore examines the tensions between the local and the global in the art photography movement in Bamako, Mali, which blossomed in the 1990s after Malian photographers Seydou Keïta and Malick Sidibé became internationally famous and the Bamako Photography Biennale was founded. Moore traces the trajectory of Malian photography from the 1880s-when photography first arrived as an apparatus of French colonialism-to the first African studio practitioners of the 1930s and the establishment in 1994 of the Bamako Biennale, Africa's most important continent-wide photographic exhibition. In her detailed discussion of Bamakois artistic aesthetics and institutions, Moore examines the post-fame careers of Keïta and Sidibé, the Biennale's structure, the rise of women photographers, cultural preservation through photography, and how Mali's shift to democracy in the early 1990s enabled Bamako's art scene to flourish. Moore shows how Malian photographers' focus on cultural exchange, affective connections with different publics, and merging of traditional cultural precepts with modern notions of art embody Caribbean philosopher and poet Édouard Glissant's notion of "relation" in ways that spark new artistic forms, practices, and communities

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478007340
    Other identifier:
    Series: Art history publication initiative
    Subjects: Photography / History; Art, Malian; Photography; Photography; Photography, Artistic; Postcolonialism and the arts; Fotografie; Rezeptionsästhetik
    Other subjects: Glissant, Édouard (1928-2011)
    Scope: 1 Online-Ressource (ix, 360 Seiten), Illustrationen
  3. Journeys through the Russian Empire
    the photographic legacy of Sergey Prokudin-Gorsky
    Author: Brumfield, William Craft
    Published: 2020
    Publisher:  Duke University Press, Durham, London

    At the turn of the twentieth century, the photographer Sergey Prokudin-Gorsky undertook a quest to document an empire that was undergoing rapid change due to industrialization and the building of railroads. Between 1903 and 1916 Prokudin-Gorsky, who... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    At the turn of the twentieth century, the photographer Sergey Prokudin-Gorsky undertook a quest to document an empire that was undergoing rapid change due to industrialization and the building of railroads. Between 1903 and 1916 Prokudin-Gorsky, who developed a pioneering method of capturing color images on glass plates, scoured the Russian Empire with the patronage of Nicholas II. Intrepidly carrying his cumbersome and awkward camera from the western borderlands over the Volga River to Siberia and central Asia, he created a singular record of Imperial Russia.In 1918 Prokudin-Gorsky escaped an increasingly chaotic, violent Russia and regained nearly 2,000 of his bulky glass negatives. His subsequent peripatetic existence before settling in Paris makes his collection's survival all the more miraculous. The U.S. Library of Congress acquired Prokudin-Gorsky's collection in 1948, and since then it has become a touchstone for understanding pre-revolutionary Russia.

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478007463
    Other identifier:
    Subjects: Photography / History; Architectural photography; Architecture; Color photography; Photographers; Kirche <Motiv>; Fotografie; Russland <Motiv>
    Other subjects: Brumfield, William Craft (1944-); Prokudin-Gorskij, Sergej Michajlovič (1863-1944)
    Scope: 1 Online-Ressource (518 Seiten), Illustrationen
  4. Dynamic form
    how intermediality made modernism
    Author: Lewis, Cara L.
    Published: [2020]; © 2020
    Publisher:  Cornell University Press, Ithaca ; London

    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir. As forms and formal theories cross from one artistic realm to another and back again, modernism shows its obsession with form—and even at times becomes a formalism itself—but as Lewis writes, that form is far more dynamic than we have given it credit for. Form fulfills such various functions that we cannot characterize it as a mere container for content or matter, nor can we consign it to ignominy opposite historicism or political commitment.As a structure or scheme that enables action, form in modernism can be plastic, protean, or even fragile, and works by Henry James, Virginia Woolf, Mina Loy, Evelyn Waugh, and Gertrude Stein demonstrate the range of form's operations. Revising three major formal paradigms—spatial form, pure form, and formlessness—and recasting the history of modernist form, this book proposes an understanding of form as a verbal category, as a kind of doing. Dynamic Form thus opens new possibilities for conversation between modernist studies and formalist studies and simultaneously promotes a capacious rethinking of the convergence between literary modernism and creative work in other media

