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Displaying results 1 to 5 of 5.

  1. Digitales Bildkuratieren
    Contributor: Bareither, Christoph (Herausgeber); Geis, Katharina (Herausgeber); Ullrich,Sarah (Herausgeber); Macdonald, Sharon Jeannette (Herausgeber); Greifeneder, Elke (Herausgeber); Hillebrand,Vera (Herausgeber)
    Published: 2023
    Publisher:  Open Publishing LMU, München

    Digitale Bildtechnologien ermöglichen neue Erfahrungen und Umgangsweisen mit musealen Räumen. Besucher*innen nutzen Museumsdatenbanken, (Smartphone-)Kameras und Social Media, um Bilder von musealen Objekten zu sammeln, zu archivieren, zu gestalten,... more

    Universitätsbibliothek Dortmund
    Unlimited inter-library loan, copies and loan

     

    Digitale Bildtechnologien ermöglichen neue Erfahrungen und Umgangsweisen mit musealen Räumen. Besucher*innen nutzen Museumsdatenbanken, (Smartphone-)Kameras und Social Media, um Bilder von musealen Objekten zu sammeln, zu archivieren, zu gestalten, zu inszenieren und kommunikativ zu verhandeln. Diese Praktiken des digitalen Bildkuratierens schaffen neue ästhetische Bedeutungen, fügen verschiedene Wissenskontexte zusammen und konstituieren emotionale Verbindungen. Dadurch bauen digitale Bildtechnologien neue Brücken zwischen musealen Räumen und alltäglichen Lebenswelten

     

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    Source: Union catalogues
    Contributor: Bareither, Christoph (Herausgeber); Geis, Katharina (Herausgeber); Ullrich,Sarah (Herausgeber); Macdonald, Sharon Jeannette (Herausgeber); Greifeneder, Elke (Herausgeber); Hillebrand,Vera (Herausgeber)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783487164175
    Other identifier:
    9783487164175
    Series: Begriffe des digitalen Bildes
    Subjects: Bildkuratieren; Digitale Bildtechnologie; museale Räume
    Other subjects: Digitale Medien, Internet, Telekommunikation; Digital Lifestyle; Museumskunde, Materielle Kultur, Erinnerungskultur; Hardcover, Softcover / Sachbücher/Kunst, Literatur
    Scope: 95 Seiten, Illustrationen, 142 grams
  2. The UNESCO memory of the world programme
    key aspects and recent developments
    Contributor: Edmondson, Ray (Herausgeber); Jordan, Lothar (Herausgeber); Prodan, Anca Claudia (Herausgeber)
    Published: [2020]; © 2020
    Publisher:  Springer, Cham

    The volume "The UNESCO Memory of the World Programme: Key Aspects and Recent Developments" responds to the growing interest in the scientific study of the Memory of the World Programme (MoW) and its core concept of documentary heritage, which has... more

    Universitätsbibliothek Duisburg-Essen
    AFQ1105
    Unlimited inter-library loan, copies and loan
    Institut für Afrikanistik und Ägyptologie, Abteilung Ägyptologie, Bibliothek
    416/32EDM1
    No inter-library loan

     

    The volume "The UNESCO Memory of the World Programme: Key Aspects and Recent Developments" responds to the growing interest in the scientific study of the Memory of the World Programme (MoW) and its core concept of documentary heritage, which has received little attention from scholarship so far. This sixth publication in the Heritage Studies Series provides a first collection of differing approaches (including reflected reports, essays, research contributions, and theoretical reflections) for the study of the MoW Programme, offering a basis for follow-up activities. The volume, edited by Ray Edmondson, Lothar Jordan and Anca Claudia Prodan, brings together 21 scholars from around the globe to present aspects deemed crucial for understanding MoW, its development, relevance and potential. The aim is to encourage academic research on MoW and to enhance the understanding of its potential and place within Heritage Studies and beyond.

