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  1. The Ethnography of Rhythm
    Orality and Its Technologies
    Author: Saussy, Haun
    Published: [2016]; © 2016
    Publisher:  Fordham University Press, New York, NY

    Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the "device"—core ideas of modern literary theory—were all... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the "device"—core ideas of modern literary theory—were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts—starting with Homer and the Bible—had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian "techniques of the body" as belonging to the domain of Derridean "arche-writing," Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823270491
    Other identifier:
    Series: Verbal Arts: Studies in Poetics
    Subjects: Derrida; Homer; Jacques; MacLuhan; Marshall; Milman; Parry; embodiment; literacy; media; memory; oral tradition; theory of literature; Technology & Engineering / Social Aspects; Folk literature; Oral tradition; Orality in literature; Poetics; Storytelling
    Scope: 1 online resource (274 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  2. The conte
    oral and written dynamics
    Published: 2010
    Publisher:  Peter Lang, Oxford [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 777224
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    Thüringer Universitäts- und Landesbibliothek
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    VKD:TH:81185:Car::2010
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    Source: Staatsbibliothek zu Berlin
    Language: English; French
    Media type: Book
    Format: Print
    ISBN: 9783039118700
    RVK Categories: IE 3460 ; IJ 10070 ; LC 81185
    Subjects: Folk literature, French; Fairy tales; Fairy tales; Orality in literature; Oral tradition; Oral tradition
    Scope: 320 p.
    Notes:

    Includes bibliographical references (p. [289]-314) and index
  3. Wort und Ort
    Oralität und Literarizität im sozialen Kontext der frühgriechischen Philosophie
    Author: Patzer, Andreas
    Published: c 2006
    Publisher:  Alber, Freiburg

    In der vorliegenden Studie wird untersucht, in welcher Form sich die frühgriechischen Philosophen jeweils mitgeteilt haben und für welchen sozialen Ort diese Mitteilungen jeweils bestimmt gewesen sind. Es erweist sich, daß die frühgriechischen... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    In der vorliegenden Studie wird untersucht, in welcher Form sich die frühgriechischen Philosophen jeweils mitgeteilt haben und für welchen sozialen Ort diese Mitteilungen jeweils bestimmt gewesen sind. Es erweist sich, daß die frühgriechischen Philosophen sich sowohl mündlich (oral) wie auch schriftlich (literarisch) mitgeteilt haben; die literarische Mitteilung erfolgt sowohl in Poesie wie auch in Prosa. Es erweist sich weiter, daß nur die Poesie über einen festen sozialen Ort in der Polis verfügte (die altetablierte rhapsodische performance); Oralität und Prosa müssen einen solchen Ort jeweils ad hoc selbst finden bzw. erfinden (öffentliche Ratsversammlung, privates Versammlungslokal, Vorlesung in privatem Kreis, persönliches Gespräch an öffentlichem oder privatem Ort, eigenständige Lektüre als einsamer Leser). Diese Inkonstanz sowohl im Formalen wie auch im Sozialen, die in der Epoche der frühgriechischen Philosophie (spätarchaische und klassische Zeit) ohne Beispiel ist, verweist darauf, daß die frühgriechische Philosophie kein gedankliches Kontinuum bildet, sondern diskontinuierlich verläuft: Es läßt sich zeigen, daß mit jeder Änderung des Denkens sich auch Form und Ort der Mitteilung dieses Denkens jeweils ändern und daß alle Änderungen von Form und Ort auch jeweils etwas über die philosophische Intention aussagen, denen sie sich jeweils verdanken. Während die traditionelle philosophiegeschichtliche Betrachtungsweise die philosophische Mitteilung selbst in den Mittelpunkt der Interpretation rückt, ohne jene philosophische Intention näher ins Auge zu fassen, wie sie die Wahl von Form und Ort der Mitteilung jeweils erkennen läßt, gelingt es dieser sowohl literatur- wie sozialgeschichtlich ausgerichteten Studie über das frühe Denken der Griechen neue und andere Erkenntnisse an den Tag zu fördern.

