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  1. Tact
    aesthetic liberalism and the essay form in nineteenth-century Britain
    Author: Russell, David
    Published: [2018]
    Publisher:  Princeton University Press, Princeton ; Oxford

    Introduction. An Art of Handling -- Chapter 1. "Our Debt to Lamb": The Romantic Essay and the Emergence of Tact -- Chapter 2. Aesthetic Liberalism: John Stuart Mill as Essayist -- Chapter 3. Teaching Tact: Matthew Arnold and the Function of Criticism... more

    Location:
    Universitäts- und Landesbibliothek Bonn
    Signature:
    2020/117
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    Location:
    Englisches Seminar der Universität, Bibliothek
    Signature:
    LIT GS 2018:1
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    Introduction. An Art of Handling -- Chapter 1. "Our Debt to Lamb": The Romantic Essay and the Emergence of Tact -- Chapter 2. Aesthetic Liberalism: John Stuart Mill as Essayist -- Chapter 3. Teaching Tact: Matthew Arnold and the Function of Criticism -- Chapter 4. The Grounds of Tact: George Eliot's Rage -- Chapter 5. Relief Work: Walter Pater's Tact -- Chapter 6. Tact in Psychoanalysis: Marion Milner "The social practice of tact was an invention of the nineteenth century, a period when Britain was witnessing unprecedented urbanization, industrialization, and population growth. In an era when more and more people lived more closely than ever before with people they knew less and less about, tact was a new mode of feeling one's way with others in complex modern conditions. In this book, David Russell traces how the essay genre came to exemplify this sensuous new ethic and aesthetic. Russell argues that the essay form provided the resources for the performance of tact in this period and analyzes its techniques in the writings of Charles Lamb, John Stuart Mill, Matthew Arnold, George Eliot, and Walter Pater. He shows how their essays offer grounds for a claim about the relationship among art, education, and human freedom -- an "aesthetic liberalism" -- not encompassed by traditional political philosophy or in literary criticism. For these writers, tact is not about codes of politeness but about making an art of ordinary encounters with people and objects and evoking the fullest potential in each new encounter. Russell demonstrates how their essays serve as a model for a critical handling of the world that is open to surprises, and from which egalitarian demands for new relationships are made. Offering fresh approaches to thinking about criticism, sociability, politics, and art, Tact concludes by following a legacy of essayistic tact to the practice of British psychoanalysts like D. W. Winnicott and Marion Milner. "--

     
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  2. Tact
    aesthetic liberalism and the essay form in nineteenth-century Britain
    Author: Russell, David
    Published: [2018]
    Publisher:  Princeton University Press, Princeton

    Introduction. An Art of Handling -- Chapter 1. "Our Debt to Lamb": The Romantic Essay and the Emergence of Tact -- Chapter 2. Aesthetic Liberalism: John Stuart Mill as Essayist -- Chapter 3. Teaching Tact: Matthew Arnold and the Function of Criticism... more

    Location:
    Universitäts- und Landesbibliothek Bonn
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    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Introduction. An Art of Handling -- Chapter 1. "Our Debt to Lamb": The Romantic Essay and the Emergence of Tact -- Chapter 2. Aesthetic Liberalism: John Stuart Mill as Essayist -- Chapter 3. Teaching Tact: Matthew Arnold and the Function of Criticism -- Chapter 4. The Grounds of Tact: George Eliot's Rage -- Chapter 5. Relief Work: Walter Pater's Tact -- Chapter 6. Tact in Psychoanalysis: Marion Milner "The social practice of tact was an invention of the nineteenth century, a period when Britain was witnessing unprecedented urbanization, industrialization, and population growth. In an era when more and more people lived more closely than ever before with people they knew less and less about, tact was a new mode of feeling one's way with others in complex modern conditions. In this book, David Russell traces how the essay genre came to exemplify this sensuous new ethic and aesthetic. Russell argues that the essay form provided the resources for the performance of tact in this period and analyzes its techniques in the writings of Charles Lamb, John Stuart Mill, Matthew Arnold, George Eliot, and Walter Pater. He shows how their essays offer grounds for a claim about the relationship among art, education, and human freedom -- an "aesthetic liberalism" -- not encompassed by traditional political philosophy or in literary criticism. For these writers, tact is not about codes of politeness but about making an art of ordinary encounters with people and objects and evoking the fullest potential in each new encounter. Russell demonstrates how their essays serve as a model for a critical handling of the world that is open to surprises, and from which egalitarian demands for new relationships are made. Offering fresh approaches to thinking about criticism, sociability, politics, and art, Tact concludes by following a legacy of essayistic tact to the practice of British psychoanalysts like D. W. Winnicott and Marion Milner. "--

     
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  3. Tact
    aesthetic liberalism and the essay form in nineteenth-century Britain
    Author: Russell, David
    Published: [2018]; © 2018
    Publisher:  Princeton University Press, Princeton, New Jersey

