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  1. The Cambridge companion to modernism
    Published: 1999
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Including chapters on the major literary genres, intellectual, political and institutional contexts, film and the visual arts, this text provides both close analyses of individual works of modernism and a broader set of interpretive narratives. more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Including chapters on the major literary genres, intellectual, political and institutional contexts, film and the visual arts, this text provides both close analyses of individual works of modernism and a broader set of interpretive narratives.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521495164; 052149866X
    Other identifier:
    RVK Categories: EC 2440 ; EC 5180 ; EC 5184 ; EC 5186 ; HM 1120
    Series: Cambridge companions to literature
    Subjects: Modernism (Art); Modernism (Literature); Moderne; Englisch; Kunst; Literatur
    Scope: 1 Online-Ressource (XVII, 246 S., Ill.)
  2. Słowo-obraz-dźwie̜k
    literatura i sztuki wizualne w koncepcjach polskiej awangardy, 1918-1939
    Author: Śniecikowska, Beata
    Published: 2005
    Publisher:  Universitas, Kraków

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Language: Polish
    Media type: Book
    Format: Print
    ISBN: 8324204288
    Other identifier:
    9788324204280
    RVK Categories: KP 1070 ; KP 1381 ; KP 1395
    Series: Modernizm w Polsce ; t. 12
    Subjects: Polish literature; Modernism (Literature); Modernism (Art); Avant-garde (Aesthetics); Arts
    Scope: 463 S., [20] Bl., Ill.
    Notes:

    Engl. Zsfassung u.d.T.: Word - picture - sound, literature and visual arts in the Polish Avantgarde 1918 - 1939
  3. Auf der Suche nach einer neuen Kunst
    Konzepte der Moderne im 19. Jahrhundert ; Runge, Goethe - Grandville, Delord - Schwind, Mörike - Manet, Mallarme
    Author: Jacobs, Stephanie
    Published: 2000
    Publisher:  VDG, Weimar

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Media type: Dissertation
    Format: Print
    ISBN: 389739149X
    RVK Categories: CI 6900 ; LH 65810 ; LH 71670
    Subjects: Art and literature; Art, Modern -- 19th century; Literature, Modern -- 19th century; Modernism (Art); Modernism (Literature)
    Scope: 213 S, 36 Abb. u. Taf, 8[grad]
    Notes:

    Zugl.: Berlin, Freie Univ., Diss, 1998
  4. On the strange place of religion in contemporary art
    Author: Elkins, James
    Published: 2004
    Publisher:  Routledge, New York, NY [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415969883; 0415969891
    Subjects: Art and religion; Modernism (Art); Art
    Scope: XII, 136 S., Ill.
    Notes:

    Literaturverz. S. [117] - 132
  5. Transforming the western image in 20th century American art
    [catalog of an exhibition]
    Contributor: Hough, Katherine P. (Publisher)
    Published: 1992
    Publisher:  Palm Springs Desert Museum, Palm Springs, Calif.

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    Source: Union catalogues
    Contributor: Hough, Katherine P. (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0295971959
    Subjects: Art, American; Modernism (Art)
    Scope: 111 S., überwiegend Ill.
  6. Automatic for the Masses
    The Death of the Author and the Birth of Socialist Realism
    Author: Petrov, Petre M.
    Published: [2015]; © 2015
    Publisher:  University of Toronto Press, Toronto

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442616936
    Other identifier:
    Subjects: Modernism (Aesthetics); Modernism (Art); Socialist realism in art; Socialist realism; Avantgarde; Sozialistischer Realismus; Moderne; Ästhetik
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :
  7. The Turn of the Century/Le tournant du siècle
    Modernism and Modernity in Literature and the Arts/Le modernisme et la modernité dans la littérature et les arts
    Published: 1995
    Publisher:  De Gruyter, Berlin

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110140187; 9783110884098; 9783111782171
    Other identifier:
    Series: European Cultures ; 3
    Subjects: Modernism (Art); Modernism (Literature)
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (X, 660 S.)
    Notes:

    "Rewritten versions of contributions to ... an international conference held at the University of Antwerp in May 1992"--Preface. - English and French. - Includes bibliographical references (pages [583]-632) and index
  8. Metropolitan Fetish
    African Sculpture and the Imperial French Invention of Primitive Art
    Author: Monroe, John Warne
    Published: [2019]; © 2019
    Publisher:  Cornell University Press, Ithaca, NY

    From the 1880s to 1940, French colonial officials, businessmen and soldiers, returning from overseas postings, brought home wooden masks and figures from Africa. This imperial and cultural power-play is the jumping-off point for a story that travels... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    From the 1880s to 1940, French colonial officials, businessmen and soldiers, returning from overseas postings, brought home wooden masks and figures from Africa. This imperial and cultural power-play is the jumping-off point for a story that travels from sub-Saharan Africa to Parisian art galleries; from the pages of fashion magazines, through the doors of the Louvre, to world fairs and international auction rooms; into the apartments of avant-garde critics and poets; to the streets of Harlem, and then full-circle back to colonial museums and schools in Dakar, Bamako, and Abidjan. John Warne Monroe guides us on this journey, one that goes far beyond the world of Picasso, Matisse, and Braque, to show how the Modernist avant-garde and the European colonial project influenced each other in profound and unexpected ways. Metropolitan Fetish reveals the complex trajectory of African material culture in the West and provides a map of that passage, tracing the interaction of cultural and imperial power. A broad and far-reaching history of the French reception of African art, it brings to life an era in which the aesthetic category of "primitive art" was invented

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501736360
    Other identifier:
    Subjects: African Art, Primitive Art, Tribal Art, Modernism, Colonialism, Black Diaspora; African Hist & Diaspora; Anthropology; HISTORY / Europe / France; Art critics; Art; Art, African; Art, Primitive; Modernism (Art); Holzplastik; Primitivismus; Imperialismus; Kunsthandel; Kolonialismus; Naturvolk; Kultgegenstand; Plastik; Avantgarde; Primitivität <Motiv>; Maske; Kunstsammler; Rezeption
    Scope: 1 online resource, 117 b&w halftones, 1 map, 10 color plates
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  9. The Russian Avant-Garde and Radical Modernism
    An Introductory Reader
    Contributor: Ioffe, Dennis G. (Publisher); White, Frederick (Publisher)
    Published: [2012]; © 2012
    Publisher:  Academic Studies Press, Boston, MA

    The Russian avant-garde was a composite of antagonistic groups who wished to overthrow the basic aesthetics of classical realism. Modernism was the totality of these numerous aesthetic theories, which achieved a measure of coherence immediately after... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The Russian avant-garde was a composite of antagonistic groups who wished to overthrow the basic aesthetics of classical realism. Modernism was the totality of these numerous aesthetic theories, which achieved a measure of coherence immediately after the First World War. This collection of essays by leading scholars examines the major figures, movements, and manifestos of the period. Scholarly attention is given to literature, visual arts, cinema, and theatre in an attempt to capture the complex nature of the modernist movement in Russia. This book would be especially relevant for university courses on the Russian twentieth century as well as for those looking for a comprehensive approach to the various movements and artistic expressions that constitute the Russian avant-garde

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Ioffe, Dennis G. (Publisher); White, Frederick (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781618111425
    Other identifier:
    Series: Cultural Syllabus
    Subjects: ART / Russian & Former Soviet Union; Arts, Russian; Avant-garde (Aesthetics); Avant-garde (Aesthetics); Experimental theater; Modernism (Art); Modernism (Art); Modernism (Literature); Modernism (Literature); Motion pictures; Radicalism in art; Radicalism in literature; Avantgarde; Kunst; Geistesleben; Literatur
    Scope: 1 online resource (488 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Dez 2019)
  10. Artificial Generation
    Photogenic French Literature and the Prehistory of Cinematic Modernity
    Author: Parker-Flynn, Christina
    Published: [2021]; © 2022
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Artificial Generation: Photogenic French Literature and the Prehistory of Cinematic Modernity investigates the intersection of film theory and nineteenth-century literature, arguing that the depth of amalgamation that occurred within literary... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Artificial Generation: Photogenic French Literature and the Prehistory of Cinematic Modernity investigates the intersection of film theory and nineteenth-century literature, arguing that the depth of amalgamation that occurred within literary representation during this era aims to replicate an illusion of life and its sensations, in ways directly related to broader transitions into our modern cinematic age. A key part of this evolution in representation relies on the continual re-emergence of the artificial woman as longstanding expression of masculine artistic subjectivity, which, by the later nineteenth century, becomes a photographic and filmic drive. Moving through the beginning of film history, from Georges Méliès and other "silent" filmmakers in the 1890s, into more contemporary movies, including Alfred Hitchcock's Vertigo (1958) and Blade Runner 2049 (2017), the book analyzes how films are often structured around the prior century's mythic and literary principles, which now serve as foundation for film as medium-a phantom form for life's re-presentation. Artificial Generation provides a crucial reassessment of the longstanding, mutual exchange between cinematic and literary reproduction, offering an innovative perspective on the proto-cinematic imperative of simulation within nineteenth-century literary symbolism

