'The Kimono in Print: 300 Years of Japanese Design' will be the first ever publication devoted to examining the kimono as a major source of inspiration, and later vehicle for experimentation, in Japanese print design and culture from the Edo period...
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No loan of volumes, only paper copies will be sent
'The Kimono in Print: 300 Years of Japanese Design' will be the first ever publication devoted to examining the kimono as a major source of inspiration, and later vehicle for experimentation, in Japanese print design and culture from the Edo period (1603-1868) to the Meiji period (1868-1912). Print artists, through the wide circulation of prints, have documented the ever-evolving trends in fashion, have popularized certain styles of dress, and have even been known to have designed kimonos. Some famous print designers also were directly involved in the kimono business as designers of kimono pattern books, such as Nishikawa Sukenobu (1671-1751) and Okumura Masanobu (1686-1764). The dialogue between fashion and print is illustrated here by approximately 70 Japanese prints and illustrated books-by Nishikawa Sukenobu, Suzuki Harunobu, Utagawa Kunisada, Kikukawa Eizan, and Kamisaka Sekka, among others. The group of five essays features new research and scholarship by an international group of leading scholars working today at the intersection of the Japanese print and kimono worlds and the social, cultural, and global significances circulated therein
Impressum: This publication accompanies the exhibition 'The Kimono in Print: 300 Years of Japanese Design' at the Worcester Art Museum, Worcester MA from 28 March-28 June 2020
