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Displaying results 1 to 25 of 388.

  1. Untersuchungen zur Improvisation und Tradierung der Sevdalinka an Hand der sprachlichen Figuren
    Author: Eschker, Wolfgang
    Published: 1971
    Publisher:  Peter Lang International Academic Publishers, Bern

    Während die epischen Lieder bereits seit längerer Zeit Gegenstand intensiver wissenschaftlicher Forschung sind, fanden die lyrischen Lieder in letzter Zeit in stärkerem Maße Beachtung. Eine besondere Form dieser letzteren Volkslied-Liebeslyrik stellt... more

     

    Während die epischen Lieder bereits seit längerer Zeit Gegenstand intensiver wissenschaftlicher Forschung sind, fanden die lyrischen Lieder in letzter Zeit in stärkerem Maße Beachtung. Eine besondere Form dieser letzteren Volkslied-Liebeslyrik stellt die Sevdalinka dar, deren Hauptmotive Liebessehnsucht, -trennung und -enttäuschung, seltener Liebeserfüllung sind.

     
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    Source: OAPEN
    Language: German
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Literature & literary studies
    Other subjects: Eschker; Figuren; Hand; Improvisation; Kroatien; Liebe; Literaturwissenschaft; Lyrik; Serbien; Sevdalinka; sprachlichen; Tradierung; Untersuchungen
    Scope: 1 electronic resource (275 p.)
  2. Words as Events: Cretan Mandinádes in Performance and Composition
    Author: Sykäri, Venla
    Published: 2011
    Publisher:  Finnish Literature Society / SKS, Helsinki

    "Words as Events introduces the tradition of short, communicative rhyming couplets, the mantinádes, as still sung and recited in a variety of performance situations on the island of Crete. Recently, these poems have also entered modern mass media and... more

     

    "Words as Events introduces the tradition of short, communicative rhyming couplets, the mantinádes, as still sung and recited in a variety of performance situations on the island of Crete. Recently, these poems have also entered modern mass media and they are widely being exchanged as text messages by Cretans. Focusing on the multi-functionality of the short form, Sykäri demonstrates how the traditional register gives voice to individual experiences in spontaneous utterances. The local focus on communicative economy and artistry is further examined in a close analysis of the processes and ideals of composition. By analyzing how the “restrictions” of form and performative conventions in fact generate impulses of creativity, the author creates a theoretical approach that is sensitive to the special characteristics of the short, rhymed poetic traditions. In this interdisciplinary study, the reader is invited to become familiar with the current folklore theory of oral poetry, which has a long tradition in Finland. The author combines the results of earlier folkloristic and anthropological insights, and extends the theoretical concerns further to address questions of spontaneity and individual agency. The research data has been produced in communicative interactions during long-term fieldwork. As a result, the short, rhymed poetry, often neglected by scholars in earlier research paradigms, can now be seen in new light – specifically as dialogic poetry – through its extended, multi-layered dialogic qualities."

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789522227782; 9789522227775
    Other identifier:
    Subjects: Historical & comparative linguistics; Social & cultural anthropology, ethnography
    Other subjects: performances; rune singing; folk songs; interpretation; folk poetry; Crete; Dialogic; Finland; Folklore; Improvisation; Oral literature; Rhyme
    Scope: 1 electronic resource (224 p.)
  3. Improvisation and Social Aesthetics
    Contributor: Born, Georgina (Publisher); Lewis, Eric (Publisher); Straw, Will (Publisher)
    Published: 20170412
    Publisher:  Duke University Press, Durham NC

    Addressing a wide range of improvised art and music forms—from jazz and cinema to dance and literature—this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social... more

     

    Addressing a wide range of improvised art and music forms—from jazz and cinema to dance and literature—this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids in the creation, contestation, and codification of social realities and identities. Among other topics, the contributors discuss the social aesthetics of the Association for the Advancement of Creative Musicians, the Feminist Improvising Group, and contemporary Malian music, as well as the virtual sociality of interactive computer music, the significance of "uncreative" improvisation, responses to French New Wave cinema, and the work of figures ranging from bell hooks and Billy Strayhorn to Kenneth Goldsmith.

