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Displaying results 1 to 24 of 24.

  1. Post-jazz poetics
    a social history
    Published: 2010
    Publisher:  Palgrave Macmillan, New York [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 785548
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230623156; 9781349384631
    RVK Categories: HU 1769
    Subjects: Feminism and literature; Poetics; Music and literature; American poetry; American poetry; Jazz in literature; Literature and society; African American women
    Other subjects: Williams, Sherley Anne (1944-1999); Sanchez, Sonia (1934-); Cortez, Jayne; Coleman, Wanda; Mullen, Harryette Romell
    Scope: XI, 225 S.
    Notes:

    Literaturverz.: S. 199-216

    Hier auch später erschienene, unveränderte Nachdrucke

    "How do I make that sound?" a new feminist poetics -- Finding her voice: the body politics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practice in Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- "Too many books for our eyes": future politics, future poetries.

  2. Everybody's autonomy
    connective reading and collective identity
    Published: 2001
    Publisher:  Univ. of Alabama Press, Tuscaloosa, Ala.

    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    13/HU 1769 S733
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0817310541; 0817310533
    RVK Categories: HU 1769
    Series: Modern & contemporary poetics
    Subjects: Rezeptionsästhetik; Lesen <Motiv>
    Other subjects: Cha, Theresa Hak Kyung (1951-1982); Hejinian, Lyn (1941-); Mullen, Harryette Romell (1953-); Andrews, Bruce (1948-)
    Scope: XIII, 224 S., Ill.
    Notes:

    Literaturverz. S. [195] - 213

  3. Everybody's autonomy
    connective reading and collective identity
    Published: 2001
    Publisher:  Univ. of Alabama Press, Tuscaloosa [u.a.]

  4. The feminist avant-garde in American poetry
    Published: 2003
    Publisher:  Univ. of Iowa Press, Iowa City

    Universitätsbibliothek Augsburg
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  5. The cracks between what we are and what we are supposed to be
    essays and interviews
    Published: c2012
    Publisher:  University Alabama Press, Tuscaloosa

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0817386173; 9780817386177
    RVK Categories: HU 9800
    Subjects: Geschichte; Weibliche Schwarze. Amerika; Poets, American; African American women poets; Literature and society; African American women
    Other subjects: Mullen, Harryette Romell; Mullen, Harryette Romell
    Scope: xvi, 273 p
    Notes:

    Includes bibliographical references

  6. The feminist avant-garde in American poetry
    Published: c2003
    Publisher:  University of Iowa Press, Iowa City

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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  7. The cracks between what we are and what we are supposed to be
    essays and interviews
    Published: c2012
    Publisher:  University Alabama Press, Tuscaloosa

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0817386173; 9780817386177
    RVK Categories: HU 9800
    Series: Modern and contemporary poetics
    Subjects: LITERARY CRITICISM / Poetry; POETRY / American / General; African American women / Intellectual life; African American women poets; Literature and society; Poets, American; Geschichte; Weibliche Schwarze. Amerika; Poets, American; African American women poets; Literature and society; African American women
    Other subjects: Mullen, Harryette Romell / Interviews; Mullen, Harryette Romell / Criticism and interpretation; Mullen, Harryette Romell; Mullen, Harryette Romell; Mullen, Harryette Romell
    Scope: 1 Online-Ressource (xvi, 273 p.)
    Notes:

