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  1. Afterlives
    allegories of film and mortality in early Weimar Germany
    Author: Choe, Steve
    Published: 2014
    Publisher:  Bloomsbury, New York, NY

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online; Print
    ISBN: 9781501317729
    RVK Categories: AP 44911
    Series: Thinking cinema ; volume 2
    Subjects: Motion pictures / Germany / History / 20th century; Motion pictures / Philosophy
    Scope: 274 Seiten, illustrations
    Notes:

    Includes bibliographical references (pages 257-268) and index
  2. Filmnarratologie
    Ein erzähltheoretisches Analysemodell
    Author: Kuhn, Markus
    Published: [2011]; ©2011
    Publisher:  De Gruyter, Berlin ; Boston

    Mit seiner Filmnarratologie bietet Markus Kuhn einen umfassenden, systematischen und zugleich anwendungsorientierten Entwurf einer Erzähltheorie des Spielfilms. Das Buch hat insofern "Pionierstatus", als es zum medienspezifischen Erzählen im Film... more

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    Mit seiner Filmnarratologie bietet Markus Kuhn einen umfassenden, systematischen und zugleich anwendungsorientierten Entwurf einer Erzähltheorie des Spielfilms. Das Buch hat insofern "Pionierstatus", als es zum medienspezifischen Erzählen im Film bislang zwar Ansätze und Teiluntersuchungen gibt, eine Systematik im Sinne eines theoretisch schlüssigen Analysemodells von großer Reichweite jedoch noch ausstand. Der hohe Nutzen liegt einerseits in der konzisen Aufarbeitung der Forschungslage und ihrer Platzierung innerhalb der Erzählforschung und andererseits in der Entwicklung eines bewusst anwendungsorientierten Modells zur narratologischen Filmanalyse. Unter Rückgriff auf ein umfangreiches Filmkorpus von über 200 Spielfilmen werden die theoretischen Überlegungen immer wieder praktisch überprüft und mithilfe von Beispielen und Einzelanalysen veranschaulicht. Das vorliegende Werk erweitert das Feld der Erzähltheorie auf den Spielfilm, schärft den Blick für medienspezifische Kategorien und befördert die Anwendung erzähltheoretischer Modelle in der Film- und Medienwissenschaft

     
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110253559
    Other identifier:
    RVK Categories: AP 45000
    Series: Narratologia ; 26
    Other subjects: Motion pictures / Philosophy; Narration (Rhetoric); Narration (Rhetoric); Erzähltechnik; Erzähltheorie; Film Analysis; Filmanalyse; Narrative Theory; Erzähltechnik; Film; Erzähltheorie; LITERARY CRITICISM / General
    Scope: 1 online resource (425 p.)
    Notes:

    Dissertation
  3. Paratexte des Films
    Über die Grenzen des filmischen Universums
    Author: Böhnke, Alexander
    Published: [2015]; ©2007
    Publisher:  transcript-Verlag, Bielefeld

    Wie wird der Raum eines Films konstituiert? Dieses Buch geht diese Frage von den Grenzen des Films an, überträgt hierfür das Konzept 'Paratext' - von Gérard Genette anhand des Mediums Buch entwickelt - auf den Film und fragt nach den Rahmen des... more

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    Wie wird der Raum eines Films konstituiert? Dieses Buch geht diese Frage von den Grenzen des Films an, überträgt hierfür das Konzept 'Paratext' - von Gérard Genette anhand des Mediums Buch entwickelt - auf den Film und fragt nach den Rahmen des Erzählkinos. Wenn man Paratexte wie den Vorspann fokussiert, bricht die Einheit des Filmtextes auf und Innen- sowie Außenbezüge werden analysierbar. Im besonderen Blickpunkt steht das Konzept der 'Diegese', das den Erzählraum des Films bezeichnet.Vier Analysen post-klassischer Hollywoodfilme der 1990er Jahre führen das Zusammenwirken von Text und Paratext exemplarisch vor

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839406076
    Other identifier:
    Edition: 1. Aufl
    Series: Masse und Medium ; 5
    Other subjects: Motion pictures / Miscellanea; Motion pictures / Philosophy; Raum / Motiv; Hollywood; Literary Studies; Literaturwissenschaft; Media Studies; Media Theory; Media; Medien; Medientheorie; Medienwissenschaft; Paratext; SOCIAL SCIENCE / Media Studies
    Scope: 1 online resource
  4. Film, art, and the third culture
    a naturalized aesthetics of film
    Author: Smith, Murray Stuart
    Published: 2017
    Publisher:  Oxford University Press, Oxford