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781978825109
    Other identifier:
    Subjects: LITERARY CRITICISM / General; French literature; Modernism (Art); Modernism (Art); Motion pictures and literature; Motion pictures and literature; Motion pictures; Representation (Philosophy); Representation (Philosophy)
    Scope: 1 Online-Ressource (236 pages), 20 b-w images
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 10. Jan 2022)
  11. Dynamic form
    how intermediality made modernism
    Author: Lewis, Cara L.
    Published: [2020]; © 2020
    Publisher:  Cornell University Press, Ithaca ; London

    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Dynamic Form traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, Cara Lewis examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir. As forms and formal theories cross from one artistic realm to another and back again, modernism shows its obsession with form—and even at times becomes a formalism itself—but as Lewis writes, that form is far more dynamic than we have given it credit for. Form fulfills such various functions that we cannot characterize it as a mere container for content or matter, nor can we consign it to ignominy opposite historicism or political commitment.As a structure or scheme that enables action, form in modernism can be plastic, protean, or even fragile, and works by Henry James, Virginia Woolf, Mina Loy, Evelyn Waugh, and Gertrude Stein demonstrate the range of form's operations. Revising three major formal paradigms—spatial form, pure form, and formlessness—and recasting the history of modernist form, this book proposes an understanding of form as a verbal category, as a kind of doing. Dynamic Form thus opens new possibilities for conversation between modernist studies and formalist studies and simultaneously promotes a capacious rethinking of the convergence between literary modernism and creative work in other media

     
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  12. The living line
    modern art and the economy of energy
    Author: Veder, Robin
    Published: 2015
    Publisher:  Dartmouth College Pr., Hanover, NH

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2015:5257:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 936619
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781611687231; 9781611687248
    Series: Interfaces: studies in visual culture
    Subjects: Modernism (Art); Art, American; Human body (Philosophy); Aesthetics
    Scope: XIV, 405 S., [12] Bl, Ill.
    Notes:

    Includes bibliographical references (pages 363-393) and index

    Introduction: body cultures, physiological aesthetics, and kin-aesthetic modernism Poise -- Empathy -- Motive -- Habit -- Shock -- Signature -- Caricature -- Rhythm -- Vibration -- Discomfort -- Organization.
  13. Making race
    modernism and "racial art" in America
    Author: Francis, Jacqueline
    Published: c2012
    Publisher:  University of Washington Press, Seattle, Wash. [u.a.]

    "A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"--Provided by publisher "Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
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    NA 7/Fra
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    "A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"--Provided by publisher "Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present. Jacqueline Francis is a senior lecturer at the California College of the Arts"--Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0295991453; 9780295991450
    Subjects: Modernism (Art); Art criticism; Art and race; Painting, American
    Other subjects: Johnson, Malvin Gray (1896-1934); Kuniyoshi, Yasuo (1889-1953); Weber, Max (1881-1961)
    Scope: XIV, 250 S., [4] Bl, Ill, 23 cm
    Notes:

    "A McLellan book"--T.p

    Includes bibliographical references (p. 155-236) and index

    Introduction -- The meanings of modernism -- Making race in American religious painting -- Type/face/mask: racial portraiture -- The race of landscape -- Conclusion.
  14. Creative composites
    modernism, race, and the Stieglitz circle
    Author: Kroiz, Lauren
    Published: 2012
    Publisher:  Univ. of California Press, Berkeley, Calif. [u.a.] ; Phillips Collection, Washington, DC