     
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  5. Inadvertent images
    a history of photographic apparitions
    Author: Geimer, Peter
    Published: [2018]; © 2018
    Publisher:  The University of Chicago Press, Chicago and London

    As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Deutsches Museum, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek der LMU München
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    Unlimited inter-library loan, copies and loan

    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek

     

    As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how it works. Peter Geimer explores all kinds of photographic irritation from throughout the history of the medium, as well as accidental images that occur through photo-like means, such as the image of Christ on the Shroud of Turin, brought into high resolution through photography. Geimer's investigations complement the history of photographic images by cataloging a corresponding history of their symptoms, their precarious visibility, and the disruptions threatened by image noise. Interwoven with the familiar history of photography is a secret history of photographic artifacts, spots, and hazes that historians have typically dismissed as 'spurious phenomena', 'parasites', or 'enemies of the photographer'. With such photographs, it is virtually impossible to tell where a 'picture' has been disrupted--where the representation ends and the image noise begins

     
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    Source: Union catalogues
    Contributor: Jackson, Gerrit
    Language: English
    Media type: Book
    ISBN: 9780226471877; 022647187X
    RVK Categories: AP 93550 ; AP 94800
    Subjects: Visuelle Wahrnehmung; Turiner Grabtuch; Erscheinung; Fototechnik; Ästhetik; Interpretation; Psiphänomen <Motiv>; Fotografie; Zufall
    Other subjects: Luys, Jules (1828-1897); Pia, Secondo (1855-1941); Vignon, Paul (1865-1943); Photography / Psychological aspects; Photography / History; Photography / Philosophy; Phenomenology; Phenomenology; Photography; Photography / Philosophy; Photography / Psychological aspects; 21.42 history of photographic art; History
    Scope: 234 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, 26 cm
    Notes:

    History and "prehistory" -- Visibility by destruction/disturbance: incidents of photography -- Case study I: signs of life or "false flames" : Jules Luys and the controversy over "effluviography" -- Case study II: a self-portrait of Christ or the white noise of photography : Paul Vignon and the earliest photograph of the Shroud of Turin -- Visible/invisible : critique of a dichotomy -- The "optical unconscious" of photography
  6. El espacio público de la fotografía
    ensayos y entrevistas
    Published: [2018]
    Publisher:  Arcadia, Barcelona ; Ajuntament de Barcelona, [Barcelona]

    El libro recoge una selección de escritos, desde 2001 hasta hoy, derivados principalmente de la actividad de Jorge Ribalta como comisario de exposiciones. Los nuevos medios basados en la pantalla, la red y la virtualidad, propios de la cultura... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    El libro recoge una selección de escritos, desde 2001 hasta hoy, derivados principalmente de la actividad de Jorge Ribalta como comisario de exposiciones. Los nuevos medios basados en la pantalla, la red y la virtualidad, propios de la cultura digital, se abren a discursos sobre posfotografía, posdocumental o posverdad que contradicen la racionalidad comunicativa y las formas de discurso público que han dominado la cultura visual del siglo XX. Entrado el siglo XXI, el autor defiende que el espacio de la exposición persiste como una suerte de esfera pública moderna primordial, invariablemente vinculada a la experiencia corporal de la vida social y de la condición humana misma

     
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  7. Il sogno dell'immagine
    per un'archeologia fotografica dello sguardo : Benjamin, Rauschenberg e Instagram
    Author: Fiorentino, Giovanni
    Published: [2019]; © 2019
    Publisher:  Meltemi, Milano

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 9788855190572; 8855190571
    Series: Nautilus ; [Nuova serie], 6
    Subjects: Ästhetik; Kultur; Gesellschaft; Fotografie; Nationalbewusstsein
    Other subjects: Photography / History; Photography; History
    Scope: 276 Seiten, 19 cm
  8. Unearthed
    photography's roots
    Contributor: Worth, Susannah (Publisher); Hillyard, Helen (Publisher)
    Published: 2020
    Publisher:  Dulwich Picture Gallery, London

