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  1. Giving the devil his due
    Satan and cinema
    Contributor: Weinstock, Jeffrey Andrew (Herausgeber); Hansen, Regina M. (Herausgeber)
    Published: 2021
    Publisher:  Fordham University Press, New York

    "The first collection of essays to address Satan's ubiquitous and popular appearances in film Lucifer and cinema have been intertwined since the origins of the medium. As humankind's greatest antagonist and the incarnation of pure evil, the cinematic... more

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    Erzbischöfliche Diözesan- und Dombibliothek
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    "The first collection of essays to address Satan's ubiquitous and popular appearances in film Lucifer and cinema have been intertwined since the origins of the medium. As humankind's greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers' collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the "prince of darkness" merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system. From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary's Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation. Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe. Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O'Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock"--

     
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    Source: Union catalogues
    Contributor: Weinstock, Jeffrey Andrew (Herausgeber); Hansen, Regina M. (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9780823297900; 9780823297894
    Other identifier:
    9780823297900
    RVK Categories: AP 50300 ; AP 50300
    Subjects: Film; Teufel <Motiv>
    Other subjects: Devil in motion pictures; Good and evil in motion pictures; Motion pictures / Social aspects; Motion pictures / Psychological aspects
    Scope: vi, 216 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  2. Movement as meaning in experimental cinema
    the musical poetry of motion pictures revisited
    Author: Barnett, Daniel
    Published: 2019
    Publisher:  Bloomsbury Academic, New York

    Location:
    Hochschule für Fernsehen und Film, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 1501349651; 9781501349652; 9781501329845
    Edition: Paperback edition first published
    Subjects: Bedeutung; Ästhetik; Bewegung; Experimentalfilm
    Other subjects: Experimental films / History and criticism; Motion pictures / Aesthetics; Motion pictures / Psychological aspects
    Scope: xiv, 323 Seiten, Illustrationen, 23 cm
    Notes:

    Literaturverzeichnis Seite 291-295
  3. Finding truth in fiction
    what fan culture gets right - and why it's good to get lost in a story
    Author: Dill-Shackleford, Karen
    Published: [2020]
    Publisher:  Oxford University Press, New York

    "Being a fan of a popular film, television or book franchise is something most of us enjoy. But, we may not be familiar with the scientific study of fictional narrative or of fandom. In this book, two media psychologists reveal the... more

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    "Being a fan of a popular film, television or book franchise is something most of us enjoy. But, we may not be familiar with the scientific study of fictional narrative or of fandom. In this book, two media psychologists reveal the sometimes-paradoxical idea that fiction helps us find truth in our real lives. Whether you consider yourself a fan or whether you find yourself thinking of a particular fictional scene for inspiration, you are not alone. Perfectly sane people regularly admit that their favourite stories are important to them. Though journalists sometimes assume that the interest in the fictional world is a sign of trouble, we enthusiastically disagree. Because story worlds are social simulations, people use them to work out their values, decide how to handle similar situations, and even decide what kind of person they want to be. Though films and shows are widely spoken of as diversions or as escapism, there are many ways that they aren't trivial at all to us. In this book, the authors explore how we understand the identity of a favourite character and the actor who plays the character. Are they the same person? We also delve into the nitty gritty of mental models for story worlds and timeless story arcs such as the hero's journey. The moments that strike us as important can change as we age and move through different life stages. Our conclusion: fans are not crazy. What fans are is human"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780190643607; 0190643609
    RVK Categories: EC 1970
    Subjects: Wirklichkeit; Literatur; Film; Fiktion
    Other subjects: Fiction / Psychological aspects; Motion pictures / Psychological aspects; Television programs / Psychological aspects; Fans (Persons) / Psychology; Identity (Psychology); Self-actualization (Psychology); Mass media / Social aspects; Truth / Psychological aspects; Fans (Persons) / Psychology; Fiction / Psychological aspects; Identity (Psychology); Mass media / Social aspects; Motion pictures / Psychological aspects; Self-actualization (Psychology); Television programs / Psychological aspects; Truth / Psychological aspects
    Scope: 284 pages, Illustrationen
    Notes:

    Chapter 1. Finding truth in fiction -- Chapter 2. It matters : finding meaning in stories -- Chapter 3. On actors and their roles: the social psychology of narrative person perception -- Chapter 4. Mental models of fiction: the mechanics of getting lost in a story -- Chapter 5. The timelessness of stories -- Chapter 6. Story and Identity: how stories influence who we are -- Chapter 7. Story and life stage: turning to stories throughout our lives -- Chapter 8. On prejudice and values -- Epilogue. Coping, well-being, and the future of fiction
  4. Alternative worlds in Hollywood cinema
    resonance between realms
    Author: Walters, James, (James R.)
    Published: 2008
    Publisher:  Intellect, Bristol, UK

