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  1. Ireland's gramophones
    material culture, memory, and trauma in Irish modernism
    Author: Cammack, Zan
    Published: 2021
    Publisher:  Clemson University Press, Clemson, SC

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    Universitäts- und Landesbibliothek Münster
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    3K 93551
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  2. The poor bugger's tool
    Irish modernism, queer labor, and postcolonial history
    Author: McMullen, Patrick R.
    Published: 2016
    Publisher:  Oxford University Press, Oxford ; New York ; Auckland ; Cape Town ; Dar es Salaam ; Hong Kong ; Karachi ; Kuala Lumpur ; Madrid ; Melbourne ; Mexico City ; Nairobi ; New Delhi; Shanghai ; Taipei ; Toronto

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    Universitätsbibliothek der RPTU in Landau
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780199746699; 9780190604264
    RVK Categories: HM 1080 ; HM 1101 ; HM 1101 ; HM 1080
    Subjects: Homosexualität <Motiv>; Englisch; Literatur
    Other subjects: English literature / Irish authors / History and criticism; English literature / 20th century / History and criticism; Homosexuality in literature; Queer theory; Value in literature; Values in literature; Postcolonialism in literature; Nationalism and literature / Ireland / History; Homosexuality and literature / Ireland / History; Modernism (Literature) / Ireland
    Scope: viii, 213 Seiten
    Notes:

    Includes bibliographical references and index

    Oscar Wilde and the greatest mystery of modern literature - solved! -- J. M. Synge and the aesthetics of intelligent sympathy -- Roger Casement's global English : from human rights to the homoerotic -- Ruling passion : James Joyce, Roger Casement and the poor bugger's tool -- The queer labors of Patrick McCabe and Neil Jordan : novel, television, cinema -- "Sinn Feiners, me arse. I'm a socialist, never doubt about it" : Jamie O'Neill's At swim, two boys and the queer project of socialism.
  3. Modernist afterlives in Irish literature and culture
    Contributor: Reynolds, Paige (Publisher)
    Published: 2016
    Publisher:  Anthem Press, London

    <I>Modernist Afterlives in Irish Literature and Culture</I> explores manifestations of the themes, forms and practices of high modernism in Irish literature and culture produced subsequent to this influential movement.[This book] closely examines how... more

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    Modernist Afterlives in Irish Literature and Culture explores manifestations of the themes, forms and practices of high modernism in Irish literature and culture produced subsequent to this influential movement.[This book] closely examines how Irish writers and artists from the mid-twentieth century onwards grapple with the legacies bequeathed by modernism and seek to forge new modes of expression for modern and contemporary culture

     
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    Source: Union catalogues
    Contributor: Reynolds, Paige (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781783085743
    Series: Anthem Irish Studies
    Subjects: Modernism (Literature) / Ireland; English literature / Irish authors / History and criticism; English literature / 20th century / History and criticism; English literature / Celtic influences; Modernism (Art) / Ireland; Arts / Ireland / History / 20th century; Literatur; Modernismus
    Scope: 1 Online-Ressource (x, 202 Seiten), Illustrationen
    Notes:

    Title from publisher's bibliographic system (viewed on 11 Aug 2017)

    Introduction: Paige Reynolds -- Literature and language. Anne Fogarty / "A world of hotels and gaols": women novelists and the spaces of Irish modernism, 1930--1932 ; Lucy Collins / "I knew what it meant/not to be at all": death and the (modernist) afterlife in the work of irish women poets of the 1940s; Leah Flack / "Whatever is given/can always be reimagined": Seamus Heaney's indefinite modernism; Ellen McWilliams / James Joyce and the lives of Edna O'Brien; Alex Davis / Modernist topoi and late modernist praxis in recent Irish poetry (with special reference to the work of David Lloyd); Sarah McKibben / "Aamach leis!" (out with it!): modernist inheritances in Micheál Ó Conghaile's "Athair" (Father) -- Institutions, art and performance. Andrew A. Kuhn / "Make a letter like a monument": remnants of modernist literary institutions in Ireland; Rûisìn Kennedy / Storm in a teacup: Irish modernist art; Linda King / "Particles of meaning": the modernist afterlife in Irish design -- Maria Pramaggiore / Animal afterlives: equine legacies in Irish visual culture; Aoife McGrath / Choreographies of Irish modernity; Emilie Pine / The modernist impulse in Irish theatre: Anu Productions and the Monto -- Afterword: David James / The poetics of perpetuation
  4. Modernism, empire, world literature
    Author: Cleary, Joe
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    "A language that was English" : peripheral modernisms and the remaking of empire in the republic of letters in the age of empire -- "It uccedes Lundun" : logics of literary decline and "renaissance" from Tocqueville and Arnold to Yeats and pound --... more