    "Published to coincide with the first major photography exhibition at Dulwich Picture Gallery, Unearthed: Photography's Roots traces the history of photography from the 1840s to the present day, as seen through depictions of plants and botany. It... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    "Published to coincide with the first major photography exhibition at Dulwich Picture Gallery, Unearthed: Photography's Roots traces the history of photography from the 1840s to the present day, as seen through depictions of plants and botany. It examines key moments in the development of the medium, from the Pictoralists to the Modernists, to the birth of colour photography and the pioneering techniques embraced by contemporary artists. This book considers photography's enduring connection to the natural world and the ways in which the photographic image has radically transformed how this is pictured and understood."

     
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    Source: Union catalogues
    Contributor: Worth, Susannah (Publisher); Hillyard, Helen (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781898519447; 1898519447
    Subjects: Obst <Motiv>; Pflanzen <Motiv>; Fotografie; Gemüse <Motiv>; Blume <Motiv>; Stillleben
    Other subjects: Photography / History; Photography / Exhibitions / Catalogs; Plants / Photography / Exhibitions; Photography; Photography / Exhibitions; Catalogs; Exhibition catalogs; History
    Scope: 141 Seiten
    Notes:

    Diese Publikation erscheint anlässlich der gleichnamigen Ausstellung in der Dulwich Picture Gallery, London, vom 21.11.2020-09.05.2021

    Genaue Ausstellungsdaten ermittelt
  9. Embodying relation
    art photography in Mali
    Author: Moore, Allison
    Published: 2020
    Publisher:  Duke University Press, Durham ; London

    In Embodying Relation Allison Moore examines the tensions between the local and the global in the art photography movement in Bamako, Mali, which blossomed in the 1990s after Malian photographers Seydou Keïta and Malick Sidibé became internationally... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bayreuth
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    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In Embodying Relation Allison Moore examines the tensions between the local and the global in the art photography movement in Bamako, Mali, which blossomed in the 1990s after Malian photographers Seydou Keïta and Malick Sidibé became internationally famous and the Bamako Photography Biennale was founded. Moore traces the trajectory of Malian photography from the 1880s-when photography first arrived as an apparatus of French colonialism-to the first African studio practitioners of the 1930s and the establishment in 1994 of the Bamako Biennale, Africa's most important continent-wide photographic exhibition. In her detailed discussion of Bamakois artistic aesthetics and institutions, Moore examines the post-fame careers of Keïta and Sidibé, the Biennale's structure, the rise of women photographers, cultural preservation through photography, and how Mali's shift to democracy in the early 1990s enabled Bamako's art scene to flourish. Moore shows how Malian photographers' focus on cultural exchange, affective connections with different publics, and merging of traditional cultural precepts with modern notions of art embody Caribbean philosopher and poet Édouard Glissant's notion of "relation" in ways that spark new artistic forms, practices, and communities

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478007340
    Other identifier:
    RVK Categories: AP 99073
    Series: Art history publication initiative
    Subjects: Photography / History; Art, Malian; Photography; Photography; Photography, Artistic; Postcolonialism and the arts; Rezeptionsästhetik; Fotografie; Biennale
    Other subjects: Glissant, Édouard (1928-2011)
    Scope: 1 Online-Ressource (ix, 360 Seiten), Illustrationen
  10. Journeys through the Russian Empire
    the photographic legacy of Sergey Prokudin-Gorsky
    Author: Brumfield, William Craft
    Published: 2020
    Publisher:  Duke University Press, Durham, London

    At the turn of the twentieth century, the photographer Sergey Prokudin-Gorsky undertook a quest to document an empire that was undergoing rapid change due to industrialization and the building of railroads. Between 1903 and 1916 Prokudin-Gorsky, who... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    At the turn of the twentieth century, the photographer Sergey Prokudin-Gorsky undertook a quest to document an empire that was undergoing rapid change due to industrialization and the building of railroads. Between 1903 and 1916 Prokudin-Gorsky, who developed a pioneering method of capturing color images on glass plates, scoured the Russian Empire with the patronage of Nicholas II. Intrepidly carrying his cumbersome and awkward camera from the western borderlands over the Volga River to Siberia and central Asia, he created a singular record of Imperial Russia.In 1918 Prokudin-Gorsky escaped an increasingly chaotic, violent Russia and regained nearly 2,000 of his bulky glass negatives. His subsequent peripatetic existence before settling in Paris makes his collection's survival all the more miraculous. The U.S. Library of Congress acquired Prokudin-Gorsky's collection in 1948, and since then it has become a touchstone for understanding pre-revolutionary Russia.

