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Displaying results 1 to 15 of 15.

  1. Consumer-Citizens of China : The Role of Foreign Brands in the Imagined Future China
    Author: Tian, Kelly; Dong, Lily
    Published: 2010
    Publisher:  Taylor & Francis

    This book presents a comprehensive examination of Chinese consumer behaviour and challenges the previously dichotomous interpretation of the consumption of Western and non-Western brands in China. The dominant position is that Chinese consumers are... more

     

    This book presents a comprehensive examination of Chinese consumer behaviour and challenges the previously dichotomous interpretation of the consumption of Western and non-Western brands in China. The dominant position is that Chinese consumers are driven by a desire to imitate the lifestyles of Westerners and thereby advance their social standing locally. The alternative is that consumers reject Western brands as a symbolic gesture of loyalty to their nation-state. Drawing from survey responses and in depth interviews with Chinese consumers in both rural and urban areas, Kelly Tian and Lily Dong find that consumers situate Western brands within select historical moments. This embellishment attaches historical meanings to Western brands in ways that render them useful in asserting preferred visions of the future China. By highlighting how Western brands are used in contests for national identity, Consumer-Citizens of China challenges the notion of the "patriot’s paradox" and answers scholars’ questions as to whether Chinese nationalists today allow for a Sino-Western space where the Chinese can love China without hating the West. Consumer-Citizens of China will be of interest to students and scholars of business studies, Chinese and Asian Studies and Political Science. Kelly Tian is Professor of Marketing and holds the Anderson Chair of Business at New Mexico State University. Lily Dong is Associate Professor of Marketing at the University of Alaska at Fairbanks. Chapter One IMAGINING CHINA, IMAGINING BRANDS: Foreign Brands as Global Brands from the Imagined West; Western and Domestic Brands As Materials for Realizing an Imagined Future China; Obscured State Influence and Consumer Autonomy; Organization of the Book Chapter Two RETHINKING POPULAR NOTIONS OF CHINESE CONSUMERS’ MOTIVES FOR RESPONDING TO WESTERN BRANDS: The Emulative Motive For Western Brand Consumption; The Patriotic Motive for Rejecting Western Brands; Rethinking the Primacy of the Emulative Motive for Consuming Western Brands; Rethinking "Consumer Nationalism" as Synonymous with Western Brand Boycotting; Chinese Consumers as Active Meaning Makers Chapter Three HIGHLIGHTED MOMENTS IN THE HISTORY OF BRANDED GOODS IN CHINA: The Emergence of Branded Goods in Late Imperial China; Branded Goods in Semi-colonial China of the Early 20 th Century; Branded Goods Since Gaige Kaifang- China’s Economic Reform; Relevance of These Past Moments to Present-Day Brand Meanings Chapter Four FOREIGN BRANDS IN CHINA AS GLOBAL BRANDS FROM THE IMAGINED WEST: Overview of Research Method; Data Collection Sites; Our Data Collection Methods; Foreign Brands as Western Brands With Distinguishing Characteristics Chapter Five CHINESE NATIONAL NARRATIVES AND THE MEANINGS OF WESTERN BRANDS: The West as Experiential Venue, Western Brands as Instruments of Freedom; The West as Imperialist Oppressor, Western Brands as Instruments of Domination; The West as Subjugated, Conquered Western Brands as Redemption; The West as Economic Partner, Western Brands as Instruments of Economic Progress Chapter Six NATIONAL NARRATIVES IN IMAGINATIVE PROCESSING OF WESTERN BRAND PROMOTIONS: Imagined Consumption; Western Brand Producers’ Efforts to Evoke Consumption Fantasies; Individual Psychological Processes of Enlivening Consumption Fantasies; Narratives and Imagined Identity Transformations From Western Brand Consumption; The Influence of East-West Narratives On the Processing of Western Brands Promotions; Discussion Chapter Seven CITIZEN-CONSUMERS IN AN AGE OF GLOBALIZATION

     
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  2. Die Ikonographie Palästinas/Israels und der Alte Orient : Eine Religionsgeschichte in Bildern
    Author: Schroer, Silvia
    Published: 2018
    Publisher:  Schwabe Verlag, Basel

    "This forth volume of “Die Ikonographie Palästinas/Israels und der Alte Orient (IPIAO)” is on Iron Age until the beginning of the Achaemenid’s rule. Almost 1000 objects of the pictorial art of Palestine / Israel are compared to the pictures of the... more