    "The social practice of tact was an invention of the nineteenth century, a period when Britain was witnessing unprecedented urbanization, industrialization, and population growth. In an era when more and more people lived more closely than ever... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 17020
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    Location:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    EQ/830/1477
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    Universitätsbibliothek Heidelberg
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    2018 A 11486
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    Universitätsbibliothek Mannheim
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    500 HL 1586 R962
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    Württembergische Landesbibliothek
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    68/8582
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signature:
    HL 1394 R962
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    "The social practice of tact was an invention of the nineteenth century, a period when Britain was witnessing unprecedented urbanization, industrialization, and population growth. In an era when more and more people lived more closely than ever before with people they knew less and less about, tact was a new mode of feeling one's way with others in complex modern conditions. In this book, David Russell traces how the essay genre came to exemplify this sensuous new ethic and aesthetic. Russell argues that the essay form provided the resources for the performance of tact in this period and analyzes its techniques in the writings of Charles Lamb, John Stuart Mill, Matthew Arnold, George Eliot, and Walter Pater. He shows how their essays offer grounds for a claim about the relationship among art, education, and human freedom -- an "aesthetic liberalism" -- not encompassed by traditional political philosophy or in literary criticism. For these writers, tact is not about codes of politeness but about making an art of ordinary encounters with people and objects and evoking the fullest potential in each new encounter. Russell demonstrates how their essays serve as a model for a critical handling of the world that is open to surprises, and from which egalitarian demands for new relationships are made. Offering fresh approaches to thinking about criticism, sociability, politics, and art, Tact concludes by following a legacy of essayistic tact to the practice of British psychoanalysts like D. W. Winnicott and Marion Milner. "-- Introduction. An Art of Handling -- Chapter 1. "Our Debt to Lamb": The Romantic Essay and the Emergence of Tact -- Chapter 2. Aesthetic Liberalism: John Stuart Mill as Essayist -- Chapter 3. Teaching Tact: Matthew Arnold and the Function of Criticism -- Chapter 4. The Grounds of Tact: George Eliot's Rage -- Chapter 5. Relief Work: Walter Pater's Tact -- Chapter 6. Tact in Psychoanalysis: Marion Milner

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691161198
    Other identifier:
    9780691161198
    RVK Categories: HL 1586
    Subjects: English prose literature; Aesthetics in literature; Essay; Tact; Social values in literature; Aesthetics in literature; Essay; Tact; Social values in literature; English prose literature; Milner, Marion; Aesthetics in literature; Essay; Tact; Social values in literature; English prose literature
    Other subjects: Milner, Marion 1900-1998; Milner, Marion (1900-1998)
    Scope: X, 200 Seiten, Illustrationen, 24 cm
    Notes:

    Literaturangaben
  4. Tact
    aesthetic liberalism and the essay form in nineteenth-century Britain
    Author: Russell, David
    Published: [2018]
    Publisher:  Princeton University Press, Princeton

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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  5. Tact
    aesthetic liberalism and the essay form in nineteenth-century Britain
    Author: Russell, David
    Published: [2018]; © 2018
    Publisher:  Princeton University Press, Princeton, New Jersey

    "The social practice of tact was an invention of the nineteenth century, a period when Britain was witnessing unprecedented urbanization, industrialization, and population growth. In an era when more and more people lived more closely than ever... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "The social practice of tact was an invention of the nineteenth century, a period when Britain was witnessing unprecedented urbanization, industrialization, and population growth. In an era when more and more people lived more closely than ever before with people they knew less and less about, tact was a new mode of feeling one's way with others in complex modern conditions. In this book, David Russell traces how the essay genre came to exemplify this sensuous new ethic and aesthetic. Russell argues that the essay form provided the resources for the performance of tact in this period and analyzes its techniques in the writings of Charles Lamb, John Stuart Mill, Matthew Arnold, George Eliot, and Walter Pater. He shows how their essays offer grounds for a claim about the relationship among art, education, and human freedom -- an "aesthetic liberalism" -- not encompassed by traditional political philosophy or in literary criticism. For these writers, tact is not about codes of politeness but about making an art of ordinary encounters with people and objects and evoking the fullest potential in each new encounter. Russell demonstrates how their essays serve as a model for a critical handling of the world that is open to surprises, and from which egalitarian demands for new relationships are made. Offering fresh approaches to thinking about criticism, sociability, politics, and art, Tact concludes by following a legacy of essayistic tact to the practice of British psychoanalysts like D. W. Winnicott and Marion Milner. "-- Introduction. An Art of Handling -- Chapter 1. "Our Debt to Lamb": The Romantic Essay and the Emergence of Tact -- Chapter 2. Aesthetic Liberalism: John Stuart Mill as Essayist -- Chapter 3. Teaching Tact: Matthew Arnold and the Function of Criticism -- Chapter 4. The Grounds of Tact: George Eliot's Rage -- Chapter 5. Relief Work: Walter Pater's Tact -- Chapter 6. Tact in Psychoanalysis: Marion Milner

     
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691161198
    Other identifier:
    9780691161198
    RVK Categories: HL 1586
    Subjects: English prose literature; Aesthetics in literature; Essay; Tact; Social values in literature; Aesthetics in literature; Essay; Tact; Social values in literature; English prose literature; Milner, Marion; Aesthetics in literature; Essay; Tact; Social values in literature; English prose literature
    Other subjects: Milner, Marion 1900-1998; Milner, Marion (1900-1998)
    Scope: X, 200 Seiten, Illustrationen, 24 cm
    Notes:

    Literaturangaben