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Displaying results 1 to 15 of 15.

  1. L'alba del Rinascimento, ovvero, il Dolce stil novo
    Author: Mangiante, Paolo Erasmo
    Published: [2019]
    Publisher:  Solfanelli, Chieti

    Location:
    Bibliotheken Romanisches Seminar und Institut für Slavistik
    Signature:
    IL 30/216
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 9788874978984
    Series: I diamanti ; 23
    Subjects: Italian poetry / To 1400 / History and criticism; Art, Renaissance / Italy; Kultur; Literatur
    Scope: 314 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references (pages 287-294) and index
  2. The city of poetry
    imagining the civic role of the poet in fourteenth-century Italy
    Author: Lummus, David
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    What did it mean to be a poet in fourteenth-century Italy? What counted as poetry? In an effort to answer these questions, this book examines the careers of four medieval Italian poets (Albertino Mussato, Dante Alighieri, Francesco Petrarch, and... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    What did it mean to be a poet in fourteenth-century Italy? What counted as poetry? In an effort to answer these questions, this book examines the careers of four medieval Italian poets (Albertino Mussato, Dante Alighieri, Francesco Petrarch, and Giovanni Boccaccio) who wrote in both Latin and the Italian vernacular. In readings of defenses of poetry, speeches and letters on public laurel-crowning ceremonies, and other theoretical and poetic texts, this book shows how these poets viewed their authorship of poetic works as a function of their engagement in a human community. Each poet represents a model of the poet as a public intellectual - a poet-theologian - who can intervene in public affairs thanks to his authority within texts. The City of Poetry provides a new historicized approach to understanding poetic culture in fourteenth-century Italy which reshapes long-standing Romantic views of poetry as a timeless and sublimely inspired form of discourse

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108878050
    Other identifier:
    Series: Cambridge studies in medieval literature
    Subjects: Political poetry, Latin (Medieval and modern) / History and criticism; Humanism; Politics in literature; Poetry / Authorship / Social aspects; Politics and literature / Italy / History / To 1500; Italian poetry / To 1400 / History and criticism; Latin poetry, Medieval and modern / Italy / History and criticism
    Scope: 1 Online-Ressource (x, 261 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 14 Dec 2020)

    Albertino Mussato, Poet of the City -- Dante Alighieri, Poet without a City -- Francesco Petrarch, Poet beyond the City -- Giovanni Boccaccio, Poet for the City -- Epilogue. Coluccio Salutati and the Future of the City of poetry
  3. Singing to the lyre in Renaissance Italy
    memory, performance, and oral poetry
    Author: Wilson, Blake
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    "A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this... more

    Location:
    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    "A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background. Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance. As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano"--

     
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  4. L'alba del Rinascimento, ovvero, il Dolce stil novo
    Author: Mangiante, Paolo Erasmo
    Published: [2019]
    Publisher:  Solfanelli, Chieti

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 9788874978984
    Series: I diamanti ; 23
    Subjects: Italian poetry / To 1400 / History and criticism; Art, Renaissance / Italy; Literatur; Kultur
    Scope: 314 pages, xlviii pages of plates, illustrations (chiefly color), 24 cm
    Notes:

    Includes bibliographical references (pages 287-294) and index
  5. Petrarch and the making of gender in Renaissance Italy
    Author: McHugh, Shannon
    Published: [2023]
    Publisher:  Amsterdam University Press, Amsterdam

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9789463720274
    Series: Gendering the late medieval and early modern world ; 18
    Subjects: Geschlechterrolle; Gesellschaft; Literatur
    Other subjects: Petrarca, Francesco (1304-1374); Petrarca, Francesco / 1304-1374 / Criticism and interpretation; Sex role in literature; Italian poetry / To 1400 / History and criticism
    Scope: 296 Seiten, Illustrationen
  6. <<L'>>alba del Rinascimento, ovvero, il Dolce stil novo
    Author: Mangiante, Paolo Erasmo
    Published: [2019]
    Publisher:  Solfanelli, Chieti

    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788874978984
    Series: <<I >>diamanti ; 23
    Subjects: Italian poetry / To 1400 / History and criticism; Art, Renaissance / Italy
    Scope: 314 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references (pages 287-294) and index
  7. Dante's gluttons
    food and society from the Convivio to the Comedy
    Author: Callegari, Danielle
    Published: 2022
    Publisher:  Amsterdam University Press, Amsterdam