     
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3495481982; 9783495481981
    Other identifier:
    9783495481981
    RVK Categories: CD 1650 ; FB 4041
    Edition: Orig.-Ausg.
    Subjects: Philosophy, Ancient; Philosophers, Ancient; Oral communication; Written communication; Orality in literature
    Scope: 214 S., 22 cm
  4. Writing by ear
    Clarice Lispector and the aural novel
    Author: Rocha, Marília Librandi
    Published: 2019
    Publisher:  University of Toronto Press, Toronto

    Considering Brazilian novelist Clarice Lispector’s literature as a case study and a source of theory, Writing by Ear presents an aural theory of the novel based on readings of Near to the Wild Heart (1943), The Besieged City (1949), The Passion... more

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    Universität Potsdam, Universitätsbibliothek
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    Considering Brazilian novelist Clarice Lispector’s literature as a case study and a source of theory, Writing by Ear presents an aural theory of the novel based on readings of Near to the Wild Heart (1943), The Besieged City (1949), The Passion According to G.H. (1964), Agua Viva (1973), The Hour of the Star (1977), and A Breath of Life (1978). What is the specific aesthetic for which listening-in-writing calls? What is the relation that listening-in-writing establishes with silence, echo, and the sounds of the world? How are we to understand authorship when writers present themselves as objects of reception rather than subjects of production? In which ways does the robust oral and aural culture of Brazil shape literary genres and forms? In addressing these questions, Writing by Ear works in dialogue with philosophy, psychoanalysis, and sound studies to contemplate the relationship between orality and writing. Citing writers such as Machado de Assis, Oswald de Andrade and João Guimarães Rosa, as well as Mia Couto and Toni Morrison, Writing By Ear opens up a broader dialogue on listening and literature, considering the aesthetic, ethical, and ecological reverberations of the imaginary. Writing by Ear is concerned at once with shedding light on the narrative representation of listening and with a broader reconceptualization of fiction through listening, considering it an auditory practice that transcends the dichotomy of speech and writing.

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487514730
    Other identifier:
    Series: University of Toronto romance series
    Subjects: Orality in literature; Sound in literature; LITERARY CRITICISM / European / Spanish & Portuguese
    Scope: 1 Online-Ressource (xxi, 214 Seiten)
    Notes:

    Includes bibliographical references and index
  5. Writing by ear
    Clarice Lispector and the aural novel
    Author: Rocha, Marília Librandi
    Published: 2019
    Publisher:  University of Toronto Press, Toronto

    Considering Brazilian novelist Clarice Lispector’s literature as a case study and a source of theory, Writing by Ear presents an aural theory of the novel based on readings of Near to the Wild Heart (1943), The Besieged City (1949), The Passion... more

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    Considering Brazilian novelist Clarice Lispector’s literature as a case study and a source of theory, Writing by Ear presents an aural theory of the novel based on readings of Near to the Wild Heart (1943), The Besieged City (1949), The Passion According to G.H. (1964), Agua Viva (1973), The Hour of the Star (1977), and A Breath of Life (1978). What is the specific aesthetic for which listening-in-writing calls? What is the relation that listening-in-writing establishes with silence, echo, and the sounds of the world? How are we to understand authorship when writers present themselves as objects of reception rather than subjects of production? In which ways does the robust oral and aural culture of Brazil shape literary genres and forms? In addressing these questions, Writing by Ear works in dialogue with philosophy, psychoanalysis, and sound studies to contemplate the relationship between orality and writing. Citing writers such as Machado de Assis, Oswald de Andrade and João Guimarães Rosa, as well as Mia Couto and Toni Morrison, Writing By Ear opens up a broader dialogue on listening and literature, considering the aesthetic, ethical, and ecological reverberations of the imaginary. Writing by Ear is concerned at once with shedding light on the narrative representation of listening and with a broader reconceptualization of fiction through listening, considering it an auditory practice that transcends the dichotomy of speech and writing.

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487514730
    Other identifier:
    Series: University of Toronto romance series
    Subjects: Orality in literature; Sound in literature; LITERARY CRITICISM / European / Spanish & Portuguese
    Scope: 1 Online-Ressource (xxi, 214 Seiten)
    Notes:

    Includes bibliographical references and index
  6. The ethnography of rhythm
    orality and its technologies
    Author: Saussy, Haun
    Published: 2016
    Publisher:  Fordham University Press, New York

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823270491
    Edition: First edition
    Series: Verbal Arts: Studies in Poetics
    Subjects: Oral tradition; Poetics; Orality in literature; Storytelling; Folk literature
    Scope: 1 Online-Ressource (274 pages), illustrations, photographs
    Notes:

    Description based on print version record
  7. Writing, voice and the proper
    Jules Vallès and the politics of orality
    Author: Bouvier, Luke
    Published: 1998
    Publisher:  Rodopi, Amsterdam [u.a.]