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2012:6747:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 B 155868
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520272491
    RVK Categories: LO 94030
    Edition: 1. ed.
    Series: The Phillips book prize series ; 4
    Subjects: Arts, American; Art criticism; Art and race; Modernism (Art)
    Other subjects: Stieglitz, Alfred (1864-1946)
    Scope: 267 S., [4] Bl., zahlr. Ill., 27 cm
    Notes:

    Includes bibliographical references (pages 243-246) and index
  15. Transatlantic aliens
    modernism, exile, and culture in midcentury America
    Author: Norman, Will
    Published: [2016]; © 2016
    Publisher:  Johns Hopkins University Press, Baltimore

    Introduction -- Homeless aliens and dialectical culture critique: C. L. R. James and Theodor Adorno -- The yankee from Berlin: George Grosz -- The big empty: Raymond Chandler's transatlantic modernism -- The taste of freedom: Simone de Beauvoir,... more

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    10 A 15676
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2016 A 7915
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    MI 2.2 [Norman, W.]
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    Introduction -- Homeless aliens and dialectical culture critique: C. L. R. James and Theodor Adorno -- The yankee from Berlin: George Grosz -- The big empty: Raymond Chandler's transatlantic modernism -- The taste of freedom: Simone de Beauvoir, Vladimir Nabokov and the intellectual road trip -- Saul Steinberg's vanishing trick: modernism, the state, and the cosmopolitan intellectual -- Conclusion: not to grin is a sin "This book is about how a set of European writers, intellectuals, and artists encountered and negotiated American culture in the mid-twentieth century. The "Intellectual Migration" of the 1930s and '40s has long been recognized as one of the most important moments in twentieth-century cultural history, but it has often been narrowly understood as a clash between a rarefied European modernist sensibility and a debased American mass culture. Transatlantic Aliens adopts a more capacious understanding of this encounter as a pivotal crisis point for modernism and culture more broadly, one at which claims for the autonomy of high culture became increasingly untenable, the geographical center of cultural authority was displaced, and the governing principles of the American cultural field went through a phase of dramatic instability. Transatlantic Aliens takes the form of a series of interlinked case studies, each addressing individual or paired transatlantic figures, from C. L. R. James and Simone de Beauvoir to George Grosz and Vladimir Nabokov. Detailed attention to individual artworks, novels, and works of criticism is combined with more distant readings that seek to understand their function within larger intellectual histories and cultural formations, spanning time and space. The objective in each case is to explore what the transatlantic trajectories of particular figures tell us not only about the development of their own practices but also about the fate of European high culture in the American century" --

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1421420945; 1421420953; 9781421420943; 9781421420950
    RVK Categories: HU 1745 ; HU 1710
    Series: Hopkins studies in modernism
    Subjects: Europeans; Modernism (Art); Modernism (Literature); Modernism (Aesthetics)
    Scope: xii, 263 pages, 8 unnumbered pages of plates, Illustrationen (some color), 24 cm
    Notes:

    Includes bibliographical references and index
  16. Modernism on sea
    art and culture at the British seaside
    Published: 2009
    Publisher:  Lang, Oxford

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2009:5833:
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2010 A 15509
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    A 2010/5245
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    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    711 | FEI | Mod
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    09-21956
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    Universitätsbibliothek Rostock
    Signature:
    HM 1091 F297
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781906165246
    RVK Categories: HM 1091 ; HM 1101
    Subjects: Arts, British; Modernism (Aesthetics); Modernism (Art); Seaside resorts; Seaside resorts in art; Seaside resorts in literature; Arts and society
    Scope: XIV, 272 S., [4] Bl, Ill., 24cm
    Notes:

    Includes bibliographical references and index
  17. On the cusp
    Stephen Crane, George Bellows, and modernism
    Author: Fagg, John
    Published: 2009
    Publisher:  Univ. of Alabama Press, Tuscaloosa, Ala.