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    "A language that was English" : peripheral modernisms and the remaking of empire in the republic of letters in the age of empire -- "It uccedes Lundun" : logics of literary decline and "renaissance" from Tocqueville and Arnold to Yeats and pound -- "The insolence of empire" : the fall of the House of Europe and emerging American ascendancy in The golden bowl and The waste land -- Contesting wills : Joyce, Yeats, Goethe, Shakespeare and mimetic rivalries in Ulysses -- "That huge incoherent failure of a house" : antinomies of American literature in The great Gatsby and Long day's journey into night -- "Cities that open like The world's classics" : Omeros and epic impasse in the neolberal world literary system "After World War I, American, Irish and then Caribbean writers boldly remade the literary world system long dominated by Paris and London. Responding to literary "renaissances" and social upheavals in their own countries and to the decline of war-devastated Europe, émigré and domestic-based modernists produced dazzling new works that challenged London's or Paris's authority to determine literary value and propounded their own notions of critical merit, these later codified as "Modernism." However, after World War II, an assertive American literary establishment repurposed the literature that had once challenged English and French literary authority to boost the cultural prestige of the United States in the cold war and to contest Soviet conceptions of "world literature." Here, in strong readings of major works and essays by Henry James, Ezra Pound, W. B. Yeats, T. S. Eliot, James Joyce, F. Scott Fitzgerald, Eugene O'Neill and Derek Walcott, Joe Cleary situates Anglophone modernism in terms of the rise and fall of European and American empires and disputed histories of "world literature.""--

     
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  5. Against the despotism of fact
    modernism, capitalism, and the Irish Celt
    Author: Boynton, T. J.
    Published: [2021]
    Publisher:  SUNY Press, Albany

    "Emerging at a moment of escalating colonial conflict between England and Ireland, the figure of the Irish Celt enjoyed a long and varied career in both English and Irish literature from the late Victorian era to World War II. While this figure... more

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    "Emerging at a moment of escalating colonial conflict between England and Ireland, the figure of the Irish Celt enjoyed a long and varied career in both English and Irish literature from the late Victorian era to World War II. While this figure assumes many forms and functions, T. J. Boynton argues that he is consistently cast as inherently resistant to capitalism. Beginning with an innovative reassessment of Matthew Arnold's The Study of Celtic Literature, from which the book also takes its title, Against the Despotism of Fact offers new readings of major works by writers such as Kipling, Conrad, Lawrence, Yeats, Joyce, and Beckett. In their writing, Boynton argues, the Irish Celt served as a transnational vehicle of modernist experimentation geared toward interrogating the imperial, social, and pop-cultural dimensions of capitalist modernity. Making a significant contribution to Irish studies, modernist studies, and postcolonial studies, Against the Despotism of Fact draws attention to not only the prevalence but also the critical potential of this fraught figure."--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781438481814
    RVK Categories: HG 290 ; HG 430 ; HG 260
    Series: SUNY series, studies in the long nineteenth century
    Subjects: Literatur; Englisch; Moderne <Motiv>; Kapitalismus <Motiv>; Iren <Motiv>; Kelten <Motiv>
    Other subjects: English literature / Irish authors / History and criticism; Modernism (Literature) / Ireland; Celts in literature; Capitalism in literature; National characteristics, Irish, in literature; Nationalism and literature / Ireland; English literature / 19th century / History and criticism; English literature / 20th century / History and criticism; Capitalism in literature; Celts in literature; English literature; English literature / Irish authors; Modernism (Literature); National characteristics, Irish, in literature; Nationalism and literature; Ireland; 1800-1999; Criticism, interpretation, etc
    Scope: viii, 277 Seiten, 23 cm
    Notes:

    Introduction: Celticism, capitalism, and transnational modernism -- British Celticism. Matthew Arnold, the ontology of English capitalism, and the rebirth of Celtic tragedy -- The uses of Irishness, I : British imperial-romantic Celticism -- The uses of Irishness, II : British modernist Celticism -- Irish Celticism. "A nation of imitators" : anti-capitalisms of the Irish Revival, 1885-1910 -- "In front of the cracked looking glass" : revivalist modernism, the Irish female consumer, and the colonial spectacle -- The bathetic muse : Irish late modernism -- Conclusion: Post-Celticism
  6. The Edinburgh companion to Irish modernism
    Contributor: Ellmann, Maud (Publisher); White, Siân (Publisher); Mahaffey, Vicki (Publisher)
    Published: [2021]
    Publisher:  Edinburgh University Press, Edinburgh

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Contributor: Ellmann, Maud (Publisher); White, Siân (Publisher); Mahaffey, Vicki (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781474456692
    RVK Categories: HM 1080 ; HG 290
    Series: Edinburgh companions to literature and the humanities
    Subjects: Literatur; Moderne
    Other subjects: Modernism (Literature) / Ireland; English literature / Irish authors / 20th century / History and criticism; Modernism (Art) / Ireland; Modernism (Christian theology) / Ireland
    Scope: xvi, 484 Seiten, 24 ungezählte Seiten Bildtafeln
  7. Modernism, empire, world literature
    Author: Cleary, Joe
    Published: [2021]; © 2021
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    After World War I, American, Irish and then Caribbean writers boldly remade the world literary system long dominated by Paris and London. Responding to literary renaissances and social upheavals in their own countries and to the decline of... more

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    Universitätsbibliothek Bamberg
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    After World War I, American, Irish and then Caribbean writers boldly remade the world literary system long dominated by Paris and London. Responding to literary renaissances and social upheavals in their own countries and to the decline of war-devastated Europe, émigré and domestic-based writers produced dazzling new works that challenged London's or Paris's authority to fix and determine literary value. In so doing, they propounded new conceptions of aesthetic accomplishment that were later codified as 'modernism'. However, after World War II, an assertive American literary establishment repurposed literary modernism to boost the cultural prestige of the United States in the Cold War and to contest Soviet conceptions of 'world literature'. Here, in accomplished readings of major works and essays by Henry James, Ezra Pound, W. B. Yeats, T. S. Eliot, James Joyce, F. Scott Fitzgerald, Eugene O'Neill and Derek Walcott, Joe Cleary situates Anglophone modernism in terms of the rise and fall of European and American empires, changing world literary systems, and disputed histories of 'world literature'

     
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  8. James Joyce and classical modernism
    Author: Flack, Leah Culligan
    Published: 2020
    Publisher:  Bloomsbury Academic, London ; New York ; Oxford ; New Delhi ; Sydney

    "James Joyce and Classical Modernism contends that the classical world animated Joyce's defiant, innovative creativity and cannot be separated from what is now recognized as his modernist aesthetic.Responding to a long-standing critical paradigm that... more

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    Universitätsbibliothek Augsburg
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    "James Joyce and Classical Modernism contends that the classical world animated Joyce's defiant, innovative creativity and cannot be separated from what is now recognized as his modernist aesthetic.Responding to a long-standing critical paradigm that has viewed the classical world as a means of granting a coherent order, shape, and meaning to Joyce's modernist innovations, Leah Flack explores how and why Joyce's fiction deploys the classical as the language of the new. This study tracks Joyce's sensitive, on-going readings of classical literature from his earliest work at the turn of the twentieth century through to the appearance of Ulysses in 1922, the watershed year of high modernist writing. In these decades, Joyce read ancient and modern literature alongside one another to develop what Flack calls his classical modernist aesthetic, which treats the classical tradition as an ally to modernist innovation. This aesthetic first comes to full fruition in Ulysses , which self-consciously deploys the classical tradition to defend stylistic experimentation as a way to resist static, paralyzing notions of the past. Analysing Joyce's work through his career from his early essays, Flack ends by considering the rich afterlives of Joyce's classical modernist project, with particular attention to contemporary works by Alison Bechdel and Maya Lang."--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781350004085
    RVK Categories: HM 3135
    Series: Classical receptions in twentieth-century writing
    Subjects: Antike; Literatur
    Other subjects: Joyce, James (1882-1941); Joyce, James / 1882-1941 / Criticism and interpretation; Modernism (Literature) / Ireland; Literary studies: classical, early & medieval
    Scope: xiv, 158 Seiten
    Notes:

    Series editor preface Acknowledgments Abbreviations -- Introduction: Reading and Reception in Joyce's Classical Modernism 1. -- Joyce's Classical Passwords 2. -- "So let the ruins rot': Joyce and Historical Apathy 3. -- Joyce, Homer, and the Seductions of Reading Conclusion: The Pleasures of (Not) Reading Joyce and the Classics -- Notes Bibliography Index
  9. Revolutionary damnation
    Badiou and Irish fiction from Joyce to Enright
    Author: Brivic, Sheldon
    Published: 2017
    Publisher:  Syracuse University Press, Syracuse, New York

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780815634539; 0815634536; 9780815634355; 0815634358
    RVK Categories: CI 5479 ; HM 3135
    Edition: First edition
    Series: Irish studies
    Subjects: Literatur; Verdammnis <Motiv>
    Other subjects: Badiou, Alain (1937-); Badiou, Alain / Criticism and interpretation; Badiou, Alain / Influence; Badiou, Alain; English fiction / Irish authors / History and criticism; English fiction / 20th century / History and criticism; Modernism (Literature) / Ireland; Punishment in literature; Hell in literature; English fiction; English fiction / Irish authors; Hell in literature; Influence (Literary, artistic, etc.); Modernism (Literature); Punishment in literature; Ireland; 1900-1999; Criticism, interpretation, etc
    Scope: xiii, 319 Seiten, 24 cm
    Notes:

    Introduction: The radical Irish renaissance and Badiou -- Joyce, Stephens damnation, and Badiou's Saint Paul -- Badiou and the multiple subject of Joyce's Ulysses -- Beckett's lost love -- Flann O'Brien's third policeman as Lacanian [KLC1] deity -- John Banville's Doctor Copernicus: lost in the stars -- War 1: victims -- War 2: heroes -- Family: the lost [KLC2] son -- Anne Enright's The gathering: the pursuit of damnation -- Conclusion: The uses of damnation
  10. James Joyce and the act of reception
    reading, Ireland, modernism
    Author: Nash, John
    Published: 2009
    Publisher:  Cambridge University Press, Cambridge

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    Universitätsbibliothek Bayreuth
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780521128865; 9780521865760
    RVK Categories: HM 3135
    Edition: Digitally printed version
    Subjects: Books and reading / Ireland; Modernism (Literature) / Ireland; Books and reading; Modernism (Literature); Rezeption; Leser
    Other subjects: Joyce, James / 1882-1941 / Criticism and interpretation; Joyce, James / 1882-1941 / Appreciation; Joyce, James <1882-1941>; Joyce, James <1882-1941>; Joyce, James (1882-1941)
    Scope: ix, 220 p., ill., 24 cm
    Notes:

    "Paperback re-issue" -- p. [4] Cover. - "First published 2006 ... this digitally printed version 2009" -- T.p. verso

    Includes bibliographical references (p. 200-213) and index
  11. Modernism, Ireland and civil war
    Author: Allen, Nicholas
    Published: 2009
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Explores Irish culture of the 1920s and 1930s through relations between the arts and the shifting perceptions of post-imperial Ireland. more

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    Universitätsbibliothek Bamberg
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    Explores Irish culture of the 1920s and 1930s through relations between the arts and the shifting perceptions of post-imperial Ireland.

     
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  12. James Joyce and the Irish revolution
    the Easter Rising as modern event
    Author: Gibbons, Luke
    Published: 2023
    Publisher:  The University of Chicago Press, Chicago ; London

    "2022 is the centenary both of the founding of the Irish State and the publication of James Joyce's Ulysses. In this book, which describes a more radical edge than previous treatments of Joyce, Luke Gibbons counters much of the Joyce and modernism... more