     

    "This forth volume of “Die Ikonographie Palästinas/Israels und der Alte Orient (IPIAO)” is on Iron Age until the beginning of the Achaemenid’s

    rule. Almost 1000 objects of the pictorial art of Palestine / Israel are compared to the pictures of the neighbouring cultures. "

     
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    Source: OAPEN
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 978-3-7965-3879-7
    Other identifier:
    Subjects: Oriental art
    Other subjects: History of arts; Iconography; Israel; Palestine
    Scope: 1 electronic resource (968 p.)
  3. Die Symbolphilosophie der chinesischen Malerei und Cassirers Philosophie der symbolischen Formen
    Author: Zhang, Lichen
    Published: [2023]; © 2023
    Publisher:  Brill Fink, Paderborn

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    Max-Planck-Institut für empirische Ästhetik, Bibliothek
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    bestellt
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783770567737
    Other identifier:
    9783770567737
    DDC Categories: 750; 100
    Subjects: Tuschmalerei; Symbolik; ART019010; Asian history; Asiatische Geschichte; Kunstgeschichte; Oriental art; PHILOSOPHY / Aesthetics; Philosophie Ästhetik; Philosophy: aesthetics
    Other subjects: Cassirer, Ernst (1874-1945): Philosophie der symbolischen Formen
    Scope: XXVIII, 480 Seiten, Illustrationen, 23.5 cm x 15.5 cm, 1 g
  4. Die Symbolphilosophie der chinesischen Malerei
    und Cassirers Philosophie der symbolischen Formen
    Author: Zhang, Lichen
    Published: [2023]
    Publisher:  Brill, Fink, Paderborn

    Diese Arbeit stellt einen neuartigen Ansatz vor, die symbolischen Strukturen, die der traditionellen chinesischen Tuschmalerei zugrunde liegen, zu verstehen und im interkulturellen Kontext zu vermitteln. Lichen Zhang nimmt damit eine substantielle... more

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    Diese Arbeit stellt einen neuartigen Ansatz vor, die symbolischen Strukturen, die der traditionellen chinesischen Tuschmalerei zugrunde liegen, zu verstehen und im interkulturellen Kontext zu vermitteln. Lichen Zhang nimmt damit eine substantielle Erweiterung von Ernst Cassirers Konzeption des menschlichen Geistes als einem universellen symbolischen Netzwerk vor und beweist stringent die Anwendbarkeit des symbolphilosophischen Konzepts auf die bildende Kunst. Das Buch stellt mit eindrucksvollen Bildbeispielen die weitreichenden Konsequenzen dieses neuen Blickwinkels anhand der traditionellen chinesischen Tuschmalerei dar. So wird der Einfluss, den chinesische Philosophien, Ethik, Religion, Gesellschaft und frühe Naturwissenschaften über die Jahrhunderte hinweg auf die Kunst hatten, durch systematische Aufarbeitung als Objektivierung einer geistigen Aktivität offenbar

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783846767733
    Other identifier:
    Series: Schöningh, Fink and mentis Religious Studies, Theology and Philosophy E-Books Online, Collection 2023
    Subjects: Zeit; Erkenntnistheorie; Ästhetik; Tuschmalerei; Symbol; Rezeption; Malerei; Landschaftsmalerei; Raum; Philosophie; Symbolik; Eigenschaft
    Other subjects: Cassirer, Ernst (1874-1945); Cassirer, Ernst (1874-1945): Philosophie der symbolischen Formen; Painting, Chinese; Painting; ART019010; Asian history; Asiatische Geschichte; Kunstgeschichte; Oriental art; PHILOSOPHY / Aesthetics; Philosophie Ästhetik; Philosophy: aesthetics; China; China
    Scope: 1 Online-Ressource (XXVIII, 480 Seiten), Illustrationen
    Notes:

    Literaturverzeichnis: Seite 467-476

    Dissertation, Carl von Ossietzky Universität Oldenburg, 2023
  5. Littérature et poétiques pluriculturelles en Asie du Sud
    Contributor: Montaut, Annie (Herausgeber)
    Published: 2004
    Publisher:  Éditions de l’École des hautes études en sciences sociales, Paris ; OAPEN FOUNDATION, The Hague