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780198790648
    RVK Categories: AP 45400
    Edition: First edition
    Subjects: Film; Philosophie; Ästhetik; Motion pictures / Aesthetics; Motion pictures / Philosophy; Filmästhetik
    Scope: xvi, 294 Seiten, Illustrationen, 24 cm
  5. Thinking reality and time through film
    Contributor: Reeh, Christine (Publisher); Martins, José Manuel (Publisher)
    Published: 2017
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

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  6. Tracking color in cinema and art
    philosophy and aesthetics
    Author: Branigan, Edward
    Published: 2018
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

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    Deutsches Forum für Kunstgeschichte, Bibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781315317496
    RVK Categories: AP 45400
    Subjects: Ästhetik; Kunst; Farbe; Film
    Other subjects: Motion pictures / Philosophy; Motion pictures / Aesthetics; Colors in motion pictures; Color in art
    Scope: 1 Online-Ressource (392 Seiten), Illustrationen
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    Includes bibliographical references
  7. Time, existential presence and the cinematic image
    ethics and emergence to being in film
    Author: Girgus, Sam B.
    Published: [2018]; © 2018
    Publisher:  Edinburgh University Press, Edinburgh

    In Time, Existential Presence and the Cinematic Image, Sam B. Girgus relates Laura Mulvey's theory of 'delayed cinema' to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among... more

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    In Time, Existential Presence and the Cinematic Image, Sam B. Girgus relates Laura Mulvey's theory of 'delayed cinema' to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others. The sustained tension in film between, in Mulvey's phrase, 'stillness and the moving image' enacts a drama of existential emergence. The stillness of the framed image in relation to the moving image opens 'free' cinematic time and space for a fresh engagement with crucial ethical and cultural issues. With close readings of films such as The Bicycle Thieves, Two Days, One Night, The Three Burials of Melquiades Estrada, The Revenant and The Age of Innocence, this book proposes a fresh approach to reading film in the context of emerging existential presence and the ethical imperative

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781474436236; 1474436234
    Subjects: Film; Zeit <Motiv>
    Other subjects: Motion pictures / Philosophy; Existentialism in motion pictures; Motion pictures / Moral and ethical aspects; Existentialism in motion pictures; Motion pictures / Moral and ethical aspects; Motion pictures / Philosophy
    Scope: vii, 191 Seiten, 13 Illustrationen, 25 cm
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  8. The eloquent screen
    a rhetoric of film
    Author: Perez, Gilberto
    Published: [2019]; © 2019
    Publisher:  University of Minnesota Press, Minneapolis ; London

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    Source: Union catalogues
    Contributor: Harvey, James
    Language: English
    Media type: Book
    ISBN: 9780816641338; 9780816641321
    RVK Categories: AP 45200
    Subjects: Film; Rhetorik; Filmtheorie
    Other subjects: Motion pictures / Philosophy; Subjectivity in motion pictures; Metaphor in motion pictures; Motion picture plays / History and criticism
    Scope: xxi, 405 Seiten
    Notes:

    Includes bibliographical references and index
  9. Philosophers on film from Bergson to Badiou
    a critical reader
    Contributor: Kul-Want, Christopher (Publisher)
    Published: [2019]
    Publisher:  Columbia University Press, New York

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    Source: Union catalogues
    Contributor: Kul-Want, Christopher (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780231176026; 9780231176033
    RVK Categories: AP 45100
    Subjects: Phänomenologie; Marxismus; Psychoanalyse; Film; Geschlechterrolle; Poststrukturalismus
    Other subjects: Motion pictures / Philosophy; Continental philosophy; Continental philosophy; Motion pictures / Philosophy
    Scope: xi, 355 Seiten, 25 cm
  10. Deleuze and the cinemas of performance
    powers of affection
    Author: Río, Elena del
    Published: c2008
    Publisher:  Edinburgh University Press, Edinburgh

