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  1. Die Ordnung der Inszenierung
    Author: Wilharm, Heiner
    Published: [2014]; ©2015
    Publisher:  transcript-Verlag, Bielefeld

    Auf dem Politischen der Politik zu beharren heißt, die Strategien seiner Verschiebung und Ersetzung durch Inszenierung und mediale Verdeckung zu studieren, Methoden und Techniken anzueignen zu alternativer Instituierung des Gesellschaftlichen, wo es... more

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    Auf dem Politischen der Politik zu beharren heißt, die Strategien seiner Verschiebung und Ersetzung durch Inszenierung und mediale Verdeckung zu studieren, Methoden und Techniken anzueignen zu alternativer Instituierung des Gesellschaftlichen, wo es angezeigt ist. Das Politische der Politik zu reklamieren bedeutet, auch in der Demokratie die Legitimität eines offenen Wettkampfs um die Macht und der damit verbundenen Parteinahmen zu behaupten. Es heißt, die Herrschaftsverhältnisse dort sichtbar zu halten, wo marktkonforme Konsumentenorientierung und vorgeblich jedes Menschen Vernunft einsichtige Verabredungskonzepte der mediengestützten Verschleierung gesellschaftlicher Antagonismen den Boden bereiten und ernsthafte Gegnerschaften, die Auseinandersetzung um wirkliche Alternativen gesellschaftlicher Ordnung, als überwunden und überflüssig erscheinen lassen. Auf dem Politischen zu bestehen beginnt beim Streit um Wörter und Begriffe, um Darstellungen jeder Art. Vorzüglich gelten die Anstrengungen den Medien und ihren Formatierungen. Die Aufforderung lautet, der theatergerechten Umgestaltung aller Szenen des Sozialen zu widerstehen, auf welchen Bühnen auch immer.Ein Buch über die Genealogie, die Empirie und die Strategien der Inszenierung zwischen Kunst und Politik und vor dem Hintergrund der Ökonomie einer post-demokratischen Gesellschaft The scene is omnipresent. It originated in the theater, but we know and experience it as the political, public, private, profane, and sacred scene as well. Away from the stages of art, media, and entertainment, staging takes place.In a historically and systematically sweeping »extended scenography« that integrates design and compositional thought and sees itself as practical knowledge, Heiner Wilharm surveys the variations of scenic resolution of design and composition intentions in everyday actions and experience, such as in literature and science. Scenic resolution, according to the author, is carried out according to the practical and even theoretical use of sign and meaning, as an act and performance or additionally, as a presentation and representation. The thus-emerging theory of action and meaning, until now associated with the philosophy of Charles S. Peirce, undertakes a comprehensive assessment of the scenic and the staged both within and beyond the arts

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839426654
    Other identifier:
    RVK Categories: AP 74100
    Edition: 1. Aufl
    Series: Szenografie & Szenologie ; 8
    Other subjects: Performing arts / Philosophy; Presentation (Philosophy); Theaters / Stage-setting and scenery; Arts; Cultural Studies; Design; Handlungstheorie; Inszenierung; Kulturwissenschaft; Kunst; Kunsttheorie; Semiotics; Semiotik; Staging; Szene; Theater; Theaterwissenschaft; Theatre Studies; Theatre; Theory of Art; Inszenierung; Ästhetik; DESIGN / History & Criticism
    Scope: 1 online resource
  2. Foucault's theatres
    Contributor: Fisher, Tony (Publisher); Gotman, Kélina (Publisher)
    Published: 2020
    Publisher:  Manchester University Press, Manchester

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Fisher, Tony (Publisher); Gotman, Kélina (Publisher)
    Language: English
    Media type: Book
    ISBN: 1526135701; 9781526135704; 9781526132062; 1526132060
    Other identifier:
    9781526135704
    RVK Categories: HG 570 ; EC 4700 ; CI 5711 ; CI 5717
    Series: Theatre : theory, practice, performance
    Subjects: Darstellende Kunst; Theatertheorie; Theater
    Other subjects: Foucault, Michel (1926-1984); Foucault, Michel / 1926-1984; Theater / Philosophy; Performing arts / Philosophy; Foucault, Michel; Performing arts ; Philosophy; Theater ; Philosophy
    Scope: x, 250 Seiten, 24 cm
  3. Deleuze and performance
    Published: ©2009
    Publisher:  Edinburgh University Press, Edinburgh

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0748635033; 0748635041; 074863505X; 9780748635030; 9780748635047; 9780748635054
    Series: Deleuze connections
    Subjects: Deleuze, Gilles; PHILOSOPHY / General; PHILOSOPHY / Aesthetics; Performing arts / Philosophy; Philosophie; Ästhetik; Performing arts; Performance <Künste>
    Other subjects: Deleuze, Gilles / 1925-1995; Deleuze, Gilles (1925-1995); Deleuze, Gilles (1925-1995)
    Scope: 1 Online-Ressource (282 pages)
    Notes:

