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Crossing the Line
Racial Passing in Twentieth-Century U.S. Literature and Culture -
Gothic passages
racial ambiguity and the American gothic -
Passing in the works of Charles W. Chesnutt
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The souls of mixed folk
race, politics, and aesthetics in the new millennium -
Passing interest
racial passing in US novels, memoirs, television, and film, 1990-2010 -
Passing and pedagogy
the dynamics of responsibility -
Neo-passing
performing identity after Jim Crow -
The souls of mixed folk
race, politics, and aesthetics in the new millennium -
Neo-passing
performing identity after Jim Crow -
Women on the color line
evolving stereotypes and the writings of George Washington Cable, Grace King, Kate Chopin -
Performing Americanness
race, class, and gender in modern African-American and Jewish-American literature -
Neither black nor white yet both
thematic explorations of interracial literature -
Passing and the rise of the African American novel
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Passing in the works of Charles W. Chesnutt
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Gothic passages
racial ambiguity and the American gothic -
Passing for Spain
Cervantes and the fictions of identity -
Presenting gender
changing sex in early-modern culture -
Passing and the rise of the African American novel
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Race passing and American individualism
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Women on the color line
evolving stereotypes and the writings of George Washington Cable, Grace King, Kate Chopin -
The passing figure
racial confusion in modern American literature -
Passing and the fictions of identity
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A question of character
scientific racism and the genres of American fiction, 1892 - 1912 -
Crossing the line
racial passing in twentieth-century U.S. literature and culture -
Slippery characters
ethnic impersonators and American identities