     
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    Source: OAPEN
    Contributor: Born, Georgina (Publisher); Lewis, Eric (Publisher); Straw, Will (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822374015
    Other identifier:
    Subjects: Music
    Other subjects: Music; Aesthetics; Association for the Advancement of Creative Musicians; Improvisation; Jazz; Social relation
  4. Tanzpraxis in der Forschung – Tanz als Forschungspraxis : Choreographie, Improvisation, Exploration. Jahrbuch TanzForschung 2016
    Contributor: Quinten, Susanne (Publisher); Schroedter, Stephanie (Publisher)
    Published: 2018
    Publisher:  transcript Verlag, Bielefeld, Germany

    Dance practice is gaining just as much in importance in research as it is becoming a kind of research in itself. Choreography, improvisation and exploration are expanding conventional discursive methods of knowledge generation and transfer to... more

     

    Dance practice is gaining just as much in importance in research as it is becoming a kind of research in itself. Choreography, improvisation and exploration are expanding conventional discursive methods of knowledge generation and transfer to incorporate aesthetic dimensions of movement, corporeality, sensuality and emotion. This volume, with its interdisciplinary structure, provides an insight into the multi-faceted trend of research approaches that have either developed directly from, or refer back to, dance practice. Using projects as concrete examples, the contributions in this volume present theoretical and methodological foundations and historical connections advances in knowledge. Tanzpraxis gewinnt in der Forschung ebenso an Bedeutung wie sie selbst zur Forschung avanciert. Choreographie, Improvisation und Exploration erweitern herkömmliche diskursive Methoden der Wissensgenerierung und Wissensvermittlung um aisthetische Dimensionen der Bewegung, des Leiblichen, Sinnlichen und Affektiven. Dieser interdisziplinär angelegte Band eröffnet einen Einblick in die facettenreiche Vielfalt von Forschungsansätzen, die unmittelbar aus der Tanzpraxis hervorgehen oder auf tänzerische Praxen zurückgreifen. Die Beiträge stellen theoretische und methodische Grundlegungen, historische Bezüge sowie Erkenntnisgewinn exemplarisch an künstlerisch-kreativen, pädagogischen, therapeutischen und disziplinenüberschreitenden Projekten vor.

     
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    Source: OAPEN; transcript Open Access
    Contributor: Quinten, Susanne (Publisher); Schroedter, Stephanie (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839436028; 9783837636024
    Other identifier:
    Subjects: The arts
    Other subjects: Dance; Artistic Research; Practice-as-research; Knowledge; Improvisation; Exploration; Body; Tanz; Künstlerische Forschung; Praxisgeleitete Forschung; Wissen; Improvisation; Exploration; Artistic Research; Körper; Choreografie
    Scope: 1 electronic resource (248 p.)
  5. Choreographie als kritische Praxis : Arbeitsweisen bei Xavier Le Roy und Thomas Lehmen
    Author: Husemann, Pirkko
    Published: 2009
    Publisher:  transcript Verlag, Bielefeld

    Das kritische Potenzial des Bühnentanzes wird meist in der Aufführung lokalisiert. Diese Studie zeigt, dass es bereits im künstlerischen Schaffensprozess zu verorten ist. Am Beispiel von Xavier Le Roy und Thomas Lehmen werden choreographische... more

     

    Das kritische Potenzial des Bühnentanzes wird meist in der Aufführung lokalisiert. Diese Studie zeigt, dass es bereits im künstlerischen Schaffensprozess zu verorten ist. Am Beispiel von Xavier Le Roy und Thomas Lehmen werden choreographische Arbeitsweisen vorgestellt, die Kritik an den Produktionsbedingungen von Tanz üben. Während das Feld kultureller Produktion in der Tanzforschung überwiegend ausgeklammert bleibt, wird es hier mitgedacht und zwar als konstitutiv für die »kritische Praxis«. Ziel ist es, mit Hilfe von Konzepten der Kritik aus Kultur- und Kunsttheorie, einen vergemeinschaftlichten Kritikbegriff im zeitgenössischen Tanz zu bestimmen.