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0748635262; 9780748635269
    RVK Categories: AP 45100 ; AP 50300 ; CC 8400 ; CI 5599
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; PERFORMING ARTS / Film & Video / General; Human body in motion pictures; Motion pictures / Philosophy; Film; Philosophie; Human body in motion pictures; Motion pictures; Affekt; Film; Körper <Motiv>
    Other subjects: Deleuze, Gilles / 1925-1995; Deleuze, Gilles / 1925-1995; Deleuze, Gilles (1925-1995); Deleuze, Gilles (1925-1995)
    Scope: 1 Online-Ressource (viii, 240 p.)
    Notes:

    Includes bibliographical references (p. [218]-227) and index

    COVER; Copyright; Contents; Acknowledgments; Introduction: Cinema and the Affective-Performative; 1. Animated Fetishes; 2. Choreographies of Affect; 3. Dancing Feminisms; 4. Kinesthetic Seductions; 5. Powers of the False; Conclusion: Everything is "Yes"; Works Cited; Index

    This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, Elena del Río examines a kind of cinema that she calls 'affective-performative'. The features of this cinema unfold via detailed and engaging discussions of the movements, gestures and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally
  11. The terministic screen
    rhetorical perspectives on film
    Published: c2003
    Publisher:  Southern Illinois University Press, Carbondale

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585499586; 9780585499581
    RVK Categories: AP 45100
    Subjects: PERFORMING ARTS / Film & Video / Reference; Cinéma; Rhétorique; Critique cinématographique; Cinéma / Philosophie; Film criticism; Motion pictures; Motion pictures / Philosophy; Rhetoric; Film; Philosophie; Motion pictures; Rhetoric; Film criticism; Motion pictures; Rhetorik; Filmtheorie
    Scope: 1 Online-Ressource (x, 312 p.)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    Mapping the other: The English patient, colonial rhetoric, and cinematic representation / Alan Nadel -- Rhetoric and the early work of Christian Metz: augmenting ideological inquiry in rhetorical film theory and criticism / Ann Chisholm -- Temptation as taboo: a psychorhetorical reading of The last temptation of Christ Martin J. Medhurst -- Hyperrhetoric and the inventive spectator: remotivating The fifth element / Byron Hawk -- Time, space, and political identity: envisioning community in Triumph of the will / Ekaterina V. Haskins -- On rhetorical bodies: Hoop dreams and constitutional discourse / James Roberts -- Looking for the public in the popular: the Hollywood blacklist and the rhetoric of collective memory / Thomas W. Benson -- Copycat, serial murder, and the (de)terministic screen narrative / Philip L. Simpson -- Opening the text: reading gender, Christianity, and American intervention in Deliverance / Davis W. Houck and Caroline J.S. Picart -- From "world conspiracy" to "cultural imperialism": the history of anti-Plutocratic rhetoric in German film / Friedemann Weidauer -- Rhetorical conditioning: The Manchurian candidate / Bruce Krajewski -- Sophistry, magic, and the vilifying rhetoric of The usual suspects / David Blakesley -- Textual trouble in River City: literacy, rhetoric, and consumerism in The music man / Harriet Malinowitz -- Screen play: Ethos and dialectics in A time to kill / Granetta L. Richardson -- Postmodern dialogics in Pulp fiction: Jules, Ezekiel, and double-voiced discourse
  12. Cinema, theory, and political responsibility in contemporary culture
    Author: McGee, Patrick
    Published: ©1997
    Publisher:  Cambridge University Press, Cambridge, U.K.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 051100592X; 0521581303; 9780511005923
    RVK Categories: AP 45100 ; AP 45500 ; AP 47400
    Series: Literature, culture, theory ; 24
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; Motion pictures; Motion pictures / Aesthetics; Motion pictures / Philosophy; Sex role; Film; Philosophie; Ästhetik; Motion pictures; Motion pictures; Sex role in motion pictures; Forschung; Politische Verantwortung; Massenkultur; Filmtheorie
    Scope: 1 Online-Ressource (xv, 235 pages)
    Notes:

    Includes bibliographical references (pages 224-231) and index
  13. Phenomenology's material presence
    video, vision and experience
    Author: Hezekiah, Gabrielle A., (Gabrielle Andrée)
    Published: 2010
    Publisher:  Intellect, Bistol, UK

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1282779303; 1841503835; 9781282779303; 9781841503837
    Subjects: Experimental films; Philosophy in motion pictures; Ramesar, Robert Yao / Criticism and interpretation; Fine Arts; DRAMA.; Motion pictures; Motion pictures / Philosophy; Phenomenology; Video recordings; Film; Philosophie; Motion pictures; Video recordings; Phenomenology
    Other subjects: Ramesar, Robert Yao; Ramesar, Robert Yao
    Scope: 1 Online-Ressource (vi, 91 pages)
    Notes:

    Includes bibliographical references and videography

    Cover -- Preliminary Pages -- Contents -- Preface -- Acknowledgements -- Introduction -- Phenomenology's Aims and Methods -- Phenomenology8217;s Material Presence -- Chapter 1: Acts of Consciousness -- Performing the Reduction -- Memory and Dream -- Movement, Memory and Consciousness -- "The Thetic Role of Consciousness" -- Chapter 2: Being and Consciousness -- The 8220;Concretion of Visibility8221; -- Possession, Embodiment and Consciousness -- Ecstasis, Temporality and the Dasein -- Chapter 3: Being, Consciousness and Time -- The Enfoldment in Time -- Being, Consciousness and Time -- Conclusion -- Endnotes -- Bibliography -- Videography

    Phenomenology's Material Presence: Video, Vision and Experience is an exploration of phenomenology and the aesthetics of the moving image. Drawing on the insights of Edmund Husserl, Martin Heidegger and Maurice Merleau-Ponty, this seminal work addresses key questions related to the notion of encounter in cinematic viewing. How does video make visible the act of looking and the act of being seen? How does it intimate the presence of that which cannot be seen? What is the role of video's material body in facilitating this process? Using a poetic essay style, and three videos by Trinidadian film-maker Robert Yao Ramesar, this book suggests that video performs its own act of phenomenological inquiry. Phenomenology's Material Presence invites the reader to explore the role of consciousness in our experience of the visual and brings continental philosophy and postcolonial cinema into conversation
  14. Deleuze, cinema and national identity
    narrative time in national contexts
    Author: Martin-Jones, David
    Published: c2006
    Publisher:  Edinburgh University Press, Edinburgh

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0748622446; 074862662X; 0748629718; 9780748622443; 9780748626625; 9780748629718
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; Filmkunst; Verteltheorie; Nationale identiteit; Motion pictures / Aesthetics; Motion pictures / Philosophy; Nationalism in motion pictures; Film; Nationalbewusstsein; Philosophie; Ästhetik; Nationalism in motion pictures; Motion pictures; Motion pictures; Filmanalyse; Erzählte Zeit; Nationalbewusstsein
    Other subjects: Deleuze, Gilles / 1925-1995; Deleuze, Gilles / 1925-1995; Deleuze, Gilles (1925-1995); Deleuze, Gilles (1925-1995)
    Scope: 1 Online-Ressource (ix, 244 p.)
    Notes:

    Includes bibliographical references and index

    Illustrations; Acknowledgements; Part I Deleuze and Narrative Time; CHAPTER 1 History; CHAPTER 2 Memory; Part II Movement-/Time-Image Films; CHAPTER 3 National Identity in the Global City; CHAPTER 4 American Triumphalism and the First Gulf War; CHAPTER 5 Renegotiating the National Past after 9/11; CHAPTER 6 The Pacific Rim; Conclusion: Blind Chance and Possible Futures; Select Bibliography; Select Filmography; Index

    This volume challenges the traditional use of Deleuze's philosophy to examine European art cinema. It explores how Deleuze can be used to analyse national identity across a range of different cinemas. Focusing on a narrative time, it combines a Deleuzean approach with a vast range of non-traditional material
  15. What is film theory?
    an introduction to contemporary debates
    Author: Rushton, Richard
    Published: c2010
    Publisher:  Open University Press, Maidenhead, England

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0335234224; 0335234232; 0335240380; 1283338661; 9780335234226; 9780335234233; 9780335240388; 9781283338660
    Subjects: DRAMA / Anthologies (multiple authors); Feminist film criticism; Film criticism; Motion pictures / Aesthetics; Motion pictures / Appreciation; Motion pictures / Philosophy; Semiotics and the arts; Film; Philosophie; Ästhetik; Film criticism; Feminist film criticism; Motion pictures; Motion pictures; Motion pictures; Semiotics and the arts; Filmtheorie
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references (p. [194]-204) and index