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 128177622X; 1841502022; 1841502529; 9781281776228; 9781841502021; 9781841502526
    Subjects: Motion pictures; PERFORMING ARTS / Film & Video / Reference; Motion pictures; Motion pictures / Aesthetics; Motion pictures / Psychological aspects; Phantasiewelt; Film; Film; Psychologie; Ästhetik; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Film; Fantasiewelt
    Scope: 1 Online-Ressource (232 pages)
    Notes:

    Includes bibliographical references and index

    Includes filmography

    Alternative worlds in films such as The Wizard of Oz, Its a Wonderful Life, Donnie Darko and Eternal Sunshine of the Spotless Mind offer similarities and resonances to our world, but provide a way for filmmakers to address the human condition by forming a sincere and serious connection with everyday life. An illuminating new book explores the history, background and meaning of films that feature alternative worlds films in which characters cross back and forth between another world and our own, which bring out correspondences and resonances between the worlds they depict. The popularity of

    Establishing contexts -- Imagined worlds -- Making it home : The Wizard of Oz (Victor Fleming,1939) & The Woman in the window (Fritz Lang, 1944) -- Return to innocence : Eternal sunshine of the spotless mind (Michael Gondry, 2004) -- Potential worlds -- Reclaiming the real : It's a wonderful life (Frank Capra, 1946) -- The search for tomorrow : Groundhog day (Harold Ramis, 1993) -- Other worlds -- Life beyond reason : Brigadoon (Vincente Minnelli, 1954) -- Rehearsal space : Pleasantville (Gary Ross, 1998)
  5. The acoustic mirror
    the female voice in psychoanalysis and cinema
    Author: Silverman, Kaja
    Published: ©1988
    Publisher:  Indiana University Press, Bloomington

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0253204747; 0253302846; 0585001340; 9780253302847; 9780585001340
    RVK Categories: AP 45200 ; AP 45600 ; AP 47950 ; MS 3000
    Series: Theories of representation and difference
    Subjects: Cinematografía / Aspectos psicológicos; Psicoanálisis; Femmes au cinéma; Féminisme et cinéma; Femmes et psychanalyse; Femmes / Communication; Cinéma / Aspect psychologique; PERFORMING ARTS / Film & Video / Reference; Films; Vrouwen; Psychologische aspecten; Stem; Feminism and motion pictures; Motion pictures and women; Motion pictures / Psychological aspects; Women; Women and psychoanalysis; Women / Communication; Women in motion pictures; Film; Frau; Psychologie; Women in motion pictures; Motion pictures and women; Feminism and motion pictures; Motion pictures; Women and psychoanalysis; Women; Geschlechterrolle; Psychologie; Frauenstimme <Motiv>; Film; Frauensingstimme
    Other subjects: Freud, Sigmund / 1856-1939 / Et les femmes; Freud, Sigmund / 1856-1939; Freud, Sigmund (1856-1939)
    Scope: 1 Online-Ressource (x, 257 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 235-253) and index

    Lost Objects And Mistaken Subjects: A Prologue -- Body Talk -- The Fantasy Of The Maternal Voice: Paranoia And Compensation -- The Fantasy Of The Maternal Voice: Female Subjectivity And The Negative Oedipus Complex -- Disembodying The Female Voice: Irigaray, Experimental Feminist Cinema, And Femininity -- The Female Authorial Voice
  6. Unspeakable secrets and the psychoanalysis of culture
    Author: Rashkin, Esther
    Published: c2008
    Publisher:  SUNY Press, Albany, NY

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1435665163; 9780791477977; 9781435665163
    Series: SUNY series in psychoanalysis and culture
    Subjects: ART / Techniques / Drawing; Crypto-Jews; European fiction; Motion pictures / Psychological aspects; Psychology and literature; Secrecy in literature; Film; Psychologie; Motion pictures; Psychology and literature; European fiction; Secrecy in literature; Crypto-Jews; Literatur; Judentum <Motiv>; Film; Psychoanalyse
    Scope: 1 Online-Ressource (xii, 260 p.)
    Notes:

    Includes bibliographical references (p. 207-252) and index

    Vexed encounters : psychoanalysis, cultural studies, and the politics of close reading -- Devouring loss : a recipe for mourning in "Babette's feast" -- Tortured history : crypts, colonialism, and collaboration in Last tango in Paris -- Haunted children, cultural catastrophe, and phantom transmissions in the "Dirty War" and the Holocaust -- Religious transvestism and the stigma of Jewish identity -- Anticipating the final solution : symbolism and the occulted Jew in Villiers de l'isle-Adam's Axël -- Imperial legacies and the art of abuse in The picture of Dorian Gray -- The ghost of cultural studies
  7. Nixon at the movies
    a book about belief
    Author: Feeney, Mark
    Published: 2004
    Publisher:  University of Chicago Press, Chicago

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0226239683; 0226239705; 9780226239682; 9780226239705
    Subjects: BIOGRAPHY & AUTOBIOGRAPHY / Historical; HISTORY.; Films; Filmindustrie; Film; Motion pictures; Motion pictures / Psychological aspects; Motion pictures / Social aspects; Presidents; Psychology; Film; Geschichte; Gesellschaft; Psychologie; Presidents; Motion pictures; Motion pictures; Motion pictures; Film <Motiv>; Meinungsbildung
    Other subjects: Nixon, Richard M.; Nixon, Richard M. / 1913-1994 / Nixon, Richard Milhous; Nixon, Richard M. / 1913-1994 / Nixon, Richard Milhous / Psychology; Nixon, Richard M. / (Richard Milhous) / 1913-1994; Nixon, Richard M. (1913-1994); Nixon, Richard M. (1913-1994); Nixon, Richard M. (1913-1994)
    Scope: 1 Online-Ressource (xiii, 422 p.)
    Notes:

    Includes bibliographical references (p. 379-397) and index

    Dark victory -- Double indemnity -- Patton/Mister Roberts -- Advise and consent -- Sweet smell of success -- Two rode together -- American madness -- "Suspicious minds" -- All the President's men -- Nixon at the movies -- The conversation -- Epilogue : Nixon in the movies

    'Nixon at the Movies' draws on biography, politics, cultural history, and film criticism to show just how deeply in the twentieth-century American grain lies the pair of seemingly incongruous nouns in its title
  8. The psychology of moviegoing
    choosing, viewing and being influenced by films
    Author: Trice, Ashton D.; Greer, Hunter W.
    Published: [2019]
    Publisher:  McFarland, Jefferson, North Carolina

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781476677248
    RVK Categories: AP 45600
    Subjects: Verhalten; Ästhetik; Persönlichkeitsfaktor; Auswirkung; Kriterium; Auswahl; Vergnügen; Film; Ehrfurcht
    Other subjects: Motion picture audiences / Psychology; Motion pictures / Psychological aspects
    Scope: v, 206 Seiten, Illustrationen
  9. The psychology of moviegoing
    choosing, viewing and being influenced by films
    Author: Trice, Ashton D.; Greer, Hunter W.
    Published: 2019
    Publisher:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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  10. Cinematic reflections on the legacy of the Holocaust
    psychoanalytic perspectives
    Contributor: Diamond, Diana (Publisher); Sklarew, Bruce (Publisher)
    Published: 2019; © 2019
    Publisher:  Routledge, Taylor & Francis Group, London ; New York

    An international group of psychoanalysts and film scholars address the enduring emotional legacy of the Holocaust in Cinematic Reflections on the Legacy of the Holocaust: Psychoanalytic Perspectives. Particular focus is given to how second and third... more

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    An international group of psychoanalysts and film scholars address the enduring emotional legacy of the Holocaust in Cinematic Reflections on the Legacy of the Holocaust: Psychoanalytic Perspectives. Particular focus is given to how second and third generation survivors have explored and confronted the psychic reverberations of Holocaust trauma in cinema. This book focuses on how film is particularly suited to depict Holocaust experiences with vividness and immediacy. The similarity of moving images and sound to our dream experience allows access to unconscious processing. Film has the potential to reveal the vast panorama of Holocaust history as well as its intrapsychic reverberations. Yet despite the recent prominence of Holocaust films, documentaries, and TV series as well as scholarly books and memoirs, these works lack a psychoanalytic optic that elucidates themes such as the repetition compulsion, survival guilt, disturbances in identity, and disruption of mourning that are underlying leitmotifs. Cinematic Reflections on the Legacy of the Holocaust will be of great interest to psychoanalysts and therapists as well as to scholars in trauma, film, and Jewish studies. It is also of interest to those concerned with the prevention of genocide and mass atrocities and their long-term effects

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Diamond, Diana (Publisher); Sklarew, Bruce (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781315142159; 9781351392532; 9781351392525; 9781351392518
    Other identifier:
    Series: Psychoanalytic inquiry book series
    Subjects: Holocaust, Jewish (1939-1945), in motion pictures; Psychic trauma in motion pictures; Motion pictures / Psychological aspects; Judenvernichtung <Motiv>; Film; Psychoanalyse
    Scope: 1 Online-Resource (xiii, 253 Seiten), Illustrationen
  11. The cinematic mirror for psychology and life coaching
    Contributor: Gregerson, Mary Banks (Publisher)
    Published: 2010
    Publisher:  Springer, New York [u.a.]