     
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    Source: OAPEN; transcript Open Access
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839409732; 9783899429732
    Other identifier:
    Subjects: Dance
    Other subjects: Tanz; Choreografie; Theater; Kritik; Improvisation; Thomas Lehmen; Xavier Le Roy; Theaterwissenschaft; Kunsttheorie; Kulturwissenschaft; Dance; Theatre; Theatre Studies; Theory of Art; Cultural Studies
    Scope: 1 electronic resource (280 p.)
  6. Untersuchungen zur Improvisation und Tradierung der Sevdalinka an Hand der sprachlichen Figuren
    Author: Eschker, Wolfgang
    Published: 1971
    Publisher:  Sagner, München

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    Source: Digi20
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 387690059X
    Other identifier:
    RVK Categories: KF 6917
    DDC Categories: 491.8
    Series: Slavistische Beiträge ; 53
    Subjects: Sevdalinka; Improvisation; Tradition; Serbokroatisch; Volkslied; Liebeslied
    Scope: 275 S.
    Notes:

    Online-Ausg.:

    Zugl.: Göttingen, Univ., Diss., 1969
  7. The shadow and the act
    black intellectual practice, jazz improvisation, and philosophical pragmatism
    Published: 2011
    Publisher:  University of Chicago Press, Chicago

    Though often thought of as rivals, Ralph Ellison, James Baldwin, and Amiri Baraka shared a range of interests, especially a passion for music. Jazz, in particular, was a decisive influence on their thinking, and, as The Shadow and the Act reveals,... more

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    Though often thought of as rivals, Ralph Ellison, James Baldwin, and Amiri Baraka shared a range of interests, especially a passion for music. Jazz, in particular, was a decisive influence on their thinking, and, as The Shadow and the Act reveals, they drew on their insights into the creative process of improvisation to analyze race and politics in the civil rights era. In this inspired study, Walton M. Muyumba situates them as a jazz trio, demonstrating how Ellison, Baraka, and Baldwin's individual works form a series of calls and responses with each other. Muyumba connects their writings on

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226554259; 0226554252; 9780226554235; 9780226554242; 0226554236; 0226554244
    Subjects: American literature; Jazz; Jazz in literature; Improvisation (Music); American literature; Jazz; American literature; American literature; Jazz; Ellison, Ralph; Jazz; Improvisation (Music); Jazz in literature; American literature ; African American authors; LITERARY CRITICISM ; American ; General; Jazz; Improvisation; Intellektuelle Anschauung; Criticism, interpretation, etc
    Other subjects: Ellison, Ralph; Baldwin, James 1924-1987; Baraka, Amiri 1934-2014; Baraka, Amiri (1934-2014); Ellison, Ralph; Baldwin, James (1924-1987); Baldwin, James 1924-1987; Baraka, Amiri 1934-2014; Ellison, Ralph; Baldwin, James; Baraka, Amiri
    Scope: Online Ressource (xi, 216 p.)
    Notes:

    Includes bibliographical references (p. 189-196) and index. - Description based on print version record

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library
  8. Spiel Form Künste
    zu einer Kunstgeschichte des Improvisierens
    Author: Reck, Hans Ulrich
    Published: 2010
    Publisher:  Philo Fine Arts, Hamburg

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    Content information
    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Ternes, Bernd (Publisher)
    Media type: Book
    ISBN: 978-3-86572-661-2
    Series: Fundus-Bücher ; 197
    Subjects: Improvisation; Kunst; Spiel
    Scope: 381 S. : Ill.
  9. Choreografischer Baukasten. Das Buch
    Author: Klein, Gabriele
    Published: 2015
    Publisher:  transcript Verlag

