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  1. Sacred landscapes
    nature in Renaissance manuscripts
    Author: Keene, Bryan C.; Kaczenski, Alexandra
    Published: [2017]
    Publisher:  J. Paul Getty Museum, Los Angeles

    "Presents examples of illuminated manuscripts from the Renaissance in which artists depict nature in their art to intensify the spiritual experience of the viewer. Additionally, the portrayal of landscape in panel paintings, drawings, and decorative... more

     

    "Presents examples of illuminated manuscripts from the Renaissance in which artists depict nature in their art to intensify the spiritual experience of the viewer. Additionally, the portrayal of landscape in panel paintings, drawings, and decorative arts from the fifteenth through the seventeenth centuries is discussed"...Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781606065464
    Subjects: Illumination of books and manuscripts, Renaissance; Nature in art; Landscapes in art
    Scope: 111 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 107-108

    "This publication is issued on the occasion of the exhibition Sacred Landscapes: Nature in Renaissance Manuscripts, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from October 10, 2017 to January 14, 2018."...ECIP galley. - Includes index
  2. Natur im Bild
    Zeichnung und Naturerkenntnis bei Conrad Gessner und Ulisse Aldrovandi
    Author: Fischel, Angela
    Published: 2009
    Publisher:  Mann, Berlin

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783786126102
    RVK Categories: AK 18400 ; CC 6100 ; GG 6149 ; LH 84956
    Series: Humboldt-Schriften zur Kunst- und Bildgeschichte ; 9
    Subjects: Natural history illustration; Natural history illustration; Natural history; Nature in art; Animals, Mythical, in art; Monsters in art
    Scope: 204 S., zahlr. Ill., 24
    Notes:

    Zugl.: Berlin, Humboldt-Univ., Diss., 2009
  3. Hockney - Van Gogh
    the joy of nature
    Author: Hartog Jager, Hans <<den>>
    Published: 2019
    Publisher:  Thames & Hudson, London

    Landscape has become an important theme for David Hockney, especially since he returned to his homeland, the Yorkshire Wolds, in the 1990s. The landscapes in this catalgoue show a series of in-depth observations of the changing seasons and the way in... more

     

    Landscape has become an important theme for David Hockney, especially since he returned to his homeland, the Yorkshire Wolds, in the 1990s. The landscapes in this catalgoue show a series of in-depth observations of the changing seasons and the way in which light, space and nature are constantly in motion. They are reminiscent of the landscapes of Vincent van Gogh, including his monumental Wheatfield with Crows and The Harvest. This book pays particular attention to these beautiful landscapes alongside Van Gogh's depiction of nature, with a special focus on technique, perspective and colour, and the way Van Gogh and Hockney use these "formal" elements to create their particular view on the world surrounding them. The book includes an exclusive interview with David Hockney about the inspiration he has found in Van Gogh's work. Exhibition: Van Gogh Museum, Amsterdam, The Netherlands (01.03.-26.05.2019)

     
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    Source: Union catalogues
    Contributor: Hockney, David; Gogh, Vincent <<van>>
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780500239971; 0500239975
    Subjects: Gogh, Vincent <<van>>; Malerei; Zeichnung; Naturdarstellung; Rezeption; ; Hockney, David; Naturdarstellung;
    Other subjects: Hockney, David / Themes, motives; Hockney, David / Criticism and interpretation; Gogh, Vincent van / 1853-1890 / Influence; Gogh, Vincent van / 1853-1890; Hockney, David; Nature in art; Influence (Literary, artistic, etc.); Nature in art; Themes, motives; Criticism, interpretation, etc
    Scope: 175 Seiten, 23 x 27 cm
    Notes:

    Diese Publikation erscheint anlässlich der Ausstellung "Hockney - Van Gogh: The Joy of Nature", Van Gogh Museum, Amsterdam, 1. März - 26. Mai 2019

    Enthält Literaturverzeichnis auf Seite 171
  4. <<Die>> Ordnung der Natur
    [Ausstellung O.K : 4.6. - 24.7.2005, Ausstellung MMK : 4.6. - 31.7.2005] = <<The>> order of nature
    Contributor: Sturm, Martin (Publisher)
    Published: 2005
    Publisher:  Folio-Verl., Wien [u.a.]

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    Source: Union catalogues
    Contributor: Sturm, Martin (Publisher)
    Language: German; English
    Media type: Book
    Format: Print
    ISBN: 3852563089
    Other identifier:
    9783852563084
    RVK Categories: LH 45130 ; LH 84956 ; LL 10197
    DDC Categories: 700
    Series: O.K books ; [20]05,3
    Subjects: Nature in art
    Scope: 123 S., zahlr. Ill., 27 cm
  5. Green Worlds in Early Modern Italy
    Art and the Verdant Earth
    Contributor: Goodchild, Karen Hope (Publisher); Oettinger, April (Publisher); Prosperetti, Leopoldine (Publisher)
    Published: [2019]; © 2019
    Publisher:  Amsterdam University Press, Amsterdam

