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Displaying results 1 to 25 of 555.

  1. American cinema/American culture
    Author: Belton, John
    Published: [2021]
    Publisher:  McGraw Hill, New York, NY

    "This book introduces the ... more

     

    "This book introduces the ...

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781265818630; 9781260837216; 9781264177301
    Edition: Sixth edition, International student edition
    Subjects: Motion pictures; Motion picture industry; Motion pictures; Culture in motion pictures; Popular culture
    Scope: xxiv, 435 Seiten, Illustrationen
    Notes:

    Includes filmographies and index
  2. Rock star - movie star
    power and performance in cinematic rock stardom
    Author: Palmer, Landon
    Published: [2020]
    Publisher:  Oxford University Press, New York

    "During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Such... more

     

    "During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Such stars eventually found cinema to be a useful space to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. Indeed, casting rock stars for film provided a tool for bridging new relationships across media industries and practices. This book examines the casting rock stars in films from Elvis Presley to Madonna. In so doing, Rock Star/Movie Star offers a new perspective on the role of stardom within the convergence of media industries. While hardly the first popular music culture to see its stars making the transition to screen, the timing of rock's emergence and its staying power within popular culture proved fortuitous for a motion picture business searching for its place in the face of continuous technological and cultural change. At the same time, a post-star-system film industry provided a welcoming context for rock stars who have valued authenticity, creative autonomy, and personal expression. This book uses illuminating archival resources to demonstrate how rock stars have often proven themselves to be prominent film workers exploring this terrain of platforms old and new - ideal media laborers whose power lies in the fact that they are rarely recognized as such. Combining star studies with media industry studies, this book shows how stars have operated as both an organizational center for media production as well as social actors who have taken on a decisive role in the purposes to which their images are used"

     
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  3. Contemporary cinema of Africa and the diaspora
    Author: Prabhu, Anjali
    Published: 2014
    Publisher:  Wiley-Blackwell, Chichester

    "Focuses on art house cinema and discusses commercial African cinema".. more

     

    "Focuses on art house cinema and discusses commercial African cinema"..

     
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  4. <<The>> screen is red
    Hollywood, communism, and the Cold War
    Author: Dick, Bernard F.
    Published: [2016]
    Publisher:  University Press of Mississippi, Jackson

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781496805393; 9781496805409
    Subjects: Motion pictures; Motion picture industry; Communism and motion pictures; Cold War in motion pictures
    Scope: IX, 282 Seiten, 16 ungezählte Seiten, Illustrationen, 24 cm
  5. Hollywood and the mob
    movies, Mafia, sex and death
    Author: Adler, Tim
    Published: 2008
    Publisher:  Bloomsbury, London [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0747573506; 9780747573500
    Edition: Paperback ed.
    Subjects: Mafia; Motion picture industry; Motion picture industry; Mafia in motion pictures
    Scope: 278 S., Ill.
    Notes:

    Literaturverz. S. [257] - 261
  6. Cinema and nation
    Contributor: Hjort, Mette (Publisher)
    Published: 2000
    Publisher:  Routledge, London [u.a.]

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    Source: Union catalogues
    Contributor: Hjort, Mette (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415208629; 0415208637
    RVK Categories: AP 46700
    Edition: 1. publ.
    Subjects: National characteristics in motion pictures; Motion picture industry; Motion pictures
    Scope: XVI, 332 S., Ill., 24cm
    Notes:

    Includes bibliographical references and index

    Literaturangaben
  7. Screening Scotland
    Author: Petrie, Duncan J.
    Published: 2000
    Publisher:  bfi-Publ., London

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 085170784X; 0851707858
    RVK Categories: AP 59730
    Edition: 1. publ.
    Subjects: Motion pictures; Motion picture industry
    Scope: 250 S., Ill., 24 cm.
    Notes:

    Literaturverz. S. [231] - 237
  8. That was the wild East
    film culture, unification, and the "new" Germany
    Author: Naughton, Leonie
    Published: 2002
    Publisher:  Univ. of Michigan Press, Ann Arbor, Mich.