     

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    Source: Union catalogues
    Contributor: Edmondson, Ray (Herausgeber); Jordan, Lothar (Herausgeber); Prodan, Anca Claudia (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9783030184438
    Other identifier:
    9783030184438
    10.1007/978-3-030-18441-4
    Series: Heritage Studies
    Other subjects: Museumskunde, Materielle Kultur, Erinnerungskultur; B; Cultural Heritage; Social Sciences; Cultural Heritage; Digital Humanities; Digital Humanities; Computeranwendungen in Geistes- und Sozialwissenschaften; Database Management System; Daten / Datenbanken; Information Systems and Communication Service; Hardcover, Softcover / Geschichte/Kulturgeschichte; Cultural heritage; Humanities—Digital libraries; Computers; Culture-Study and teaching; documentary and digital heritage;information preservation concerns;intangible heritage and cultural diversity;documentary heritage as common world memory;manuscript, audiovisual and photographic collections
    Scope: xxviii, 340 Seiten, 563 grams.
    Notes:

    The volume "The UNESCO Memory of the World Programme: Key Aspects and Recent Developments" responds to the growing interest in the scientific study of the Memory of the World Programme (MoW) and its core concept of documentary heritage, which has received little attention from scholarship so far. This sixth publication in the Heritage Studies Series provides a first collection of differing approaches (including reflected reports, essays, research contributions, and theoretical reflections) for the study of the MoW Programme, offering a basis for follow-up activities. The volume, edited by Ray Edmondson, Lothar Jordan and Anca Claudia Prodan, brings together 21 scholars from around the globe to present aspects deemed crucial for understanding MoW, its development, relevance and potential. The aim is to encourage academic research on MoW and to enhance the understanding of its potential and place within Heritage Studies and beyond.

    1. Introduction: A New Road is Opened; Ray Edmondson, Lothar Jordan, Anca Claudia Prodan; ; Part I MEMORY OF THE WORLD: BASICS, PRINCIPLES, AND ETHICS ; 2. Memory of the World - An Introduction; Ray Edmondson; 3. Memory of the World: Key Principles and Philosophy; Joie Springer; 4. Memory of the World Registers and Their Potential; Roslyn Russell ; ; PART II MEMORY OF THE WORLD: THE RECOMMENDATION, GUIDELINES AND THE POLITICS OF MEMORY; 5. The Pathway to the Recommendation concerning the Preservation of, and Access to, Documentary Heritage including in Digital Form; Helen Jarvis; 6. Reviewing the MoW General Guidelines – Reflections on the Experience of 2015–2017; Ray Edmondson; 7. History Wars in the Memory of the World: The Documents of the Nanjing Massacre and the "Comfort Women"; Kyung-ho Suh; ; PART III MEMORY OF THE WORLD IN CONTEXT: HERITAGE DIVERSITY AND CONVERGENCE; 8.-

    Methodological Convergence: Documentary Heritage and the International Framework for Cultural Heritage Protection ; Richard Engelhardt and Pernille Askerud ; 9. The Appropriation of the UNESCO Memory of the World Programme in the Socio-cultural Context of West Africa: The Contribution of the Department "Heritage Professions" of the University Gaston Berger of Saint-Louis of Senegal to a Better Management of Oral Archives; Papa Momar Diop; 10. Making the Past Visible for the Future; Map of the Old City of Aleppo; Sepideh Zarrin Ghalam and Christoph Wessling; ; PART IV TECHNOLOGICAL CHALLENGES ; 11. Memory of the World, Documentary Heritage and Digital Technology: Critical Perspectives; Anca Claudia Prodan; 12. Documentary Heritage in the Digital Age: Born Digital, Being Digital, Dying Digital; Titia van der Werf and Bram van der Werf; 13. Documentary Heritage in the Cloud; Luciana Duranti; 14. Audiovisual Documents and the Digital Age; Dietrich Schüller; 15.-