    Location:
    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Regensburg
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    Hochschule für angewandte Wissenschaften Würzburg-Schweinfurt, Abteilungsbibliothek Schweinfurt
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    Location:
    Technische Hochschule Würzburg-Schweinfurt Bibliothek
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Contributor: Gregerson, Mary Banks (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781441911148
    Other identifier:
    RVK Categories: CV 3500
    Series: Psychology and the media ; 3
    Subjects: Film; Geschichte; Psychologie; Psychische Störung <Motiv>; Film; Psychologie <Motiv>
    Other subjects: Motion pictures / History; Motion pictures / Psychological aspects; Mental illness in motion pictures; Mental health
    Scope: 1 Online-Ressource
    Notes:

    Serie im Vorwort genannt
  12. Narrative pleasures in young adult novels, films, and video games
    Author: Mackey, Margaret
    Published: 2011
    Publisher:  Palgrave Macmillan, New York

    Location:
    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230293007; 9780230316621
    Other identifier:
    RVK Categories: EC 8307 ; EC 8308 ; HG 729
    Subjects: Film; Psychologie; Young adult fiction; Narration (Rhetoric); Discourse analysis, Narrative; Rhetoric and psychology; Motion pictures; Video games; Media literacy; Young adult fiction / History and criticism; Motion pictures / Psychological aspects; Video games / Psychological aspects; Rezeption; Videospiel; Jugend; Jugendfilm; Film; Erzähltechnik; Jugendroman
    Scope: 1 Online-Ressource (xiii, 258 p.)
    Notes:

    Includes bibliographical references and index

    Asking the questions: how we understand stories -- Beginning: designing the project -- Thinking it through: theoretical frameworks -- Paying attention: provisional observations and inferences -- Entering the fiction: the subjunctive and the deictic centre -- Orienting: finding the way forward -- Filling gaps: inferences, closure, and affect linking -- Making progress or making do: the unconsidered middle -- Concluding: reaching provisional and final judgments -- Inhabiting the story: comparative perspectives -- Understanding narrative interpretation
  13. The soul of film theory
    Author: Cooper, Sarah
    Published: 2013
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    "In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise.... more

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    "In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise. From the origins of film theory - from Hugo Münsterberg through French Impressionism to writings of the Weimar Republic - to the mid-twentieth century work of Henri Agel and Amédée Ayfre and Henri Agel, as well as Edgar Morin, the soul emerges as a multi-faceted, if contested, concept. By revisiting such key moments in the history of film theory, and tracing the survival of this concept through to a range of cutting-edge debates today, from the work of Vivian Sobchack to Jean-Luc Nancy, Gilles Deleuze to Torben Grodal, The Soul of Film Theory tells the heretofore tacit tale of the relation between cinema and the soul, from classical to contemporary times, in dialogue with philosophy, religion, and science"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780230365131
    Edition: 1. publ.
    Subjects: Motion pictures / Philosophy; Motion pictures / Psychological aspects; BODY, MIND & SPIRIT / General; PHILOSOPHY / General; SOCIAL SCIENCE / Media Studies; Film; Philosophie; Psychologie; Seele <Motiv>; Filmtheorie; Körper <Motiv>
    Scope: X, 209 S., Ill.
    Notes:

    Includes bibliographical references

    Machine generated contents note: Introduction: The Soul of Film Theory -- 1. Classical Souls -- 2. Signifying Souls -- 3. Body and Soul -- Concluding Remarks
  14. The cinema of discomfort
    disquieting, awkward and uncomfortable experiences in contemporary art and indie film
    Author: King, Geoff
    Published: 2022
    Publisher:  Bloomsbury Academic, New York

    Location:
    Hochschule für Fernsehen und Film, Bibliothek
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    Location:
    Universitätsbibliothek Regensburg
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  15. The psychology of moviegoing
    choosing, viewing and being influenced by films
    Author: Trice, Ashton D.; Greer, Hunter W.
    Published: [2019]
    Publisher:  McFarland, Jefferson, North Carolina