    I. Shorter Essays; 1. Imagining the Unimagined Reader: Writing to the Unborn and Including the Excluded; 2. Poetry and Identity; 3. Kinky Quatrains: The Making of Muse & Drudge; 4. Telegraphs from a Distracted Sibyl; 5. If Lilies are Lily White: From the Stain of Miscegenation in Stein's "Melanctha" to the "Clean Mixture" of White and Color in Tender Buttons; 6. Nine Syllables Label Sylvia: Reading Plath's "Metaphors"; 7. Evaluation of an Unwritten Poem: Wislawa Szymborska in the Dialogue of Creative and Critical Thinkers; 8. Theme for the Oulipians; 9. When He Is Least Himself: Paul Laurence Dunbar and Double Consciousness in African American Poetry; 10. Truly Unruly Julie: The Innovative Rule-Breaking Poetry of Julie Patton; 11. All Silence Says Music Will Follow: Listening to Lorenzo Thomas; 12. The Cracks Between What We Are and What We Are Supposed to Be: Stretching the Dialogue of African American Poetry; II. Longer Essays; 13. African Signs and Spirit Writing; 14. Runaway Tongue: Resistant Orality in Uncle Tom's Cabin, Our Nig, Incidents in the Life of a Slave Girl, and Beloved; 15. Optic White: Blackness and the Production of Whiteness16. Phantom Pain: Nathaniel Mackey's Bedouin Hornbook; 17. A Collective Force of Burning Ink: Will Alexander's Asia & Haiti; 18. Incessant Elusives: The Oppositional Poetics of Erica Hunt and Will Alexander; III. Interviews; 19. "The Solo Mysterioso Blues": An Interview with Harryette Mullen by Calvin Bedient; 20. An Interview with Harryette Mullen by Daniel Kane; 21. An Interview with Harryette Mullen by Elisabeth A. Frost; 22. An Interview with Harryette Mullen by Cynthia Hogue

    "The Cracks Between What We Are and What We Are Supposed to Be forms an extended consideration not only of Harryette Mullen's own work, methods, and interests as a poet, but also of issues of central importance to African American poetry and language, women's voices, and the future of poetry. Together, these essays and interviews highlight the impulses and influences that drive Mullen's work as a poet and thinker, and suggest unique possibilities for the future of poetic language and its role as an instrument of identity and power."--Project Muse

    Includes bibliographical references

  8. The feminist avant-garde in American poetry
    Published: 2005
    Publisher:  Univ. of Iowa Press, Iowa City

    Universitätsbibliothek Eichstätt-Ingolstadt
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  9. Post-jazz poetics
    a social history
    Published: 2010
    Publisher:  Palgrave Macmillan, New York

    Universitätsbibliothek Augsburg
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  10. The feminist avant-garde in American poetry
    Published: 2003
    Publisher:  University of Iowa Press, Iowa City

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1587294346
    RVK Categories: HU 1769
    Subjects: American poetry - History and criticism - 20th century; American poetry - Women authors; Avant-garde (Aesthetics) - History - 20th century - United States; Experimental poetry, American - History and criticism; Feminism and literature - History - 20th century - United States; Feminist poetry, American - History and criticism; History and criticism; Women and literature - History - 20th century - United States; Geschichte; American poetry; American poetry; Avant-garde (Aesthetics); Experimental poetry, American; Feminism and literature; Feminist poetry, American; Women and literature; Frauenlyrik; Feminismus; Avantgarde; Avantgardeliteratur
    Other subjects: Sanchez, Sonia (1934-); Stein, Gertrude (1874-1946); Loy, Mina (1882-1966); Mullen, Harryette Romell (1953-); Electronic books
    Scope: 1 Online-Ressource (xxviii, 245 Seiten), 25 cm
    Notes:

    Includes bibliographical references (p. [209]-225) and index

    Women Poets and the Historical Avant-Gardes -- "Replacing the Noun": Fetishism, Parody, and Gertrude Stein's Tender Buttons -- "Crisis in Consciousness": Mina Loy's "Anglo-Mongrels and the Rose" -- Agendas of Race and Gender -- "a fo / real / revolu/shun": Sonia Sanchez and the Black Arts Movement -- Traditions of Marginality -- "Unsettling" America: Susan Howe and Antinomian Tradition -- "Belatedly Beladied Blues": Hybrid Traditions in the Poetry of Harryette Mullen