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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  8. From tongue to text
    a new reading of children's poetry
    Author: Pullinger, Debbie
    Published: 2017
    Publisher:  Bloomsbury Academic, New York

    "The connection between childhood and poetry runs deep. And yet, poetry written for children has been neglected by criticism and resists prevailing theories of children's literature. Drawing on Walter Ong's theory of orality and on Iain McGilChrist's... more

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    Universitätsbibliothek der LMU München
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    "The connection between childhood and poetry runs deep. And yet, poetry written for children has been neglected by criticism and resists prevailing theories of children's literature. Drawing on Walter Ong's theory of orality and on Iain McGilChrist's work on brain function, this book develops a new theoretical framework for the study of children's poetry. From Tongue to Text argues that the poem is a multimodal form that exists in the borderlands between the world of experience and the world of language and between orality and literacy -- places that children themselves inhabit. Engaging with a wide range of poetry from nursery rhymes and Christina Rossetti to Michael Rosen and Carol Ann Duffy, Debbie Pullinger demonstrates how these 'tactful' works are shaped by the dynamics of orality and textuality. "-- "Reading poems by such writers as A.A. Milne, Michael Rosen and Carol Ann Duffy, this book explores the neglected genre of children's poetry to develop a new theory of the form"--

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    RVK Categories: EC 8550 ; HG 700
    Subjects: Children's poetry / History and criticism; Poetry and children; Children / Books and reading; Orality in literature; Schriftlichkeit; Kinderlyrik; Mündlichkeit
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references

    Machine generated contents note: -- Introduction -- Children's Poetry: the problem child -- Mind and Body -- Part One: Tact -- The Hidden Child -- Not Narrative -- In our right minds? -- The infancy of language -- The language of infancy -- The crossing -- The container -- Tactful language -- Part Two: Tongue -- Ear and voice -- Orality and vocality -- And another thing -- Making lists -- Again and again -- Here and now -- All join in! -- Live and in performance -- Part Three: Text -- Hand and eye -- From performance to page -- From A to Z -- The poetics of the page -- The distances of text -- The child and the text Conclusion -- Glossary -- Bibliography -- Index
  9. The Ethnography of Rhythm
    Orality and Its Technologies
    Author: Saussy, Haun
    Published: [2016]; © 2016
    Publisher:  Fordham University Press, New York, NY

    Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the "device"—core ideas of modern literary theory—were all... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Universitätsbibliothek Passau
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    Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the "device"—core ideas of modern literary theory—were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts—starting with Homer and the Bible—had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian "techniques of the body" as belonging to the domain of Derridean "arche-writing," Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823270491
    Other identifier:
    Series: Verbal Arts: Studies in Poetics
    Subjects: Derrida; Homer; Jacques; MacLuhan; Marshall; Milman; Parry; embodiment; literacy; media; memory; oral tradition; theory of literature; Technology & Engineering / Social Aspects; Folk literature; Oral tradition; Orality in literature; Poetics; Storytelling
    Scope: 1 online resource (274 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  10. From tongue to text
    a new reading of children's poetry
    Author: Pullinger, Debbie
    Published: 2018; © 2017
    Publisher:  Bloomsbury Academic, London

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    Internationale Jugendbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Edition: Paperback edition
    Series: Bloomsbury Perspectives on Children's Literature
    Subjects: Children's poetry / History and criticism; Poetry and children; Children / Books and reading; Orality in literature; Children / Books and reading; Children's poetry; Orality in literature; Poetry and children; Kinderlyrik; Mündlichkeit; Schriftlichkeit
    Scope: xviii, 261 pages, illustrations (black and white), 24 cm
  11. The conte
    oral and written dynamics
    Published: [2010]
    Publisher:  Lang, Oxford [u.a.]

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    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: English; French
    Media type: Book
    ISBN: 9783039118700
    RVK Categories: IE 3460 ; IJ 10070
    DDC Categories: 390; 840
    Subjects: Fairy tales; Fairy tales; Folk literature, French; Oral tradition; Oral tradition; Orality in literature; Mündliche Literatur; Schriftlichkeit; Französisch; Märchen
    Scope: 320 S., graph. Darst.
    Notes:

    Literaturangaben. - Beitr. teilw. engl., teilw. franz.
  12. Voicing the word
    writing orality in contemporary Italian fiction
    Author: Spunta, Marina
    Published: 2004
    Publisher:  Lang, Oxford [u.a.]