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781476677248
    RVK Categories: AP 45600
    Subjects: Verhalten; Ästhetik; Persönlichkeitsfaktor; Auswirkung; Kriterium; Auswahl; Vergnügen; Film; Ehrfurcht
    Other subjects: Motion picture audiences / Psychology; Motion pictures / Psychological aspects
    Scope: v, 206 Seiten, Illustrationen
  16. Narration and Spectatorship in Moving Images
    Author: Anderson, Joseph D.
    Published: 2007
    Publisher:  Cambridge Scholars Pub., Newcastle upon Tyne

    Location:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443809217; 9781443809214
    RVK Categories: AP 45600
    Subjects: Motion picture audiences / Psychology / Congresses; Motion pictures / Psychological aspects / Congresses; PERFORMING ARTS / Reference; Motion picture audiences / Psychology; Motion pictures / Psychological aspects; Narrativität; Filmästhetik; Film; Psychologie; Motion picture audiences; Motion pictures; Filmästhetik; Narrativität
    Scope: 1 Online-Ressource (295 pages)
    Notes:

    TABLE OF CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; CHAPTER ONE; BIO-CULTURALISM; CINEMA AS THE REDEMPTION OF ARCHETYPAL REALITY; CHAPTER TWO; NEUROTRANSMITTER PERSISTENCE, NARRATIVE STRUCTURE, AND EMOTION; EXPANDED EMPATHY; CHAPTER THREE; ASSESSING THE REALITY-STATUS OF FILM; UNDERSTANDING CHARACTER MOTIVATION; CHAPTER FOUR; FORMS MIRRORING FEELINGS; EMBODIED SPACES; CHAPTER FIVE; META-EMOTION AND GENRE PREFERENCE; THE EPISTEMOLOGY OF THE GAZE; CHAPTER SIX; ""THE SEA INSIDE""; RHYTHM AND IMAGE IN DREYER'S FILMS; CHAPTER SEVEN; THE IMPORTANCE OF EMPATHY IN THE ACTOR'S ART.

    EMPATHY AND THE EPISODIC STRUCTURE OF ENGAGEMENT IN FICTION FILMCHAPTER EIGHT; VIRTUAL REALITY IN MOVING IMAGES; PERCEPTUAL OPTIMIZATION OF AUDIO-VISUAL MEDIA; CHAPTER NINE; OVERCOMING CONFLICTS BY PLAY; COGNITIVE FILM THEORY AND FILM COMEDY; CHAPTER TEN; OMITTING DEPTH CUES; COGNITION AND THE AESTHETICS OF REEXPERIENCE; CONTRIBUTORS; INDEX.

    Philosophers and students of the arts have wondered since the time of Aristotle about the nature of aesthetic experience, and how this experience can seemingly be evoked by works of art. For more than a century producers and directors of motion pictures have made decisions about how to craft them based upon assumptions about complex stylistic devices and the effects such patterns of organization have on viewers. Over the past few years film scholars have made considerable progress in analyzin ..

    Includes bibliographical references and index
  17. Movement as meaning in experimental cinema
    the musical poetry of motion pictures revisited
    Author: Barnett, Daniel
    Published: 2019
    Publisher:  Bloomsbury Academic, New York

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 1501349651; 9781501349652; 9781501329845
    Edition: Paperback edition first published
    Subjects: Bedeutung; Ästhetik; Bewegung; Experimentalfilm
    Other subjects: Experimental films / History and criticism; Motion pictures / Aesthetics; Motion pictures / Psychological aspects
    Scope: xiv, 323 Seiten, Illustrationen, 23 cm
    Notes:

    Literaturverzeichnis Seite 291-295
  18. Ecologies of the moving image
    cinema, affect, nature
    Author: Ivakhiv, Adrian J.
    Published: [2013]; © 2013
    Publisher:  WLU Press, Wilfrid Laurier University Press, Waterloo, Ontario, Canada

    "Moving images take us on mental and emotional journeys, over the course of which we and our worlds undergo change. This is the premise of Ecologies of the Moving Image, which accounts for the ways cinematic moving images move viewers in ways that... more

    Location:
    Europa-Universität Viadrina, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Moving images take us on mental and emotional journeys, over the course of which we and our worlds undergo change. This is the premise of Ecologies of the Moving Image, which accounts for the ways cinematic moving images move viewers in ways that reshape our understanding of ourselves, of life, and of the Earth and universe. This book presents an ecophilosophy of the cinema: an account of the moving image in relation to its lived ecologies--the material, social, and perceptual relations within which movies are produced, consumed, and incorporated into cultural life. Cinema, Adrian Ivakhiv argues, lures us into its worlds, but those worlds are grounded in a material and communicative Earth that supports them, even if that supporting materiality withdraws from visibility. Ivakhiv examines the geographies, visualities, and anthropologies--relations of here and there, seer and seen, us and them, human and inhuman--found across a range of styles and genres, from ethnographic and wildlife documentaries to westerns and road movies, and from sci-fi blockbusters and eco-disaster films to the experimental and art films of Tarkovsky, Herzog, Greenaway, Malick, Dash, and Brakhage as well as YouTube's expanding audiovisual universe. Through its process-relational account of cinema, drawn from philosophers such as Whitehead, Peirce, and Deleuze, the book boldly enriches our understanding of film and visual media."--Publisher's website