    How to Make Information on Nuclear Waste Sustainable? A Case for the Participation of the UNESCO Memory of the World Programme; Jonas Palm and Lothar Jordan; ; PART V EDUCATION AND RESEARCH; 16. UNESCO’s ‘Memory of the World' in Schools: An Essay towards a Global Dialogue around a Common Culture of Universal Memories; Martin Porter; 17. Memory of the World Education in Macau; Helen H.K. Ieong; 18. Approaching the Memory of the World Programme with Arts Education Projects; Jutta Ströter-Bender; 19. Exploring the Challenges Facing Archives and Records Professionals in Africa: Historical Influences, Current Developments and Opportunities; Shadrack Katuu; 20. Terminology and Criteria of the UNESCO Memory of the World Programme: New Findings and Proposals for Research; Lothar Jordan; ; PART VI EDITORS' AFTERWORDS; 21. Back to the Future: A Reflection on Fundamentals ; Ray Edmondson ; 22.-

    Building Bridges between Memory of the World, the Academic World and Memory Institutions; Lothar Jordan; 23. Heritage Studies and the Memory of the World – Concluding Reflections; Anca Claudia Prodan ; ;

  3. Doing diversity in museums and heritage
    a Berlin ethnography
    Contributor: Macdonald, Sharon Jeannette (Herausgeber)
    Published: 2023
    Publisher:  transcript, Bielefeld

    The museum and heritage sector has been shaken by debates over how to address colonialism, migration, Islamophobia, LGBTI+ and multiple other forms of difference. This major multi-researcher ethnography of museums and heritage in Berlin provides new... more

    Universitätsbibliothek Duisburg-Essen
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    The museum and heritage sector has been shaken by debates over how to address colonialism, migration, Islamophobia, LGBTI+ and multiple other forms of difference. This major multi-researcher ethnography of museums and heritage in Berlin provides new insight into how ›diversity‹ is understood and put into action in museums and heritage. Exploring new initiatives and approaches, the book shows how these work - or do not - in practice. By doing so, it highlights ways forward - for research and action - for the future. The fieldwork locations on which this book is based include the Humboldt Forum, the Museum of Islamic Art, the Museum für Naturkunde, and the Memorial to the Murdered Jews of Europe, as well as Berlin streets and protests

     

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    Source: Union catalogues
    Contributor: Macdonald, Sharon Jeannette (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783837664096
    Other identifier:
    9783837664096
    Series: Cultural Heritage Studies ; Volume 1
    Subjects: Diversity; Museums; Heritage; Anthropology; Ethnography; Memory Culture; Cultural Management; Museum; Museum Management; Postcolonialism;
    Other subjects: Museumskunde, Materielle Kultur, Erinnerungskultur; Kulturwissenschaften; Geschichtspolitik, Erinnerungskultur; Hardcover, Softcover / Wirtschaft/Einzelne Wirtschaftszweige, Branchen
    Scope: 321 Seiten, Illustrationen
  4. <<Die>> Ausstellung
    Ästhetik und Epistemologie des Zeigens
    Published: [2023]
    Publisher:  Meiner, Hamburg

    Was ist eine Ausstellung? Was macht man, wenn man etwas ausstellt? Kann man sinnvollerweise behaupten, dass Ausstellungen einen Erkenntniswert haben? Thomas Zingelmann entwickelt in seinem Buch anhand zahlreicher Alltagsbeispiele einen... more

    Kunstakademie Düsseldorf, Bibliothek
    Unlimited inter-library loan, copies and loan
    Kunsthochschule für Medien, Bibliothek / Mediathek
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Ostwestfalen-Lippe, Service Kommunikation Information Medien
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Siegen
    Unlimited inter-library loan, copies and loan

     

