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  1. Memories of the Classical Underworld in Irish and Caribbean Literature
    Published: [2021]
    Publisher:  De Gruyter, Berlin

    Frontmatter -- Acknowledgements -- Contents -- Introduction -- Methodology -- ‘Into my mind’s unsympathetic thought / They fade away’: Irish Poetry -- ‘The Sea is History’: Derek Walcott -- ‘The Haunted Womb of Imagination’: Wilson Harris --... more

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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Acknowledgements -- Contents -- Introduction -- Methodology -- ‘Into my mind’s unsympathetic thought / They fade away’: Irish Poetry -- ‘The Sea is History’: Derek Walcott -- ‘The Haunted Womb of Imagination’: Wilson Harris -- Conclusion -- Bibliography -- Index Classical Memories is an intervention into the field of adaptation studies, taking the example of classical reception to show that adaptation is a process that can be driven by and produce intertextual memories. I see ‘classical memories’ as a memory-driven type of adaptation that draws on and reproduces schematic and otherwise de-contextualised conceptions of antiquity and its cultural ‘exports’ in, broadly speaking, the twentieth and twenty-first centuries. These memory-driven adaptations differ, often in significant ways, from more traditional adaptations that seek to either continue or deconstruct a long-running tradition that can be traced back to antiquity as well as its canonical points of reception in later ages. When investigating such a popular and widespread set of narratives, characters, and images like those that remain of Graeco-Roman antiquity, terms like ‘adaptation’ and ‘reception’ could and should be nuanced further to allow us to understand the complex interactions between modern works and classical antiquity in more detail, particularly when it pertains to postcolonial or post-digital classical reception. In Classical Memories, I propose that understanding certain types of adaptations as intertextual memories allows us to do just that

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110675153
    Other identifier:
    RVK Categories: HN 1080 ; HQ 7040 ; HN 1101
    Series: Array ; 31
    Subjects: Classical literature; Memory in literature; Voyages to the otherworld in literature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Other subjects: Classical Reception; Descent Narrative; Memory Studies; Schematic Memory
    Scope: 1 Online-Ressource (VII, 316 p)
    Notes:

    PhD

  2. Memories of the Classical Underworld in Irish and Caribbean Literature
    Published: [2021]
    Publisher:  De Gruyter, Berlin

    Frontmatter -- Acknowledgements -- Contents -- Introduction -- Methodology -- ‘Into my mind’s unsympathetic thought / They fade away’: Irish Poetry -- ‘The Sea is History’: Derek Walcott -- ‘The Haunted Womb of Imagination’: Wilson Harris --... more

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    Frontmatter -- Acknowledgements -- Contents -- Introduction -- Methodology -- ‘Into my mind’s unsympathetic thought / They fade away’: Irish Poetry -- ‘The Sea is History’: Derek Walcott -- ‘The Haunted Womb of Imagination’: Wilson Harris -- Conclusion -- Bibliography -- Index Classical Memories is an intervention into the field of adaptation studies, taking the example of classical reception to show that adaptation is a process that can be driven by and produce intertextual memories. I see ‘classical memories’ as a memory-driven type of adaptation that draws on and reproduces schematic and otherwise de-contextualised conceptions of antiquity and its cultural ‘exports’ in, broadly speaking, the twentieth and twenty-first centuries. These memory-driven adaptations differ, often in significant ways, from more traditional adaptations that seek to either continue or deconstruct a long-running tradition that can be traced back to antiquity as well as its canonical points of reception in later ages. When investigating such a popular and widespread set of narratives, characters, and images like those that remain of Graeco-Roman antiquity, terms like ‘adaptation’ and ‘reception’ could and should be nuanced further to allow us to understand the complex interactions between modern works and classical antiquity in more detail, particularly when it pertains to postcolonial or post-digital classical reception. In Classical Memories, I propose that understanding certain types of adaptations as intertextual memories allows us to do just that

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110675153
    Other identifier:
    RVK Categories: HN 1080 ; HQ 7040 ; HN 1101
    Series: Array ; 31
    Subjects: Classical literature; Memory in literature; Voyages to the otherworld in literature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Other subjects: Classical Reception; Descent Narrative; Memory Studies; Schematic Memory
    Scope: 1 Online-Ressource (VII, 316 p)
    Notes:

    PhD