    The green mantle of the earth! This metaphor conceives of the vegetation of the earth as a green cloth that drapes the barren earth. Long popular in patristic literature Il mantello verde della terra is a poetical image that ponders the providential... more

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    The green mantle of the earth! This metaphor conceives of the vegetation of the earth as a green cloth that drapes the barren earth. Long popular in patristic literature Il mantello verde della terra is a poetical image that ponders the providential greening of the earth on the third day of the Creation. Borrowing from the vocabulary of weaving it epitomizes the Renaissance interest in "fashioning green worlds" in art and poetry. Rachel Carson invoked the phrase to draw attention to environmental damage done to earth's "brilliant robe." Here it serves as a motto for a cultural poetics that made "living nature" an object of renewed interest. The essays gathered in this volume explore the expanding technologies and cultural dimensions of verzure and verdancy in the Italian Renaissance, and the role of painting in shaping the poetics and expression of greenery in the visual arts of the 16th-century and after

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Goodchild, Karen Hope (Publisher); Oettinger, April (Publisher); Prosperetti, Leopoldine (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048535866
    Other identifier:
    Series: Visual and Material Culture, 1300 –1700
    Subjects: ART / History / Renaissance; Arts, Italian; Nature in art; Nature in literature; Naturdarstellung
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Jun 2019)
  6. Naturform und bildnerische Prozesse
    Elemente einer Wissensgeschichte in der Kunst des 16. und 17. Jahrhunderts
    Author: Felfe, Robert
    Published: 2015
    Publisher:  de Gruyter, Berlin [u.a.]

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783110364552
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    9783110364552
    RVK Categories: LH 61090 ; LH 65720 ; LH 61080
    Series: Actus et imago ; 13
    Subjects: Nature (Aesthetics); Nature in art; Art and science; Art and science
    Scope: XII, 345 S., zahlr. Ill., graph. Darst.
    Notes:

    Teilw. zugl.: Berlin, Humboldt-Univ., Habil.-Schr., 2011

    Inhaltsverzeichnis; Vorwort; Einführung; Formübertragungen zwischen Natur und Kunst; I. „Style rustique" und Naturabguss; 1. Wenzel Jamnitzer und der Naturabguss in Metall; a. Das Porträt des Goldschmieds; b. Kunckels Werck-Schul und der Naturabguss als Substitution; 2. Bernard Palissy und seine „rustiques figulines"; a. Das Wissen des Künstlers - tastende Suche, Geheimhaltung und Autorschaft; b. Innere Durchbildung und Interaktion; 3. Der Naturabguss - eine Technik der ungeschlechtlichen Fortpflanzung; a. Spontanzeugung; b. Teilhabe an den nährenden Kräften der Natur

    4. „Ad vivum" - „nach dem Leben"a. Bilder ad vivum als Instrumente des Wissens; b. Ad vivum zwischen Naturabguss und subjektiver Vermittlung; II. Die „Figurensteine" und die Histor isierung der Natur am Paradigma der Künste; 1. Die Vielfalt der Künste in der Sprache der Beschreibung; a. Kunstwerke konkret - gezeichnet, gemalt, gestochen …; b. Vollkommenheit, Variation und Differenzen als heuristisches Instrumentarium; 2. Perspektiven der Verzeitlichung; a. Fabio Colonna und die Versteinerung als Naturprozess am Modell der Plastik

    b. Der doppelte Index der Fossilien - Schlüssel zu einer historischen DimensionZEICHNEN ALS VERKÖRPERUNG; I. Punkt und Linie - der Dinge Anfang; 1. Am Grund der Zeichnung; a. Dürers geworfener Punkt und das Ungenügen der Geometrie; b. „Punctum Physicum"; 2. Die regulären Polyeder - Konstruktion als Kunst der Verkörperung; a. Von Gewicht und Balance „platonischer Körper"; b. „es stehe Cörperlich und wesentlich alda "; 3. Anfang und Ende der Dinge; a. Elemente der Natur, Vokale der Sprache und gewachsene Formen; b. Bausteine der Welt zwischen Schöpfung und Heilsgeschehen

    II. Die regulären Körper in Naturprozess, Technik und Geschichte1. Urformen natürlicher Bildung und Maßstab universeller Transformationen; a. Prototypische Formen der Natur; b. Der Proportionalzirkel als Instrument universeller Transformationen; 2. Optische Räume oder: Perspektive als Magie der Präsenz; a. Vom nützlichen Vergnügen der Täuschung; b. Körper und ihre Erscheinung im Raum der Geschichte; Ausblicke; Literaturverzeichnis; Personen- und Sachregister; Bildnachweise

