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Displaying results 1 to 9 of 9.

  1. Poetry and identity in Quattrocento Naples
    Author: Soranzo, Matteo
    Published: 2014
    Publisher:  Ashgate, Farnham [u.a.]

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  2. Singing to the lyre in Renaissance Italy
    memory, performance, and oral poetry
    Author: Wilson, Blake
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    "A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this... more

    Location:
    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    "A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background. Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance. As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano"--

     
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  3. Poetry and identity in Quattrocento Naples
    Author: Soranzo, Matteo
    Published: 2014
    Publisher:  Ashgate, Farnham [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    RVK Categories: IU 1330
    Subjects: Italian poetry / 15th century / History and criticism; Italian literature / Italy / Naples / History and criticism; Literatur; Literarisches Leben
    Other subjects: Sannazaro, Jacopo (1456-1530); Pontano, Giovanni Gioviano (1429-1503)
    Scope: VIII, 169 S., Ill.
  4. Singing to the lyre in Renaissance Italy
    memory, performance, and oral poetry
    Author: Wilson, Blake
    Published: 2020
    Publisher:  Cambridge University Press, Cambride

  5. Poetry and Identity in Quattrocento Naples
    Author: Soranzo, Matteo
    Published: [2014]
    Publisher:  Ashgate, Burlington, VT

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781472413567; 1472413563; 1306549957; 9781306549950; 9781472413550; 1472413555; 9781472413574
    Subjects: Italian literature / Italy / Naples / History and criticism; Italian poetry / 15th century / History and criticism; Naples (Italy) / Intellectual life / 15th century; POETRY / Continental European; Intellectual life; Italian literature; Italian poetry; Array; Literatur; Literarisches Leben
    Other subjects: Sannazaro, Jacopo (1456-1530); Pontano, Giovanni Gioviano (1429-1503)
    Scope: 1 online resource
    Notes:

    Includes index

    Print version record

    Latin at the castle -- Poetry and patria -- Elegies for a bride -- Pastoral affiliations -- Written in the stars -- The cloud-shrouded tower

    Using five case studies set in fifteenth-century Naples, Poetry and Identity in Quattrocento Naples investigates how early modern poets used poetry to negotiate their cultural identity in a field of options and possibilities. Presented in chronological order, the analyses focus on the reciprocal relations among Giovanni Pontano, Jacopo Sannazaro, and other poets writing in neo-Latin and the vernacular during the twilight of the Aragonese domination
  6. Un laboratorio del petrarchismo
    metrica e macrotesto nel Canzoniere Costabili
    Author: Baldassari, Gabriele
    Published: 2015
    Publisher:  Edizioni del Galluzzo per la Fondazione Ezio Franceschini, Firenze

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Universitätsbibliothek der LMU München
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    Content information
    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 9788884506788; 8884506786
    Series: Quaderni di stilistica e metrica italiana ; 5
    Fellowship Marco Praloran ; 1
    Subjects: Canzoniere Costabili; Italian poetry / 15th century / History and criticism; Italian language / Versification; Italienisch; Lyrik; Metrik
    Other subjects: Petrarca, Francesco (1304-1374)
    Scope: xxi, 354 pages, 25 cm
    Notes:

    Francesco Petrarca (1304-1374)

    Includes bibliographical references (pages xi-xxi) and indexes
  7. A sudden frenzy
    improvisation, orality, and power in Renaissance Italy
    Author: Coleman, James K.
    Published: [2022]
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    "In Renaissance Italy there existed a rich interplay between two cultural practices frequently regarded as entirely separate and mutually antagonistic: the humanistic study of the ancient world and ancient literature, and the oral and improvisational... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
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    "In Renaissance Italy there existed a rich interplay between two cultural practices frequently regarded as entirely separate and mutually antagonistic: the humanistic study of the ancient world and ancient literature, and the oral and improvisational performance of poetry which constituted one of the most popular forms of entertainment. A Sudden Frenzy explores the development and impact of these Renaissance practices of improvisation and oral poetry. James K. Coleman shows how the confluence of humanist culture and the art of oral poetry resulted in an extraordinary turn toward improvisation and spontaneity that profoundly influenced poetry, music, and politics. By examining the culture of improvisation, this book reveals the ways in which Renaissance thinkers transcended cultural dichotomies, both in theory and in practice. Drawing on a wide range of sources, including letters, poetry, visual art, and philosophical texts, A Sudden Frenzy reveals the far-reaching and sometimes surprising ways that these phenomena shaped cultural developments in the Italian Renaissance and beyond."--

     
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  8. Singing to the lyre in Renaissance Italy
    memory, performance, and oral poetry
    Author: Wilson, Blake
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    "A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background. Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance. As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano"--

     
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    Volltext (URL des Erstveröffentlichers)
  9. Poetry and identity in Quattrocento Naples
    Author: Soranzo, Matteo
    Published: 2014
    Publisher:  Ashgate, Farnham [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    Subjects: Italian poetry / 15th century / History and criticism; Italian literature / Italy / Naples / History and criticism
    Scope: VIII, 169 S., Ill.
    Notes:

    Literaturverz. S. [147] - 165