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478007463
    Other identifier:
    RVK Categories: ZH 4957
    Subjects: Photography / History; Architectural photography; Architecture; Color photography; Photographers; Kirche <Motiv>; Russland <Motiv>; Kirchenbau <Motiv>; Fotografie
    Other subjects: Prokudin-Gorskij, Sergej Michajlovič (1863-1944); Brumfield, William Craft (1944-)
    Scope: 1 Online-Ressource (518 Seiten), Illustrationen
  11. Photographie & (re)construction d'histoires
    Author: Erbetta, Alejandro
    Published: [2019]
    Publisher:  L'Harmattan, Paris

    Dans les démarches rétrospectives qui réinterprètent le passé, les artistes travaillent à partir des traces matérielles et mnésiques, telles que les images d'albums de famille, les archives, les documents ou les témoignages. Leurs oeuvres deviennent... more

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    Dans les démarches rétrospectives qui réinterprètent le passé, les artistes travaillent à partir des traces matérielles et mnésiques, telles que les images d'albums de famille, les archives, les documents ou les témoignages. Leurs oeuvres deviennent alors une recréation artistique, et postulent un espace narratif singulier qui évoque une poétique de la mémoire. Partielles et fragmentaires, elles donnent à voir un récit reconfiguré par l'imaginaire et le montage

     
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  12. Dynamic form
    how intermediality made modernism
    Author: Lewis, Cara L.
    Published: [2020]; © 2020
    Publisher:  Cornell University Press, Ithaca ; London

    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir. As forms and formal theories cross from one artistic realm to another and back again, modernism shows its obsession with form—and even at times becomes a formalism itself—but as Lewis writes, that form is far more dynamic than we have given it credit for. Form fulfills such various functions that we cannot characterize it as a mere container for content or matter, nor can we consign it to ignominy opposite historicism or political commitment.As a structure or scheme that enables action, form in modernism can be plastic, protean, or even fragile, and works by Henry James, Virginia Woolf, Mina Loy, Evelyn Waugh, and Gertrude Stein demonstrate the range of form's operations. Revising three major formal paradigms—spatial form, pure form, and formlessness—and recasting the history of modernist form, this book proposes an understanding of form as a verbal category, as a kind of doing. Dynamic Form thus opens new possibilities for conversation between modernist studies and formalist studies and simultaneously promotes a capacious rethinking of the convergence between literary modernism and creative work in other media

     
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    Volltext (URL des Erstveröffentlichers)
  13. Photography and literature
    Author: Brunet, François
    Published: 2009
    Publisher:  Reaktion Books, London

    Location:
    Universitätsbibliothek Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: AP 94200 ; AP 94800 ; EC 2440
    Series: Exposures
    Subjects: Literature and photography; Photography in literature; Literature, Modern / History and criticism; Photography / History; Geschichte; Literature and photography; Literature, Modern; Photography in literature; Photography; Literatur; Fotografie
    Scope: 173 S, zahlr. Ill., 22 cm
    Notes:

    Includes bibliographical references and index
  14. The unintended
    photography, property, and the aesthetics of racial capitalism
    Author: Huerta, Monica
    Published: [2023]; © 2023
    Publisher:  New York University Press, New York

    Reimagines photography through the long history of ideas of expressionThe end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity-industrialization, racialization, and... more