    Literatur- und Quellenverz. S. [297] - 337
  7. Der Wald als romantischer Topos
    5. Interdisziplinäres Symposion der Hochschule für Musik und Darstellende Kunst Frankfurt am Main 2007
    Published: 2008
    Publisher:  Lang, Bern [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783039116362
    RVK Categories: EC 5177 ; LH 61100 ; LP 13000
    Subjects: Nature in music; Nature in art; Nature in literature; Forests in art; Forests in literature; Wald <Motiv>; Kongress; Geschichte 1800-2007
    Scope: 371 S., Ill., Notenbeisp., 222 mm x 150 mm
  8. Die verlorenen Welten des Zdeněk Burian
    Author: Burian, Zdeněk
    Published: 2013
    Publisher:  Matthes & Seitz, Berlin

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783882210811
    Other identifier:
    9783882210811
    RVK Categories: WH 9200 ; LI 99999 ; LK 83490 ; GO 67350
    Edition: 1. Aufl.
    Series: Naturkunden ; 8
    Subjects: Dinosaurs in art; Prehistoric animals in art; Nature in art
    Other subjects: Burian, Zdeněk
    Scope: 239 S., überw. Ill.
  9. Nils Udo
    Wanderer in Natur und Kunst
    Author: Nils-Udo
    Published: 2013
    Publisher:  Wienand, Köln

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783868321166
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    9783868321166
    RVK Categories: LI 99999
    Subjects: Earthworks (Art); Site-specific installations (Art); Nature in art; Outdoor sculpture
    Other subjects: Nils-Udo (1937-)
    Scope: 191 S, überw. Ill., 310 mm x 240 mm
    Notes:

    Literaturverz. S. 189 - 191
  10. Nectar and illusion
    nature in Byzantine art and literature
    Author: Maguire, Henry
    Published: 2012
    Publisher:  Oxford University Press, Oxford [u.a.]

    Introduction -- Nature and idolatry -- Nature and rhetoric -- Nature and metaphor -- Nature and abstraction -- Nature and architecture -- Conclusion more

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    Introduction -- Nature and idolatry -- Nature and rhetoric -- Nature and metaphor -- Nature and abstraction -- Nature and architecture -- Conclusion

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199766604
    RVK Categories: LH 65400
    Series: Onassis series in Hellenic culture
    Subjects: Nature in art; Nature in literature; Arts, Byzantine; Byzantine literature; Nature
    Scope: XX, 198 S., [8] Bl, zahlr. Ill, 25 cm
    Notes:

    Includes bibliographical references (p. 175-186) and index

    Introduction -- Nature and idolatry -- Nature and rhetoric -- Nature and metaphor -- Nature and abstraction -- Nature and architecture -- Conclusion.
  11. Japan and the culture of the Four Seasons
    nature, literature, and the arts
    Author: Shirane, Haruo
    Published: 2012
    Publisher:  Columbia Univ. Press, New York, NY

    Introduction : Secondary nature, climate, and landscape -- Poetic topics and the making of the four seasons -- Visual culture, classical poetry, and linked verse -- Interiorization, flowers, and social ritual -- Rural landscape, social difference,... more

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    Introduction : Secondary nature, climate, and landscape -- Poetic topics and the making of the four seasons -- Visual culture, classical poetry, and linked verse -- Interiorization, flowers, and social ritual -- Rural landscape, social difference, and conflict -- Trans-seasonality, talismans, and landscape -- Annual observances, famous places, and entertainment -- Seasonal pyramid, parody, and botany -- Conclusion : History, genre, and social community -- Appendix : Seasonal topics in key texts

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0231152809; 9780231152808; 9780231152815
    RVK Categories: CC 6900
    Subjects: Japanese literature; Seasons in literature; Arts and society; Philosophy of nature in literature; Seasons in art; Nature in art; Kunst; Kulturgeschichte; Natur; Ästhetik
    Scope: XXI, 311 S., [4] Bl., Ill.
    Notes:

    Introduction: Secondary nature, climate, and landscape -- Poetic topics and the making of the four seasons -- Visual culture, classical poetry, and linked verse -- Interiorization, flowers, and social ritual -- Rural landscape, social difference, and conflict -- Trans-seasonality, talismans, and landscape -- Annual observances, famous places, and entertainment -- Seasonal pyramid, parody, and botany -- Conclusion: History, genre, and social community.
  12. Bildfelder
    Stilleben und Naturstücke des 17. Jahrhunderts
    Author: Leonhard, Karin
    Published: 2013
    Publisher:  Akademie Verlag, [Berlin]

    Die niederländische Stillebenmalerei des 17. Jahrhunderts nahm aktiv an den naturphilosophischen und naturwissenschaftlichen Diskursen der Zeit teil, dennoch wird sie in der Forschung bis heute vereinfachend als "realistisch-abbildende" Kunst... more