     
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  19. The American dream and American cinema in the age of Trump
    from object relations to social relations
    Author: Clarke, Graham S.; Clarke, Ross
    Published: 2023
    Publisher:  Routledge, Taylor & Francis Group, London ; New York

    "The American Dream and American Cinema in the Age of Trump uses both film theory and insights from object relations theory in order to examine how recent films address and reflect the state of the 'American Dream'. This fascinating book looks at how... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "The American Dream and American Cinema in the Age of Trump uses both film theory and insights from object relations theory in order to examine how recent films address and reflect the state of the 'American Dream'. This fascinating book looks at how the American Dream is one of the organizing ideas of American cinema, and one of the most influential cultural outputs of the twenty-first century, at a time of internal crisis. In an era characterized by populism, climate change, and economic uncertainty, the book considers nine auteur films in how they illustrate the challenges of contemporary America. Graham S. Clarke and Ross Clarke present a bifocal perspective on some of the most well-received American films of recent years and how they relate to the American Dream in the context of the Trump presidency. For each of the nine films discussed, two different accounts are presented side by side so that each film is considered from an (internal world) object relations psychoanalytic point of view as well as an (external world) film and cultural theory perspective. This unique approach is complemented by discussion of political and critical theory, providing a thorough and engaging analysis. Challenging and insightful, The American Dream and American Cinema in the Age of Trump will be of great interest to scholars of cinema, popular culture, American studies and psychoanalytic studies"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781032072661; 9781032072685
    RVK Categories: AP 50000
    Edition: First published
    Series: The psychoanalysis and popular culture series
    Subjects: American dream; Film
    Other subjects: American Dream in motion pictures; Psychoanalysis and motion pictures / United States; Motion pictures / United States / Psychological aspects / History / 21st century; Motion pictures / Social aspects / United States / History / 21st century; Motion pictures / Political aspects / United States / History / 21st century; Trump, Donald / 1946- / Influence; Rêve américain au cinéma; Psychanalyse et cinéma / États-Unis; Cinéma / Aspect social / États-Unis / Histoire / 21e siècle; Trump, Donald / 1946-; American Dream in motion pictures; Influence (Literary, artistic, etc.); Motion pictures / Political aspects; Motion pictures / Psychological aspects; Motion pictures / Social aspects; Psychoanalysis and motion pictures; United States; 2000-2099; History
    Scope: xii, 240 Seiten, Illustrationen
    Notes:

    Introduction: the American dream and a binocular approach to analysing film -- External worlds -- Internal worlds -- The Revenant (Iñárritu, 2015) -- Roma (Cuaron, 2018) -- First reformed ((The Old Guard) Schrader, 2017) -- Sicario (Villeneuve, 2015) -- Joker (Phillips, 2019) -- You were never really here (Ramsay, 2017) -- Windows (McQueen, 2018) -- Us (Peele, 2019) -- Once upon a time in Hollywood (Tarantino, 2019) -- Conclusion: reflections on the USA presidential elections and the end of Trump
  20. Ecologies of the moving image
    cinema, affect, nature
    Author: Ivakhiv, Adrian J
    Published: [2013]; © 2013
    Publisher:  WLU Press, Wilfrid Laurier University Press, Waterloo, Ontario, Canada

    "Moving images take us on mental and emotional journeys, over the course of which we and our worlds undergo change. This is the premise of Ecologies of the Moving Image, which accounts for the ways cinematic moving images move viewers in ways that... more

     

