The present chapter, based on a first-hand examination of all of Egenolff’s music editions, including every known exemplar of ten of the fourteen extant
editions, aims to remedy this, so that future work on Egenolff and the music in his editions
can rest on a surer bibliographical foundation. The catalogue closes with a number of titles
that either do not in fact contain printed music, or the printing of which is hypothesised
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