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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 3039102516; 0820471801
    RVK Categories: IV 2881 ; IV 2899
    Subjects: Italian fiction; Orality in literature; Literatur; Italienisch; Mündliche Literatur; Gesprochene Sprache; Schriftlichkeit
    Scope: 360 S., graph. Darst.
  13. Création romanesque négro-africaine et ressources de la littérature orale
    Author: Tro Deho, Roger
    Published: 2005
    Publisher:  <<L'>> Harmattan, Paris

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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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  14. Wort und Ort
    Oralität und Literarizität im sozialen Kontext der frühgriechischen Philosophie
    Author: Patzer, Andreas
    Published: 2006
    Publisher:  Alber, Freiburg ; München

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Hochschule für Philosophie, Bibliothek
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 9783495481981; 3495481982
    RVK Categories: CD 1610 ; CD 1650 ; CD 1850 ; FB 4041
    Edition: Orig.-Ausg.
    Subjects: Geschichte; Oral communication; Orality in literature; Philosophers, Ancient; Philosophy, Ancient; Written communication; Mündliche Literatur; Vorsokratiker; Kommunikation; Schriftlichkeit; Soziale Situation; Philosophie
    Scope: 214 S.
    Notes:

    Literaturverz. S. 173 - 188
  15. The beginnings of modern gendered discourse in late eighteenth-century Germany
    literary, philosophical, and popular portrayals of female orality
    Author: Benbow, Heather Merle
    Published: 2009
    Publisher:  Mellen, Lewiston [u.a.]

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  16. Oralność i mnemonika
    późny barok w kulturze polskiej
    Author: Prejs, Marek
    Published: 2009
    Publisher:  Wydawnictwa Uniwersytetu Warszawskiego, Warszawa

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Polish
    Media type: Book
    ISBN: 9788323505242
    Edition: Wyd. 1.
    Series: Communicare : historia i kultura
    Subjects: Barok - Literary Studies; Geschichte; Aesthetics, Polish; Arts, Baroque; Baroque literature; Mnemonics in literature; Orality in literature; Polish drama; Polish literature; Polish literature; Sculpture, Baroque; Theater; Literatur; Kunst; Theater
    Scope: 323 s., 21 cm.
  17. Studi sull'oralità letteraria
    dalle figure del parlato alla parola inattendibile
    Author: Porciani, Elena
    Published: 2008
    Publisher:  Ed. ETS, Pisa

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 9788846720672
    RVK Categories: IT 2656
    Series: La modernità letteraria ; 5
    Subjects: Italian literature; Orality in literature; Literatur; Italienisch; Gesprochene Sprache
    Other subjects: Pasolini, Pier Paolo <1922-1975>: Ragazzi di vita; Pavese, Cesare: Luna e i falò
    Scope: 140 S., 23 cm
    Notes:

    Contains bibliographical references, notes and name index. - Collected writings, articles and papers, mostly already publ. and now revised
  18. Voices past and present - studies of involved, speech-related and spoken texts
    in honor of Merja Kytö
    Contributor: Jonsson, Ewa (HerausgeberIn); Larsson, Tove (HerausgeberIn); Kytö, Merja (GefeierteR)
    Published: [2020]; © 2020
    Publisher:  John Benjamins Publishing Company, Amsterdam

    "This volume provides a diachronic and synchronic overview of linguistic variability and change in involved, speech-related and spoken texts in English. While previous works on the topic have focused on more limited time periods, this book covers... more

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    "This volume provides a diachronic and synchronic overview of linguistic variability and change in involved, speech-related and spoken texts in English. While previous works on the topic have focused on more limited time periods, this book covers data from the 16th century up to the present day. The studies offer new insights into historical and present-day corpus pragmatics by identifying and exploring features of orality in a variety of registers. For readers who are new to the field, the range of approaches will provide a helpful overview; for readers who are already familiar with the field, the volume will shed light on the complexity of factors such as register, sociolinguistic variability and language attitude, thus making it a useful resource and stepping stone for further exploration. The volume celebrates the groundbreaking contributions of Professor Merja Kytö in making accessible speech-related corpus material and leading the way in its exploration"--