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0472088882
    RVK Categories: AP 44918
    Series: Social history, popular culture and politics in Germany
    Subjects: Motion pictures; Motion picture industry
    Scope: XVIII, 267 S., Ill., 23 cm.
    Notes:

    Literaturverz. S. 245 - 262
  9. American Showman
    Samuel "Roxy" Rothafel and the birth of the entertainment industry, 1908-1935
    Author: Melnick, Ross
    Published: [2012]; © 2012
    Publisher:  Columbia University Press, New York, NY

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Volltext (URL des Erstveröffentlichers)
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231504256
    Other identifier:
    Series: Film and Culture Series
    Subjects: Genres, other; Geschichte; Literatur; American literature; Books; Literature; Motion picture industry; Hörfunk; Kino; Unterhaltungsindustrie; Film; Theater
    Other subjects: Rothafel, Samuel Lionel (1881-1936)
    Scope: 1 Online-Ressource
  10. The Phantom Holocaust
    Soviet Cinema and Jewish Catastrophe
    Author: Gershenson, Olga
    Published: [2013]; © 2013
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Even people familiar with cinema believe there is no such thing as a Soviet Holocaust film. The Phantom Holocaust tells a different story. The Soviets were actually among the first to portray these events on screens. In 1938, several films exposed... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Even people familiar with cinema believe there is no such thing as a Soviet Holocaust film. The Phantom Holocaust tells a different story. The Soviets were actually among the first to portray these events on screens. In 1938, several films exposed Nazi anti-Semitism, and a 1945 movie depicted the mass execution of Jews in Babi Yar. Other significant pictures followed in the 1960s. But the more directly filmmakers engaged with the Holocaust, the more likely their work was to be banned by state censors. Some films were never made while others came out in such limited release that the Holocaust remained a phantom on Soviet screens. Focusing on work by both celebrated and unknown Soviet directors and screenwriters, Olga Gershenson has written the first book about all Soviet narrative films dealing with the Holocaust from 1938 to 1991. In addition to studying the completed films, Gershenson analyzes the projects that were banned at various stages of production. The book draws on archival research and in-depth interviews to tell the sometimes tragic and sometimes triumphant stories of filmmakers who found authentic ways to represent the Holocaust in the face of official silencing. By uncovering little known works, Gershenson makes a significant contribution to the international Holocaust filmography

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813561820
    Other identifier:
    Series: Jewish Cultures of the World
    Subjects: PERFORMING ARTS / General; Holocaust, Jewish (1939-1945), in motion pictures; Jews in motion pictures; Motion picture industry; Motion pictures; Judenvernichtung <Motiv>; Film
    Scope: 1 online resource, 20 illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  11. Cinema Civil Rights
    Regulation, Repression, and Race in the Classical Hollywood Era
    Author: Scott, Ellen C.
    Published: [2015]; © 2015
    Publisher:  Rutgers University Press, New Brunswick, NJ

    From Al Jolson in blackface to Song of the South, there is a long history of racism in Hollywood film. Yet as early as the 1930s, movie studios carefully vetted their releases, removing racially offensive language like the "N-word." This censorship... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    From Al Jolson in blackface to Song of the South, there is a long history of racism in Hollywood film. Yet as early as the 1930s, movie studios carefully vetted their releases, removing racially offensive language like the "N-word." This censorship did not stem from purely humanitarian concerns, but rather from worries about boycotts from civil rights groups and loss of revenue from African American filmgoers. Cinema Civil Rights presents the untold history of how Black audiences, activists, and lobbyists influenced the representation of race in Hollywood in the decades before the 1960s civil rights era. Employing a nuanced analysis of power, Ellen C. Scott reveals how these representations were shaped by a complex set of negotiations between various individuals and organizations. Rather than simply recounting the perspective of film studios, she calls our attention to a variety of other influential institutions, from protest groups to state censorship boards. Scott demonstrates not only how civil rights debates helped shaped the movies, but also how the movies themselves provided a vital public forum for addressing taboo subjects like interracial sexuality, segregation, and lynching. Emotionally gripping, theoretically sophisticated, and meticulously researched, Cinema Civil Rights presents us with an in-depth look at the film industry’s role in both articulating and censoring the national conversation on race