    <i>Dante's Gluttons: Food and Society from the Convivio to the Comedy</i> explores how, in his work, medieval Italian poet Dante Alighieri (1265-1321) uses food to articulate, reinforce, criticize, and correct the social, political, and cultural... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universität der Bundeswehr München, Universitätsbibliothek
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    Dante's Gluttons: Food and Society from the Convivio to the Comedy explores how, in his work, medieval Italian poet Dante Alighieri (1265-1321) uses food to articulate, reinforce, criticize, and correct the social, political, and cultural values of his time. Combining medieval history, food studies, and literary criticism, Dante's Gluttons historicizes food and eating in Dante, beginning in his earliest collected poetry and arriving at the end of his major work. For Dante, the consumption of food is not a frivolity, but a crux of life in the most profound sense of the term, and gluttony is the abdication of civic and spiritual responsibility and a danger to the individual body and soul as well as to the collective. This book establishes how one of the world's preeminent authors uses the intimacy and universality of food as a touchstone, communicating through a gastronomic language rooted in the deeply human relationship with material sustenance

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048550036
    Other identifier:
    Subjects: Food habits in literature; Food in literature; Italian poetry / To 1400 / History and criticism
    Other subjects: Dante Alighieri / 1265-1321 / Criticism and interpretation; Dante Alighieri / 1265-1321 / Convivio; Dante Alighieri / 1265-1321 / Divina commedia
    Scope: 1 Online-Ressource (194 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 20 Sep 2022)
  8. Petrarch and the making of gender in Renaissance Italy
    Author: McHugh, Shannon
    Published: [2023]
    Publisher:  Amsterdam University Press, Amsterdam

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048555178
    Other identifier:
    RVK Categories: CE 7817 ; IT 6605
    Series: Gendering the late medieval and early modern world ; 18
    Subjects: Geschlechterrolle; Gesellschaft; Literatur
    Other subjects: Petrarca, Francesco (1304-1374); Petrarca, Francesco / 1304-1374 / Criticism and interpretation; Sex role in literature; Italian poetry / To 1400 / History and criticism
    Scope: 1 Online-Ressource (296 Seiten), Illustrationen
  9. Singing to the lyre in Renaissance Italy
    memory, performance, and oral poetry
    Author: Wilson, Blake
    Published: 2020
    Publisher:  Cambridge University Press, Cambride

  10. Petrarch and the making of gender in Renaissance Italy
    Author: McHugh, Shannon
    Published: [2023]
    Publisher:  Amsterdam University Press, Amsterdam

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048555178
    Other identifier:
    RVK Categories: CE 7817 ; IT 6605
    Series: Gendering the late medieval and early modern world ; 18
    Subjects: Geschlechterrolle; Gesellschaft; Literatur
    Other subjects: Petrarca, Francesco (1304-1374); Petrarca, Francesco / 1304-1374 / Criticism and interpretation; Sex role in literature; Italian poetry / To 1400 / History and criticism
    Scope: 1 Online-Ressource (296 Seiten), Illustrationen
  11. Blindness and therapy in late medieval French and Italian poetry
    Author: Singer, Julie
    Published: 2011
    Publisher:  Boydell & Brewer, Suffolk

    An examination of the ways in which late medieval lyric poetry can be seen to engage with contemporary medical theory. This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orléans, exploit scientific models as a... more

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    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    An examination of the ways in which late medieval lyric poetry can be seen to engage with contemporary medical theory. This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orléans, exploit scientific models as a broad framework within which to redefine the limits of the lyric subject and his body. Just as humoral theory depends upon principles of likes and contraries in order to heal, poetry makes possible a parallel therapeutic system in which verbal oppositions and substitutions counter or rewrite received medical wisdom. The specific case of blindness, a disability that according to the theories of love that predominated in the late medieval West foreclosed the possibility of love, serves as a laboratory in which to explore poets' circumvention of the logical limits of contemporary medical theory. Reclaiming the power of remedy from physicians, these late medieval French and Italian poets prompt us to rethink not only the relationship between scientific and literary authority at the close of the middle ages, but, more broadly speaking, the very notion of therapy. Julie Singer is Assistant Professor of French at Washington University, St Louis