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    Die niederländische Stillebenmalerei des 17. Jahrhunderts nahm aktiv an den naturphilosophischen und naturwissenschaftlichen Diskursen der Zeit teil, dennoch wird sie in der Forschung bis heute vereinfachend als "realistisch-abbildende" Kunst bezeichnet. Hier ist eine Rehabilitierung des Begriffs "Mimesis" dringend notwendig geworden. Die Autorin unternimmt einen Neustart der Diskussion, der stärker auf die historische Diskussion des Natur- und Bildbegriffs zurückgreift. So fragt sie, inwiefern im 17. Jahrhundert mimetische Strukturen als ein biotisches Vermögen zur Reproduktion verstanden wurden. Dabei ergeben sich zwei Thesen: erstens, dass das Stilleben die beiderseitige Fähigkeit von Natur und Kunst thematisiert, Ähnlichkeiten zu erzeugen, und zweitens, dass es aus diesem Grund prädestiniert ist für eine Theoretisierung mimetischer Strukturen der Kunst im Allgemeinen

     
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783050063256
    RVK Categories: LH 70360 ; LH 70430 ; LH 70480 ; NN 3150
    Subjects: Still-life in art; Nature in art
    Scope: X, 473 Seiten, Illustrationen, 25 cm
    Notes:

    Habilitationsschrift, Universität Eichstätt-Ingolstadt, 2012

    Das Bild als Spezies Niederwelt/Sottobosco Picturas Acker Bilder, die wie Pilze aus dem Boden schiessen Scala naturae Urzeugung Temporariae : sich in der Existenz verausgabend Panspermia : Leben nach Plan Atomismus : Leben als "Accident" Grund und Bildgrund "Campeggiare" und "Schilderen" Die Spezies zeigt die Gattung vor Die Farbe Braun Mutter Erde Monströse Kunst Der Sohn als Species Wachstum und Verfall Descensus : ascensus Der Mensch als Ephemeron Das Naturtableau bricht auf Das Bild als Bio-topos Schöpfen aus der Tiefe Wissensnetzwerke Mimesis I : das Bild als "Spezies" : der Maler als Gärtner Das Bild als Pharmakon Gemaltes Gift Medusas Blut Theriak Dichtung und Wahrheit Arbeit am Mythos Von Dingen und Tatsachen SchlangensteinTarantellaPharmakeiaKräuterSteineMimesis II : die Droge der Repräsentation : der Maler als ApothekerDas Bild als PalingenesisAlchemieSulphur, Sal, MercuriusAugen öffnenAugentrostGold und SilberZinnoberSchneeweiss und RosenrotFall in die MateriePalingenesisMimesis III : Tod und Verklärung : der Maler als AlchemistDas Bild als EphemeronNatürliche Farbe und künstliche FarbeVerf und kleurFarbe als Färbung (De coloribus)Farben und ElementePurpurrot und LauchgrünSchicht für SchichtColores proprii : colores apparentesRegenbogen und BlumenstraussAusterus : floridusApparent colourPrisma und PaletteGetrübte MedienVan Hoogstraten liest DigbyAlchemie und OptikHylemorphismus und AtomismusAcker und FeldMimesis IV : das Bild als "Ephemeron" : Farbe als AkzidensNachwort und AusblickFarbtafelnBibliographieRegisterBildnachweis.
  13. Natur in der zeitgenössischen Kunst
    Konstellationen jenseits von Landschaft und Materialästhetik
    Author: Dickel, Hans
    Published: [2016]; © 2016
    Publisher:  Verlag Silke Schreiber, München

    Mit der documenta 13 (2012) ist das Thema ,Natur? erneut in den Focus der zeitgenössischen Kunst geraten. Aus den traditionellen Gattungen sind Formen künstlerisch gestalteter ,Wahrnehmungsfelder? hervorgegangen, die ihr Publikum konvulsivisch... more

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    Mit der documenta 13 (2012) ist das Thema ,Natur? erneut in den Focus der zeitgenössischen Kunst geraten. Aus den traditionellen Gattungen sind Formen künstlerisch gestalteter ,Wahrnehmungsfelder? hervorgegangen, die ihr Publikum konvulsivisch verstricken und ,Natur? in deren Relationen zu Technik und Medien, Zivilisation und Kultur verhandeln. 0Hans Dickel untersucht ausgewählte Arbeiten u. a. von Olafur Eliasson, Andreas Eriksson, Rodney Graham, Tue Greenfort, Carsten Höller, Roni Horn, Pierre Huyghe, Amar Kanwar, Carsten Nicolai, Simon Starling und Diana Thater und vielen anderen und bringt sie in Verbindung mit dem Modell des Anthropozän sowie mit der soziologisch begründeten, in einer französischen Tradition stehenden Naturauffassung von Bruno Latour (Face à Gaia, 2015)

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783889601582
    Other identifier:
    9783889601582
    RVK Categories: LH 84956 ; LH 65020 ; LH 65880
    Subjects: Nature in art; Art, Modern
    Scope: 198 Seiten, 8 ungezählte Seiten, Illustrationen, 24 cm
    Notes:

    Literaturverzeichnis am Ende des Bandes auf den ungezählten Seiten 1-5 (das entspricht den ungezählten Seiten 199-203)
  14. Contesting environmental imaginaries
    nature and counternature in a time of global change
    Contributor: Hartman, Steven P. (HerausgeberIn)
    Published: 2017
    Publisher:  Brill, Rodopi, Leiden