  11. The cracks between what we are and what we are supposed to be
    essays and interviews
    Published: c2012
    Publisher:  University Alabama Press, Tuscaloosa

    "The Cracks Between What We Are and What We Are Supposed to Be forms an extended consideration not only of Harryette Mullen's own work, methods, and interests as a poet, but also of issues of central importance to African American poetry and... more

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    "The Cracks Between What We Are and What We Are Supposed to Be forms an extended consideration not only of Harryette Mullen's own work, methods, and interests as a poet, but also of issues of central importance to African American poetry and language, women's voices, and the future of poetry. Together, these essays and interviews highlight the impulses and influences that drive Mullen's work as a poet and thinker, and suggest unique possibilities for the future of poetic language and its role as an instrument of identity and power."--Project Muse

     

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  12. Everybody's autonomy
    connective reading and collective identity
    Published: 2001
    Publisher:  Univ. of Alabama Press, Tuscaloosa [u.a.]

  13. The feminist avant-garde in American poetry
    Published: 2003
    Publisher:  Univ. of Iowa Press, Iowa City

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  14. The feminist avant-garde in American poetry
    Published: 2003
    Publisher:  University of Iowa Press, Iowa City

    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
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    Volltext (Deutschlandweit zugänglich)
    Volltext (Deutschlandweit zugänglich)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1587294346
    RVK Categories: HU 1769
    Subjects: American poetry - History and criticism - 20th century; American poetry - Women authors; Avant-garde (Aesthetics) - History - 20th century - United States; Experimental poetry, American - History and criticism; Feminism and literature - History - 20th century - United States; Feminist poetry, American - History and criticism; History and criticism; Women and literature - History - 20th century - United States; Geschichte; American poetry; American poetry; Avant-garde (Aesthetics); Experimental poetry, American; Feminism and literature; Feminist poetry, American; Women and literature; Frauenlyrik; Feminismus; Avantgarde; Avantgardeliteratur
    Other subjects: Sanchez, Sonia (1934-); Stein, Gertrude (1874-1946); Loy, Mina (1882-1966); Mullen, Harryette Romell (1953-); Electronic books
    Scope: 1 Online-Ressource (xxviii, 245 Seiten), 25 cm
    Notes:

    Includes bibliographical references (p. [209]-225) and index

    Women Poets and the Historical Avant-Gardes -- "Replacing the Noun": Fetishism, Parody, and Gertrude Stein's Tender Buttons -- "Crisis in Consciousness": Mina Loy's "Anglo-Mongrels and the Rose" -- Agendas of Race and Gender -- "a fo / real / revolu/shun": Sonia Sanchez and the Black Arts Movement -- Traditions of Marginality -- "Unsettling" America: Susan Howe and Antinomian Tradition -- "Belatedly Beladied Blues": Hybrid Traditions in the Poetry of Harryette Mullen

  15. Everybody's autonomy
    connective reading and collective identity
    Published: [2001]
    Publisher:  The University of Alabama Press, Tuscaloosa

  16. Post-jazz poetics
    a social history
    Published: 2010
    Publisher:  Palgrave Macmillan, New York

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  17. Post-jazz poetics
    a social history
    Published: 2010
    Publisher:  Palgrave Macmillan, New York [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 785548
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Bremen
    a ang 949.7 blac/796
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2010 A 14043
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Universitätsbibliothek Mannheim
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0230623158; 9780230623156; 9781349384631
    RVK Categories: HU 1769
    Edition: First edition
    Subjects: Feminism and literature; Poetics; Music and literature; American poetry; American poetry; Jazz in literature; Literature and society; African American women
    Other subjects: Williams, Sherley Anne (1944-1999); Sanchez, Sonia (1934-); Cortez, Jayne; Coleman, Wanda; Mullen, Harryette Romell; Array; Array; Array; Array; Array; Array; Array; Jazz in literature; Array; Array
    Scope: xi, 225 Seiten, Illustrationen, 22 cm
    Notes:

    Formerly CIP Uk. - Includes bibliographical references (p. [199]-216) and index. - Introduction: How do I make that sound? a new feminist poetics -- Finding her voice: the body politics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practice in Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape-shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- Conclusion: "Too many books for our eyes": future politics, future poetries

    "How do I make that sound?" a new feminist poetics -- Finding her voice: the body politics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practice in Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- "Too many books for our eyes": future politics, future poetries.