    Der »Choreografische Baukasten« ist eine an der zeitgenössischen choreografischen Praxis orientierte 'Werkzeugkiste'. Er entstand in Zusammenarbeit mit international renommierten Choreograf_innen, die Erfahrungen aus eigenen künstlerischen Projekten... more

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    Der »Choreografische Baukasten« ist eine an der zeitgenössischen choreografischen Praxis orientierte 'Werkzeugkiste'. Er entstand in Zusammenarbeit mit international renommierten Choreograf_innen, die Erfahrungen aus eigenen künstlerischen Projekten eingebracht haben. Der Baukasten präsentiert ein breites Spektrum zeitgenössischer choreografischer Arbeitsweisen und ist von der Idee geleitet, Möglichkeitsräume für eine choreografische Praxis zu schaffen.Der »Choreografische Baukasten. Das Buch« überträgt das offene Baukasten-System in ein Buchformat in Kombination mit digital abrufbaren Materialien.Das Buch versammelt praxisorientierte Module zu den Themen »Generierung«, »Formgebung«, »Spielweisen«, »Zusammenarbeit« und »Komposition« sowie einen Essay zur zeitgenössischen Choreografie und Interviews mit Jonathan Burrows, Nik Haffner, Thomas Kampe, Martin Nachbar, Jochen Roller, Anna Huber und Hubert Machnik, die einzelne Arbeitsweisen exemplarisch veranschaulichen.Zusammen mit den digital abrufbaren Praxiskarten liefert der »Choreografische Baukasten. Das Buch« Anregungen für erfahrene Choreograf_innen und Tänzer_innen sowie alle, die in Theater, Performance oder in therapeutischen Settings mit choreografischen Prozessen und Produktionen befasst sind. Er stellt aber auch jenen, die bislang wenig Erfahrung mit Choreografie hatten, das Handwerkszeug zur Verfügung für einen experimentellen, spielerischen Umgang mit Bewegung und Tanz The »The Choreographic Toolbox« provides the building blocks for the contemporary practice of choreography. It came into being in collaboration with internationally renowned choreographers, who brought their experience gathered through their individual artistic projects. The toolbox presents a broad spectrum of contemporary choreographic work methods, and is guided by the idea of creating spaces of possibility for a choreographic praxis. »The Choreographic Toolbox: The Book« carries over the open toolbox system into a book format, in combination with digitally accessible materials. The book gathers practice-oriented modules on the topics »Generating«, »Form Giving«, »Ways of Playing«, »Composition« and »Collaboration«, as well as an essay on contemporary choreography and interviews with Jonathan Burrows, Nik Haffner, Thomas Kampe, Martin Nachbar, Jochen Roller, Anna Huber and Hubert Machnik, who visually illustrate their individual ways of working in exemplary fashion. Together with the digitally accessible practice methods, »The Choreographic Toolbox: The Book« delivers inspiration for experienced choreographers and dancers, and for all those involved with theater, performance, or with choreographic processes and productions in therapeutic settings. It also makes the tools for an experimental, playful encounter with movement and dance available to all those who have little experience with choreography to date

     
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  10. The aesthetics of imperfection in music and the arts
    spontaneity, flaws and the unfinished
    Contributor: Hamilton, Andy (Herausgeber); Pearson, Lara (Herausgeber)
    Published: 2021
    Publisher:  Bloomsbury Academic, London ; New York ; Oxford ; New Delhi ; Sydney

    "The aesthetics of imperfection emphasises spontaneity, disruption, process and energy over formal perfection and is often ignored by many commentators or seen only in improvisation. This comprehensive collection is the first time imperfection has... more