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813571379
    Other identifier:
    Subjects: PERFORMING ARTS / General; African American political activists; African Americans in motion pictures; African Americans in the motion picture industry; African Americans; Motion picture industry; Motion pictures; Motion pictures; Racism in motion pictures; Stereotypes (Social psychology) in motion pictures; Filmzensur; Bürgerrecht; Schwarze <Motiv>; Film
    Scope: 1 online resource, 30 photographs
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  12. Extreme Cinema
    The Transgressive Rhetoric of Today's Art Film Culture
    Author: Frey, Mattias
    Published: [2016]; © 2016
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Received an Honorable Mention for the 2017 British Association of Film, Television and Screen Studies (BAFTSS) Best Monograph Award From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Received an Honorable Mention for the 2017 British Association of Film, Television and Screen Studies (BAFTSS) Best Monograph Award From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their shockingly graphic depictions of sex and violence. Film critics and scholars alike often regard these movies as the work of visionary auteurs, hailing directors like Michael Haneke and Lars von Trier as heirs to a tradition of transgressive art. In this provocative new book, Mattias Frey offers a very different perspective on these films, exposing how they are also calculated products, designed to achieve global notoriety in a competitive marketplace. Paying close attention to the discourses employed by film critics, distributors, and filmmakers themselves, Extreme Cinema examines the various tightropes that must be walked when selling transgressive art films to discerning audiences, distinguishing them from generic horror, pornography, and Hollywood product while simultaneously hyping their salacious content. Deftly tracing the links between the local and the global, Frey also shows how the directors and distributors of extreme art house fare from both Europe and East Asia have significant incentives to exaggerate the exotic elements that would differentiate them from Anglo-American product. Extreme Cinema also includes original interviews with the programmers of several leading international film festivals and with niche distributors and exhibitors, giving readers a revealing look at how these institutions enjoy a symbiotic relationship with the "taboo-breakers" of art house cinema. Frey also demonstrates how these apparently transgressive films actually operate within a strict set of codes and conventions, carefully calibrated to perpetuate a media industry that fuels itself on provocation

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813576527
    Other identifier:
    Subjects: PERFORMING ARTS / General; Art in motion pictures; Experimental films; Motion picture industry; Motion pictures; Marketing; Gewalt <Motiv>; Erotik <Motiv>; Film; Provokation
    Scope: 1 online resource, 25 photographs, 3 tables
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  13. Screenwriting
    Contributor: Horton, Andrew (Publisher); Hoxter, Julian (Publisher)
    Published: [2014]; © 2014
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Screenwriters often joke that "no one ever paid a dollar at a movie theater to watch a screenplay." Yet the screenplay is where a movie begins, determining whether a production gets the "green light" from its financial backers and wins approval from... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Screenwriters often joke that "no one ever paid a dollar at a movie theater to watch a screenplay." Yet the screenplay is where a movie begins, determining whether a production gets the "green light" from its financial backers and wins approval from its audience. This innovative volume gives readers a comprehensive portrait of the art and business of screenwriting, while showing how the role of the screenwriter has evolved over the years. Reaching back to the early days of Hollywood, when moonlighting novelists, playwrights, and journalists were first hired to write scenarios and photoplays, Screenwriting illuminates the profound ways that screenwriters have contributed to the films we love. This book explores the social, political, and economic implications of the changing craft of American screenwriting from the silent screen through the classical Hollywood years, the rise of independent cinema, and on to the contemporary global multi-media marketplace. From The Birth of a Nation (1915), Gone With the Wind (1939), and Gentleman’s Agreement (1947) to Chinatown (1974), American Beauty (1999), and Lost in Translation (2003), each project began as writers with pen and ink, typewriters, or computers captured the hopes and dreams, the nightmares and concerns of the periods in which they were writing. As the contributors take us behind the silver screen to chronicle the history of screenwriting, they spotlight a range of key screenplays that changed the game in Hollywood and beyond. With original essays from both distinguished film scholars and accomplished screenwriters, Screenwriting is sure to fascinate anyone with an interest in Hollywood, from movie buffs to industry professionals