  18. The cracks between what we are and what we are supposed to be
    essays and interviews
    Published: 2012 (2012)
    Publisher:  University Alabama Press, Tuscaloosa

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780817386177; 0817386173; 9780817357139; 0817357130
    Subjects: LITERARY CRITICISM / Poetry; POETRY / American / General; African American women / Intellectual life; African American women poets; Literature and society; Poets, American; Geschichte; Weibliche Schwarze. Amerika; African American women; Literature and society; African American women poets; Poets, American
    Other subjects: Mullen, Harryette Romell / Interviews; Mullen, Harryette Romell / Criticism and interpretation; Mullen, Harryette Romell; Mullen, Harryette Romell; Mullen, Harryette Romell
    Scope: 291 pages
    Notes:

    Includes bibliographical references

    I. Shorter Essays; 1. Imagining the Unimagined Reader: Writing to the Unborn and Including the Excluded; 2. Poetry and Identity; 3. Kinky Quatrains: The Making of Muse & Drudge; 4. Telegraphs from a Distracted Sibyl; 5. If Lilies are Lily White: From the Stain of Miscegenation in Stein's "Melanctha" to the "Clean Mixture" of White and Color in Tender Buttons; 6. Nine Syllables Label Sylvia: Reading Plath's "Metaphors"; 7. Evaluation of an Unwritten Poem: Wislawa Szymborska in the Dialogue of Creative and Critical Thinkers; 8. Theme for the Oulipians; 9. When He Is Least Himself: Paul Laurence Dunbar and Double Consciousness in African American Poetry; 10. Truly Unruly Julie: The Innovative Rule-Breaking Poetry of Julie Patton; 11. All Silence Says Music Will Follow: Listening to Lorenzo Thomas; 12. The Cracks Between What We Are and What We Are Supposed to Be: Stretching the Dialogue of African American Poetry; II. Longer Essays; 13. African Signs and Spirit Writing; 14. Runaway Tongue: Resistant Orality in Uncle Tom's Cabin, Our Nig, Incidents in the Life of a Slave Girl, and Beloved; 15. Optic White: Blackness and the Production of Whiteness16. Phantom Pain: Nathaniel Mackey's Bedouin Hornbook; 17. A Collective Force of Burning Ink: Will Alexander's Asia & Haiti; 18. Incessant Elusives: The Oppositional Poetics of Erica Hunt and Will Alexander; III. Interviews; 19. "The Solo Mysterioso Blues": An Interview with Harryette Mullen by Calvin Bedient; 20. An Interview with Harryette Mullen by Daniel Kane; 21. An Interview with Harryette Mullen by Elisabeth A. Frost; 22. An Interview with Harryette Mullen by Cynthia Hogue

    "The Cracks Between What We Are and What We Are Supposed to Be forms an extended consideration not only of Harryette Mullen's own work, methods, and interests as a poet, but also of issues of central importance to African American poetry and language, women's voices, and the future of poetry. Together, these essays and interviews highlight the impulses and influences that drive Mullen's work as a poet and thinker, and suggest unique possibilities for the future of poetic language and its role as an instrument of identity and power."--Project Muse

