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Displaying results 1 to 3 of 3.

  1. Henry Moore - The helmet heads
    Author: Capwell, Tobias; Higham, Hannah
    Published: 2019
    Publisher:  Philip Wilson Publishers, London

    The Wallace Collection hosts a major exhibition in collaboration with The Henry Moore Foundation for spring 2019 exploring the sculptor Henry Moore's fascination with armour at the Wallace Collection, an interest which fundamentally influenced his... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    The Wallace Collection hosts a major exhibition in collaboration with The Henry Moore Foundation for spring 2019 exploring the sculptor Henry Moore's fascination with armour at the Wallace Collection, an interest which fundamentally influenced his work over many years. In 1921 Moore set up his studio in Hampstead, not far from the Wallace Collection and often referred to the 'many hours' he spent here, studying armour. Here he recognised what he called 'universal organic forms.' He sensed that pieces of armour were 'objects of power', sculptural forms whose vitality flowed from their function- to protect another vulnerable structure inside of them. This richly illustrated catalogue, written by co-curators Tobas Capwell and Hannah Higham, follows the thematic structure of the exhibition and illuminates an unusual, relatively unknown, aspect of Henry Moore's work.00Exhibition: The Wallace Collection, London, UK (06.03-23.06.2019)

     
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    Source: Union catalogues
    Contributor: Moore, Henry; Moore, Henry
    Language: English
    Media type: Book
    ISBN: 9781781300770
    Subjects: Rüstung <Schutzkleidung>; Kopf <Motiv>; Helm <Motiv>
    Other subjects: Moore, Henry (1898-1986); Moore, Henry / 1898-1986 / Exhibitions; Moore, Henry / 1898-1986; Moore, Henry / 1898-1986; Exhibition catalogs
    Scope: 149 Seiten, 28 cm
    Notes:

    Published on the occasion of the exhibition ... The Wallace Collection, 6 March-23 June 2019
  2. Bill Brandt, Henry Moore
    Contributor: Droth, Martina (Publisher); Messier, Paul (Publisher); Brandt, Bill; Moore, Henry (Publisher)
    Published: [2020]
    Publisher:  Yale Center for British Art, New Haven ; Yale University Press, New Haven ; London

    "The camera," said Orson Welles, "is a medium via which messages reach us from another world." It was the camera and the circumstances of the Second World War that first brought together Henry Moore (1898-1986) and Bill Brandt (1904-1983). During the... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    "The camera," said Orson Welles, "is a medium via which messages reach us from another world." It was the camera and the circumstances of the Second World War that first brought together Henry Moore (1898-1986) and Bill Brandt (1904-1983). During the Blitz, both artists produced images depicting civilians sheltering in the London Underground. These "shelter pictures" were circulated to millions via popular magazines and today rank as iconic works of their time. This book begins with these wartime works and examines the artists' intersecting paths in the postwar period. Key themes include war, industry, and the coal mine; landscape and Britain's great megalithic sites; found objects; and the human body. Special photographic reproduction captures the materiality of the print as a three-dimensional object rather than a flat, disembodied image on the page

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Droth, Martina (Publisher); Messier, Paul (Publisher); Brandt, Bill; Moore, Henry (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780300251050
    RVK Categories: AP 94100 ; LI 60950
    Subjects: Notunterkunft; Fotografie; Zeichnung; London <Motiv>; Plastik
    Other subjects: Brandt, Bill (1904-1983); Moore, Henry (1898-1986); Brandt, Bill / Friends and associates / Exhibitions; Moore, Henry / 1898-1986 / Friends and associates / Exhibitions; Moore, Henry / 1898-1986 / Criticism and interpretation; Moore, Henry / 1898-1986 / Themes, motives; Art and photography / Exhibitions; Photography, Artistic / Exhibitions; Prints, English / 20th century / Exhibitions; Sculpture / Exhibitions; Brandt, Bill; Moore, Henry / 1898-1986; Themes, motives; Criticism, interpretation, etc; Exhibition catalogs
    Scope: 255 Seiten, 34 cm
    Notes:

    Impressum: This publication accompanies the exhibitions "Bill Brandt | Henry Moore", organized by the Yale Center for British Art in partnership with The Hepworth Wakefield, on view at The Hepworth Wakefield, February 7-May 3, 2020; Yale Center for British Art, New Haven, June 25-September 13, 2020; and Sainsbury Centre, University of East Anglia, Norwich, November 22-February 28, 2021
  3. Bill Brandt, Henry Moore
    Contributor: Droth, Martina (Publisher); Messier, Paul (Publisher); Brandt, Bill; Moore, Henry (Publisher)
    Published: [2020]
    Publisher:  Yale Center for British Art, New Haven ; Yale University Press, New Haven ; London

    "The camera," said Orson Welles, "is a medium via which messages reach us from another world." It was the camera and the circumstances of the Second World War that first brought together Henry Moore (1898-1986) and Bill Brandt (1904-1983). During the... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "The camera," said Orson Welles, "is a medium via which messages reach us from another world." It was the camera and the circumstances of the Second World War that first brought together Henry Moore (1898-1986) and Bill Brandt (1904-1983). During the Blitz, both artists produced images depicting civilians sheltering in the London Underground. These "shelter pictures" were circulated to millions via popular magazines and today rank as iconic works of their time. This book begins with these wartime works and examines the artists' intersecting paths in the postwar period. Key themes include war, industry, and the coal mine; landscape and Britain's great megalithic sites; found objects; and the human body. Special photographic reproduction captures the materiality of the print as a three-dimensional object rather than a flat, disembodied image on the page

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Droth, Martina (Publisher); Messier, Paul (Publisher); Brandt, Bill; Moore, Henry (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780300251050
    RVK Categories: AP 94100 ; LI 60950
    Subjects: Notunterkunft; Fotografie; Zeichnung; London <Motiv>; Plastik
    Other subjects: Brandt, Bill (1904-1983); Moore, Henry (1898-1986); Brandt, Bill / Friends and associates / Exhibitions; Moore, Henry / 1898-1986 / Friends and associates / Exhibitions; Moore, Henry / 1898-1986 / Criticism and interpretation; Moore, Henry / 1898-1986 / Themes, motives; Art and photography / Exhibitions; Photography, Artistic / Exhibitions; Prints, English / 20th century / Exhibitions; Sculpture / Exhibitions; Brandt, Bill; Moore, Henry / 1898-1986; Themes, motives; Criticism, interpretation, etc; Exhibition catalogs
    Scope: 255 Seiten, 34 cm
    Notes:

    Impressum: This publication accompanies the exhibitions "Bill Brandt | Henry Moore", organized by the Yale Center for British Art in partnership with The Hepworth Wakefield, on view at The Hepworth Wakefield, February 7-May 3, 2020; Yale Center for British Art, New Haven, June 25-September 13, 2020; and Sainsbury Centre, University of East Anglia, Norwich, November 22-February 28, 2021