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  1. Let them haunt us
    how contemporary aesthetics challenge trauma as the unrepresentable
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

    »Let Them Haunt Us« analyzes contemporary aesthetics engaged in trauma and critically challenges its canonical status as »unrepresentable«. Focusing on case studies in the aesthetic practices of Janet Cardiff & George Bures Miller, Omer Fast,... more

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    »Let Them Haunt Us« analyzes contemporary aesthetics engaged in trauma and critically challenges its canonical status as »unrepresentable«. Focusing on case studies in the aesthetic practices of Janet Cardiff & George Bures Miller, Omer Fast, Forensic Architecture, and Paul McCarthy this book proposes to redefine trauma as a productive framework to exploring individual, collective, and cultural conflicts addressed in current artistic and curatorial practices. It considers the aesthetic realm as a potential forum that provides methods of understanding the humanitarian consequences of violence and warfare, and to reveal the effects of trauma on visual culture, collective memory, and politics

     

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  2. Let Them Haunt Us
    Published: 2020
    Publisher:  transcript Verlag, Bielefeld

    Long description: Let Them Haunt Us analyzes contemporary aesthetics engaged in trauma and critically challenges its canonical status as »unrepresentable«. Focusing on case studies in the aesthetic practices of Janet Cardiff and George Bures Miller,... more

    Hochschule Kempten, Hochschulbibliothek
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    Long description: Let Them Haunt Us analyzes contemporary aesthetics engaged in trauma and critically challenges its canonical status as »unrepresentable«. Focusing on case studies in the aesthetic practices of Janet Cardiff and George Bures Miller, Omer Fast, Forensic Architecture, and Paul McCarthy this book proposes to redefine trauma as a productive framework to exploring individual, collective, and cultural conflicts addressed in current artistic and curatorial practices. Anna-Lena Werner considers the aesthetic realm as a potential forum that provides methods of understanding the humanitarian consequences of violence and warfare, and to reveal the effects of trauma on visual culture, collective memory, and politics Biographical note: Anna-Lena Werner, born in 1985, is a researcher and curator of contemporary art and performance. She received her PhD from Freie Universität Berlin in 2019, where she is currently research associate at the Institute for Theatre Studies. She worked as a research associate for inter-institutional projects with Hamburger Bahnhof-Museum für Gegenwart-Berlin, Staatliche Kunstsammlungen Dresden and Haus der Kulturen der Welt Berlin. Since 2011, she has been editing the online magazine artfridge.de

     

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  3. Let them haunt us
    how contemporary aesthetics challenge trauma as the unrepresentable
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

    »Let Them Haunt Us« analyzes contemporary aesthetics engaged in trauma and critically challenges its canonical status as »unrepresentable«. Focusing on case studies in the aesthetic practices of Janet Cardiff & George Bures Miller, Omer Fast,... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    »Let Them Haunt Us« analyzes contemporary aesthetics engaged in trauma and critically challenges its canonical status as »unrepresentable«. Focusing on case studies in the aesthetic practices of Janet Cardiff & George Bures Miller, Omer Fast, Forensic Architecture, and Paul McCarthy this book proposes to redefine trauma as a productive framework to exploring individual, collective, and cultural conflicts addressed in current artistic and curatorial practices. It considers the aesthetic realm as a potential forum that provides methods of understanding the humanitarian consequences of violence and warfare, and to reveal the effects of trauma on visual culture, collective memory, and politics

     

    Export to reference management software   RIS file
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  4. Let them haunt us
    how contemporary aesthetics challenge trauma as the unrepresentable
    Published: [2020]
    Publisher:  transcript, Bielefeld

    Freie Universität Berlin, Universitätsbibliothek
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  5. Let Them Haunt Us
    Published: 2020
    Publisher:  transcript Verlag, Bielefeld

    Long description: Let Them Haunt Us analyzes contemporary aesthetics engaged in trauma and critically challenges its canonical status as »unrepresentable«. Focusing on case studies in the aesthetic practices of Janet Cardiff and George Bures Miller,... more

    Alice Salomon Hochschule Berlin, Bibliothek
    Unlimited inter-library loan, copies and loan

     