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    "The aesthetics of imperfection emphasises spontaneity, disruption, process and energy over formal perfection and is often ignored by many commentators or seen only in improvisation. This comprehensive collection is the first time imperfection has been explored across all kinds of musical performance, whether improvisation or interpretation of compositions. Covering music, visual art, dance, comedy, architecture and design, it addresses the meaning, experience, and value of improvisation and spontaneous creation across different artistic media. A distinctive feature of the volume is that it brings together contributions from theoreticians and practitioners, presenting a wider range of perspectives on the issues involved. Contributors look at performance and practice across Western and non-Western musical, artistic and craft forms. Composers and non-performing artists offer a perspective on what is 'imperfect' or improvisatory within their work, contributing further dimensions to the discourse. The Aesthetics of Imperfection in Music and the Arts features 39 chapters organised into eight sections and written by a diverse group of scholars and performers. They consider divergent definitions of aesthetics, employing both 18th-century philosophy and more recent socially and historically situated conceptions making this an essential, up-to-date resource for anyone working on either side of the perfection-imperfection debate"--

     
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    Source: Union catalogues
    Contributor: Hamilton, Andy (Herausgeber); Pearson, Lara (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9781350106055
    RVK Categories: LR 56090 ; LR 56820
    Subjects: Musik; Ästhetik; Unvollkommenheit; Improvisation; Performance <Künste>; Komposition
    Scope: xv, 399 Seiten, Illustrationen
  11. Interkulturelles Verstehen in Schulen des Ruhrgebiets
    gemeinsam gleich und anders sein
    Author: Kurt, Ronald; Pahl, Jessica
    Published: [2016]; © 2016
    Publisher:  Springer VS, Wiesbaden

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 9783658084769; 3658084766
    Other identifier:
    9783658084769
    DDC Categories: 300
    Subjects: Interkulturelle Kompetenz; Schüler
    Other subjects: Improvisation; Jugend; Qualitative Sozialforschung; Videoanalyse; Wissenssoziologie
    Scope: 150 Seiten, 10 Illustrationen, 21 cm x 14.8 cm, 0 g
  12. Meg Stuart
    Bild in Bewegung und Choreographie
    Author: Jochim, Annamira
    Published: [2008]; © 2008
    Publisher:  transcript, Bielefeld

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    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839410141
    Other identifier:
    Series: TanzScripte ; Band 14
    Subjects: Tanz; Improvisation; Choreografie; Intermedialität; Wahrnehmung; Bewegung
    Other subjects: Stuart, Meg (1965-)
    Scope: 1 Online-Ressource (238 Seiten)
    Notes:

    2007
  13. Die Zukunft der Schönheit
    Author: Delius, Friedrich Christian
    Published: 2018
    Publisher:  Parlando ein Imprint von Argon, Berlin

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  14. Taumel
    Navigieren im Unbekannten
    Contributor: Bucher Trantow, Katrin (Herausgeber)
    Published: [2017]
    Publisher:  Universalmuseum Joanneum GmbH, Graz

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    Kunst- und Museumsbibliothek der Stadt Köln
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    Source: Union catalogues
    Contributor: Bucher Trantow, Katrin (Herausgeber)
    Language: German
    Media type: Book
    ISBN: 9783902095848
    Edition: Auflage 1200
    Subjects: Das Unbekannte; Kunst; Improvisation; Kreativität
    Scope: LII, 52 Seiten
    Notes:

    "Diese Publikation erscheint anlässlich der Ausstellung 'Taumel. Navigieren im Unbekannten', Kunsthaus Graz Universalmuseum Joanneum, 10.Februar-21.Mai 2017; Centre for Contemporary Art Ujazdowski Castle, Warschau, 15.September 2017-7.Januar 2018"
  15. Wozu in Tönen denken
    historische und empirische Studien zur bildungstheoretischen Bedeutung musikalischer Autonomie
    Author: Dietrich, Cornelie
    Published: 1998
    Publisher:  Bosse, Kassel