    "Contesting Environmental Imaginaries foregrounds a question central to humanistic environmental studies: How is nature to be perceived and understood in a time of global environmental crisis? A challenge was issued to imagine counter natures, past... more

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    "Contesting Environmental Imaginaries foregrounds a question central to humanistic environmental studies: How is nature to be perceived and understood in a time of global environmental crisis? A challenge was issued to imagine counter natures, past or present, casting nature as a normative concept into productive relief. One ambition was to highlight shifting perspectives on nature and the environment that may help account for the rise of the environmental humanities; another was to invite challenges to orthodoxies, including those that animate this burgeoning field. Contributions emerged from the study areas of Environmental History, Ecocriticism, Cultural Studies, American Studies, Caribbean Studies, Scandinavian Studies, Media Studies, and the History of Ideas. This volume draws together the fruits of this thought experiment"--Provided by publisher Introduction: Naturalizing culture and countering nature in discourses of the environment / Steven Hartman -- Part 1. Re-contextualizing nature -- Day and night : topography and renewal in Thoreau's Walden and Douglass's Narrative / Klaus Benesch -- James Schuyler's flower poems and the urban pastoral aesthetic / Tatiani G. Rapatzikou -- Palimpsest of subjugation : inscriptions of domination on the land and the human body in Jane Smiley's A thousand acres / Oyunn Hestetun -- Reframing American naturism? : space, history and the rise of environmental discourse / Mark Luccarelli -- Part 2. Challenging nature and envisioning counternatures -- Uses and abuses of environmental memory / Lawrence Buell -- Environment, technology, and modernity in contemporary Japanese animation / Ursula K. Heise -- A harmony of murder : transatlantic visions of wilderness in Werner Herzog's Grizzly man / Torben Huus Larsen -- Literary appreciation : a biocultural view / Marcus Nordlund -- Part 3. Applying counternatures -- Dark Darwin : (d)evolutionary theory and the logic of vampirism in Bram Stoker's Dracula / Henrik Otterberg -- Why should we respect nature? : an appropriation of Nietzsche / Torsten Pettersson -- Histories and ideologies of nature in Argyll / Karen Lykke Syse -- "Picturing Eden" : contesting Fredrika Bremer's tropics / Adriana Mendez Rodenas -- Life under water : narratives of deep sea counternatures / Hakan Sandgren -- Superfund sites as anti-landscapes / David E. Nye

     
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    Source: Union catalogues
    Contributor: Hartman, Steven P. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789004335073
    RVK Categories: MS 9000 ; EC 1879 ; EC 5410
    Series: Studies in environmental humanities ; volume 4
    Subjects: Nature; Human ecology; Science and the humanities; Nature in literature; Human ecology in literature; Nature in art; Human ecology in art; Nature (Aesthetics); Environment (Aesthetics); Discourse analysis
    Scope: xi, 309 pages, 25 cm
    Notes:

    Includes bibliographical references and index
  15. Art and nature in the Middle Ages
    Author: Pastoureau, Michel; Taburet-Delahaye, Elisabeth; Zink, Michel
    Published: [2016]; © 2016
    Publisher:  Dallas Museum of Art, Dallas ; Yale University Press, New Haven ; London

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    Fc 7537
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    Source: Union catalogues
    Contributor: Myers, Nicole R. (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9780300227055
    RVK Categories: LH 84760 ; LH 65600 ; LH 84540
    Subjects: Nature in art; Art, Medieval; Art; Natur <Motiv>; Kunst
    Scope: 134 Seiten
    Notes:

    "Published in conjunction with the exhibition "Art and nature in the Middle Ages", organized by the Dallas Museum of Art, in cooperation with the Musée de Cluny ... Paris, and presented in Dallas from December 4, 2016, to March 19, 2017". - "The essays "Art and Nature in the Middle Ages" by Elisabeth Taburet-Delahaye, "Nature in the Medieval World" by Michel Zink, and "The Place of Animals in Medieval History" by Michel Pastoureau have been translated from Art et Nature au Moyen Âge (co-published in 2013 by the Musée national des beaux-arts du Quebec, Musée de Cluny - Musée national du Moyen Âge, and Réunion des musées nationaux-Grand Palais) and reprinted with permission."
  16. Sacred landscapes
    nature in Renaissance manuscripts
    Author: Keene, Bryan C.; Kaczenski, Alexandra
    Published: [2017]; © 2017
    Publisher:  The J. Paul Getty Museum, Los Angeles

    "Presents examples of illuminated manuscripts from the Renaissance in which artists depict nature in their art to intensify the spiritual experience of the viewer. Additionally, the portrayal of landscape in panel paintings, drawings, and decorative... more

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    "Presents examples of illuminated manuscripts from the Renaissance in which artists depict nature in their art to intensify the spiritual experience of the viewer. Additionally, the portrayal of landscape in panel paintings, drawings, and decorative arts from the fifteenth through the seventeenth centuries is discussed"...Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781606065464
    Series: Getty publications
    Subjects: Illumination of books and manuscripts, Renaissance; Nature in art; Landscapes in art; Landschaft <Motiv>; Buchmalerei
    Scope: 111 Seiten
    Notes:

    "This publication is issued on the occasion of the exhibition Sacred Landscapes: Nature in Renaissance Manuscripts, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from October 10, 2017 to January 14, 2018." - Impressum
  17. Van Gogh and nature
    [published on the occasion of the exhibition Van Gogh and Nature, Clark Art Institute, Williamstown, Massachusetts, June 14-September 13, 2015]
    Contributor: Gogh, Vincent van (Ill.)
    Published: 2015
    Publisher:  Yale Univ. Press, New Haven [u.a.]

