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Displaying results 1 to 11 of 11.

  1. Changing subjects
    digressions in modern American poetry
    Published: 2012
    Publisher:  Oxford University Press, Oxford

    'Changing Subjects' contends that major American poets-such as Walt Whitman, Wallace Stevens, John Ashbery, and Lyn Hejinian-transformed verse and even changed conceptions of modern subjectivity by exploiting an ordinary rhetorical device ubiquitous... more

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    Universitätsbibliothek der Eberhard Karls Universität
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    'Changing Subjects' contends that major American poets-such as Walt Whitman, Wallace Stevens, John Ashbery, and Lyn Hejinian-transformed verse and even changed conceptions of modern subjectivity by exploiting an ordinary rhetorical device ubiquitous in spoken language: the digression

     
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  2. Criminal ingenuity
    Moore, Cornell, Ashbery, and the struggle between the arts
    Published: 2011
    Publisher:  Oxford University Press, Oxford

    "Poetry was declining/ Painting advancing/ we were complaining/ it was '50," recalled poet Frank O'Hara in 1957. Criminal Ingenuity traces a series of linked moments in the history of this transfer of cultural power from the sphere of the word to... more

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    "Poetry was declining/ Painting advancing/ we were complaining/ it was '50," recalled poet Frank O'Hara in 1957. Criminal Ingenuity traces a series of linked moments in the history of this transfer of cultural power from the sphere of the word to that of the image. Ellen Levy explores the New York literary and art worlds in the years that bracket O'Hara's lament through close readings of the works and careers of poets Marianne Moore and John Ashbery and assemblage artist Joseph Cornell. In the course of these readings, Levy discusses such topics as the American debates around surreal Cover; Contents; Acknowledgments; Credits; Series Editors' Foreword; Introduction; Abbreviations; 1. Borrowing Paints from a Girl: Greenberg, Eliot, Moore, and the Struggle Between the Arts; 2. "No Poet has been so Chaste": Moore and the Poetics of Ambivalence; 3. An Inconsequential Past: Joseph Cornell after Marianne Moore; 4. Surrealism in "the second, open sense": The Poets of the New York School; 5. "A medium in which it is possible to recognize Oneself ": Ashbery between Poetry and Painting; Notes; Works Cited; Index.

     
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  3. From the modernist annex
    American women writers in museums and libraries
    Published: c2010
    Publisher:  University of Alabama Press, Tuscaloosa

    In the 19th and early 20th centuries, the majority of women were forced to seek their education outside the walls of American universities. Many turned to museums and libraries, for their own enlightenment, for formal education, and also for their... more

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    In the 19th and early 20th centuries, the majority of women were forced to seek their education outside the walls of American universities. Many turned to museums and libraries, for their own enlightenment, for formal education, and also for their careers. In Roffman's close readings of four modernist writers--Edith Wharton, Nella Larsen, Marianne Moore, and Ruth Benedict--she studied the that modernist women writers were simultaneously critical of and shaped by these institutions. From the Modernist Annex offers new and critically significant ways of understanding these writers and their texts

     
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  4. Marianne Moore
    the poet's advance
    Published: 1978
    Publisher:  Princeton University Press, Princeton, New Jersey

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400871247; 1400871247
    Series: Princeton Legacy Library
    Subjects: Women and literature; Women and literature; Women and literature; LITERARY CRITICISM ; Poetry; Women and literature; POETRY ; American ; General; Criticism, interpretation, etc; History
    Other subjects: Moore, Marianne 1887-1972; Moore, Marianne (1887-1972); Moore, Marianne (1887-1972); Moore, Marianne
    Scope: Online Ressource (302 pages), illustrations.
    Notes:

    Includes bibliographical references and index. - Description based on print version record
  5. Hints and disguises
    Marianne Moore and her contemporaries
    Published: 1989
    Publisher:  University of Iowa Press, Iowa City, Iowa

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1587290901; 9781587290909
    Edition: 1st ed.
    Subjects: American poetry; American poetry; American poetry; American poetry; Literature; Contemporaries; English; Languages & Literatures; American Literature; Criticism, interpretation, etc; POETRY ; American ; General
    Other subjects: Moore, Marianne 1887-1972; Moore, Marianne 1887-1972; Moore, Marianne (1887-1972); Moore, Marianne (1887-1972); Moore, Marianne (1887-1972); Moore, Marianne (1887-1972); Moore, Marianne
    Scope: Online Ressource (x, 175 p.)
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    Includes bibliographical references (p. [161]-169) and index. - Description based on print version record
  6. Haunted English
    the Celtic fringe, the British Empire, and de-anglicization
    Published: 2006
    Publisher:  Johns Hopkins University Press, Baltimore