    "Moving images take us on mental and emotional journeys, over the course of which we and our worlds undergo change. This is the premise of Ecologies of the Moving Image, which accounts for the ways cinematic moving images move viewers in ways that reshape our understanding of ourselves, of life, and of the Earth and universe. This book presents an ecophilosophy of the cinema: an account of the moving image in relation to its lived ecologies--the material, social, and perceptual relations within which movies are produced, consumed, and incorporated into cultural life. Cinema, Adrian Ivakhiv argues, lures us into its worlds, but those worlds are grounded in a material and communicative Earth that supports them, even if that supporting materiality withdraws from visibility. Ivakhiv examines the geographies, visualities, and anthropologies--relations of here and there, seer and seen, us and them, human and inhuman--found across a range of styles and genres, from ethnographic and wildlife documentaries to westerns and road movies, and from sci-fi blockbusters and eco-disaster films to the experimental and art films of Tarkovsky, Herzog, Greenaway, Malick, Dash, and Brakhage as well as YouTube's expanding audiovisual universe. Through its process-relational account of cinema, drawn from philosophers such as Whitehead, Peirce, and Deleuze, the book boldly enriches our understanding of film and visual media."--Publisher's website

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781554589067; 9781554589074
    RVK Categories: AP 45600 ; AP 45700 ; AP 50300
    Series: Environmental humanities series
    Subjects: Film; Natur <Motiv>; Ökologie;
    Other subjects: Motion pictures / Social aspects; Motion pictures / Psychological aspects; Motion pictures / Philosophy; Cinéma / Aspect social; Cinéma / Aspect psychologique; Cinéma / Philosophie; Ekologi i filmen; PSYCHOLOGY ; Social Psychology; Motion pictures ; Philosophy; Motion pictures ; Psychological aspects; Motion pictures ; Social aspects; Naturfilm; Naturen i filmen; Ekokritik; Film; Electronic books
    Scope: 1 Online-Ressource (xii, 418 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index
  21. Cinematic narration and its psychological impact
    functions of cognition, emotion and play
    Author: Wuss, Peter
    Published: 2009
    Publisher:  Cambridge Scholars, Newcastle

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443806870; 9781443806879
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; Motion picture audiences / Psychology; Motion pictures / Psychological aspects; Suspense in motion pictures, television, etc; Film; Psychologie; Motion picture audiences; Motion pictures; Suspense in motion pictures, television, etc; Narrativität; Film; Filmanalyse
    Scope: 1 Online-Ressource (xvi, 357 p., [16] p. of plates)
    Notes:

    Includes bibliographical references and indexes

    Film provides experience potential. Contemporary cognitive psychology gives the opportunity to define this impact on the film spectators' mind in regard to different aspects of cognition, imagination and emotion. Proceeding from these positions, this book
  22. Narration and Spectatorship in Moving Images
    Author: Anderson, Joseph D.
    Published: 2007
    Publisher:  Cambridge Scholars Pub., Newcastle upon Tyne

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443809217; 9781443809214
    RVK Categories: AP 45600
    Subjects: Motion picture audiences / Psychology / Congresses; Motion pictures / Psychological aspects / Congresses; PERFORMING ARTS / Reference; Motion picture audiences / Psychology; Motion pictures / Psychological aspects; Narrativität; Filmästhetik; Film; Psychologie; Motion picture audiences; Motion pictures; Filmästhetik; Narrativität
    Scope: 1 Online-Ressource (295 pages)
    Notes:

    TABLE OF CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; CHAPTER ONE; BIO-CULTURALISM; CINEMA AS THE REDEMPTION OF ARCHETYPAL REALITY; CHAPTER TWO; NEUROTRANSMITTER PERSISTENCE, NARRATIVE STRUCTURE, AND EMOTION; EXPANDED EMPATHY; CHAPTER THREE; ASSESSING THE REALITY-STATUS OF FILM; UNDERSTANDING CHARACTER MOTIVATION; CHAPTER FOUR; FORMS MIRRORING FEELINGS; EMBODIED SPACES; CHAPTER FIVE; META-EMOTION AND GENRE PREFERENCE; THE EPISTEMOLOGY OF THE GAZE; CHAPTER SIX; ""THE SEA INSIDE""; RHYTHM AND IMAGE IN DREYER'S FILMS; CHAPTER SEVEN; THE IMPORTANCE OF EMPATHY IN THE ACTOR'S ART.

    EMPATHY AND THE EPISODIC STRUCTURE OF ENGAGEMENT IN FICTION FILMCHAPTER EIGHT; VIRTUAL REALITY IN MOVING IMAGES; PERCEPTUAL OPTIMIZATION OF AUDIO-VISUAL MEDIA; CHAPTER NINE; OVERCOMING CONFLICTS BY PLAY; COGNITIVE FILM THEORY AND FILM COMEDY; CHAPTER TEN; OMITTING DEPTH CUES; COGNITION AND THE AESTHETICS OF REEXPERIENCE; CONTRIBUTORS; INDEX.