  19. Post-jazz poetics
    a social history
    Published: 2010
    Publisher:  Palgrave Macmillan, New York [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0230623158; 9780230623156; 9781349384631
    RVK Categories: HU 1769
    Edition: First edition
    Subjects: Feminism and literature; Poetics; Music and literature; American poetry; American poetry; Jazz in literature; Literature and society; African American women
    Other subjects: Williams, Sherley Anne (1944-1999); Sanchez, Sonia (1934-); Cortez, Jayne; Coleman, Wanda; Mullen, Harryette Romell; Array; Array; Array; Array; Array; Array; Array; Jazz in literature; Array; Array
    Scope: xi, 225 Seiten, Illustrationen, 22 cm
    Notes:

    Formerly CIP Uk. - Includes bibliographical references (p. [199]-216) and index. - Introduction: How do I make that sound? a new feminist poetics -- Finding her voice: the body politics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practice in Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape-shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- Conclusion: "Too many books for our eyes": future politics, future poetries

    "How do I make that sound?" a new feminist poetics -- Finding her voice: the body politics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practice in Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- "Too many books for our eyes": future politics, future poetries.

  20. The feminist avant-garde in American poetry
    Published: 2005
    Publisher:  Univ. of Iowa Press, Iowa City

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
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  21. Post-jazz poetics
    a social history
    Published: 2010
    Publisher:  Palgrave Macmillan, New York

    This book examines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen. This book examines the jazz-influenced work of five... more

    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan

     

    This book examines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen. This book examines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1282909975; 0230623158; 9780230109094; 9781282909977; 9780230623156
    Edition: 1st ed
    Subjects: American poetry; American poetry; Jazz in literature; Literature and society; African American women; Feminism and literature; Poetics; Music and literature
    Other subjects: Mullen, Harryette Romell; Sanchez, Sonia (1934-); Coleman, Wanda; Williams, Sherley Anne (1944-1999); Cortez, Jayne
    Scope: Online-Ressource (xi, 225 p), ill
    Notes:

    Includes bibliographical references (p. [199]-216) and index

    Electronic reproduction; Available via World Wide Web

    Cover; Contents; Acknowledgments; Permissions; Introduction: How Do I Make that Sound? A New Feminist Poetics; 1 Finding Her Voice: The Body Politics of Sherley Anne Williams's Blues; 2 Nationhood Re-Formed: Revolutionary Style and Practice in Sonia Sanchez's Jazz Poetics; 3 Talk to Me: Ecofeminist Disruptions in the Jazz Poetry of Jayne Cortez; 4 Shape-Shifting: The Urban Geographies of Wanda Coleman's Jazz Poetry; 5 Jazz's Word for It: Harryette Mullen and the Politics of Intellectualism; Conclusion: ""Too Many Books For Our Eyes""; Future Politics, Future Poetries; Notes; Bibliography

    Index

  22. The cracks between what we are and what we are supposed to be
    essays and interviews
    Published: c2012
    Publisher:  University Alabama Press, Tuscaloosa

    The Cracks Between What We Are and What We Are Supposed to Be forms an extended consideration not only of Harryette Mullen's own work, methods, and interests as a poet, but also of issues of central importance to African American poetry and language,... more

    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan

     

    The Cracks Between What We Are and What We Are Supposed to Be forms an extended consideration not only of Harryette Mullen's own work, methods, and interests as a poet, but also of issues of central importance to African American poetry and language, women's voices, and the future of poetry.Together, these essays and interviews highlight the impulses and influences that drive Mullen's work as a poet and thinker, and suggest unique possibilities for the future of poetic language and its role as an instrument of identity and power

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0817357130; 9780817357139
    Series: Modern and contemporary poetics
    Subjects: African American women poets; Literature and society; African American women; Poets, American
    Other subjects: Mullen, Harryette Romell; Mullen, Harryette Romell
    Scope: Online-Ressource (xvi, 273 p)
    Notes:

    Includes bibliographical references

    Electronic reproduction; Available via World Wide Web

    Contents; Acknowledgments; Introduction; I. Shorter Essays; 1. Imagining the Unimagined Reader: Writing to the Unborn and Including the Excluded; 2. Poetry and Identity; 3. Kinky Quatrains: The Making of Muse & Drudge; 4. Telegraphs from a Distracted Sibyl; 5. If Lilies are Lily White: From the Stain of Miscegenation in Stein's "Melanctha" to the "Clean Mixture" of White and Color in Tender Buttons; 6. Nine Syllables Label Sylvia: Reading Plath's "Metaphors"; 7. Evaluation of an Unwritten Poem: Wislawa Szymborska in the Dialogue of Creative and Critical Thinkers; 8. Theme for the Oulipians

    9. When He Is Least Himself: Paul Laurence Dunbar and Double Consciousness in African American Poetry10. Truly Unruly Julie: The Innovative Rule-Breaking Poetry of Julie Patton; 11. All Silence Says Music Will Follow: Listening to Lorenzo Thomas; 12. The Cracks Between What We Are and What We Are Supposed to Be: Stretching the Dialogue of African American Poetry; II. Longer Essays; 13. African Signs and Spirit Writing; 14. Runaway Tongue: Resistant Orality in Uncle Tom's Cabin, Our Nig, Incidents in the Life of a Slave Girl, and Beloved

    15. Optic White: Blackness and the Production of Whiteness16. Phantom Pain: Nathaniel Mackey's Bedouin Hornbook; 17. A Collective Force of Burning Ink: Will Alexander's Asia & Haiti; 18. Incessant Elusives: The Oppositional Poetics of Erica Hunt and Will Alexander; III. Interviews; 19. "The Solo Mysterioso Blues": An Interview with Harryette Mullen by Calvin Bedient; 20. An Interview with Harryette Mullen by Daniel Kane; 21. An Interview with Harryette Mullen by Elisabeth A. Frost; 22. An Interview with Harryette Mullen by Cynthia Hogue

    23. "I Dream a World": A Conversation with Harryette Mullen by Nibir K. GhoshBibliography

  23. Everybody's autonomy
    connective reading and collective identity
    Published: 2001
    Publisher:  Univ. of Alabama Press, Tuscaloosa, Ala. [u.a.]

    Universitätsbibliothek Freiburg
    GE 2001/7270
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2001 A 9561
    Unlimited inter-library loan, copies and loan
    Anglistisches Seminar der Universität, Bibliothek
    F VX 1632
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Osnabrück
    5050-506 3
    Unlimited inter-library loan, copies and loan
    Brechtbau-Bibliothek
    PC 910.052
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0817310541; 0817310533
    RVK Categories: HU 1769
    Series: Modern and contemporary poetics
    Subjects: American poetry; Language and culture; Authors and readers; Identity (Psychology) in literature; Group identity in literature; Reader-response criticism; Stein; Andrews; Mullen; Cha; Hejinian; American poetry; Language and culture; Authors and readers; Identity (Psychology) in literature
    Other subjects: Stein, Gertrude; Andrews, Bruce; Mullen, Harryette Romell; Cha, Theresa Hak Kyung; Hejinian, Lyn
    Scope: XIII, 224 S., Ill., 23 cm
    Notes:

    Includes bibliographical references (p. [195]-213) and index

  24. Everybody's autonomy
    connective reading and collective identity
    Published: 2001
    Publisher:  Univ. of Alabama Press, Tuscaloosa, Ala.

    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    13/HU 1769 S733
    No inter-library loan
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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0817310541; 0817310533
    RVK Categories: HU 1769
    Series: Modern & contemporary poetics
    Subjects: Rezeptionsästhetik; Lesen <Motiv>
    Other subjects: Cha, Theresa Hak Kyung (1951-1982); Hejinian, Lyn (1941-2024); Mullen, Harryette Romell (1953-); Andrews, Bruce (1948-)
    Scope: XIII, 224 S., Ill.
    Notes:

    Literaturverz. S. [195] - 213