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Displaying results 1 to 7 of 7.

  1. The horizon
    a history of our infinite longing
    Author: Maleuvre, Didier
    Published: c2011
    Publisher:  University of California Press, Berkeley

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0520267435; 0520947118; 9780520267435; 9780520947115
    Subjects: HISTORY / World; Geschichte; Gesellschaft; Kunst; Philosophie; Civilization; Horizon; Boundaries; Wonder; Philosophy; Religion; Art; Zivilisationsprozess; Soziokultureller Wandel; Bewusstseinsveränderung; Religion; Kunst; Grenzüberschreitung
    Scope: 1 Online-Ressource (xxi, 363 p.)
    Notes:

    Includes bibliographical references and index

    Permanence : Egypt, 2500 B.C.E. -- Astonishment : Mesopotamia, circa 1900 B.C.E. -- Enterprise : Aegean Sea, circa 725 B.C.E. -- Tremor : Northern Kingdom of Israel, 500 B.C.E. -- Exodus : the Desert of Moab, 450 B.C.E. -- Synthesis : the Hellenic Achipelago, 500 B.C.E. -- Closure : Athens, circa 400 B.C.E. -- Distance : Nicaea, 325 C.E. -- Trembling : Hippo, 410 -- Space : the northern forest, 1100 -- Perspective : Mount Ventoux, April 1336 -- Ambivalence : Florence, 1503 -- Mortuus sum : Bordeaux, 1574 -- Nothing : Regensburg, May 8, 1654 -- Night : Neuberg, November 10, 1619 -- Formless : Königsberg, 1780 -- Severance : Wetzlar, November 1772 -- Blue yonder : Tübingen, 1810 -- Eden : upstate New York, September 22, 1827 -- Flatness : Murnau, Bavaria, 1908 -- No exit : Buenos Aires, April 1941 -- Here : Woodstock, NY, August 29, 1952 -- Nowhere : the Moon, July 21, 1969, 3:58 a.m. BST.
  2. Break boundary
    places real and imagined
    Contributor: Mateer, Jenee; Weiss, Francine
    Published: 2018
    Publisher:  George F. Thompson Publishing, Staunton, VA

    'Break Boundary' refers to the transformative point at which any system suddenly and irrevocably changes from its original state into something new. Coined by Kenneth E. Boulding in 1963, the term serves as the underlying metaphor for the photographs... more

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    'Break Boundary' refers to the transformative point at which any system suddenly and irrevocably changes from its original state into something new. Coined by Kenneth E. Boulding in 1963, the term serves as the underlying metaphor for the photographs of Jenee Mateer. In her original works of art, the horizon that divides land, water, and sky shifts and multiplies producing bands of varied colors and luminosity that transform the natural landscape into imaginative 'waterscapes' and challenge our understanding of photography. Reminiscent of the abstract paintings of Mark Rothko and the photographic seascapes of Hiroshi Sugimoto and New Mexican landscapes of Edward Weston, Mateer's images are layered photographs of the natural world assembled to suggest imaginary places where light, water, land and sky coalesce into rhythmic patterns of shimmering opalescence or luscious color. 0'Break Boundary' features 34 of Mateer's waterscapes and also includes her opening essay about the work and two poems by the artist, 'The World Is Water' and 'The Sky Is Lemonlime', that separate the first series of images from the second series and offer a deeper look into the artist's thoughts about the work

     
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    Source: Union catalogues
    Contributor: Mateer, Jenee; Weiss, Francine
    Language: English
    Media type: Book
    ISBN: 9781938086595
    RVK Categories: AP 94100
    Edition: First hardcover edition
    Subjects: Fotografie; Meer <Motiv>
    Other subjects: Mateer, Jenee (1965-); Mateer, Jenee; Marine photography; Photography of water; Horizon / Pictorial works; Horizon; Marine photography; Photography of water
    Scope: 87 Seiten, 31 cm
    Notes:

    "George F. Thompson Publishing in association with the American Land Publishing Project.". - Includes bibliographical references
  3. The horizon
    a history of our infinite longing
    Author: Maleuvre, Didier
    Published: 2011
    Publisher:  Univ. of California Press, Berkeley [u.a.]