    Was ist eine Ausstellung? Was macht man, wenn man etwas ausstellt? Kann man sinnvollerweise behaupten, dass Ausstellungen einen Erkenntniswert haben? Thomas Zingelmann entwickelt in seinem Buch anhand zahlreicher Alltagsbeispiele einen differenzierten Ausstellungsbegriff, mit dem es möglich ist, verschiedene Formen und Funktionen von Ausstellungen zu unterscheiden und den Erkenntniswert von Ausstellungen sinnvoll zu begründen. Die mit der Behauptung, dass Ausstellungen zur Erkenntnis beitragen, verbundenen Ansprüche variieren von Vermittlungsfunktionen bis hin zur These, dass Ausstellungen den Wissenschaften äquivalent seien. Man erwartet von Ausstellungen, dass sie mit ihren je eigenen Mitteln zu den verschiedensten Themen Erkenntnisse erzeugen. Dieser Erkenntnisanspruch wird in der Regel kaum begründet, noch in den Kontext gegenwärtiger erkenntnistheoretischer Debatten eingebettet.Allerdings ist diese Diskussion oftmals noch durch eine andere Eigentümlichkeit gekennzeichnet: Was eine Ausstellung ist oder was man macht, wenn man ausstellt, wird wie eine Selbstverständlichkeit behandelt. Eine Philosophie des Ausstellens, die versucht, einen Erkenntniswert von Ausstellungen zu begründen, muss zuallererst aufweisen, was eine Ausstellung ist. Die Arbeit versteht sich im Sinne einer (formalen) Alltagsästhetik, welche Form und Funktion des Selbstverständlichen, Routinierten und Unauffälligen untersucht. Der Autor zeigt, dass Ausstellungen für den Selbst- wie den Weltbezug von Bedeutung sind

     

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783787344024
    Other identifier:
    9783787344024
    Series: Blaue Reihe
    Subjects: Theorie des Ausstellens; Museum; Ästhetik; Phänomenologie
    Other subjects: Ästhetik; Museumskunde, Materielle Kultur, Erinnerungskultur; Hardcover, Softcover / Philosophie/20., 21. Jahrhundert
    Scope: 261 Seiten
    Notes:

    Dissertation, Friedrich-Schiller-Universität Jena, 2022

  5. <<The>> UNESCO memory of the world programme
    key aspects and recent developments
    Contributor: Edmondson, Ray (Herausgeber); Jordan, Lothar (Herausgeber); Prodan, Anca Claudia (Herausgeber)
    Published: [2020]; © 2020
    Publisher:  Springer, Cham

    The volume “The UNESCO Memory of the World Programme: Key Aspects and Recent Developments” responds to the growing interest in the scientific study of the Memory of the World Programme (MoW) and its core concept of documentary heritage, which has... more

    Universitätsbibliothek Duisburg-Essen
    Unlimited inter-library loan, copies and loan
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Unlimited inter-library loan, copies and loan

     

    The volume “The UNESCO Memory of the World Programme: Key Aspects and Recent Developments” responds to the growing interest in the scientific study of the Memory of the World Programme (MoW) and its core concept of documentary heritage, which has received little attention from scholarship so far. This sixth publication in the Heritage Studies Series provides a first collection of differing approaches (including reflected reports, essays, research contributions, and theoretical reflections) for the study of the MoW Programme, offering a basis for follow-up activities. The volume, edited by Ray Edmondson, Lothar Jordan and Anca Claudia Prodan, brings together 21 scholars from around the globe to present aspects deemed crucial for understanding MoW, its development, relevance and potential. The aim is to encourage academic research on MoW and to enhance the understanding of its potential and place within Heritage Studies and beyond

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Edmondson, Ray (Herausgeber); Jordan, Lothar (Herausgeber); Prodan, Anca Claudia (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783030184438
    Other identifier:
    9783030184438
    Series: Heritage Studies
    Subjects: Cultural heritage; Humanities—Digital libraries; Computers; Culture-Study and teaching; documentary and digital heritage;information preservation concerns;intangible heritage and cultural diversity;documentary heritage as common world memory;manuscript, audiovisual and photographic collections
    Other subjects: Museumskunde, Materielle Kultur, Erinnerungskultur; B; Cultural Heritage; Social Sciences; Digital Humanities; Computeranwendungen in Geistes- und Sozialwissenschaften; Database Management System; Daten / Datenbanken; Information Systems and Communication Service; Hardcover, Softcover / Geschichte/Kulturgeschichte
    Scope: xxviii, 340 Seiten, 563 grams
    Notes:

    The volume “The UNESCO Memory of the World Programme: Key Aspects and Recent Developments” responds to the growing interest in the scientific study of the Memory of the World Programme (MoW) and its core concept of documentary heritage, which has received little attention from scholarship so far. This sixth publication in the Heritage Studies Series provides a first collection of differing approaches (including reflected reports, essays, research contributions, and theoretical reflections) for the study of the MoW Programme, offering a basis for follow-up activities. The volume, edited by Ray Edmondson, Lothar Jordan and Anca Claudia Prodan, brings together 21 scholars from around the globe to present aspects deemed crucial for understanding MoW, its development, relevance and potential. The aim is to encourage academic research on MoW and to enhance the understanding of its potential and place within Heritage Studies and beyond

    1. Introduction: A New Road is Opened; Ray Edmondson, Lothar Jordan, Anca Claudia Prodan; ; Part I MEMORY OF THE WORLD: BASICS, PRINCIPLES, AND ETHICS ; 2. Memory of the World - An Introduction; Ray Edmondson; 3. Memory of the World: Key Principles and Philosophy; Joie Springer; 4. Memory of the World Registers and Their Potential; Roslyn Russell ; ; PART II MEMORY OF THE WORLD: THE RECOMMENDATION, GUIDELINES AND THE POLITICS OF MEMORY; 5. The Pathway to the Recommendation concerning the Preservation of, and Access to, Documentary Heritage including in Digital Form; Helen Jarvis; 6. Reviewing the MoW General Guidelines – Reflections on the Experience of 2015–2017; Ray Edmondson; 7. History Wars in the Memory of the World: The Documents of the Nanjing Massacre and the “Comfort Women”; Kyung-ho Suh; ; PART III MEMORY OF THE WORLD IN CONTEXT: HERITAGE DIVERSITY AND CONVERGENCE; 8.-

    Methodological Convergence: Documentary Heritage and the International Framework for Cultural Heritage Protection ; Richard Engelhardt and Pernille Askerud ; 9. The Appropriation of the UNESCO Memory of the World Programme in the Socio-cultural Context of West Africa: The Contribution of the Department “Heritage Professions“ of the University Gaston Berger of Saint-Louis of Senegal to a Better Management of Oral Archives; Papa Momar Diop; 10. Making the Past Visible for the Future; Map of the Old City of Aleppo; Sepideh Zarrin Ghalam and Christoph Wessling; ; PART IV TECHNOLOGICAL CHALLENGES ; 11. Memory of the World, Documentary Heritage and Digital Technology: Critical Perspectives; Anca Claudia Prodan; 12. Documentary Heritage in the Digital Age: Born Digital, Being Digital, Dying Digital; Titia van der Werf and Bram van der Werf; 13. Documentary Heritage in the Cloud; Luciana Duranti; 14. Audiovisual Documents and the Digital Age; Dietrich Schüller; 15.-

    How to Make Information on Nuclear Waste Sustainable? A Case for the Participation of the UNESCO Memory of the World Programme; Jonas Palm and Lothar Jordan; ; PART V EDUCATION AND RESEARCH; 16. UNESCO’s ‘Memory of the World´ in Schools: An Essay towards a Global Dialogue around a Common Culture of Universal Memories; Martin Porter; 17. Memory of the World Education in Macau; Helen H.K. Ieong; 18. Approaching the Memory of the World Programme with Arts Education Projects; Jutta Ströter-Bender; 19. Exploring the Challenges Facing Archives and Records Professionals in Africa: Historical Influences, Current Developments and Opportunities; Shadrack Katuu; 20. Terminology and Criteria of the UNESCO Memory of the World Programme: New Findings and Proposals for Research; Lothar Jordan; ; PART VI EDITORS' AFTERWORDS; 21. Back to the Future: A Reflection on Fundamentals ; Ray Edmondson ; 22.-

    Building Bridges between Memory of the World, the Academic World and Memory Institutions; Lothar Jordan; 23. Heritage Studies and the Memory of the World – Concluding Reflections; Anca Claudia Prodan ; ;