    Littérature savante, littérature orale « populaire », cinéma, peinture : l’approche de ces objets culturels peut être d’inspiration ethnologique, stylistique, philosophique, recourir aux méthodes de l’anthropologie culturelle, de l’analyse textuelle,... more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Littérature savante, littérature orale « populaire », cinéma, peinture : l’approche de ces objets culturels peut être d’inspiration ethnologique, stylistique, philosophique, recourir aux méthodes de l’anthropologie culturelle, de l’analyse textuelle, de la sociocritique, ou de la théorie de la réception. Les textes présentés ici font état d’une diversité qui correspond autant à celle des postes d’observation susceptibles d’éclairer la matière qu’à celle des objets choisis pour donner un aperçu de la création esthétique en Inde contemporaine. Le regard des artistes eux-mêmes — écrivains, peintres —, parallèle à celui des critiques, répond à la visée générale de l’ouvrage : saisir la manière dont les modes de conscience et de connaissance s’inscrivent dans les formes esthétiques, aujourd’hui, en Inde.

     
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    Source: Union catalogues
    Contributor: Montaut, Annie (Herausgeber)
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9782713231438; 9782713220128
    Series: Purushartha
    Subjects: Literatur; Epik; Lyrik; Oriental art; Literary studies: general
    Other subjects: esthétique; art; poétique; anthropologie culturelle; littérature
    Scope: 1 Online-Ressource (367 p.)
  6. Aesthetic life
    beauty and art in modern Japan
    Author: Mizuta Lippit, Miya Elise
    Published: 2019
    Publisher:  Harvard University Asia Center, Cambridge (Massachusetts)

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    Universitätsbibliothek Dortmund
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    Yb 2344
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    Gemeinsame Fachbibliothek Asien / Japanologie
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    JAP/K1-5Lip1
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9780674237308; 9780674975163
    Series: Harvard East Asian monographs ; 400
    Other subjects: Regional History; Kunst; Kunsttheorie; Ästhetik; Bijin; Schönheit; Nihonga; Moderne (1868-1945); Gegenwart (1945-); History of art & design styles: from c 1900 -; Literary studies: general; Oriental art; ART / History / Modern (late 19th Century to 1945); LITERARY CRITICISM / Asian / Japanese; ART / Asian / Japanese; Feminine beauty Aesthetics - Japan; Feminine beauty Aesthetics in literature; Arts, Japanese - 1868; Aesthetics, Japanese - 19th century; Aesthetics, Japanese - 20th century
    Scope: xv, 315 Seiten, Illustrationen, 229 mm.
    Notes:

    "based on the author's thesis(Ph.D.-Yale University, 2001)issued under the title:Figures of beauty: aesthetics and the beautiful woman in Meiji Japan"

    5 photos, 30 color illus.

    Dissertation, Yale University, 2001
  7. Die Symbolphilosophie der chinesischen Malerei und Cassirers Philosophie der symbolischen Formen
    Author: Zhang, Lichen
    Published: [2023]; © 2023
    Publisher:  Brill, Fink, Paderborn

    Diese Arbeit stellt einen neuartigen Ansatz vor, die symbolischen Strukturen, die der traditionellen chinesischen Tuschmalerei zugrunde liegen, zu verstehen und im interkulturellen Kontext zu vermitteln. Lichen Zhang nimmt damit eine substantielle... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Diese Arbeit stellt einen neuartigen Ansatz vor, die symbolischen Strukturen, die der traditionellen chinesischen Tuschmalerei zugrunde liegen, zu verstehen und im interkulturellen Kontext zu vermitteln. Lichen Zhang nimmt damit eine substantielle Erweiterung von Ernst Cassirers Konzeption des menschlichen Geistes als einem universellen symbolischen Netzwerk vor und beweist stringent die Anwendbarkeit des symbolphilosophischen Konzepts auf die bildende Kunst. Das Buch stellt mit eindrucksvollen Bildbeispielen die weitreichenden Konsequenzen dieses neuen Blickwinkels anhand der traditionellen chinesischen Tuschmalerei dar. So wird der Einfluss, den chinesische Philosophien, Ethik, Religion, Gesellschaft und frühe Naturwissenschaften über die Jahrhunderte hinweg auf die Kunst hatten, durch systematische Aufarbeitung als Objektivierung einer geistigen Aktivität offenbar

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783846767733
    Other identifier:
    Series: Schöningh, Fink and mentis Religious Studies, Theology and Philosophy E-Books Online, Collection 2023
    Subjects: Painting, Chinese; Painting; ART019010; Asian history; Asiatische Geschichte; Kunstgeschichte; Oriental art; PHILOSOPHY / Aesthetics; Philosophie Ästhetik; Philosophy: aesthetics
    Scope: 1 Online-Ressource (XXVIII, 480 Seiten), Illustrationen
    Notes:

    Literaturverzeichnis: Seite 467-476

    Dissertation, Carl von Ossietzky Universität Oldenburg,
  8. Die Symbolphilosophie der chinesischen Malerei und Cassirers Philosophie der symbolischen Formen
    Author: Zhang, Lichen
    Published: [2023]; © 2023
    Publisher:  Brill Fink, Paderborn

    Diese Arbeit stellt einen neuartigen Ansatz vor, die symbolischen Strukturen, die der traditionellen chinesischen Tuschmalerei zugrunde liegen, zu verstehen und im interkulturellen Kontext zu vermitteln. Lichen Zhang nimmt damit eine substantielle... more

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2023 A 4926
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    Germanisches Nationalmuseum, Bibliothek
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    No loan of volumes, only paper copies will be sent

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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    N kun 962 DL 2986
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    kun 962 DL 2986
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    kun 962 DL 2986
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    Diese Arbeit stellt einen neuartigen Ansatz vor, die symbolischen Strukturen, die der traditionellen chinesischen Tuschmalerei zugrunde liegen, zu verstehen und im interkulturellen Kontext zu vermitteln. Lichen Zhang nimmt damit eine substantielle Erweiterung von Ernst Cassirers Konzeption des menschlichen Geistes als einem universellen symbolischen Netzwerk vor und beweist stringent die Anwendbarkeit des symbolphilosophischen Konzepts auf die bildende Kunst. Das Buch stellt mit eindrucksvollen Bildbeispielen die weitreichenden Konsequenzen dieses neuen Blickwinkels anhand der traditionellen chinesischen Tuschmalerei dar. So wird der Einfluss, den chinesische Philosophien, Ethik, Religion, Gesellschaft und frühe Naturwissenschaften über die Jahrhunderte hinweg auf die Kunst hatten, durch systematische Aufarbeitung als Objektivierung einer geistigen Aktivität offenbar

     
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    Content information
    Source: Union catalogues
    Contributor: Kreuzer, Johann (AkademischeR BetreuerIn); Möbuß, Susanne (AkademischeR BetreuerIn)
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9783770567737; 3770567730
    Other identifier:
    9783770567737
    Subjects: ART019010; Asian history; Asiatische Geschichte; Kunstgeschichte; Oriental art; PHILOSOPHY / Aesthetics; Philosophie Ästhetik; Philosophy: aesthetics
    Scope: XXVIII, 480 Seiten, Illustrationen, 23.5 cm x 15.5 cm, 1 g
    Notes:

    Dissertation, Universität Oldenburg,
  9. Whistler and artistic exchange between Japan and the West
    after Japonisme in Britain
    Author: Ono, Ayako
    Published: 2023
    Publisher:  Routledge, Taylor & Francis Group, London

    "Ono examines cross-cultural artistic exchange between the West and Japan from the late nineteenth century to the early twentieth century. Studies of Japonisme have been dominated by searching out relationships of influence between artworks - trying... more

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    Universitätsbibliothek Heidelberg
    Signature:
    2024 C 846
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    "Ono examines cross-cultural artistic exchange between the West and Japan from the late nineteenth century to the early twentieth century. Studies of Japonisme have been dominated by searching out relationships of influence between artworks - trying to identify which specific works influenced a particular artist. Ono argues that a more holistic understanding of "spillover effects" is necessary in fully comprehending the nuances of these relationships. She bases this argument on documents and works of art in the context of globalization, looking at the relationships between James McNeill Whistler and others with their contemporaries in the Japanese artistic and literary worlds. This was a more complex two-way exchange than is often appreciated, with Western artists taking inspiration from (to them) new Japanese styles, while Japanese artists and writers were trying to craft a "modern", more western-influences style to reflect the modern nation of Japan emerging onto the world stage after centuries of relative isolation. A fascinating analysis of the role of globalisation and cultural exchange in the development of new and hybrid artforms, that will be essential reading for scholars of this fascinating period in international art history"--

     
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  10. Die Symbolphilosophie der chinesischen Malerei und Cassirers Philosophie der symbolischen Formen
    Author: Zhang, Lichen
    Published: [2023]; © 2023
    Publisher:  Brill, Fink, Paderborn