     
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    Source: Union catalogues
    Contributor: Jonsson, Ewa (HerausgeberIn); Larsson, Tove (HerausgeberIn); Kytö, Merja (GefeierteR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789027260642
    Other identifier:
    Series: Studies in corpus linguistics ; volume 97
    Subjects: Voice in literature; Orality in literature; Orality; Oral communication in literature; Speech in literature; English language; Corpora (Linguistics)
    Scope: 1 Online-Ressource (XIII, 348 Seiten)
    Notes:

    Includes bibliographical references and index
  19. Writing by ear
    Clarice Lispector and the aural novel
    Author: Rocha, Marília Librandi
    Published: [2018]
    Publisher:  University of Toronto Press, Toronto

    Cover; Contents; List of Illustrations; Preface; Acknowledgments; Note on Copyright and Translations; 1 Introduction: A Certain Intimate Sense; 2 Writing by Ear; 3 The Aural Novel; 4 Hearing the Wild Heart; 5 Loud Object; 6 The Echopoetics of G.H.;... more

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    Hochschule Aalen, Bibliothek
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    Cover; Contents; List of Illustrations; Preface; Acknowledgments; Note on Copyright and Translations; 1 Introduction: A Certain Intimate Sense; 2 Writing by Ear; 3 The Aural Novel; 4 Hearing the Wild Heart; 5 Loud Object; 6 The Echopoetics of G.H.; Coda: Hearing Horses; Notes; Works Cited; Index "Considering Brazilian novelist Clarice Lispector's literature as a case study and a source of theory, Writing by Ear presents an aural theory of the novel based on readings of Near to the Wild Heart (1943), The Besieged City (1949), The Passion According to G.H. (1964), Agua Viva (1973), The Hour of the Star (1977), and A Breath of Life (1978). What is the specific aesthetic for which listening-in-writing calls? What is the relation that listening-in-writing establishes with silence, echo, and the sounds of the world? How are we to understand authorship when writers present themselves as objects of reception rather than subjects of production? In which ways does the robust oral and aural culture of Brazil shape literary genres and forms? In addressing these questions, Writing by Ear works in dialogue with philosophy, psychoanalysis, and sound studies to contemplate the relationship between orality and writing. Citing writers such as Machado de Assis, Oswald de Andrade and Jo[gamma]o Guimar[gamma]es Rosa, as well as Mia Couto and Toni Morrison, Writing By Ear opens up a broader dialogue on listening and literature, considering the aesthetic, ethical, and ecological reverberations of the imaginary. Writing by Ear is concerned at once with shedding light on the narrative representation of listening and with a broader reconceptualization of fiction through listening, considering it an auditory practice that transcends the dichotomy of speech and writing."--

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1487514735; 9781487514730
    Series: University of Toronto romance series
    Subjects: Orality in literature; Sound in literature; LITERARY CRITICISM ; European ; Spanish & Portuguese; LITERARY CRITICISM ; General; Orality in literature; Sound in literature; Criticism, interpretation, etc
    Other subjects: Lispector, Clarice; Lispector, Clarice
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index
  20. The Ethnography of Rhythm
    Orality and Its Technologies
    Author: Saussy, Haun
    Published: [2016]
    Publisher:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- Foreword -- Preface -- Figures -- Introduction: Weighing Hearsay -- 1. Poetry Without Poems or Poets -- 2. Writing as (One Form of) Notation -- 3. Autography -- 4. The Human Gramophone -- 5. Embodiment and Inscription --... more