    Philosophers and students of the arts have wondered since the time of Aristotle about the nature of aesthetic experience, and how this experience can seemingly be evoked by works of art. For more than a century producers and directors of motion pictures have made decisions about how to craft them based upon assumptions about complex stylistic devices and the effects such patterns of organization have on viewers. Over the past few years film scholars have made considerable progress in analyzin ..

    Includes bibliographical references and index
  23. Giving the devil his due
    Satan and cinema
    Contributor: Weinstock, Jeffrey Andrew (Herausgeber); Hansen, Regina M (Herausgeber)
    Published: 2021
    Publisher:  Fordham University Press, New York

    "The first collection of essays to address Satan's ubiquitous and popular appearances in film Lucifer and cinema have been intertwined since the origins of the medium. As humankind's greatest antagonist and the incarnation of pure evil, the cinematic... more

    Location:
    Erzbischöfliche Diözesan- und Dombibliothek
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    Unlimited inter-library loan, copies and loan

     

    "The first collection of essays to address Satan's ubiquitous and popular appearances in film Lucifer and cinema have been intertwined since the origins of the medium. As humankind's greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers' collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the "prince of darkness" merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system.^ From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary's Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation. Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe. Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C.^ Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O'Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock"--

     
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    Source: Union catalogues
    Contributor: Weinstock, Jeffrey Andrew (Herausgeber); Hansen, Regina M (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780823297900; 9780823297894
    Other identifier:
    9780823297900
    RVK Categories: AP 50300 ; AP 50300
    Subjects: Devil in motion pictures; Good and evil in motion pictures; Motion pictures / Social aspects; Motion pictures / Psychological aspects
    Scope: vi, 216 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  24. The American dream and American cinema in the age of Trump
    from object relations to social relations
    Author: Clarke, Graham S.; Clarke, Ross
    Published: 2023
    Publisher:  Routledge, Taylor & Francis Group, London ; New York

    "The American Dream and American Cinema in the Age of Trump uses both film theory and insights from object relations theory in order to examine how recent films address and reflect the state of the 'American Dream'. This fascinating book looks at how... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule für Fernsehen und Film, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    "The American Dream and American Cinema in the Age of Trump uses both film theory and insights from object relations theory in order to examine how recent films address and reflect the state of the 'American Dream'. This fascinating book looks at how the American Dream is one of the organizing ideas of American cinema, and one of the most influential cultural outputs of the twenty-first century, at a time of internal crisis. In an era characterized by populism, climate change, and economic uncertainty, the book considers nine auteur films in how they illustrate the challenges of contemporary America. Graham S. Clarke and Ross Clarke present a bifocal perspective on some of the most well-received American films of recent years and how they relate to the American Dream in the context of the Trump presidency. For each of the nine films discussed, two different accounts are presented side by side so that each film is considered from an (internal world) object relations psychoanalytic point of view as well as an (external world) film and cultural theory perspective. This unique approach is complemented by discussion of political and critical theory, providing a thorough and engaging analysis. Challenging and insightful, The American Dream and American Cinema in the Age of Trump will be of great interest to scholars of cinema, popular culture, American studies and psychoanalytic studies"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781032072661; 9781032072685
    RVK Categories: AP 50000
    Edition: First published
    Series: The psychoanalysis and popular culture series
    Subjects: American dream; Film
    Other subjects: American Dream in motion pictures; Psychoanalysis and motion pictures / United States; Motion pictures / United States / Psychological aspects / History / 21st century; Motion pictures / Social aspects / United States / History / 21st century; Motion pictures / Political aspects / United States / History / 21st century; Trump, Donald / 1946- / Influence; Rêve américain au cinéma; Psychanalyse et cinéma / États-Unis; Cinéma / Aspect social / États-Unis / Histoire / 21e siècle; Trump, Donald / 1946-; American Dream in motion pictures; Influence (Literary, artistic, etc.); Motion pictures / Political aspects; Motion pictures / Psychological aspects; Motion pictures / Social aspects; Psychoanalysis and motion pictures; United States; 2000-2099; History
    Scope: xii, 240 Seiten, Illustrationen
    Notes:

    Introduction: the American dream and a binocular approach to analysing film -- External worlds -- Internal worlds -- The Revenant (Iñárritu, 2015) -- Roma (Cuaron, 2018) -- First reformed ((The Old Guard) Schrader, 2017) -- Sicario (Villeneuve, 2015) -- Joker (Phillips, 2019) -- You were never really here (Ramsay, 2017) -- Windows (McQueen, 2018) -- Us (Peele, 2019) -- Once upon a time in Hollywood (Tarantino, 2019) -- Conclusion: reflections on the USA presidential elections and the end of Trump