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Reimagines photography through the long history of ideas of expressionThe end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity-industrialization, racialization, and capitalism-were quickly reshaping the world. The Unintended slows down the moment in which the technology of photography seemed to speed itself-and so the history of racial capitalism-up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership. The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of "expression" into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control's absence are central to the practice and idea of property-making. The Unintended? proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781479812424; 9781479812400
    Series: America and the long 19th century
    Subjects: Photography / History; Recht; Rassismus; Fotografie; Ästhetik; Kapitalismus
    Scope: xvii, 309 Seiten, Illustrationen
  15. Dynamic Form
    How Intermediality Made Modernism
    Author: Lewis, Cara L
    Published: [2020]
    Publisher:  Cornell University Press, Ithaca, NY

    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot... more

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    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir. As forms and formal theories cross from one artistic realm to another and back again, modernism shows its obsession with form—and even at times becomes a formalism itself—but as Lewis writes, that form is far more dynamic than we have given it credit for. Form fulfills such various functions that we cannot characterize it as a mere container for content or matter, nor can we consign it to ignominy opposite historicism or political commitment.As a structure or scheme that enables action, form in modernism can be plastic, protean, or even fragile, and works by Henry James, Virginia Woolf, Mina Loy, Evelyn Waugh, and Gertrude Stein demonstrate the range of form's operations. Revising three major formal paradigms—spatial form, pure form, and formlessness—and recasting the history of modernist form, this book proposes an understanding of form as a verbal category, as a kind of doing. Dynamic Form thus opens new possibilities for conversation between modernist studies and formalist studies and simultaneously promotes a capacious rethinking of the convergence between literary modernism and creative work in other media Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Reformulating Modernism -- 1. Plastic Form: Henry James’s Sculptural Aesthetics and Reading in the Round -- 2. Mortal Form: Still Life and Virginia Woolf ’s Other Elegiac Shapes -- 3. Protean Form: Erotic Abstraction and Ardent Futurity in the Poetry of Mina Loy -- 4. Bad Formalism: Evelyn Waugh’s Film Fictions and the Work of Art in the Age of Cinemechanics -- 5. Surface Forms: Photography and Gertrude Stein’s Contact History of Modernism -- Epilogue: The Consolations of Form -- Notes -- Bibliography -- Index

     
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  16. To be Nsala's daughter
    decomposing the colonial gaze
    Author: Rivers, Chérie N.
    Published: [2023]; © 2023
    Publisher:  Duke University Press, Durham

    In To Be Nsala's Daughter, Chérie N. Rivers shows how colonial systems of normalized violence condition the way we see and, through collaboration with contemporary Congolese artists, imagines ways we might learn to see differently. Rivers focuses on... more

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    Technische Hochschule Augsburg
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    In To Be Nsala's Daughter, Chérie N. Rivers shows how colonial systems of normalized violence condition the way we see and, through collaboration with contemporary Congolese artists, imagines ways we might learn to see differently. Rivers focuses on a photograph of a Congolese man, Nsala, looking at the disembodied hand and foot of his daughter, which were removed as punishment for his failure to deliver the requisite amount of rubber in King Léopold's Congo. This photograph, taken by British missionary Alice Seeley Harris, featured prominently in abolitionist campaigns to end colonial atrocities in Central Africa in the early twentieth century. But in addition to exposing the visible violence of colonialism, Rivers argues, this photograph also exposes the invisible-and continued-violence of the colonial gaze. With a poetic, personal collage of stories and images, To Be Nsala's Daughter traces the past and present of the colonial gaze both in Congo and in the author's lived experience as a mixed-race Black woman in the United States

     
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    Volltext (URL des Erstveröffentlichers)
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478023722
    Other identifier:
    RVK Categories: AP 94275 ; NK 4505 ; NQ 9300
    Subjects: Photography / History; Atrocities; Documentary photography; Violence; Postkolonialismus; Kongo <Volk>; Kolonialismus <Motiv>; Dokumentarfotografie; Rezeption; Kunst
    Other subjects: Harris, Alice Seeley (1870-1970)
    Scope: 1 Online-Ressource (128 Seiten)
  17. Rose Marasco - at home
    Author: Lippard, Lucy R.; McDonough, Tom; Yau, John; Gohlke, Frank
    Published: 2023
    Publisher:  OSMOS Books, Stamford, New York