    "The celebrated painter Vincent van Gogh (1853-1890) had a lifelong fascination with the natural world. He spent his youth in rural Holland, and the country's flat landscapes, trees, flowers, and birds would feature in his early art. After he moved... more

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    Kunstakademie Düsseldorf, Bibliothek
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    U1z, GOG 46
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    "The celebrated painter Vincent van Gogh (1853-1890) had a lifelong fascination with the natural world. He spent his youth in rural Holland, and the country's flat landscapes, trees, flowers, and birds would feature in his early art. After he moved to Paris, he encountered new radical thinking about art and humans' changing relationship with nature. Later, in Provence and Auvers, he discovered unfamiliar terrain, flora, and fauna that further influenced his artistic ideas and subject matter. Van Gogh's images of such diverse environments reflect not only his immediate surroundings but also the artist's evolving engagement with nature and art. Van Gogh and Nature is an eye-opening new catalogue that chronicles the artist's ongoing relationship with nature throughout his entire career. Among the featured works are Van Gogh's drawings and paintings, along with related materials that illuminate his reading, sources, and influences. Vivid color photography and explanatory texts based on new research by the authors clarify a central theme of Van Gogh's oeuvre. "..

     
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    Content information
    Source: Union catalogues
    Contributor: Gogh, Vincent van (Ill.)
    Language: English
    Media type: Book
    ISBN: 9780300210293; 9781935998235
    Subjects: Nature in art; ART / Individual Artists / Monographs; ART / Subjects & Themes / Plants & Animals; ART / Subjects & Themes / Landscapes; ART / Collections, Catalogs, Exhibitions / General; Malerei; Natur <Motiv>
    Other subjects: Gogh, Vincent van, (1853-1890); Gogh, Vincent van (1853-1890)
    Scope: 236 S., zahlr. Ill., überw. farb.
    Notes:

    Includes bibliographical references and index
  18. Titian - A fresh look at nature
    [... exhibition: Titian's first masterpiece: The Flight into Egypt held in the Sunley Room at the National Gallery, London 4 April - 19 August 2012]
    Contributor: Vecellio, Tiziano (Ill.)
    Published: 2012
    Publisher:  National Gallery, London

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    Universitätsbibliothek Bielefeld
    Signature:
    FB900+TI625 T618
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    R 8602/113
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    KMB/K TIZIAN 7 2012
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    Source: Union catalogues
    Contributor: Vecellio, Tiziano (Ill.)
    Language: English
    Media type: Book
    ISBN: 9781857095449; 1857095448
    Subjects: Naturdarstellung
    Other subjects: Vecellio, Tiziano (1477-1576); Titian, ca. 1488-1576 / Criticism and interpretation; Nature in art
    Scope: 87 S., zahlr. farb. Ill.
  19. The work of wind
    air, land, sea
    Contributor: Springer, Anna-Sophie (HerausgeberIn)
    Published: 2018-
    Publisher:  K. Verlag, Berlin ; Blackwood Gallery, University of Toronto, Mississauga, Ontario

    "Across a variegated set of curatorial and editorial instantiations developed by Christine Shaw in 2018/19, the Beaufort Scale of Wind Force becomes a diagram of prediction and premonition in the context of accelerating planetary extinction. The Work... more

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    Berlinische Galerie - Landesmuseum für Moderne Kunst, Fotografie und Architektur, Bibliothek
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    "Across a variegated set of curatorial and editorial instantiations developed by Christine Shaw in 2018/19, the Beaufort Scale of Wind Force becomes a diagram of prediction and premonition in the context of accelerating planetary extinction. The Work of Wind: Air, Land, Sea appropriates the Beaufort Scale of Wind Force as a readymade index for curating a site specific exhibition in the Southdown industrial area of Mississauga, Ontario, Canada, and a publication divided into three conjoining volumes. The project is extended by the Society of the Diffusion of Useful Knowledge, a public program and broadcast series. While the title might suggest a weather project, it is not about wind but of wind, of the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, politics of sustainability, climate justice, and resilience."-- Page v

     
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    Source: Union catalogues
    Contributor: Springer, Anna-Sophie (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    Parent title:
    Subjects: Human ecology in art; Climatic changes; Global environmental change; Nature; Winds in art; Weather in art; Ecology in art; Nature in art; Landscapes in art; Beaufort scale; Beaufort scale; Weather; Winds; Winds ; Measurement; Exhibition catalogs
    Scope: 25 cm
    Notes:

