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  1. Klee's mirror
    Published: 2015
    Publisher:  Sate University of New York Press, Albany

    The artist Paul Klee once said that “art does not reproduce the visible but makes visible.” In 'Klee’s Mirror' John Sallis examines the various ways in which Klee’s art makes visible things that ordinarily go unseen. He shows how Klee’s art is like a... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    The artist Paul Klee once said that “art does not reproduce the visible but makes visible.” In 'Klee’s Mirror' John Sallis examines the various ways in which Klee’s art makes visible things that ordinarily go unseen. He shows how Klee’s art is like a mirror capable of reflecting not only the surface appearance of things, but also their hidden depth and the cosmic setting to which they belong. Tracing the relation of Klee’s paintings and drawings to music, poetry, and philosophy, Sallis also takes account of Klee’s own extensive writings, both theoretical and autobiographical, and of the incisive lectures that he presented while teaching at the Bauhaus. Featuring large, high-quality reproductions, 'Klee’s Mirror' shows how the painter’s theories both are exemplified in his art and, in turn, are enhanced and extended by what his art achieves and reveals

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781438454801
    Series: SUNY series in contemporary continental philosophy
    Subjects: Aesthetics, Modern / 20th century; Ästhetik; Ästhetik
    Other subjects: Klee, Paul / 1879-1940 / Aesthetics; Klee, Paul (1879-1940)
    Scope: XIII, 146 S., zahlr. Ill.
    Notes:

    Includes bibliographical references

    Artspan -- Reticence and polyphony -- True to nature -- Making visible -- Light -- Line to color -- Bordering on philosophy -- The truth of Klee's mirror -- Phantastical -- Writing and the language of painting -- Musicality -- Freeing the line -- Time of death