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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  18. Dynamic Form
    How Intermediality Made Modernism
    Author: Lewis, Cara L
    Published: [2020]
    Publisher:  Cornell University Press, Ithaca, NY

    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot... more

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    Universität Potsdam, Universitätsbibliothek
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    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir. As forms and formal theories cross from one artistic realm to another and back again, modernism shows its obsession with form—and even at times becomes a formalism itself—but as Lewis writes, that form is far more dynamic than we have given it credit for. Form fulfills such various functions that we cannot characterize it as a mere container for content or matter, nor can we consign it to ignominy opposite historicism or political commitment.As a structure or scheme that enables action, form in modernism can be plastic, protean, or even fragile, and works by Henry James, Virginia Woolf, Mina Loy, Evelyn Waugh, and Gertrude Stein demonstrate the range of form's operations. Revising three major formal paradigms—spatial form, pure form, and formlessness—and recasting the history of modernist form, this book proposes an understanding of form as a verbal category, as a kind of doing. Dynamic Form thus opens new possibilities for conversation between modernist studies and formalist studies and simultaneously promotes a capacious rethinking of the convergence between literary modernism and creative work in other media Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Reformulating Modernism -- 1. Plastic Form: Henry James’s Sculptural Aesthetics and Reading in the Round -- 2. Mortal Form: Still Life and Virginia Woolf ’s Other Elegiac Shapes -- 3. Protean Form: Erotic Abstraction and Ardent Futurity in the Poetry of Mina Loy -- 4. Bad Formalism: Evelyn Waugh’s Film Fictions and the Work of Art in the Age of Cinemechanics -- 5. Surface Forms: Photography and Gertrude Stein’s Contact History of Modernism -- Epilogue: The Consolations of Form -- Notes -- Bibliography -- Index

     
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  19. Photography and literature
    Author: Brunet, François
    Published: 2009
    Publisher:  Reaktion Books, London

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    RVK Categories: AP 94200 ; AP 94800 ; EC 2440
    Series: Exposures
    Subjects: Literature and photography; Photography in literature; Literature, Modern / History and criticism; Photography / History; Geschichte; Literature and photography; Literature, Modern; Photography in literature; Photography; Literatur; Fotografie
    Scope: 173 S, zahlr. Ill., 22 cm
    Notes:

    Includes bibliographical references and index
  20. To be Nsala's daughter
    decomposing the colonial gaze
    Author: Rivers, Chérie N.
    Published: [2023]; © 2023
    Publisher:  Duke University Press, Durham

    In To Be Nsala's Daughter, Chérie N. Rivers shows how colonial systems of normalized violence condition the way we see and, through collaboration with contemporary Congolese artists, imagines ways we might learn to see differently. Rivers focuses on... more

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    Freie Universität Berlin, Universitätsbibliothek
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    In To Be Nsala's Daughter, Chérie N. Rivers shows how colonial systems of normalized violence condition the way we see and, through collaboration with contemporary Congolese artists, imagines ways we might learn to see differently. Rivers focuses on a photograph of a Congolese man, Nsala, looking at the disembodied hand and foot of his daughter, which were removed as punishment for his failure to deliver the requisite amount of rubber in King Léopold's Congo. This photograph, taken by British missionary Alice Seeley Harris, featured prominently in abolitionist campaigns to end colonial atrocities in Central Africa in the early twentieth century. But in addition to exposing the visible violence of colonialism, Rivers argues, this photograph also exposes the invisible-and continued-violence of the colonial gaze. With a poetic, personal collage of stories and images, To Be Nsala's Daughter traces the past and present of the colonial gaze both in Congo and in the author's lived experience as a mixed-race Black woman in the United States