    "A three-part exhibition and publication series. Opening perspectives on climate change, environmental crisis, and resilience. Presented by the Blackwood Gallery, the University of Toronto Mississauga in partnership with the City of Mississauga." --Website: workofwind.ca

    "While the title might suggest a weather project. It is not about wind but of wind, of the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, politics of sustainability, climate justice, and resillience." -- Page v
  20. Art of nature
    three centuries of natural history art from around the world
    Author: Magee, Judith
    Published: 2009
    Publisher:  Natural History Museum, London

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    Edition: 1. publ.
    Subjects: Natural history / Pictorial works; Nature in art; Natural history; Nature in art; Biologie; Tiere; Wissenschaft; Kunst; Bildliche Darstellung; Tierdarstellung; Naturwissenschaftler; Natur; Pflanzen; Pflanzendarstellung; Naturdarstellung; Grafische Darstellung
    Scope: 256 S., zahlr. Ill., 26 cm
    Notes:

    Includes bibliographical references and index
  21. Das "Buch der Natur" Konrads von Megenberg
    die illustrierten Handschriften und Inkunabeln
    Author: Spyra, Ulrike
    Published: 2005
    Publisher:  Böhlau, Köln [u.a.]

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3412151041; 9783412151041
    RVK Categories: NZ 98997 ; TB 2322 ; TB 3231 ; GF 7768
    Series: Pictura et poesis ; 19
    Subjects: Manuscripts, Medieval; Incunabula; Natural history; Nature in art; Illumination of books and manuscripts, Medieval; Illustration of books; Dissertations
    Other subjects: Konrad, von Megenberg; Konrad, von Megenberg
    Scope: VI, 488, [40] S., Ill., 27 cm
    Notes:

    Zugl.: Tübingen, Univ., Diss., 2000

    Literaturverz. S. 411 - 453
  22. The Glass Veil: seven adventures in wonderland
    Published: 2015
    Publisher:  Lang, Bern [u.a.]

    Cover; Table of Contents; Introduction; References; List of Illustrations; Acknowledgments; 1. Essays; Intimacy Unveiled (Suzanne Anker); From Apocalypse to Analogy; Transforming Life; References; List of Illustrations; Through the Looking Glass:... more

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    Cover; Table of Contents; Introduction; References; List of Illustrations; Acknowledgments; 1. Essays; Intimacy Unveiled (Suzanne Anker); From Apocalypse to Analogy; Transforming Life; References; List of Illustrations; Through the Looking Glass: Encounters with Suzanne Anker's Wonderlands (Sabine Flach); I. Making is Thinking -- Art as Knowledge; II. "We can know more than we can tell"; III. Ars Quaerendi -- The Art of Asking Questions; IV. Synechein -- The Art of Interweaving; References; List of Illustrations; 2. Dialogues; Dialogue I: The Glass Veil Dialogue I: The Glass Veil (Suzanne Anker & Sabine Flach) References; List of Illustrations; Dialogue II: The Butterfly in the Brain / Rorschach; Dialogue II: The Butterfly in the Brain / Rorschach (Suzanne Anker & Sabine Flach; References; List of Illustrations; Dialogue III: Origins and Futures / Stem Cells; Dialogue III: Origins and Futures / Stem Cells (Suzanne Anker & Sabine Flach); References; List of Illustrations; Dialogue IV: Laboratory Life / Genetic Seed Bank; Dialogue IV: Laboratory Life / Genetic Seed Bank (Suzanne Anker & Sabine Flach); References; List of Illustrations Dialogue V: Biota / Carbon Collision of the Diamond MindDialogue V: Biota / Carbon Collision of the Diamond Mind (Suzanne Anker & Sabine Flach); References; List of Illustrations; Dialogue VI: Astroculture (Shelf Life); Dialogue VI: Astroculture (Shelf Life) (Suzanne Anker & Sabine Flach); References; List of Illustrations; Dialogue VII: Vanitas (in a Petri Dish) / Remote Sensing; Dialogue VII:Vanitas (in a Petri Dish) / Remote Sensing (Suzanne Anker & Sabine Flach); References; List of Illustrations; Epilogue; Epilogue (Suzanne Anker & Sabine Flach); References; List of Illustrations 3. AppendixMendell's Meltdown (Suzanne Anker); List of references; Errata/Erotica (Suzanne Anker); Variant of Measurement; Variant of Movement; Egg Not Silent Partners In Conception; List of references; Synthetic Abandon (Suzanne Anker); List of references; Viruses and Pearls: The Materialization of Culture (Suzanne Anker); List of references; List of illustrations; Biographies (Suzanne Anker)

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 303431101X; 9783034311014
    Other identifier:
    9783034311014
    RVK Categories: LH 61100 ; LI 99999
    Edition: 1. Aufl
    Series: Art - Knowledge - Theory ; 2
    Subjects: Medicine and art; Science in art; Nature in art; Art; Thought and thinking
    Other subjects: Anker, Suzanne (1946-)
    Scope: 220 S, 99 Ill, 240 mm x 165 mm, 540 g
  23. Expedition Kunst
    die Entdeckung der Natur von C. D. Friedrich bis Humboldt ; [Katalog zur Ausstellung ... vom 25. Oktober 2002 bis 23. Februar 2003 in der Hamburger Kunsthalle]
    Published: 2002
    Publisher:  Dölling und Galitz, Hamburg [u.a.]