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 736232
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2009 A 995
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    Universitätsbibliothek Rostock
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    HT 4805 F154
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0817316515; 9780817316518
    Other identifier:
    2008035770
    RVK Categories: HT 4805 ; LI 99999
    Series: Studies in American literary realism and naturalism
    Subjects: Modernism (Art)
    Other subjects: Crane, Stephen (1871-1900); Bellows, George (1882-1925)
    Scope: IX, 242 S., Ill.
    Notes:

    Literaturverz. S. [221] - 234

    Introduction -- Ellipsis: the arcane subjects and urban tones of the Sullivan County sketches -- Anecdote: small stories in Bellows's city painting -- Frame: Crane's early city sketches: to frame-in or frame-out? -- Schema: "elements which impede illusion" in Bellows's riverside landscapes -- Aphorism: stylistic anomalies in "London impressions" and "The open boat" -- Cliche§: Bellows and "the same old trick" in the 1910s.
  18. Protest and reform in German literature and visual culture
    1871 – 1918
    Contributor: Weiss-Sussex, Godela (HerausgeberIn); Woodford, Charlotte (HerausgeberIn)
    Published: [2015]; © 2015
    Publisher:  Iudicium, München

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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Weiss-Sussex, Godela (HerausgeberIn); Woodford, Charlotte (HerausgeberIn)
    Language: English; German
    Media type: Book
    Format: Print
    ISBN: 9783862054022; 9780854572410
    Other identifier:
    9783862054022
    RVK Categories: GM 1411 ; GM 1600
    DDC Categories: 430#DNB; 830#DNB
    Series: Publications of the Institute of Germanic Studies ; Bd. 100
    Subjects: Protest literature, German; German literature; German literature; Arts; Politics and literature; Modernism (Art); Modernism (Literature)
    Scope: 222 Seiten, Illustrationen, 21 cm
    Notes:

    Beiträge teilweise deutsch, teilweise englisch
  19. Dynamik der Kreise, Resonanz der Räume
    die schöpferischen Impulse der Wiener Moderne
    Author: Timms, Edward
    Published: 2013
    Publisher:  Verl. Bibliothek der Provinz, Ed. Seidengasse, Weitra

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2014:508:
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    Zentrale Hochschulbibliothek Flensburg
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    Verlag (Inhaltsverzeichnis)
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783990282335
    Other identifier:
    9783990282335
    RVK Categories: LL 21255
    Series: Enzyklopädie des Wiener Wissens ; 17
    Subjects: Modernism (Aesthetics); Modernism (Art); Aesthetics, Austrian
    Scope: 281 S, Ill., graph. Darst, 22 cm, 600 g
    Notes:

    Literaturangaben
  20. Beyond symbolism and surrealism
    Alexei Remizov's synthetic art
    Author: Friedman, Julia
    Published: 2010
    Publisher:  Northwestern Univ. Press, Evanston, Ill.

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2011:4829:
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    Universitätsbibliothek Greifswald
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2013 A 14426
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780810126176
    RVK Categories: KI 5555
    Subjects: Modernism (Art); Symbolism (Art movement)
    Other subjects: Remizov, Alekseĭ (1877-1957)
    Scope: XXXI, 234 S., [8] Bl., Ill.
    Notes:

    Includes bibliographical references and index

    The lure of the margin -- A modernist scribe? Remizov's illustrated albums as avant-garde books -- Revisiting the symbolist past : synesthesia and synthesis in Maroun -- Solomoniia : from pious to lubricious -- Solomoniia : the tale of a reluctant wife -- Shamanism and the missing text -- Conclusion : the journey of a "writer-draftsman" -- Appendix : catalog of the extant albums in private collections.
  21. Jewish dimensions in modern visual culture
    antisemitism, assimilation, affirmation
    Published: c2010
    Publisher:  Brandeis Univ. Press, Waltham, Mass [u.a.]