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Horton, Andrew (Publisher); Hoxter, Julian (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813563428
    Other identifier:
    Series: Behind the Silver Screen Series
    Subjects: PERFORMING ARTS / General; Motion picture authorship; Motion picture industry
    Scope: 1 online resource, 34 photographs
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  14. Nobody Does the Right Thing
    A Novel
    Author: Kumar, Amitava
    Published: [2010]; © 2010
    Publisher:  Duke University Press, Durham

    A young poet is killed by her lover, a politician, in the eastern Indian state of Bihar. Soon afterward, across India in Bombay, an idealistic journalist is hired by a movie director to write a Bollywood screenplay about the murdered poet. Research... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    A young poet is killed by her lover, a politician, in the eastern Indian state of Bihar. Soon afterward, across India in Bombay, an idealistic journalist is hired by a movie director to write a Bollywood screenplay about the murdered poet. Research for the script takes the writer, Binod, back to Bihar, where he and his cousin Rabinder were raised. While the high-minded Binod struggles to turn the poet's murder into a steamy tale about small towns, desire, and intrigue, Rabinder sits in a Bihari jail cell, having been arrested for distributing pornography through a cybercafé. Rabinder dreams of a career in Bollywood filmmaking, and, unlike his cousin, he is not burdened by ethical scruples. Nobody Does the Right Thing is the story of these two cousins and the ways that their lives unexpectedly intertwine. Set in the rural villages of Bihar and the metropolises of Bombay and Delhi, the novel is packed with telling details and anecdotes about life in contemporary India. At the same time, it is a fictional investigation into how narratives circulate and vie for supremacy through gossip, cinema, popular fiction, sensational journalism, and the global media

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822392651
    Other identifier:
    Subjects: LITERARY CRITICISM / General; Motion picture industry
    Scope: 1 online resource (216 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020)
  15. Youth culture in Chinese-language film
    Author: Zhou, Xuelin
    Published: 2017
    Publisher:  Routledge, London

    Introduction -- Hong Kong, Taiwan, mainland China and their film industries -- We all grow up like this: coming of age in Taiwan cinema -- Villagers in the metropolis: young peasant workers in Chinese cinema -- Cramming for college: high school boys... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 973499
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    Introduction -- Hong Kong, Taiwan, mainland China and their film industries -- We all grow up like this: coming of age in Taiwan cinema -- Villagers in the metropolis: young peasant workers in Chinese cinema -- Cramming for college: high school boys and girls in Taiwan cinema -- Spring sunshine: school films in the People's Republic of China -- Made in Hong Kong: youth genre in Hong Kong cinema -- Conclusion

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138678064
    RVK Categories: AP 47200 ; AP 59462
    Series: Media, culture and social change in Asia ; 47
    Subjects: Motion pictures; Motion pictures; Motion pictures; Motion picture industry; Motion picture industry; Motion picture industry; Motion pictures; Motion pictures; Motion pictures; Youth in motion pictures
    Scope: ix,195 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  16. Crisis and capitalism in contemporary Argentine cinema
    Author: Page, Joanna
    Published: 2009
    Publisher:  Duke Univ. Press, Durham [u.a.]

    Nation, state, and filmmaking in contemporary Argentina -- New Argentine cinema and the production of social knowledge -- Labor, bodies, and circulation -- Crime and capitalism in genre cinema -- Nation, migration, and globalization -- Memory and... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
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    Fi 7.2/Pag
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    Staats- und Universitätsbibliothek Bremen
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    a tea 776 8ua/780
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Linga A/903546
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    Thüringer Universitäts- und Landesbibliothek
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    KMW:KG:8900:Page::2009
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    Universität Potsdam, Universitätsbibliothek
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    AP 50300 PAG
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    Universitätsbibliothek Rostock
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    AP 50300 K17 P1
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    Nation, state, and filmmaking in contemporary Argentina -- New Argentine cinema and the production of social knowledge -- Labor, bodies, and circulation -- Crime and capitalism in genre cinema -- Nation, migration, and globalization -- Memory and subjectivity -- The politics of private space