    Location:
    Hochschule für Musik Detmold, Bibliothek
    Signature:
    MP C 20:8
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    Source: Union catalogues
    Contributor: Schneider, Reinhard (Hrsg.)
    Language: German
    Media type: Book
    ISBN: 3764924268
    RVK Categories: LR 56900
    Series: Musik im Diskurs ; 13
    Subjects: Musikerziehung; Ästhetische Erziehung; Musikwahrnehmung; Kind; Musikästhetik; Ästhetik; Improvisation; Musik; Autonomie
    Scope: 188 S., graph. Darst., Notenbeisp.
  16. Wozu in Tönen denken
    historische und empirische Studien zur bildungstheoretischen Bedeutung musikalischer Autonomie
    Author: Dietrich, Cornelie
    Published: 1998
    Publisher:  Bosse, Kassel

    Location:
    Hochschule für Musik und Tanz Köln, Bibliothek
    Signature:
    Ia 3612/1
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    Hochschule für Musik und Tanz Köln, Bibliothek
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    Ia 3612/2
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    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    ISBN: 3764924268
    RVK Categories: LR 56900
    Series: Musik im Diskurs ; 13
    Subjects: Musikwahrnehmung; Improvisation; Ästhetische Erziehung; Autonomie; Ästhetik; Musik; Musikerziehung; Musikästhetik; Kind
    Scope: 188 S., Notenbeisp.
  17. Improwizacja poetycka w kulturze polskiej XIX wieku na tle europejskim
    Author: Puchalska, Iwona
    Published: 2013
    Publisher:  Wydawnictwo Uniwersytetu Jagiellońskiego, Kraków

    Location:
    Universität Köln, Gemeinsame Fachbibliothek Slavistik
    Signature:
    SLAV/M3217
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    Content information
    Source: Union catalogues
    Language: Polish
    Media type: Book
    ISBN: 8323334455; 9788323334453
    Edition: Wydanie 1
    Subjects: Improvisation; Literatur
    Other subjects: Mickiewicz, Adam (1798-1855); Łuszczewska, Jadwiga (1834-1908)
    Scope: 427 Seiten, Notenbeispiele
  18. Formen der Wissensgenerierung
    practices in Performance Art
    Contributor: Blohm, Manfred (Hrsg.); Mark, Elke (Hrsg.)
    Published: 2015
    Publisher:  ATHENA-Verl., Oberhausen

    Location:
    Universitätsbibliothek Dortmund
    Signature:
    KX-K 23/1
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    Universitäts- und Landesbibliothek Düsseldorf
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    17B7053
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    FH Münster, Hochschulbibliothek
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    77 PD 58
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    Universitätsbibliothek Paderborn
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    Universitätsbibliothek Siegen
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    Source: Union catalogues
    Contributor: Blohm, Manfred (Hrsg.); Mark, Elke (Hrsg.)
    Language: German; English
    Media type: Book
    ISBN: 9783898966115
    Edition: 1. Aufl.
    Subjects: Erkenntnis; Performance <Künste>
    Other subjects: (Produktform)Paperback / softback; Performance; Philosophie; Ästhetik; Improvisation; Installation; Bildung; (VLB-WN)1582: Hardcover, Softcover / Kunst/Kunstgeschichte
    Scope: 203 S., Ill.
  19. Improvisation for the theater
    a handbook of teaching and directing techniques
    Author: Spolin, Viola
    Published: 1999
    Publisher:  Northwestern Univ. Press, Evanston, Ill.

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    12.984.51
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 081014008X; 0810140098
    RVK Categories: DG 9440 ; AP 63400 ; EC 4700
    Edition: 3. ed.
    Subjects: Theaterspiel; Improvisation
    Scope: LV, 412 S.
  20. Improvisation for the theater
    a handbook of teaching and directing techniques
    Author: Spolin, Viola
    Published: 1976
    Publisher:  Northwestern Univ. Press, Evanston, Ill.