    Includes bibliographical references and index

    Was performance important to Deleuze? Is Deleuze important to performance; to its practical, as well as theoretical, research? What are the implications of Deleuze's philosophy of difference, process and becoming, for Performance Studies, a field in which many continue to privilege the notion of performance as representation, as anchored by its imitation of an identity: 'the world', 'the play', 'the self'? Deleuze and Performance is a collection of new essays dedicated to Deleuze's writing on theatre and to the productivity of his philosophy for (re)thinking performance. This book provides rig

    Performing in the chaosmos : farts, follicles, mathematics and delirium in Deleuze j/ Herbert Blau -- Act I Deleuze on theatre : Artaud, Beckett and Carmelo Bene. I Artaud BwO : the uses of Artaud's To have done with the judgement of god / Edward Scheer ; Expression and affect in Kleist, Beckett and Deleuze / Anthony Uhlmann ; A theatre of subtractive extinction : Bene without Deleuze / Lorenzo Chiesa -- Interval. Performing, strolling, thinking : from minor literature to theatre of the future / Daniel Watt ; Off the beaten path or, notes towards a Heideggerian deterritorialisation : a response to Daniel Watt / Julian Wolfreys -- Act II Confronting Deleuze and live performance. Becoming a citizen of the world : Deleuze between Allan Kaprow and Adrian Piper / Stephen Zepke ; Sub specie durationis / Matthew Goulish and Laura Cull ; Thinking through theatre / Maaike Bleeker ; Becoming-donosaur : collective process and movement aesthetics / Anna Hickey-Moody -- Interval. Of butterflies, bodies and biograms : affective spaces in performativities in the performance of Madama Butterfly / Barbara Kennedy -- Act III A digital Deleuze : performance and new media. Like a prosthesis : critical performance à digital Deleuze / Timothy Murray ; Performance as the distribution of life : from Aeschylus to Chekhov to VJing via Deleuze and Guattari / Andrew Murphie ; The 'minor' arithmetic of rhythm : imagining digital technologies for dance / Stamatia Portanova
  4. Philosophy of the performing arts
    Author: Davies, David
    Published: 2011
    Publisher:  Wiley-Blackwell, Malden

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    Hochschule Coburg, Zentralbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781444343458; 1444343459; 9781444343472; 1444343475; 1283407558; 9781283407557
    Other identifier:
    Series: Foundations of the philosophy of the arts
    Subjects: Literature; Fine Arts; Performing arts / Philosophy; Literatur; Philosophie; Performing arts / Philosophy; Performance <Künste>; Philosophie
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index

    This book provides an accessible yet sophisticated introduction to the significant philosophical issues concerning the performing arts. Presents the significant philosophical issues concerning the performing arts in an accessible style, assuming no prior knowledgeProvides a critical overview and a comprehensive framework for thinking about the performing artsExamines the assumption that classical music provides the best model for thinking about artistic performance across the performing artsExplores ways in which the & lsquo;classical paradigm & rsquo; might be extended to other musical genres, to
  5. Repetition in performance
    returns and invisible forces
    Author: Kartsaki, Eirini
    Published: [2017]; © 2017
    Publisher:  Palgrave Macmillan, London, United Kingdom

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 1137430532; 9781137430533; 9781349682638
    RVK Categories: LH 65830
    Subjects: Philosophie; Wiederholung; Ästhetik; Darstellende Kunst
    Other subjects: Repetition (Aesthetics); Performing arts / Philosophy
    Scope: xii, 169 Seiten, Illustrationen
  6. From mimesis to interculturalism
    readings of theatrical theory before and after "modernism"
    Author: Ley, Graham
    Published: 2021
    Publisher:  University of Exeter Press, Exeter

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781905816170
    RVK Categories: EC 4700
    Edition: Paperback edition
    Series: Exeter performance studies
    Subjects: Dramentheorie; Theatertheorie
    Other subjects: Performing arts / Philosophy; Performing arts / History
    Scope: xii, 348 Seiten, 24 cm
  7. Die Ordnung der Inszenierung
    Author: Wilharm, Heiner
    Published: [2014]; ©2015
    Publisher:  transcript-Verlag, Bielefeld

    Auf dem Politischen der Politik zu beharren heißt, die Strategien seiner Verschiebung und Ersetzung durch Inszenierung und mediale Verdeckung zu studieren, Methoden und Techniken anzueignen zu alternativer Instituierung des Gesellschaftlichen, wo es... more