     
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    Volltext (URL des Erstveröffentlichers)
    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478023722
    Other identifier:
    RVK Categories: AP 94275 ; NK 4505 ; NQ 9300
    Subjects: Photography / History; Atrocities; Documentary photography; Violence; Postkolonialismus; Kongo <Volk>; Kolonialismus <Motiv>; Dokumentarfotografie; Rezeption; Kunst
    Other subjects: Harris, Alice Seeley (1870-1970)
    Scope: 1 Online-Ressource (128 Seiten)
  21. Enlightening Encounters
    Photography in Italian Literature
    Contributor: Alù, Giorgia (HerausgeberIn); Pedri, Nancy (HerausgeberIn)
    Published: [2015]; © 2015
    Publisher:  Univ. of Toronto Press, Toronto

    Enlightening Encounters traces the impact of photography on Italian literature from the medium’s invention in 1839 to the present day. more

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    Staats- und Universitätsbibliothek Bremen
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    Enlightening Encounters traces the impact of photography on Italian literature from the medium’s invention in 1839 to the present day.

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Alù, Giorgia (HerausgeberIn); Pedri, Nancy (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442669895
    Other identifier:
    RVK Categories: IT 2656 ; AP 99039
    Series: De Gruyter eBook-Paket Kunst
    Toronto Italian studies
    Subjects: Photography in literature; Italian literature; Literature and photography; Italian literature.; Literature and photography.; Photography in literature.; Photography / History
    Scope: 1 Online-Ressource (X, 328 Seiten)
  22. Il sogno della fotografia
    Author: Zannier, Italo
    Published: ottobre 2006
    Publisher:  Skira, Milano

    Location:
    Universitätsbibliothek Duisburg-Essen
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    JZG5627
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 9788876248689
    RVK Categories: AP 95500
    Subjects: Fotografie; Traum <Motiv>
    Other subjects: Photography / History; s Photography
    Scope: 85, XXIV S., Ill, 21 cm
    Notes:

    I. Zannier teaches at the University of Venice.. - Contains bibl. refs. and notes.
  23. The Night Albums
    Visibility and the Ephemeral Photograph
    Author: Albers, Kate Palmer
    Published: [2021]
    Publisher:  University of California Press, Berkeley, CA

    Frontmatter -- Contents -- Introduction -- I Ephemerality, over Time -- II Ways of Seeing and “Live” Photography -- III Future Visibility -- IV Revised Foundations -- Coda -- Acknowledgments -- Notes -- List of Illustrations -- Index We live in an... more

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Contents -- Introduction -- I Ephemerality, over Time -- II Ways of Seeing and “Live” Photography -- III Future Visibility -- IV Revised Foundations -- Coda -- Acknowledgments -- Notes -- List of Illustrations -- Index We live in an era of abundant photography. It may then seem counterintuitive to study photographs that disappear or are difficult to discern, but Kate Palmer Albers argues that it is precisely this current cultural moment that allows us to recognize what has always been a basic and foundational, yet unseen, condition of photography: its ephemerality. Through a series of case studies spanning the history of photography, The Night Albums takes up the provocations of artists who collectively redefine how we experience visibility. From the protracted hesitancies of photography's origins, to conceptual and performative art that has emerged since the 1960s, and to the waves of technological experimentation flourishing today, Albers foregrounds artists who offer fleeting, hidden, conditional, and future modes of visibility. By unveiling how ephemerality shapes the photographic experience, she ultimately proposes an expanded framework for the medium

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520383982
    Other identifier:
    Subjects: Ephemeral art; Photography; Photography, Artistic; Photography, Artistic; Photography / History
    Scope: 1 Online-Ressource (168 p)
  24. Four arts of photography
    Author: Lopes, Dominic
    Published: 2016
    Publisher:  John Wiley & Sons, Chichester, UK

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    Technische Hochschulbibliothek Rosenheim
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    Volltext (URL des Erstveröffentlichers)
  25. Il sogno della fotografia
    Author: Zannier, Italo
    Published: ottobre 2006
    Publisher:  Skira, Milano

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    Universitätsbibliothek Duisburg-Essen
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788876248689
    RVK Categories: AP 95500
    Subjects: Photography / History; s Photography
    Scope: 85, XXIV S., Ill, 21 cm
    Notes:

    I. Zannier teaches at the University of Venice.. - Contains bibl. refs. and notes