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846157813
    RVK Categories: IE 4438 ; IT 4258
    Subjects: French poetry / To 1500 / History and criticism; Italian poetry / To 1400 / History and criticism; Blindness in literature; Therapeutics in literature; Italienisch; Heilung <Motiv>; Krankheit <Motiv>; Französisch; Lyrik; Blindheit <Motiv>
    Scope: 1 online resource (x, 238 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction: On rhetoric and remedy -- The love-imprint -- Medical blindness, rhetorical insight -- Irony, or, The therapeutics of contraries -- Metaphor as experimental medicine -- Metonymyand prothesis -- Blindfold synecdoche -- Epilogue: Just words
  12. Blindness and therapy in late medieval French and Italian poetry
    Author: Singer, Julie
    Published: 2011
    Publisher:  Boydell & Brewer, Suffolk

    An examination of the ways in which late medieval lyric poetry can be seen to engage with contemporary medical theory. This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orléans, exploit scientific models as a... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    An examination of the ways in which late medieval lyric poetry can be seen to engage with contemporary medical theory. This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orléans, exploit scientific models as a broad framework within which to redefine the limits of the lyric subject and his body. Just as humoral theory depends upon principles of likes and contraries in order to heal, poetry makes possible a parallel therapeutic system in which verbal oppositions and substitutions counter or rewrite received medical wisdom. The specific case of blindness, a disability that according to the theories of love that predominated in the late medieval West foreclosed the possibility of love, serves as a laboratory in which to explore poets' circumvention of the logical limits of contemporary medical theory. Reclaiming the power of remedy from physicians, these late medieval French and Italian poets prompt us to rethink not only the relationship between scientific and literary authority at the close of the middle ages, but, more broadly speaking, the very notion of therapy. Julie Singer is Assistant Professor of French at Washington University, St Louis

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846157813
    RVK Categories: IE 4438 ; IT 4258
    Subjects: French poetry / To 1500 / History and criticism; Italian poetry / To 1400 / History and criticism; Blindness in literature; Therapeutics in literature; Italienisch; Französisch; Lyrik; Heilung <Motiv>; Krankheit <Motiv>; Blindheit <Motiv>
    Scope: 1 online resource (x, 238 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction: On rhetoric and remedy -- The love-imprint -- Medical blindness, rhetorical insight -- Irony, or, The therapeutics of contraries -- Metaphor as experimental medicine -- Metonymyand prothesis -- Blindfold synecdoche -- Epilogue: Just words
  13. The Heian court poetry as world literature
    from the point of view of early Italian poetry
    Author: Gerlini, Edoardo
    Published: 2014
    Publisher:  Firenze University Press, Firenze, Italy

    Location:
    Bayerische Staatsbibliothek
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  14. <<The>> city of poetry
    imagining the civic role of the poet in fourteenth-century Italy
    Author: Lummus, David
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    What did it mean to be a poet in fourteenth-century Italy? What counted as poetry? In an effort to answer these questions, this book examines the careers of four medieval Italian poets (Albertino Mussato, Dante Alighieri, Francesco Petrarch, and... more

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
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    No inter-library loan

     

    What did it mean to be a poet in fourteenth-century Italy? What counted as poetry? In an effort to answer these questions, this book examines the careers of four medieval Italian poets (Albertino Mussato, Dante Alighieri, Francesco Petrarch, and Giovanni Boccaccio) who wrote in both Latin and the Italian vernacular. In readings of defenses of poetry, speeches and letters on public laurel-crowning ceremonies, and other theoretical and poetic texts, this book shows how these poets viewed their authorship of poetic works as a function of their engagement in a human community. Each poet represents a model of the poet as a public intellectual - a poet-theologian - who can intervene in public affairs thanks to his authority within texts. The City of Poetry provides a new historicized approach to understanding poetic culture in fourteenth-century Italy which reshapes long-standing Romantic views of poetry as a timeless and sublimely inspired form of discourse

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108878050
    Other identifier:
    Series: Cambridge studies in medieval literature
    Subjects: Political poetry, Latin (Medieval and modern) / History and criticism; Humanism; Politics in literature; Poetry / Authorship / Social aspects; Politics and literature / Italy / History / To 1500; Italian poetry / To 1400 / History and criticism; Latin poetry, Medieval and modern / Italy / History and criticism
    Scope: 1 Online-Ressource (x, 261 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 14 Dec 2020)

    Albertino Mussato, Poet of the City -- Dante Alighieri, Poet without a City -- Francesco Petrarch, Poet beyond the City -- Giovanni Boccaccio, Poet for the City -- Epilogue. Coluccio Salutati and the Future of the City of poetry
  15. Singing to the lyre in Renaissance Italy
    memory, performance, and oral poetry
    Author: Wilson, Blake
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    "A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background. Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance. As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano"--

     
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    Volltext (URL des Erstveröffentlichers)