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    K Long
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781584657958; 1584657952
    Series: The Tauber Institute for the Study of European Jewry series
    Subjects: Jews in art; Jewish artists; Modernism (Art); Art and society; Art and society
    Scope: [5] Bl., 338 S., Ill., 24 cm
    Notes:

    Includes index
  22. Cézanne, murder, and modern life
    Author: Dombrowski, André
    Published: 2013
    Publisher:  Univ. of California Press, Berkeley, Calif. [u.a.] ; Phillips Collection, Washington, DC

    "Cezanne, Murder and Modern Life offers an original approach to early French modernism, one informed by the art's unprecedented psychological intensity. Focusing on the early work of Paul Cezanne, it offers a competing version for modern painting... more

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    "Cezanne, Murder and Modern Life offers an original approach to early French modernism, one informed by the art's unprecedented psychological intensity. Focusing on the early work of Paul Cezanne, it offers a competing version for modern painting rooted in the evocation of emotive "expression," emblematized by scenes of murder, sexual violence, and anxious domesticity. Mobilizing contexts rarely brought to bear on our understanding of art in the age of Impressionism, let alone the work of Cezanne, this book investigates the "culte du moi" and the conceptions of authorial function in art and literature, theories of neo-romanticism and early symbolism of the 1860s, as well as psycho-physiological analyses of the human mind and other positivist theories of modern sociality and instinctuality popularized during the Second Empire and early Third Republic"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520273399
    Series: The Phillips book prize series ; 3
    Subjects: Modernism (Art)
    Other subjects: Cézanne, Paul (1839-1906)
    Scope: 309 S., zahlr. Ill., 27 cm
    Notes:

    Includes bibliographical references (pages 291-294) and index
  23. The symbolist roots of modern art
    Published: 2015
    Publisher:  Ashgate, Farnham [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472419620
    RVK Categories: LH 70392
    Subjects: Modernism (Art); Symbolism (Art movement)
    Scope: [XIX], 240 S., [8] Bl, Ill
    Notes:

    Includes bibliographical references and index
  24. The pulse of modernism
    physiological aesthetics in Fin-de-Siècle Europe
    Author: Brain, Robert Michael
    Published: [2015]
    Publisher:  Univ. of Washington Press, Seattle [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780295993201; 9780295993218
    Series: In Vivo : the cultural mediations of biomedical science
    Subjects: Aesthetics; Modernism (Aesthetics); Modernism (Literature); Modernism (Art)
    Scope: XXXII, 348 S, Ill., graph. Darst, 24 cm
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    Includes bibliographical references

    Representation on the line: graphic method as experimental systemThe vibratory organism: protoplasm and general physiology -- Visible speech: experimental phonetics and the physiology of vocalization -- Algorithms of pleasure: art as expert system -- Liberating verse: rhythm and measure in poetry -- Sensory fusion: evolution and synesthesia in art and aesthetics -- Art for life's sake: kinesthesia, empathy, and abstraction in early modernism.
  25. Automatic for the masses
    the death of the author and the birth of Socialist realism
    Author: Petrov, Petre
    Published: 2015
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    "At the end of the 1920s, the Modernist and avant-garde artistic programmes of the early Soviet Union were swept away by the rise of Stalinism and the dictates of Socialist Realism. Did this aesthetic transition also constitute a conceptual break, or... more

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    Universitätsbibliothek Kiel, Zentralbibliothek
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    "At the end of the 1920s, the Modernist and avant-garde artistic programmes of the early Soviet Union were swept away by the rise of Stalinism and the dictates of Socialist Realism. Did this aesthetic transition also constitute a conceptual break, or were there unseen continuities between these two movements? In Automatic for the Masses, Petre M. Petrov offers a novel, theoretically informed account of that transition, tracing those connections through Modernist notions of agency and authorship. Reading the statements and manifestos of the Formalists, Constructivists, and other Soviet avant-garde artists, Petrov argues that Socialist Realism perpetuated in a new form the Modernist "death of the author." In interpreting this symbolic demise, he shows how the official culture of the 1930s can be seen as a perverted realization of modernism's unrealizable project. An insightful and challenging interpretation of the era, Automatic for the Masses will be required reading for those interested in understanding early Soviet culture."--Publisher's website

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781442648425
    RVK Categories: KK 1400 ; KK 1520
    Subjects: Socialist realism; Modernism (Aesthetics); Socialist realism in art; Modernism (Art)
    Scope: 316 S., 24 cm
    Notes:

    Includes bibliographical references and index

    IntroductionThe imperative of form -- The imperative of content -- Knowledge become practice -- The organization of things -- The organization of minds -- The anonymous centre of style -- The unbearable light of being -- Ideology as authentication -- The blind, the seeing, and the shiny -- Life happens.