    Structuralism and semiotics: the foundations of contemporary film theory -- Apparatus theory: Jean-Louis Baudry and Christian Metz -- Screen theory: Colin MacCabe and Stephen Heath -- Feminism and film: visual pleasure and identificatory practices -- CInemas of the other: postcolonialism, race and queer theory -- Philosophers and film: Gilles Deleuze and Stanley Cavell -- Film as art: historical poetics and neoformalism -- The cognitive turn: narrative comprehension and character identification -- Recent developments: phenomenology, attractions and audiences

    "What is Film Theory? outlines the discipline's key theoretical concepts, perspectives, and traditions, and critically examines the assertions posited by exemplary film theorists and philosophers of film. A step-by-step approach to these issues guides the reader through the central topics of film theory. Beginning with a discussion of structuralism and semiotics, and moving through debates on psychoanalysis, feminism, Screen theory, and cultural studies, the authors then examine the perspectives of 'post-theory', cognitivism, and historical poetics, as well as recent developments such as audience research and the 'cinema of attractions'. Analysis of the major theories is supported with detailed and wide-ranging case studies of particular films, including Singin' in the Rain, The Searchers, Tout va bien, Jaws, Do the Right Thing, Brokeback Mountain, and Sweeney Todd: The Demon Barber of Fleet Street. These case studies are accompanied by a series of illustrative film and production stills."--P. [4] of cover
  16. The search for meaning in film and television
    disenchantment at the turn of the millennium
    Author: Maloney, Marcus
    Published: 2015
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    "This fascinating study explores the difficulties faced by modern Westerners in their search for a meaningful life. It sheds light on this enduring cultural dilemma through a close reading of four popular film and television narratives: Pixar's... more

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    "This fascinating study explores the difficulties faced by modern Westerners in their search for a meaningful life. It sheds light on this enduring cultural dilemma through a close reading of four popular film and television narratives: Pixar's animated feature film, Toy Story; Christopher Nolan's Batman Begins and The Dark Knight; the television romantic comedy, Sex and the City; and, finally, the mobster drama, The Sopranos. The readings are guided by a number of inter-related questions. First, in what ways do these popular stories speak to the modern West's meaning dilemma? What do they have to say about contemporary culture, and its capacity to illuminate the fundamental human? What are the core problems faced by the central characters and how are they resolved? Finally, and perhaps most importantly, do the four stories that come into focus suggest hope or despair in the modern West's search for meaning?"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 1137499281; 9781137499288; 9781349698455
    RVK Categories: AP 50300
    Edition: 1. publ.
    Subjects: Motion pictures / Philosophy; Television / Philosophy; PERFORMING ARTS / Film & Video / History & Criticism; PERFORMING ARTS / Television / History & Criticism; SOCIAL SCIENCE / Media Studies; Motion pictures / Philosophy; Television / Philosophy; Film; Philosophie; Lebenssinn; Lebenssinn <Motiv>; Film
    Scope: VIII, 185 S., 23 cm
    Notes:

    Includes bibliographical references and index

    Acknowledgements -- 1. Introduction -- 2. Just a Toy -- 3. Batman and Society -- 4. Self, Sex and the City -- 5. Tony Soprano and the Big Nothing -- 6. Conclusion -- Notes -- Bibliography -- Index
  17. Shoe reels
    the history and philosophy of footwear in film
    Contributor: Wheatley, Catherine (Publisher); Ezra, Elizabeth (Publisher)
    Published: [2020]; © 2020
    Publisher:  Edinburgh University Press, Edinburgh

    In his famous interpretation of Vincent Van Gogh's painting A Pair of Peasant's Shoes (1886), Heidegger argues that shoes tell us all we need to know about the world of the person who walks in them. In the case of Van Gogh's painting, we learn this... more

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    In his famous interpretation of Vincent Van Gogh's painting A Pair of Peasant's Shoes (1886), Heidegger argues that shoes tell us all we need to know about the world of the person who walks in them. In the case of Van Gogh's painting, we learn this not through a description of the pair of shoes, nor by a report on how to make shoes, but by looking at the shoes. Heidegger thus gestures towards the power of the visual arts to show us human truths through images of footwear and the feet they conceal or reveal, a power that finds its fullest expression in the cinema. From Chaplin's meal of boots (The Gold Rush, 1925), through Powell and Pressburger's Red Shoes (1948) and Dorothy's ruby slippers (The Wizard of Oz, 1939), to Julia Roberts' pvc thigh-highs (Pretty Woman, 1990), Marty McFly's power-lacing Nikes (Back to the Future, 1985) and the slim, spike-heeled stiletto that graces the poster for The Devil Wears Prada (2006), shoes are not only some of the cinema's most enduring icons; they also serve as characterisations, plot devices, soundtracks, metaphors and philosophical touchpoints. This book anaylses their significance through a range of approaches drawn from the fields of Film Studies, Philosophy, Cultural History, Fashion, Cultural Studies and Politics