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Location:
    Stiftung Deutsches Historisches Museum, Bibliothek
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    Location:
    TU Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Location:
    Europa-Universität Viadrina, Universitätsbibliothek
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3935549393
    RVK Categories: LH 43550 ; LH 70460 ; LI 30660 ; LK 83460
    Subjects: Beeldende kunsten; Expedities; Natuur; Kunst; Nature in art; Naturdarstellung; Landschaftsmalerei
    Scope: 254 S., überw. Ill.
    Notes:

    Auch angekündigt als: Künstler, Forscher, Reisende
  24. Art of nature
    three centuries of natural history art from around the world
    Author: Magee, Judith
    Published: 2009
    Publisher:  Natural History Museum, London

    Location:
    Staats- und Stadtbibliothek Augsburg
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    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Edition: 1. publ.
    Subjects: Natural history / Pictorial works; Nature in art; Natural history; Nature in art; Biologie; Tiere; Wissenschaft; Kunst; Bildliche Darstellung; Tierdarstellung; Naturwissenschaftler; Natur; Pflanzen; Pflanzendarstellung; Naturdarstellung; Grafische Darstellung
    Scope: 256 S., zahlr. Ill., 26 cm
    Notes:

    Includes bibliographical references and index
  25. The Glass Veil
    seven adventures in Wonderland
    Author: Anker, Suzanne; Flach, Sabine
    Published: [2015]
    Publisher:  Peter Lang, Bern

    Cover; Table of Contents; Introduction; References; List of Illustrations; Acknowledgments; 1. Essays; Intimacy Unveiled (Suzanne Anker); From Apocalypse to Analogy; Transforming Life; References; List of Illustrations; Through the Looking Glass:... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    Cover; Table of Contents; Introduction; References; List of Illustrations; Acknowledgments; 1. Essays; Intimacy Unveiled (Suzanne Anker); From Apocalypse to Analogy; Transforming Life; References; List of Illustrations; Through the Looking Glass: Encounters with Suzanne Anker's Wonderlands (Sabine Flach); I. Making is Thinking -- Art as Knowledge; II. "We can know more than we can tell"; III. Ars Quaerendi -- The Art of Asking Questions; IV. Synechein -- The Art of Interweaving; References; List of Illustrations; 2. Dialogues; Dialogue I: The Glass Veil Dialogue I: The Glass Veil (Suzanne Anker & Sabine Flach) References; List of Illustrations; Dialogue II: The Butterfly in the Brain / Rorschach; Dialogue II: The Butterfly in the Brain / Rorschach (Suzanne Anker & Sabine Flach; References; List of Illustrations; Dialogue III: Origins and Futures / Stem Cells; Dialogue III: Origins and Futures / Stem Cells (Suzanne Anker & Sabine Flach); References; List of Illustrations; Dialogue IV: Laboratory Life / Genetic Seed Bank; Dialogue IV: Laboratory Life / Genetic Seed Bank (Suzanne Anker & Sabine Flach); References; List of Illustrations Dialogue V: Biota / Carbon Collision of the Diamond MindDialogue V: Biota / Carbon Collision of the Diamond Mind (Suzanne Anker & Sabine Flach); References; List of Illustrations; Dialogue VI: Astroculture (Shelf Life); Dialogue VI: Astroculture (Shelf Life) (Suzanne Anker & Sabine Flach); References; List of Illustrations; Dialogue VII: Vanitas (in a Petri Dish) / Remote Sensing; Dialogue VII:Vanitas (in a Petri Dish) / Remote Sensing (Suzanne Anker & Sabine Flach); References; List of Illustrations; Epilogue; Epilogue (Suzanne Anker & Sabine Flach); References; List of Illustrations 3. AppendixMendell's Meltdown (Suzanne Anker); List of references; Errata/Erotica (Suzanne Anker); Variant of Measurement; Variant of Movement; Egg Not Silent Partners In Conception; List of references; Synthetic Abandon (Suzanne Anker); List of references; Viruses and Pearls: The Materialization of Culture (Suzanne Anker); List of references; List of illustrations; Biographies (Suzanne Anker)

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783034311014; 303431101X
    RVK Categories: LH 61100 ; LI 99999
    Series: Art, Knowledge, Theory ; Volume 2
    Subjects: Medicine and art; Science in art; Nature in art; Art; Thought and thinking
    Other subjects: Anker, Suzanne (1946-)
    Scope: 220 Seiten, Illustrationen