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    "2022 is the centenary both of the founding of the Irish State and the publication of James Joyce's Ulysses. In this book, which describes a more radical edge than previous treatments of Joyce, Luke Gibbons counters much of the Joyce and modernism scholarship, while challenging popular historical accounts of events from 1913 to 1923. He takes up two, widely held notions: first, that Joyce and his writerly contemporaries were set apart from events in Ireland of the period, especially during the writing of Ulysses; and second, that Joyce was not appreciated in his native Ireland at the time, and only came to widespread notice as he was embraced by non-Irish critics much later in the century (during the 1980s and 90s). In contrast, Gibbons here shows multiple points of intersection between the modernist avant-garde and figures and events in the Irish Revolution. As Gibbons suggests, the Ireland of Joyce and Ulysses was the same culture that produced the Easter Rising and the Irish Revolution. How is it, he asks, that societies "not yet modern" are able to produce breakthrough works in modernism? Gibbons here redefines the Easter Rising as a modern event, not a belated, resurgent mythic gesture of a bygone Romantic Ireland. By reconceiving the revolution as modern, not as the revival of Celtic pride, as earlier studies claim, Gibbons is able to connect Joyce to other, forward-facing projects, to Yeats's radically conceived Abbey theater, for example, or the Victorian Gael of Standish O'Grady and the insular Catholic nationalism movement. He also places Joyce in a wider modernist community of artists and thinkers, including Bertolt Brecht, Ernst Bloch, Alfred Döblin, and Hermann Broch, and beyond Europe to writers in America, among them, F. Scott Fitzgerald, Marianne Moore, H. L. Mencken, W. E. B. Du Bois, and Claude MacKay. Thus Gibbons recasts what has gone before in a new, unexpected light [...]."

     
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  13. Irish modernism and the politics of sexual health
    Author: Houston, Lloyd
    Published: 2023
    Publisher:  Oxford University Press, Oxford ; New York

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    Bayerische Staatsbibliothek
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  14. Nietzsche and Irish modernism
    Author: Bixby, Patrick
    Published: 2022
    Publisher:  Manchester University Press, Manchester

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    Bayerische Staatsbibliothek
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  15. James Joyce and the Irish revolution
    the Easter Rising as modern event
    Author: Gibbons, Luke
    Published: 2023
    Publisher:  The University of Chicago Press, Chicago ; London

    "2022 is the centenary both of the founding of the Irish State and the publication of James Joyce's Ulysses. In this book, which describes a more radical edge than previous treatments of Joyce, Luke Gibbons counters much of the Joyce and modernism... more

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    Universitätsbibliothek Regensburg
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    "2022 is the centenary both of the founding of the Irish State and the publication of James Joyce's Ulysses. In this book, which describes a more radical edge than previous treatments of Joyce, Luke Gibbons counters much of the Joyce and modernism scholarship, while challenging popular historical accounts of events from 1913 to 1923. He takes up two, widely held notions: first, that Joyce and his writerly contemporaries were set apart from events in Ireland of the period, especially during the writing of Ulysses; and second, that Joyce was not appreciated in his native Ireland at the time, and only came to widespread notice as he was embraced by non-Irish critics much later in the century (during the 1980s and 90s). In contrast, Gibbons here shows multiple points of intersection between the modernist avant-garde and figures and events in the Irish Revolution. As Gibbons suggests, the Ireland of Joyce and Ulysses was the same culture that produced the Easter Rising and the Irish Revolution. How is it, he asks, that societies "not yet modern" are able to produce breakthrough works in modernism? Gibbons here redefines the Easter Rising as a modern event, not a belated, resurgent mythic gesture of a bygone Romantic Ireland. By reconceiving the revolution as modern, not as the revival of Celtic pride, as earlier studies claim, Gibbons is able to connect Joyce to other, forward-facing projects, to Yeats's radically conceived Abbey theater, for example, or the Victorian Gael of Standish O'Grady and the insular Catholic nationalism movement. He also places Joyce in a wider modernist community of artists and thinkers, including Bertolt Brecht, Ernst Bloch, Alfred Döblin, and Hermann Broch, and beyond Europe to writers in America, among them, F. Scott Fitzgerald, Marianne Moore, H. L. Mencken, W. E. B. Du Bois, and Claude MacKay. Thus Gibbons recasts what has gone before in a new, unexpected light [...]."

     
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  16. Irish modernisms
    gaps, conjectures, possibilities
    Published: 2021
    Publisher:  Bloomsbury Academic, London [England] ; Bloomsbury Publishing

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    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350177390
    Other identifier:
    Edition: First edition
    Subjects: Modernism (Literature) / Ireland; English literature / Irish authors / History and criticism; Literary studies: fiction, novelists & prose writers
    Scope: 1 online resource (240 pages)
    Notes:

    Includes bibliographical references and index

    Also published in print
  17. James Joyce and classical modernism
    Author: Flack, Leah Culligan
    Published: 2020
    Publisher:  Bloomsbury Academic, [London, England] ; Bloomsbury Publishing