     
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    Contributor: Wheatley, Catherine (Publisher); Ezra, Elizabeth (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781474451406
    Series: Films and fashions
    Subjects: Schuh <Motiv>; Film
    Other subjects: Fashion in motion pictures; Motion pictures / History; Motion pictures / Philosophy; Footwear in art; Costume; Motion pictures; Motion pictures / Philosophy; History
    Scope: xiii, 298 Seiten, Illustrationen, 25 cm
  18. Tracking color in cinema and art
    philosophy and aesthetics
    Author: Branigan, Edward
    Published: 2018
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Hochschule für Fernsehen und Film, Bibliothek
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781138230668
    RVK Categories: AP 45400
    Subjects: Ästhetik; Farbe; Kunst; Film
    Other subjects: Motion pictures / Philosophy; Motion pictures / Aesthetics; Colors in motion pictures; Color in art
    Scope: xxxi, 343 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, 26 cm
    Notes:

    Includes bibliographical references
  19. Fiction and imagination in early cinema
    a philosophical approach to film history
    Author: Slugan, Mario
    Published: 2020
    Publisher:  Bloomsbury Academic, London

    Location:
    Hochschule für Fernsehen und Film, Bibliothek
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    Location:
    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781788314121; 1788314123
    RVK Categories: AP 45600
    Subjects: Film; Fiktion
    Other subjects: Motion pictures / Aesthetics; Imagination; Motion pictures / Philosophy; Motion pictures / History; Imagination; Motion pictures; Motion pictures / Aesthetics; Motion pictures / Philosophy; History
    Scope: xii, 265 Seiten, Illustrationen, 24 cm
  20. The ordinary man of cinema
    Author: Schefer, Jean-Louis
    Published: [2016]
    Publisher:  Semiotext(e), South Pasadena, CA

    Location:
    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Contributor: Cavitch, Max; Grant, Paul Douglas; Wedell, Noura
    Language: English
    Media type: Book
    ISBN: 9781584351856
    RVK Categories: AP 45000 ; AP 45200
    Series: Semiotext(e) foreign agents
    Subjects: Philosophie; Film; Mensch <Motiv>
    Other subjects: Motion pictures / Philosophy; Phenomenology; Subjectivity in motion pictures
    Scope: 223 Seiten, Illustrationen, 23 cm
  21. This is called moving
    a critical poetics of film
    Author: Child, Abigail
    Published: ©2005
    Publisher:  University of Alabama Press, Tuscaloosa

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0817381309; 9780817381301
    Series: Modern and contemporary poetics
    Subjects: Child, Abigail; Experimental films; Motion pictures; PERFORMING ARTS / Film & Video / Reference; Experimental films; Motion pictures / Aesthetics; Motion pictures / Philosophy; Film; Philosophie; Ästhetik; Experimental films; Motion pictures; Motion pictures; Experimentalfilm; Ästhetik
    Other subjects: Child, Abigail; Child, Abigail
    Scope: 1 Online-Ressource (xxv, 290 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    "Selected works by the author": pages 281-282

    List of Illustrations; Poetry in Motion by Tom Gunning; Preface; Sex Talk; Matrix; Interrogations; Notes; Selected Works by the Author; Index

    As a writer, director, producer, and cinematographer, Abigail Child has been recognized as a major and influential practitioner of experimental cinema since the early 1970s. In these essays, Child draws on her career as a practicing poet as well as a filmmaker to explore how these two language systems inform and cross-fertilize her work
  22. Film ecology
    defending the biosphere : doughnut economics and film theory and practice
    Author: Hayward, Susan
    Published: 2020; © 2020
    Publisher:  Routledge, Abingdon, Oxon

    "This book attempts to answer the questions, posed by T.J. Demos (in Against the Anthropocene, 2107): how do we find a way address the planetary harm and the issues it raises within the field of Film Studies? How do we construct a theoretical model... more

     