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780822344575; 9780822344728
    RVK Categories: AP 50300 ; AP 44988 ; IQ 71192
    Subjects: Motion picture industry; Motion pictures; Argentinien; Film; Kapitalismus
    Scope: XII, 233 S, Ill, 25 cm
    Notes:

    Includes bibliographical references and index

    Nation, state, and filmmaking in contemporary Argentina -- New Argentine cinema and the production of social knowledge -- Labor, bodies, and circulation -- Crime and capitalism in genre cinema -- Nation, migration, and globalization -- Memory and subjectivity -- The politics of private space.
  17. Colonial cinema in Africa
    origins, images, audiences
    Author: Reynolds, Glenn
    Published: [2015]
    Publisher:  McFarland & Company, Inc., Jefferson, North Carolina

    "In recent decades historians and film scholars have intensified their study of colonial cinema in Africa. The vastness of the continent, the number of European powers involved and irregular record keeping has made uncovering the connections between... more

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Signature:
    2015/1310
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 B 174498
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    Staats- und Universitätsbibliothek Bremen
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    a tea 776 6aa/531
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    9: PM:Rey/30284
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    Universitätsbibliothek Rostock
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    AP 44970 R463
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    "In recent decades historians and film scholars have intensified their study of colonial cinema in Africa. The vastness of the continent, the number of European powers involved and irregular record keeping has made uncovering the connections between imagery, imperialism and indigenous peoples difficult. This volume takes up the challenge, tracing production and exhibition patterns"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780786479856
    RVK Categories: AP 44970
    Subjects: Foreign films; Motion pictures; Motion picture industry; Africans in motion pictures; Imperialism in motion pictures; Colonies in motion pictures
    Scope: vii, 236 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 227-229

    Introduction: flash forward: a century of cinema in Africa -- In search of origins: screening motion pictures in Africa -- The scramble for images: strange savages, paid primitives, negotiating natives -- Silver screens and cities of gold and copper: the mines' compound cinema circuit -- You don't know Jack: Hollywood, hybridity and the African cowboy -- From red blanket to civilization: movies and migration in South Africa -- Image imperium: the origins of British film policy in Africa -- Films of Africans, made in Africa, for Africans, under effective control: the Bantu Educational Kinema Experiment -- Conclusion: from reel to real: new horizons.
  18. American Showman
    Samuel "Roxy" Rothafel and the Birth of the Entertainment Industry, 1908-1935
    Author: Melnick, Ross
    Published: [2012]; ©2012
    Publisher:  Columbia University Press, New York, NY

    Samuel "Roxy" Rothafel (1882-1936) built an influential and prolific career as film exhibitor, stage producer, radio broadcaster, musical arranger, theater manager, war propagandist, and international celebrity. He helped engineer the integration of... more

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Initiative E-Books.NRW
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    Samuel "Roxy" Rothafel (1882-1936) built an influential and prolific career as film exhibitor, stage producer, radio broadcaster, musical arranger, theater manager, war propagandist, and international celebrity. He helped engineer the integration of film, music, and live performance in silent film exhibition; scored early Fox Movietone films such as Sunrise (1927); pioneered the convergence of film, broadcasting, and music publishing and recording in the 1920s; and helped movies and moviegoing become the dominant form of mass entertainment between the world wars. The first book devoted to Rothafel's multifaceted career, American Showman examines his role as the key purveyor of a new film exhibition aesthetic that appropriated legitimate theater, opera, ballet, and classical music to attract multi-class audiences. Roxy scored motion pictures, produced enormous stage shows, managed many of New York's most important movie houses, directed and/or edited propaganda films for the American war effort, produced short and feature-length films, exhibited foreign, documentary, independent, and avant-garde motion pictures, and expanded the conception of mainstream, commercial cinema. He was also one of the chief creators of the radio variety program, pioneering radio broadcasting, promotions, and tours.The producers and promoters of distinct themes and styles, showmen like Roxy profoundly remade the moviegoing experience, turning the deluxe motion picture theater into a venue for exhibiting and producing live and recorded entertainment. Roxy's interest in media convergence also reflects a larger moment in which the entertain