    Contents -- Acknowledgments -- Introduction -- 1 Beyond the Pale -- 2 ��Eater and Eaten��: The Haunted English of W.B. Yeats -- 3 Hugh MacDiarmid�s Poetics of Caricature -- 4 An Irish Incognita: The Idiosyncrasy of Marianne Moore -- Notes... more

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    Contents -- Acknowledgments -- Introduction -- 1 Beyond the Pale -- 2 ��Eater and Eaten��: The Haunted English of W.B. Yeats -- 3 Hugh MacDiarmid�s Poetics of Caricature -- 4 An Irish Incognita: The Idiosyncrasy of Marianne Moore -- Notes -- Select Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- V -- W -- Y

     
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  7. Elizabeth Bishop and Marianne Moore
    the psychodynamics of creativity
    Published: ©1993
    Publisher:  Princeton University Press, Princeton, N.J

    Introduction: The Muse's Monogram -- Ch. 1. "Efforts of Affection": Toward a Theory of Female Poetic Influence -- Ch. 2. Reading Bishop Reading Moore -- Ch. 3. The Memory of Desire and the Landscape of Form: Reading Bishop through Object-Relations... more

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    Introduction: The Muse's Monogram -- Ch. 1. "Efforts of Affection": Toward a Theory of Female Poetic Influence -- Ch. 2. Reading Bishop Reading Moore -- Ch. 3. The Memory of Desire and the Landscape of Form: Reading Bishop through Object-Relations Theory -- Conclusion: Object Relations, Influence, and the Woman Poet. This highly innovative work on poetic influence among women writers focuses on the relationship between modernist poet Elizabeth Bishop and her mentor Marianne Moore. Departing from Freudian models of influence theory that ignore the question of maternal presence, Joanne Diehl applies the psychoanalytic insights of object relations theorists Melanie Klein and Christopher Bollas to woman-to-woman literary transactions. She lays the groundwork for a far-reaching critical approach as she shows that Bishop, mourning her separation from her natural mother, strives to balance gratitude toward Moo

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691069753; 0691069751; 1400811392; 9781400811397
    Subjects: Feminism and literature; Women and literature; American poetry; Poets, American; Feminist poetry; Modernism (Literature); Women poets, American; Poetry; Authorship; Creative ability; Influence (Literary, artistic, etc.); Psychoanalysis and literature; Women and literature; American poetry; Poets, American; Feminist poetry; Modernism (Literature); Women poets, American; Poetry; Authorship; Creative ability; Feminism and literature; Feminism and literature; Women and literature; American poetry; Poets, American; Feminist poetry; Modernism (Literature); Influence (Literary, artistic, etc.); Women poets, American; Poetry; Psychoanalysis and literature; Authorship; Creative ability; POETRY ; American ; General; American poetry ; Women authors; Authorship ; Sex differences; Creative ability; Feminism and literature; Feminist poetry; Influence (Literary, artistic, etc.); Modernism (Literature); Poetry ; Psychological aspects; Poets, American ; Psychology; Psychoanalysis and literature; Women and literature; Women poets, American ; Psychology; Beïnvloeding; Poésie américaine ; 20e siècle ; Histoire et critique; Criticism, interpretation, etc; History
    Other subjects: Bishop, Elizabeth 1911-1979; Moore, Marianne 1887-1972; Bishop, Elizabeth (1911-1979); Moore, Marianne (1887-1972); Moore, Marianne (1887-1972); Bishop, Elizabeth (1911-1979); Moore, Marianne; Bishop, Elizabeth ; Critique et interprétation; Moore, Marianne ; Critique et interprétation; Bishop, Elizabeth (Schriftstellerin); Moore, Marianne; Bishop, Elizabeth
    Scope: Online Ressource (ix, 119 pages)
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    Includes bibliographical references (pages 111-116) and index. - Print version record

    Introduction: The Muse's MonogramCh. 1. "Efforts of Affection": Toward a Theory of Female Poetic Influence -- Ch. 2. Reading Bishop Reading Moore -- Ch. 3. The Memory of Desire and the Landscape of Form: Reading Bishop through Object-Relations Theory -- Conclusion: Object Relations, Influence, and the Woman Poet.
  8. Haunted English
    the Celtic fringe, the British Empire, and de-anglicization
    Author: O'Connor, Laura
    Published: 2006
    Publisher:  Johns Hopkins Univ. Press, Baltimore, Md.