    "This book attempts to answer the questions, posed by T.J. Demos (in Against the Anthropocene, 2107): how do we find a way address the planetary harm and the issues it raises within the field of Film Studies? How do we construct a theoretical model that allows us to visualize the ecological transgressions brought about by the growth-model of capitalism which is heavily endorsed by mainstream narrative cinema? By turning to the Regenerative model set out in Kate Raworth's book Doughnut Economics (2017) and adapting its fundamental principles to a study of narrative cinema, Film Ecology proposes to show how, by using this model, we can usefully plot and investigate films according to criteria that are not genre/star/auteur-led, nor indeed embedded in anthropocentric theoretical models, but principles which are ecologically based. The hope is that this approach will inspire film practitioners, film theorists, critics and analysts, film students and film lovers alike to consider how they might integrate this Doughnut model into their thinking or work as part of their process"--

     
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    Volltext (URL des Erstveroeffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429293801; 0429293801; 9781000062243; 1000062244; 9781000062182; 100006218X; 9781000062212; 100006221X
    Subjects: Environmental protection and motion pictures; Environmentalism in motion pictures; Ecology in motion pictures; Capitalism in motion pictures; Motion pictures / Philosophy; Ecocriticism
    Scope: 1 online resource (116 pages)
    Notes:

    "Routledge Focus" -- Front cover

    Description based on online resource; title from digital title page (viewed on April 16, 2020)
  23. The soul of film theory
    Author: Cooper, Sarah
    Published: 2013
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    "In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise.... more

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    "In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise. From the origins of film theory - from Hugo Münsterberg through French Impressionism to writings of the Weimar Republic - to the mid-twentieth century work of Henri Agel and Amédée Ayfre and Henri Agel, as well as Edgar Morin, the soul emerges as a multi-faceted, if contested, concept. By revisiting such key moments in the history of film theory, and tracing the survival of this concept through to a range of cutting-edge debates today, from the work of Vivian Sobchack to Jean-Luc Nancy, Gilles Deleuze to Torben Grodal, The Soul of Film Theory tells the heretofore tacit tale of the relation between cinema and the soul, from classical to contemporary times, in dialogue with philosophy, religion, and science"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780230365131
    Edition: 1. publ.
    Subjects: Motion pictures / Philosophy; Motion pictures / Psychological aspects; BODY, MIND & SPIRIT / General; PHILOSOPHY / General; SOCIAL SCIENCE / Media Studies; Film; Philosophie; Psychologie; Seele <Motiv>; Filmtheorie; Körper <Motiv>
    Scope: X, 209 S., Ill.
    Notes:

    Includes bibliographical references

    Machine generated contents note: Introduction: The Soul of Film Theory -- 1. Classical Souls -- 2. Signifying Souls -- 3. Body and Soul -- Concluding Remarks
  24. Critical cinema
    beyond the theory of practice
    Published: 2011
    Publisher:  Wallflower Press, London [u.a.]

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Subjects: Film criticism; Motion pictures / Philosophy; Motion pictures / Aesthetics; Film; Philosophie; Ästhetik; Film; Filmtheorie
    Scope: XVI, 299 S., Ill., 24 cm
    Notes:

    Includes bibliographical references and index
  25. Deleuze, cinema and national identity
    narrative time in national contexts
    Author: Martin-Jones, David
    Published: 2008
    Publisher:  Edinburgh Univ. Press, Edinburgh

    Location:
    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780748635856; 9780748622443; 0748622446
    RVK Categories: AP 47000 ; CC 8400 ; CI 5599
    Subjects: Nationalism in motion pictures; Motion pictures / Aesthetics; Motion pictures / Philosophy; Filmkunst; Verteltheorie; Nationale identiteit; Cinéma - Philosophie; Nationalisme au cinéma; Film; Nationalbewusstsein; Philosophie; Ästhetik; Motion pictures; Nationalism in motion pictures; Filmanalyse; Nationalbewusstsein; Erzählte Zeit
    Other subjects: Deleuze, Gilles / 1925-1995 / Criticism and interpretation; Deleuze, Gilles <1925-1995>; Deleuze, Gilles <1925-1995>; Deleuze, Gilles (1925-1995)
    Scope: IX, 244 S., Ill., 25 cm
    Notes:

    Includes bibliographical references and index

    Introduction : Deleuze, film studies and national identity -- History -- Memory -- National identity in the global city -- American triumphalism and the first Gulf War -- Renegotiating the national past after 9/11 -- The Pacific Rim -- Conclusion : blind chance and possible futures