    Diese Arbeit stellt einen neuartigen Ansatz vor, die symbolischen Strukturen, die der traditionellen chinesischen Tuschmalerei zugrunde liegen, zu verstehen und im interkulturellen Kontext zu vermitteln. Lichen Zhang nimmt damit eine substantielle... more

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    Resolving-System (lizenzpflichtig)
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Digitale Bibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Badische Landesbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Diese Arbeit stellt einen neuartigen Ansatz vor, die symbolischen Strukturen, die der traditionellen chinesischen Tuschmalerei zugrunde liegen, zu verstehen und im interkulturellen Kontext zu vermitteln. Lichen Zhang nimmt damit eine substantielle Erweiterung von Ernst Cassirers Konzeption des menschlichen Geistes als einem universellen symbolischen Netzwerk vor und beweist stringent die Anwendbarkeit des symbolphilosophischen Konzepts auf die bildende Kunst. Das Buch stellt mit eindrucksvollen Bildbeispielen die weitreichenden Konsequenzen dieses neuen Blickwinkels anhand der traditionellen chinesischen Tuschmalerei dar. So wird der Einfluss, den chinesische Philosophien, Ethik, Religion, Gesellschaft und frühe Naturwissenschaften über die Jahrhunderte hinweg auf die Kunst hatten, durch systematische Aufarbeitung als Objektivierung einer geistigen Aktivität offenbar

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783846767733
    Other identifier:
    Series: Schöningh, Fink and mentis Religious Studies, Theology and Philosophy E-Books Online, Collection 2023
    Subjects: Painting, Chinese; Painting; ART019010; Asian history; Asiatische Geschichte; Kunstgeschichte; Oriental art; PHILOSOPHY / Aesthetics; Philosophie Ästhetik; Philosophy: aesthetics
    Scope: 1 Online-Ressource (XXVIII, 480 Seiten), Illustrationen
    Notes:

    Literaturverzeichnis: Seite 467-476

    Dissertation, Carl von Ossietzky Universität Oldenburg,
  11. Paris and the Art of Transposition
    Early Twentieth Century Sino-French Encounters
    Author: Chau, Angie
    Published: 2023
    Publisher:  The University of Michigan Press, Ann Arbor

    Set against the backdrop of interwar Paris, this book uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris... more

     

    Set against the backdrop of interwar Paris, this book uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played a central role in the global reception of modern Chinese literature and art

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780472056514
    Series: China Understandings Today
    Subjects: 20th century history: c 1900 to c 2000; ART019010; Art & design styles: c 1900 to c 1960; Asian history; Asiatische Geschichte; Chinese; Chinesisch; History of art & design styles: from c 1900 -; Kunstgeschichte; LIT020000; LITERARY CRITICISM / Asian / Chinese; Literary studies: from c 1900 -; Literature: history & criticism; Literaturwissenschaft: 1900 bis 2000; Oriental art; Vergleichende Literaturwissenschaft
    Scope: 226 Seiten
    Notes:

    List of IllustrationsTimeline of Historical PeriodsChapter 1: IntroductionChapter 2: Chang Yu and the PoseChapter 3: Fu Lei the CriticChapter 4: Li Jinfa and the MuseChapter 5: Xu Xu and the Artist s StudioChapter 6: Speculating Pan YuliangConclusion: Challenging the Universality of ParisBibliography
  12. Paris and the Art of Transposition
    Early Twentieth Century Sino-French Encounters
    Author: Chau, Angie
    Published: 2023
    Publisher:  The University of Michigan Press, Ann Arbor

    Set against the backdrop of interwar Paris, this book uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris... more

     

    Set against the backdrop of interwar Paris, this book uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played a central role in the global reception of modern Chinese literature and art

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780472076512
    Series: China Understandings Today
    Subjects: 20th century history: c 1900 to c 2000; ART019010; Art & design styles: c 1900 to c 1960; Asian history; Asiatische Geschichte; Chinese; Chinesisch; History of art & design styles: from c 1900 -; Kunstgeschichte; LIT020000; LITERARY CRITICISM / Asian / Chinese; Literary studies: from c 1900 -; Literature: history & criticism; Literaturwissenschaft: 1900 bis 2000; Oriental art; Vergleichende Literaturwissenschaft
    Scope: 226 Seiten
    Notes:

    List of IllustrationsTimeline of Historical PeriodsChapter 1: IntroductionChapter 2: Chang Yu and the PoseChapter 3: Fu Lei the CriticChapter 4: Li Jinfa and the MuseChapter 5: Xu Xu and the Artist s StudioChapter 6: Speculating Pan YuliangConclusion: Challenging the Universality of ParisBibliography
  13. Tibetan manuscripts and early printed books
    Volume 1, Elements
    Author: Kapstein, Matthew T.
    Published: [2024]
    Publisher:  Cornell University Press, Ithaca

    In Tibetan Manuscripts and Early Printed Books, Volume I, Matthew T. Kapstein and an international team of specialists provide a comprehensive introduction to the material and aesthetic features of the wide range of Tibetan books, described in detail... more

    Location:
    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
    Signature:
    090 T5535 -1
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
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    bestellt
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    MK 1 8 Gen. Kap.1
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    Location:
    Centre for Asian and Transcultural Studies (CATS), Abteilung Südasien
    Signature:
    nsp 20.21 J 2024/1517 GF
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    Universitätsbibliothek Leipzig
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    In Tibetan Manuscripts and Early Printed Books, Volume I, Matthew T. Kapstein and an international team of specialists provide a comprehensive introduction to the material and aesthetic features of the wide range of Tibetan books, described in detail and illustrated with copious full-color photographs. With a documented history of over thirteen centuries, Tibetan books have long served as a medium of culture and learning throughout Central and East Asia. Major collections of Tibetan manuscripts and printed books-for Tibetan works were put into print even before the age of Gutenberg-are found in libraries and museums far from the traditional centers of Tibetan learning. Yet the history, production, and design of these works remain poorly understood.Topics covered in volume I include the manufacture of paper and ink, format and layout, scripts and scribal conventions, illumination and decoration, woodblock printing, book storage, preservation, and the use of contemporary digital technologies for the documentation of traditional works. Volume I of Tibetan Manuscripts and Early Printed Books is an essential resource for all students of Tibetan civilization, as well as for scholars, collectors, and others interested in the diverse book cultures of Asia

     
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  14. Crossing Boundaries and Confounding Identity
    Chinese Women in Literature, Art, and Film
    Contributor: Hughes, Cheryl C. D. (HerausgeberIn)
    Published: 2023
    Publisher:  State University of New York Press, Albany, NY

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  15. Aesthetics from Ancient China
    Aspects of Fenggu
    Author: Wang, Yonghao
    Published: 2024
    Publisher:  Springer Verlag, Singapore, Singapore

    This book presents the concept of Fenggu, one of the most important aesthetic categories of ancient China. As an inspiring aesthetic principle, it once encapsulated the particularities of various types of artistic creation and played an important... more

     

    This book presents the concept of Fenggu, one of the most important aesthetic categories of ancient China. As an inspiring aesthetic principle, it once encapsulated the particularities of various types of artistic creation and played an important role in traditional artistic creation and theoretic critique. The present volume aims to systematically elaborate on its etymological origin, connotations and generation, its great role in overcoming the tendency of creative stereotypes, its logical positioning in the ancient aesthetic system and its profound connection with traditional culture, via comprehensive analysis of a rich repository of original materials, in combination with calligraphy, painting, and poetry criticism. The theoretical character of traditional aesthetics has been derived from agglomeration of Fenggu with other several important categories of paradigm significance. Therefore, its investigation can offer insights into the organic rhythm of the development of ancient aesthetic thought and consequently lay a solid foundation for the construction of ancient art history and aesthetic history

     
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    Source: Union catalogues
    Contributor: Chu, Jiajun (ÜbersetzerIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789819724000
    Edition: 2024 ed
    Series: Key Concepts in Chinese Thought and Culture
    Subjects: ART / History / General; ART019010; Asian history; Asiatische Geschichte; Chinese; Chinesisch; HISTORY / Asia / China; Kunstgeschichte; LITERARY CRITICISM / Asian / Chinese; Literatur: Geschichte und Kritik; Literature: history & criticism; Oriental art
    Scope: 224 Seiten
    Notes:

    Chapter I Standards and Norms for Calligraphy and Painting: Fenggu in Calligraphy.- Chapter II Art in a Class of Its Own: Fenggu in Painting.- Chapter III The Beauty and Subtlety of Language: Fenggu as an Aesthetic Genre in Poetry.- Chapter IV The Formation of Fenggu From Brush and Ink to Character.- Chapter V Shared Sensation and Connectedness-An Overview of Fenggu Aesthetic Genre.