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    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350004146
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    Series: Classical receptions in twentieth-century writing
    Subjects: Modernism (Literature) / Ireland; Literary studies: classical, early & medieval
    Other subjects: Joyce, James / 1882-1941 / Criticism and interpretation
    Scope: 1 online resource, illustrations
    Notes:

    Includes bibliographical references and index

    Also published in print
  18. John McGahern and modernism
    Author: Robinson, Richard
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

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    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Subjects: Modernism (Literature) / Ireland; Ireland / In literature
    Other subjects: McGahern, John / 1934-2006 / Criticism and interpretation
    Scope: 1 online resource
    Notes:

    Includes bibliographical references and index

    Also issued in print
  19. James Joyce and classical modernism
    Author: Flack, Leah Culligan
    Published: 2020
    Publisher:  Bloomsbury Academic, London ; New York ; Oxford ; New Delhi ; Sydney

    "James Joyce and Classical Modernism contends that the classical world animated Joyce's defiant, innovative creativity and cannot be separated from what is now recognized as his modernist aesthetic.Responding to a long-standing critical paradigm that... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "James Joyce and Classical Modernism contends that the classical world animated Joyce's defiant, innovative creativity and cannot be separated from what is now recognized as his modernist aesthetic.Responding to a long-standing critical paradigm that has viewed the classical world as a means of granting a coherent order, shape, and meaning to Joyce's modernist innovations, Leah Flack explores how and why Joyce's fiction deploys the classical as the language of the new. This study tracks Joyce's sensitive, on-going readings of classical literature from his earliest work at the turn of the twentieth century through to the appearance of Ulysses in 1922, the watershed year of high modernist writing. In these decades, Joyce read ancient and modern literature alongside one another to develop what Flack calls his classical modernist aesthetic, which treats the classical tradition as an ally to modernist innovation. This aesthetic first comes to full fruition in Ulysses , which self-consciously deploys the classical tradition to defend stylistic experimentation as a way to resist static, paralyzing notions of the past. Analysing Joyce's work through his career from his early essays, Flack ends by considering the rich afterlives of Joyce's classical modernist project, with particular attention to contemporary works by Alison Bechdel and Maya Lang."--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781350004085
    RVK Categories: HM 3135
    Series: Classical receptions in twentieth-century writing
    Subjects: Antike; Literatur
    Other subjects: Joyce, James (1882-1941); Joyce, James / 1882-1941 / Criticism and interpretation; Modernism (Literature) / Ireland; Literary studies: classical, early & medieval
    Scope: xiv, 158 Seiten
    Notes:

    Series editor preface Acknowledgments Abbreviations -- Introduction: Reading and Reception in Joyce's Classical Modernism 1. -- Joyce's Classical Passwords 2. -- "So let the ruins rot': Joyce and Historical Apathy 3. -- Joyce, Homer, and the Seductions of Reading Conclusion: The Pleasures of (Not) Reading Joyce and the Classics -- Notes Bibliography Index
  20. Modernist afterlives in Irish literature and culture
    Contributor: Reynolds, Paige (Publisher)
    Published: 2016
    Publisher:  Anthem Press, London

    <I>Modernist Afterlives in Irish Literature and Culture</I> explores manifestations of the themes, forms and practices of high modernism in Irish literature and culture produced subsequent to this influential movement.[This book] closely examines how... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Modernist Afterlives in Irish Literature and Culture explores manifestations of the themes, forms and practices of high modernism in Irish literature and culture produced subsequent to this influential movement.[This book] closely examines how Irish writers and artists from the mid-twentieth century onwards grapple with the legacies bequeathed by modernism and seek to forge new modes of expression for modern and contemporary culture

     
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    Volltext (URL des Erstveröffentlichers)
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    Volltext (lizenzpflichtig)
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Contributor: Reynolds, Paige (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781783085743
    RVK Categories: HN 1080
    Series: Anthem Irish Studies
    Subjects: Modernism (Literature) / Ireland; English literature / Irish authors / History and criticism; English literature / 20th century / History and criticism; English literature / Celtic influences; Modernism (Art) / Ireland; Arts / Ireland / History / 20th century; Literatur; Modernismus
    Scope: 1 Online-Ressource (x, 202 Seiten), Illustrationen
    Notes:

    Title from publisher's bibliographic system (viewed on 11 Aug 2017)