    Long description: Let Them Haunt Us analyzes contemporary aesthetics engaged in trauma and critically challenges its canonical status as »unrepresentable«. Focusing on case studies in the aesthetic practices of Janet Cardiff and George Bures Miller, Omer Fast, Forensic Architecture, and Paul McCarthy this book proposes to redefine trauma as a productive framework to exploring individual, collective, and cultural conflicts addressed in current artistic and curatorial practices. Anna-Lena Werner considers the aesthetic realm as a potential forum that provides methods of understanding the humanitarian consequences of violence and warfare, and to reveal the effects of trauma on visual culture, collective memory, and politics Biographical note: Anna-Lena Werner, born in 1985, is a researcher and curator of contemporary art and performance. She received her PhD from Freie Universität Berlin in 2019, where she is currently research associate at the Institute for Theatre Studies. She worked as a research associate for inter-institutional projects with Hamburger Bahnhof-Museum für Gegenwart-Berlin, Staatliche Kunstsammlungen Dresden and Haus der Kulturen der Welt Berlin. Since 2011, she has been editing the online magazine artfridge.de

     

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  6. Let Them Haunt Us
    How Contemporary Aesthetics Challenge Trauma as the Unrepresentable
    Published: 2020
    Publisher:  transcript Verlag, Bielefeld

    Let Them Haunt Us analyzes contemporary aesthetics engaged in trauma and critically challenges its canonical status as »unrepresentable«. Focusing on case studies in the aesthetic practices of Janet Cardiff and George Bures Miller, Omer Fast,... more

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    Let Them Haunt Us analyzes contemporary aesthetics engaged in trauma and critically challenges its canonical status as »unrepresentable«. Focusing on case studies in the aesthetic practices of Janet Cardiff and George Bures Miller, Omer Fast, Forensic Architecture, and Paul McCarthy this book proposes to redefine trauma as a productive framework to exploring individual, collective, and cultural conflicts addressed in current artistic and curatorial practices. Anna-Lena Werner considers the aesthetic realm as a potential forum that provides methods of understanding the humanitarian consequences of violence and warfare, and to reveal the effects of trauma on visual culture, collective memory, and politics.

     

    Export to reference management software   RIS file
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  7. Let Them Haunt Us
    How Contemporary Aesthetics Challenge Trauma as the Unrepresentable
    Published: 2020
    Publisher:  transcript Verlag, Bielefeld

    Let Them Haunt Us analyzes contemporary aesthetics engaged in trauma and critically challenges its canonical status as »unrepresentable«. Focusing on case studies in the aesthetic practices of Janet Cardiff and George Bures Miller, Omer Fast,... more

    Access:
    Verlag (lizenzpflichtig)
    Verlag (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Let Them Haunt Us analyzes contemporary aesthetics engaged in trauma and critically challenges its canonical status as »unrepresentable«. Focusing on case studies in the aesthetic practices of Janet Cardiff and George Bures Miller, Omer Fast, Forensic Architecture, and Paul McCarthy this book proposes to redefine trauma as a productive framework to exploring individual, collective, and cultural conflicts addressed in current artistic and curatorial practices. Anna-Lena Werner considers the aesthetic realm as a potential forum that provides methods of understanding the humanitarian consequences of violence and warfare, and to reveal the effects of trauma on visual culture, collective memory, and politics.

     

    Export to reference management software   RIS file
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  8. Let them haunt us
    how contemporary aesthetics challenge trauma as the unrepresentable
    Published: [2020]
    Publisher:  transcript, Bielefeld

  9. Let Them Haunt Us
    How Contemporary Aesthetics Challenge Trauma as the Unrepresentable
  10. Let them haunt us
    how contemporary aesthetics challenge trauma as the unrepresentable
    Published: [2020]
    Publisher:  transcript, Bielefeld

  11. Let them haunt us
    how contemporary aesthetics challenge trauma as the unrepresentable
    Published: [2020]
    Publisher:  transcript, Bielefeld

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9783837650464; 3837650464
    Other identifier:
    9783837650464
    DDC Categories: 700
    Edition: [1. Auflage]
    Series: Image ; volume 168
    Subjects: Psychisches Trauma; Rezeption; Cardiff, Janet; Miller, George Bures; Fast, Omer; McCarthy, Paul; Forensic Architecture <Körperschaft>; ; Psychisches Trauma; Rezeption; Künste; Geschichte; Ästhetik;
    Other subjects: Conflict; Contemporary Art; Representation; Unrepresentability; Visual Culture; Aesthetic Practices; Memory Studies; Trauma Studies; Curatorial Practice; Video Installation; Multi-media Art; Video Art; Artistic Research; Performativity; Practical Aesthetics; Forensic Aesthetics; Museum Studies; Omer Fast; Janet Cardiff; George Bures Miller
    Scope: 257 Seiten, Illustrationen, 23 cm, 408 g
    Notes:

    Dissertation, Freie Universität Berlin, 2019