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231504256
    Other identifier:
    Series: Film and Culture Series
    Subjects: Motion picture industry; American literature; Literature; Books; Literature; American literature; Books; Motion picture industry; American literature.; Books.; Literature.; Motion picture industry.; Genres, other.
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Contents -- -- List of Illustrations -- -- Acknowledgments -- -- Introduction -- -- PART ONE. ROXY AND SILENT FILM EXHIBITION -- -- 1. A New Art for a New Art Form (1908–1913) -- -- 2. Broadway Melody (1913–1917) -- -- 3. The Movie House as Recruiting Center (1917–1918) -- -- 4. “The Man Who Gave the Movies a College Education” (1919–1922) -- -- PART TWO. ROXY AND THE EMERGENCE OF CONVERGENCE -- -- 5. A Capitol Idea (1922–1925) -- -- 6. “It’s the Roxy and I’m Roxy” (1925–1927) -- -- 7. It’s All Playing in Sheboygan (1928–1931) -- -- 8. The Prologue Is Past (1931–1936) -- -- Afterword -- -- Notes -- -- Bibliography -- -- Index -- -- Film and Culture
  19. Soziologie des Films
    Author: Prokop, Dieter
    Published: 1970
    Publisher:  Luchterhand, Neuwied [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    Series: Soziologische Texte ; 69
    Subjects: Motion picture industry; Motion picture industry; Motion pictures
    Scope: 324 S., graph. Darst., 8°
    Notes:

    Zugl.: Frankfurt/M., Univ., Diss. u.d.T.: Prokop, Dieter: Filmsoziologische Probleme unter besonderer Berücksichtigung amerikanischen Materials
  20. Children of light
    Author: Stone, Robert
    Published: 1999
    Publisher:  Picador, London

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0330372246
    RVK Categories: HU 8706
    Subjects: Motion picture industry; Motion picture actors and actresses
    Scope: 258 S.
  21. The deer park
    Author: Mailer, Norman
    Published: 1997
    Publisher:  Vintage Books, New York

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    Source: Union catalogues
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    Media type: Book
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    ISBN: 0375700404
    Edition: 1st Vintage International ed
    Subjects: Motion picture industry
    Scope: p. cm.
  22. Shaping the future of African American film
    color-coded economics and the story behind the numbers
    Author: Ndounou, Monica White
    Published: 2014
    Publisher:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

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    Source: Union catalogues
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    Media type: Book
    ISBN: 9780813562568; 9780813562551
    RVK Categories: AP 59783 ; HU 1728
    Subjects: African Americans in the motion picture industry; Motion pictures; Motion picture industry; African American motion picture producers and directors; African Americans in motion pictures; Filmproduktion; Schwarze; Film; Rassismus; Schwarze <Motiv>
    Scope: X, 303 S., Ill., graph. Darst.
    Notes:

    Includes filmography. Includes bibliographical references and index
  23. Men who loved me
    a memoir in the form of a novel
    Author: Picano, Felice
    Published: [1989]
    Publisher:  Plume, New York, NY

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    ISBN: 0452265282; 0453007007
    Series: Fiction
    Subjects: Authors, American; Gay men; Americans; Motion picture industry
    Other subjects: Picano, Felice (1944-)
    Scope: 325 Seiten, 21 cm
  24. Russian literary culture in the camera age
    the word as image
    Author: Hutchings, Stephen C.
    Published: 2004
    Publisher:  RoutledgeCurzon, London [u.a.]

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    ISBN: 041530668X
    Series: BASEES/RoutledgeCurzon series on Russian and East European studies ; 14
    Subjects: Motion pictures and literature; Literature and photography; Russian literature; Russian literature; Motion pictures; Motion picture industry; Television; Verfilmung; Literatur; Fotografie; Russisch; Stalinismus; Fernsehen
    Scope: XI, 225, [16] S., Ill.
  25. Sailor song
    Author: Kesey, Ken
    Published: 1992
    Publisher:  Viking, New York, N.Y.

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    ISBN: 0670835218
    Other subjects: Array; Array
    Scope: 533 p, 24 cm