    Introduction: Paige Reynolds -- Literature and language. Anne Fogarty / "A world of hotels and gaols": women novelists and the spaces of Irish modernism, 1930--1932 ; Lucy Collins / "I knew what it meant/not to be at all": death and the (modernist) afterlife in the work of irish women poets of the 1940s; Leah Flack / "Whatever is given/can always be reimagined": Seamus Heaney's indefinite modernism; Ellen McWilliams / James Joyce and the lives of Edna O'Brien; Alex Davis / Modernist topoi and late modernist praxis in recent Irish poetry (with special reference to the work of David Lloyd); Sarah McKibben / "Aamach leis!" (out with it!): modernist inheritances in Micheál Ó Conghaile's "Athair" (Father) -- Institutions, art and performance. Andrew A. Kuhn / "Make a letter like a monument": remnants of modernist literary institutions in Ireland; Rûisìn Kennedy / Storm in a teacup: Irish modernist art; Linda King / "Particles of meaning": the modernist afterlife in Irish design -- Maria Pramaggiore / Animal afterlives: equine legacies in Irish visual culture; Aoife McGrath / Choreographies of Irish modernity; Emilie Pine / The modernist impulse in Irish theatre: Anu Productions and the Monto -- Afterword: David James / The poetics of perpetuation
  21. James Joyce and the Irish revolution
    the Easter Rising as modern event
    Author: Gibbons, Luke
    Published: 2023
    Publisher:  The University of Chicago Press, Chicago ; London

    "2022 is the centenary both of the founding of the Irish State and the publication of James Joyce's Ulysses. In this book, which describes a more radical edge than previous treatments of Joyce, Luke Gibbons counters much of the Joyce and modernism... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "2022 is the centenary both of the founding of the Irish State and the publication of James Joyce's Ulysses. In this book, which describes a more radical edge than previous treatments of Joyce, Luke Gibbons counters much of the Joyce and modernism scholarship, while challenging popular historical accounts of events from 1913 to 1923. He takes up two, widely held notions: first, that Joyce and his writerly contemporaries were set apart from events in Ireland of the period, especially during the writing of Ulysses; and second, that Joyce was not appreciated in his native Ireland at the time, and only came to widespread notice as he was embraced by non-Irish critics much later in the century (during the 1980s and 90s). In contrast, Gibbons here shows multiple points of intersection between the modernist avant-garde and figures and events in the Irish Revolution. As Gibbons suggests, the Ireland of Joyce and Ulysses was the same culture that produced the Easter Rising and the Irish Revolution. How is it, he asks, that societies "not yet modern" are able to produce breakthrough works in modernism? Gibbons here redefines the Easter Rising as a modern event, not a belated, resurgent mythic gesture of a bygone Romantic Ireland. By reconceiving the revolution as modern, not as the revival of Celtic pride, as earlier studies claim, Gibbons is able to connect Joyce to other, forward-facing projects, to Yeats's radically conceived Abbey theater, for example, or the Victorian Gael of Standish O'Grady and the insular Catholic nationalism movement. He also places Joyce in a wider modernist community of artists and thinkers, including Bertolt Brecht, Ernst Bloch, Alfred Döblin, and Hermann Broch, and beyond Europe to writers in America, among them, F. Scott Fitzgerald, Marianne Moore, H. L. Mencken, W. E. B. Du Bois, and Claude MacKay. Thus Gibbons recasts what has gone before in a new, unexpected light [...]."

     
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  22. The distance of Irish modernism
    memory, narrative, representation
    Author: Greaney, John
    Published: 2022
    Publisher:  Bloomsbury Academic, London ; New York ; Oxford ; New Delhi ; Sydney

    "Rethinking the relationship between form and history in Irish modernist writing and its aftermath, this book examines how critics have previously categorized the Irish modernist novel, as an evidentiary form of cultural memory. John Greaney exposes... more

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    Freie Universität Berlin, Universitätsbibliothek
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    "Rethinking the relationship between form and history in Irish modernist writing and its aftermath, this book examines how critics have previously categorized the Irish modernist novel, as an evidentiary form of cultural memory. John Greaney exposes the problems with such a stance, exploring this paradox by analysing novels by Elizabeth Bowen, Kate O'Brien, Samuel Beckett, Flann O'Brien and John McGahern through new critical paradigms in modernist studies. This approach contrasts the untranslatable gap between modernist literature and national history (world literature, translation studies) with materialist approaches to modernism (affect theory, new materialism), and in so doing delineates how Irish modernism becomes both a world problematic as well as a container for national history. As such, The Distance of Irish Modernism demonstrates that modernist fictions, and fictions influenced by the legacies of modernism, are engaged with but different to the cultural memories they supposedly transmit. Constituting new methodologies for understanding how stories are told and memories are formulated in and after Irish modernist writing, this book re-conceptualizes the parameters of Irish modernism"--