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    Technische Universität Chemnitz, Universitätsbibliothek
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    Universitätsbibliothek Freiburg
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2007 A 1212
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801884330
    Other identifier:
    9780801884337
    RVK Categories: HL 4945 ; HM 1134 ; HM 3415 ; HU 4555
    Subjects: English poetry; English poetry; English language; Politics and literature; Postcolonialism in literature; English poetry; English poetry; English language; Politics and literature; Postcolonialism in literature
    Other subjects: Yeats, W. B (1865-1939); MacDiarmid, Hugh (1892-1978); Moore, Marianne (1887-1972); Yeats, W. B. 1865-1939; MacDiarmid, Hugh 1892-; Moore, Marianne 1887-1972
    Scope: XVIII, 240 S
    Notes:

    Includes bibliographical references (S. 223-234) and index
  9. Haunted English
    the Celtic fringe, the British Empire, and de-anglicization
    Author: O'Connor, Laura
    Published: 2006
    Publisher:  Johns Hopkins Univ. Press, Baltimore, Md.

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801884330
    Other identifier:
    9780801884337
    RVK Categories: HL 4945 ; HM 1134 ; HM 3415 ; HU 4555
    Subjects: English poetry; English poetry; English language; Politics and literature; Postcolonialism in literature; English poetry; English poetry; English language; Politics and literature; Postcolonialism in literature
    Other subjects: Yeats, W. B (1865-1939); MacDiarmid, Hugh (1892-1978); Moore, Marianne (1887-1972); Yeats, W. B. 1865-1939; MacDiarmid, Hugh 1892-; Moore, Marianne 1887-1972
    Scope: XVIII, 240 S
    Notes:

    Includes bibliographical references (S. 223-234) and index
  10. Cinematic modernism
    modernist poetry and film
    Author: McCabe, Susan
    Published: 2009
    Publisher:  Cambridge University Press, Cambridge

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    Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
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    06.70.08 2009
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780521114837; 0521114837
    Subjects: Motion pictures and literature; Modernism (Literature); American poetry; Motion pictures
    Other subjects: Stein, Gertrude 1874-1946; Williams, William Carlos 1883-1963; H. D. 1886-1961; Moore, Marianne 1887-1972
    Scope: IX, 284 S., ill
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    Originally published: 2005
  11. Knowing, seeing, being
    Jonathan Edwards, Emily Dickinson, Marianne Moore, and the American typological tradition
    Published: (c)2016
    Publisher:  University of Massachusetts Press, Amherst

    In Knowing, Seeing, Being, Jennifer L. Leader argues that the Puritan theologian Jonathan Edwards, the nineteenth-century poet Emily Dickinson, and the twentieth-century poet Marianne Moore share a heretofore underrecognized set of religious and... more

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    In Knowing, Seeing, Being, Jennifer L. Leader argues that the Puritan theologian Jonathan Edwards, the nineteenth-century poet Emily Dickinson, and the twentieth-century poet Marianne Moore share a heretofore underrecognized set of religious and philosophical preoccupations. She contends that they represent an alternative tradition within American literature, one that they represent an alternative tradition within American literature, one that differs from Transcendentalism and is grounded in Reformed Protestantism. According to Leader, these three writers' most significant commonality is the Protestant tradition of typology, a rigorous mode of interpreting scripture and nature through which certain figures or phenomena are read as the fulfillment of prophecy and of God's work. Following from their similar ways of reading, they also share philosophical and spiritual questions about language, epistemology (knowing), perception (seeing), and physical and spiritual ontology (being). In connecting Edwards to these two poets, in exploring each writer's typological imagination, and through a series of insightful readings, this innovative book reevaluates three major figures in American intellectual and literary history and compels a reconsideration of these writers and their legacies. -- from back cover Introduction: a history of the work of typology -- Jonathan Edwards. Jonathan Edwards: a reconsideration; Beauty and the eye of the beholder: being and desire in Jonathan Edwards's natural typology -- Emily Dickinson. Immersed in the reformed hermeneutic: origins of Dickinson's typological imagination; Reading with "compound vision": Emily Dickinson and the nineteenth-century "paper wars" ; "Myself; the term between": Dickinson's typology of split subjectivity -- Marianne Moore. Rightly dividing the word of truth: Marianne Moore in her reformed tradition; "Part terrestrial, part celestial": "the real" and "the actual" in Moore's revisionist typology; "Integration too tough for infraction": being, ethics, and aesthetics in early and late Moore

     
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