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    Auf dem Politischen der Politik zu beharren heißt, die Strategien seiner Verschiebung und Ersetzung durch Inszenierung und mediale Verdeckung zu studieren, Methoden und Techniken anzueignen zu alternativer Instituierung des Gesellschaftlichen, wo es angezeigt ist. Das Politische der Politik zu reklamieren bedeutet, auch in der Demokratie die Legitimität eines offenen Wettkampfs um die Macht und der damit verbundenen Parteinahmen zu behaupten. Es heißt, die Herrschaftsverhältnisse dort sichtbar zu halten, wo marktkonforme Konsumentenorientierung und vorgeblich jedes Menschen Vernunft einsichtige Verabredungskonzepte der mediengestützten Verschleierung gesellschaftlicher Antagonismen den Boden bereiten und ernsthafte Gegnerschaften, die Auseinandersetzung um wirkliche Alternativen gesellschaftlicher Ordnung, als überwunden und überflüssig erscheinen lassen. Auf dem Politischen zu bestehen beginnt beim Streit um Wörter und Begriffe, um Darstellungen jeder Art. Vorzüglich gelten die Anstrengungen den Medien und ihren Formatierungen. Die Aufforderung lautet, der theatergerechten Umgestaltung aller Szenen des Sozialen zu widerstehen, auf welchen Bühnen auch immer.Ein Buch über die Genealogie, die Empirie und die Strategien der Inszenierung zwischen Kunst und Politik und vor dem Hintergrund der Ökonomie einer post-demokratischen Gesellschaft The scene is omnipresent. It originated in the theater, but we know and experience it as the political, public, private, profane, and sacred scene as well. Away from the stages of art, media, and entertainment, staging takes place.In a historically and systematically sweeping »extended scenography« that integrates design and compositional thought and sees itself as practical knowledge, Heiner Wilharm surveys the variations of scenic resolution of design and composition intentions in everyday actions and experience, such as in literature and science. Scenic resolution, according to the author, is carried out according to the practical and even theoretical use of sign and meaning, as an act and performance or additionally, as a presentation and representation. The thus-emerging theory of action and meaning, until now associated with the philosophy of Charles S. Peirce, undertakes a comprehensive assessment of the scenic and the staged both within and beyond the arts

     
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  8. The transformative power of performance
    a new aesthetics
    Author: Fischer-Lichte, Erika
    Published: 2008
    Publisher:  Routledge, London [u.a.]

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Universitätsbibliothek Passau
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  9. Aesthetics in performance
    formations of symbolic construction and experience
    Contributor: Hobart, Angela (Publisher)
    Published: 2003
    Publisher:  Berghahn Books, New York ; Oxford

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    Source: Union catalogues
    Contributor: Hobart, Angela (Publisher)
    Language: English
    Media type: Book
    ISBN: 1571815678
    RVK Categories: CC 6900 ; LC 85000
    Subjects: Philosophie; Ästhetik; Aesthetics; Symbolism; Performing arts / Philosophy; Symbol; Ritual; Erfahrung; Ästhetik; Darstellende Kunst
    Scope: IX, 239 S., Ill., 24cm
    Notes:

    Includes bibliographic references and index. - Formerly CIP
  10. Fra due
    etica ed estetica dell'improvvisazione congiunta
    Author: Sparti, Davide
    Published: [2023]
    Publisher:  MELTEMI, Milano

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    Bayerische Staatsbibliothek
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  11. Heiner Goebbels and curatorial composing after Cage
    from staging works to musicalising encounters
    Author: McKeon, Ed
    Published: 2022
    Publisher:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    "This Element introduces the notion of curatorial composing to account for certain musical practices that emerged from the 1960s as the founding concepts of music as an art - instituted in the modern era - were systematically dismantled. It raises... more

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    "This Element introduces the notion of curatorial composing to account for certain musical practices that emerged from the 1960s as the founding concepts of music as an art - instituted in the modern era - were systematically dismantled. It raises the key question of how musical value and authority might be produced without recourse to an external principle, origin, transcendental framework, or other foundation. It argues that these practices do not dismiss the issue of value or simply relativise it but shift the paradigm to a curatorial concern for composing public encounters and staging events. The Element shows that Lydia Goehr's elaboration of the work-concept provides a framework that was transformed by John Cage in his work from 0'00" (1962) onwards. The Element then introduces Heiner Goebbels' practice and focus on his role as Artistic Director of the Ruhrtriennale (2012-14), which it argues was an extension of his curatorial composing"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781009337601
    Series: Elements in music since 1945
    Subjects: Autorschaft; Aufführung; Werk; Performance <Künste>; Bühnenwerk; Komposition; Ästhetik; Musik; Komposition <Musik>
    Other subjects: Goebbels, Heiner (1952-); Music in museums; Music / Philosophy and aesthetics; Performance art / Germany; Performing arts / Philosophy; Creation (Literary, artistic, etc.); Art and music; Sound art / History and criticism; Sound installations (Art); Ruhrtriennale / (2012-2014); Ruhrtriennale; Art and music; Creation (Literary, artistic, etc.); Music in museums; Music / Philosophy and aesthetics; Performance art; Performing arts / Philosophy; Sound art; Sound installations (Art); Germany; Criticism, interpretation, etc
    Scope: 76 Seiten, Illustrationen, 23 cm
    Notes:

    1. Musical Elements -- 2. The Work-Concept And Its Limits -- 3. Variable Time: Cage After Schoenberg -- 4. Heiner Goebbels: Questioning Authority -- 5. Spaces of Appearance -- 6. After Words -- References
  12. Heiner Goebbels and curatorial composing after Cage
    from staging works to musicalising encounters
    Author: McKeon, Ed
    Published: 2022
    Publisher:  Cambridge University Press, Cambridge

    This Element introduces the notion of curatorial composing to account for certain musical practices that emerged from the 1960s as the founding concepts of music as an art - instituted in the modern era - were systematically dismantled. It raises the... more

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    This Element introduces the notion of curatorial composing to account for certain musical practices that emerged from the 1960s as the founding concepts of music as an art - instituted in the modern era - were systematically dismantled. It raises the key question of how musical value and authority might be produced without recourse to an external principle, origin, transcendental framework, or other foundation. It argues that these practices do not dismiss the issue of value or simply relativise it but shift the paradigm to a curatorial concern for composing public encounters and staging events. The Element shows that Lydia Goehr's elaboration of the work-concept provides a framework that was transformed by John Cage in his work from 0'00" (1962) onwards. The Element then introduces Heiner Goebbels' practice and focus on his role as Artistic Director of the Ruhrtriennale (2012-14), which it argues was an extension of his curatorial composing

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781009337618
    Other identifier:
    Series: Cambridge elements
    Subjects: Music in museums; Music / Philosophy and aesthetics; Performance art / Germany; Performing arts / Philosophy; Creation (Literary, artistic, etc.); Art and music; Sound art / History and criticism; Sound installations (Art); Komposition; Bühnenwerk; Performance <Künste>; Autorschaft; Ästhetik; Werk; Musik; Aufführung; Komposition <Musik>
    Other subjects: Goebbels, Heiner (1952-)
    Scope: 1 Online-Ressource (76 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 28 Oct 2022)

    Musical Elements -- The Work-Concept And Its Limits -- Variable Time : Cage After Schoenberg -- Heiner Goebbels : Questioning Authority -- Spaces of Appearance -- After Words
  13. Foucault's theatres
    Contributor: Fisher, Tony (Publisher); Gotman, Kélina (Publisher)
    Published: 2020
    Publisher:  Manchester University Press, Manchester

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Fisher, Tony (Publisher); Gotman, Kélina (Publisher)
    Language: English
    Media type: Book
    ISBN: 1526135701; 9781526135704; 9781526132062; 1526132060
    Other identifier:
    9781526135704
    RVK Categories: HG 570 ; EC 4700 ; CI 5711 ; CI 5717
    Series: Theatre : theory, practice, performance
    Subjects: Darstellende Kunst; Theatertheorie; Theater
    Other subjects: Foucault, Michel (1926-1984); Foucault, Michel / 1926-1984; Theater / Philosophy; Performing arts / Philosophy; Foucault, Michel; Performing arts ; Philosophy; Theater ; Philosophy
    Scope: x, 250 Seiten, 24 cm
  14. Repetition in performance
    returns and invisible forces
    Author: Kartsaki, Eirini
    Published: [2017]; © 2017
    Publisher:  Palgrave Macmillan, London, United Kingdom

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 1137430532; 9781137430533; 9781349682638
    RVK Categories: LH 65830
    Subjects: Philosophie; Wiederholung; Ästhetik; Darstellende Kunst
    Other subjects: Repetition (Aesthetics); Performing arts / Philosophy
    Scope: xii, 169 Seiten, Illustrationen
  15. The transformative power of performance
    a new aesthetics
    Author: Fischer-Lichte, Erika
    Published: 2008
    Publisher:  Routledge, London [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
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  16. <<The>> transformative power of performance
    a new aesthetics
    Author: Fischer-Lichte, Erika
    Published: 2008
    Publisher:  Routledge, London [u.a.]

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    Content information
    Source: Union catalogues
    Contributor: Jain, Saskya Iris
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415458559; 0415458552; 9780415458566; 0415458560; 9780203894989; 0203894987
    RVK Categories: AP 66300 ; AP 66400 ; LH 65830
    Edition: 1. publ.
    Subjects: Performing arts / Philosophy; Performing arts / Semiotics; Experimental theater; Performance art; Experimental theater; Performance art; Performing arts; Performing arts
    Scope: 232 S., 24 cm
    Notes:

    Literaturverz. S. [216] - 223