     
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    Content information
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9781350125261
    RVK Categories: HM 1080
    Subjects: Literatur; Englisch; Moderne
    Other subjects: English fiction / Irish authors / History and criticism; English fiction / 20th century / History and criticism; Modernism (Literature) / Ireland; Literature and society / Ireland / History / 20th century
    Scope: ix, 231 Seiten
    Notes:

    Enthält Literaturangaben
  23. John McGahern and modernism
    Author: Robinson, Richard
    Published: 2016
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "John McGahern's work is not easily conceived of as belatedly modernist. His memorialising, faintly archaic style implies a concern with 'making it old' rather than new, suggesting the symptomatic diffidence of many who wrote in the wake of... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    "John McGahern's work is not easily conceived of as belatedly modernist. His memorialising, faintly archaic style implies a concern with 'making it old' rather than new, suggesting the symptomatic diffidence of many who wrote in the wake of modernism. Nevertheless, McGahern's statements about the 'presence' of words and the hard-won impersonality of the artwork point to a covert engagement with modernist aesthetics. Offering intertextual interpretations of McGahern's six novels, and of thematically grouped short stories, Richard Robinson reads McGahern's fiction alongside writing by Joyce, Proust, Yeats, Beckett, Nietzsche, Lawrence and Chekhov, amongst others. Drawing out the ways in which McGahern's fiction conceals and reveals its modernist traces, this study considers subjects such as 'low' modernism, the complexity of McGahern's time-writing and his dialectical construction of the relationship between cultural tradition and modernity in Ireland. McGahern's narratives of melancholic return are often read psycho-biographically, but they also involve a return to the remnants of literature, including that of the modernist canon. This monograph will be of interest not only to McGahern scholars but also to those interested in the compromised legacies of literary modernism in late-twentieth century and contemporary writing. "-- "Challenging assumptions about John McGahern as an old-fashioned realist, this study confirms him as a writer dramatically engaged with the impact of progress on tradition"-- Machine generated contents note: -- Acknowledgements -- Abbreviations -- Introduction 1. Naturalism, Existentialism and Christianity in The Barracks -- 2. The Dark, A Portrait and the Modernist Bildungsroman -- 3. Quoting Modernism in the Short Stories -- 4. Psychoanalytical Signification and Intertextual Passion: The Leavetaking -- 5. 'Low' Modernism: The Pornographer -- 6. Yeats, Nietzsche, Theatricality and Will in Amongst Women -- 7. 'Careful Neutrality': Education and Reticence in 'Strandhill, the Sea', 'Hearts of Oak, Bellies of Brass' and 'High Ground' -- 8. 'The Old Pieties': Modernity and 'The Country Funeral' -- 9. Habit, Memory and Time: 'A Slip-Up', 'The Wine Breath', 'All Sorts of Impossible Things' and 'Gold Watch' -- 10. 'Everything that had Flowered had now Come to Fruit': Modernism, Time and That They May Face the Rising Sun -- Conclusion -- Index

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781472544117; 9781623562595
    Other identifier:
    RVK Categories: HG 290 ; HN 5837
    Subjects: Moderne
    Other subjects: McGahern, John (1934-2006); McGahern, John / 1934-2006 / Criticism and interpretation; McGahern, John / 1934-2006 / Criticism and interpretation; Modernism (Literature) / Ireland; Modernism (Literature) / Ireland; Ireland / In literature; Ireland / In literature
    Scope: 1 Online-Ressource (ix, 261 Seiten)
    Notes:

    Includes bibliographical references and index
  24. Modernism, empire, world literature
    Author: Cleary, Joe
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge,

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  25. Outrageous fortune
    capital and culture in modern Ireland
    Author: Cleary, Joe
    Published: 2007
    Publisher:  Field Day Publ., Dublin

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780946755356; 0946755353
    Edition: 2. ed.
    Series: Field Day files ; 1
    Subjects: Irish literature / 20th century / History and criticism; Modernism (Literature) / Ireland; Motion pictures / Ireland / History
    Scope: XII, 320 S., 25cm