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    Universitätsbibliothek Braunschweig
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    Frontmatter -- Contents -- Foreword -- Preface -- Figures -- Introduction: Weighing Hearsay -- 1. Poetry Without Poems or Poets -- 2. Writing as (One Form of) Notation -- 3. Autography -- 4. The Human Gramophone -- 5. Embodiment and Inscription -- Acknowledgments -- Notes -- Bibliography -- Index Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the “device”—core ideas of modern literary theory—were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts—starting with Homer and the Bible—had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian “techniques of the body” as belonging to the domain of Derridean “arche-writing,” Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823270491
    Other identifier:
    Series: Verbal Arts: Studies in Poetics
    Subjects: Storytelling; Folk literature; Oral tradition; Orality in literature; Poetics; Technology & Engineering / Social Aspects
    Scope: 1 Online-Ressource (274 p)
  21. From tongue to text
    a new reading of children's poetry
    Author: Pullinger, Debbie
    Published: 2017
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "Reading poems by such writers as A.A. Milne, Michael Rosen and Carol Ann Duffy, this book explores the neglected genre of children's poetry to develop a new theory of the form"-- "The connection between childhood and poetry runs deep. And yet,... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    "Reading poems by such writers as A.A. Milne, Michael Rosen and Carol Ann Duffy, this book explores the neglected genre of children's poetry to develop a new theory of the form"-- "The connection between childhood and poetry runs deep. And yet, poetry written for children has been neglected by criticism and resists prevailing theories of children's literature. Drawing on Walter Ong's theory of orality and on Iain McGilChrist's work on brain function, this book develops a new theoretical framework for the study of children's poetry. From Tongue to Text argues that the poem is a multimodal form that exists in the borderlands between the world of experience and the world of language and between orality and literacy -- places that children themselves inhabit. Engaging with a wide range of poetry from nursery rhymes and Christina Rossetti to Michael Rosen and Carol Ann Duffy, Debbie Pullinger demonstrates how these 'tactful' works are shaped by the dynamics of orality and textuality. "-- Machine generated contents note: -- Introduction -- Children's Poetry: the problem child -- Mind and Body -- Part One: Tact -- The Hidden Child -- Not Narrative -- In our right minds? -- The infancy of language -- The language of infancy -- The crossing -- The container -- Tactful language -- Part Two: Tongue -- Ear and voice -- Orality and vocality -- And another thing -- Making lists -- Again and again -- Here and now -- All join in! -- Live and in performance -- Part Three: Text -- Hand and eye -- From performance to page -- From A to Z -- The poetics of the page -- The distances of text -- The child and the text Conclusion -- Glossary -- Bibliography -- Index

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474258852; 9781474222341; 9781474222334
    Other identifier:
    RVK Categories: HG 729 ; HG 700 ; EC 8550
    Series: Bloomsbury perspectives on children's literature
    Subjects: Children; Orality in literature; Children's poetry; Poetry and children; Orality in literature; Poetry and children; Children's poetry; Children
    Scope: 1 Online-Ressource (xviii, 261 p), Illustrationen, Diagramme
    Notes:

    Includes bibliographical references
  22. Seeing tongues, hearing scripts
    orality and representation in the ancient novel
    Published: 2007
    Publisher:  Barkhuis [u.a.], Groningen

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Source: Union catalogues
    Language: English; Italian
    Media type: Book
    ISBN: 9077922237; 9789077922231
    RVK Categories: FB 6035
    Series: Ancient narrative / Supplementum ; 7
    Subjects: Classical fiction; Orality in literature; Rome; Written communication; Latein; Roman; Griechisch; Mündliche Literatur; Antike; Schriftlichkeit
    Scope: XXI, 340 S.
  23. La voce del poeta
    Federico García Lorca, l'oralità e la tradizione popolare
    Author: Assumma, Maria Cristina
    Published: 2007
    Publisher:  Artemide, Roma

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 9788875750589
    Series: Proteo ; 30
    Subjects: Orality in literature
    Other subjects: García Lorca, Federico <1898-1936>; García Lorca, Federico (1898-1936)
    Scope: 496 p., ill., 21 cm
    Notes:

    M. C. Assumma teaches at the University of Roma Tre. - Federico García Lorca (1898-1936). - Contains bibliography (p. 465-496), bibliographical references and notes
  24. Voicing the word
    writing orality in contemporary Italian fiction
    Author: Spunta, Marina
    Published: 2004
    Publisher:  Peter Lang, New York [u.a.]

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    Universitäts- und Landesbibliothek Bonn
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    Universitäts- und Landesbibliothek Düsseldorf
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0820471801
    Subjects: Italian fiction; Orality in literature; Oral tradition in literature
    Scope: 360 S.
    Notes:

    Includes bibliographical references and index
  25. Sterne's whimsical theatres of language
    orality, gesture, literacy
    Author: Tadié, Alexis
    Published: 2003
    Publisher:  Ashgate, Aldershot [u.a.]

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    Universitäts- und Landesbibliothek Düsseldorf
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    Universitätsbibliothek Duisburg-Essen
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0754630765
    RVK Categories: HK 3095
    Series: Studies in early modern English literature
    Subjects: Orality in literature; Gesture in literature
    Other subjects: Sterne 1713-1768
    Scope: 193 S.