    Location:
    Universitätsbibliothek Kassel, Standort Holländischer Platz
    Signature:
    25 Thea BA 0002
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0810100185; 0810102498
    RVK Categories: AP 63400 ; EC 4700
    Edition: 10. printing
    Subjects: Theaterspiel; Technik; Improvisation; Theater; Freies Theater
    Scope: XXV, 397 S., graph. Darst.
    Notes:

    Literaturverz. S. 397
  21. Meg Stuart
    Bilder in Bewegung und Choreographie
    Author: Jochim, Annamira
    Published: 2008
    Publisher:  transcript, Bielefeld

    Location:
    Hochschule für Musik und Darstellende Kunst Frankfurt, Bibliothek
    Signature:
    BT 2 Stuart 01
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    88.812.28
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    Universitätsbibliothek Gießen
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    000 AP 73900 J63
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    Universität Marburg, Universitätsbibliothek
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    001 ZY 5480 J63
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783837610147
    Other identifier:
    9783837610147
    RVK Categories: AP 85550 ; AP 73900 ; AP 73900 ; AP 85550 ; ZY 5480
    DDC Categories: 792
    Series: TanzScripte ; Bd. 14
    Subjects: Choreografie; Bewegung; Wahrnehmung; Tanz; Intermedialität; Improvisation
    Other subjects: Stuart, Meg (1965-)
    Scope: 238 S., Ill., 22 cm
  22. Romanticism and improvisation, 1750-1850
    Author: Esterhammer, Angela
    Published: 2008
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    89.727.01
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    Universität Mainz, Zentralbibliothek
    Signature:
    244.151
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780521897099; 0521897092
    RVK Categories: HL 1131
    Series: Cambridge studies in romanticism ; 77
    Subjects: Englisch; Deutsch; Literatur; Romantik; Improvisation
    Scope: XIII, 269 S., Ill.
    Notes:

    Literaturverz. S. 248-262
  23. Approche philosophique du geste dansé
    de l'improvisation à la performance
    Contributor: Boissière, Anne
    Published: 2006
    Publisher:  Presses Univ. du Septentrion, Villeneuve d'Ascq

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    88.121.10
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    Source: Union catalogues
    Contributor: Boissière, Anne
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2859399372
    RVK Categories: CC 6900
    Series: Esthétique et sciences des arts
    Subjects: Tanz; Improvisation; Ästhetik
    Scope: 206 S.
  24. Performance and literature in the Commedia dell'Arte
    Author: Henke, Robert
    Published: 2010
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    13.192.77
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    Universitätsbibliothek Kassel, Standort Holländischer Platz
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    25 Ita HD 5015
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    Universität Mainz, Zentralbibliothek
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    234.621
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    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Theaterwissenschaft
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    G 05/C/16
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521643244; 9780521643245; 9780521172387
    RVK Categories: AP 64700
    Edition: 1. paperback ed.
    Subjects: Commedia dell'arte; Aufführungspraxis; Improvisation; Literatur
    Scope: XIV, 263 S., Ill.
    Notes:

    Literaturverz. S. 248 - 259
  25. Gelenkter Zufall
    der Prozeß des Malens
    Contributor: Thürlemann, Felix
    Published: 1992
    Publisher:  Universitätsbibliothek der Universität Heidelberg, Heidelberg ; arthistoricum.net

    Access:
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    Technische Hochschule Bingen, Bibliothek
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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Hessisches BibliotheksInformationsSystem hebis
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    Städel Museum, Bibliothek
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    Source: Union catalogues
    Contributor: Thürlemann, Felix
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    DDC Categories: 700; 750
    Series: Schriften von Felix Thürlemann ; 13
    Subjects: Malerei; Improvisation; Zufall <Motiv>
    Scope: Online-Ressource
    Notes:

    Wissenschaftl. Aufsatz in: W. Fähndrich (Hrsg.), Improvisation, Winterthur 1992, S. 63-73

    Online publiziert: 2008