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780520267435
    Subjects: Geschichte; Gesellschaft; Kunst; Philosophie; Civilization; Horizon; Boundaries; Wonder; Philosophy; Religion; Art; Kunst; Religion; Bewusstseinsveränderung; Zivilisationsprozess; Soziokultureller Wandel; Grenzüberschreitung
    Scope: XXI, 363 S., Ill.
    Notes:

    Includes bibliographical references and index
  4. L'Espace poétique dans les romans de Julien Gracq
    Ecriture de l'espace
    Author: Abood, Tagrid
    Published: 2014
    Publisher:  Presses Académiques Francophones, Saarbrücken

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    Source: Union catalogues
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9783838146201; 3838146204
    Other identifier:
    9783838146201
    Edition: 1. Aufl.
    Other subjects: (Produktform)Electronic book text; Écriture; Peinture; Poétique; voyage; Paysage; espace; Parcours; Perceptions; Horizon; quête; Écriture; espace; (VLB-WN)1560: Sprachwissenschaft, Literaturwissenschaft
    Scope: Online-Ressource
    Notes:

    Lizenzpflichtig. - Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten
  5. Break boundary
    places real and imagined
    Contributor: Mateer, Jenee (FotografIn, VerfasserIn); Weiss, Francine (VerfasserIn von ergänzendem Text)
    Published: [2018]; ©2018
    Publisher:  George F. Thompson Publishing, Staunton, VA

    Break Boundary' refers to the transformative point at which any system suddenly and irrevocably changes from its original state into something new. Coined by Kenneth E. Boulding in 1963, the term serves as the underlying metaphor for the photographs... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Break Boundary' refers to the transformative point at which any system suddenly and irrevocably changes from its original state into something new. Coined by Kenneth E. Boulding in 1963, the term serves as the underlying metaphor for the photographs of Jenee Mateer. In her original works of art, the horizon that divides land, water, and sky shifts and multiplies producing bands of varied colors and luminosity that transform the natural landscape into imaginative 'waterscapes' and challenge our understanding of photography. Reminiscent of the abstract paintings of Mark Rothko and the photographic seascapes of Hiroshi Sugimoto and New Mexican landscapes of Edward Weston, Mateer's images are layered photographs of the natural world assembled to suggest imaginary places where light, water, land and sky coalesce into rhythmic patterns of shimmering opalescence or luscious color. 0'Break Boundary' features 34 of Mateer's waterscapes and also includes her opening essay about the work and two poems by the artist, 'The World Is Water' and 'The Sky Is Lemonlime', that separate the first series of images from the second series and offer a deeper look into the artist's thoughts about the work

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Mateer, Jenee (FotografIn, VerfasserIn); Weiss, Francine (VerfasserIn von ergänzendem Text)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1938086597; 9781938086595
    RVK Categories: AP 94100
    Edition: First hardcover edition
    Subjects: Marine photography; Photography of water; Horizon; Horizon; Marine photography; Photography of water
    Other subjects: Mateer, Jenee
    Scope: 87 Seiten, 31 cm
    Notes:

    "George F. Thompson Publishing in association with the American Land Publishing Project.". - Includes bibliographical references
  6. The Origins of the Horizon in Husserl’s Phenomenology
    Author: Geniusas, Saulius
    Published: 2012
    Publisher:  Springer, Dordrecht

    This volume is the first book-length analysis of the problematic concept of the 'horizon' in Edmund Husserl's phenomenology, as well as in phenomenology generally. A recent arrival on the conceptual scene, the horizon still eludes robust definition.... more

    Location:
    Technische Universität Chemnitz, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Zeppelin Universität gGmbH, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Max-Planck-Institut für ethnologische Forschung, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan

     

    This volume is the first book-length analysis of the problematic concept of the 'horizon' in Edmund Husserl's phenomenology, as well as in phenomenology generally. A recent arrival on the conceptual scene, the horizon still eludes robust definition. The author shows in this authoritative exploration of the topic that Husserl, the originator of phenomenology, placed the notion of the horizon at the centre of philosophical enquiry. He also demonstrates the rightful centrality of the concept of the horizon, all too often viewed as an imprecise metaphor of tangential significance. His systematic a This volume is the first book-length analysis of the problematic concept of the ‘horizon’ in Edmund Husserl’s phenomenology, as well as in phenomenology generally. A recent arrival on the conceptual scene, the horizon still eludes robust definition. The author shows in this authoritative exploration of the topic that Husserl, the originator of phenomenology, placed the notion of the horizon at the centre of philosophical enquiry. He also demonstrates the rightful centrality of the concept of the horizon, all too often viewed as an imprecise metaphor of tangential significance. His systematic analysis deploys both early and late work by Husserl, as well as hitherto unpublished manuscripts. Opening out the question to include that of the origins of the horizon, the book explores the horizon as philosophical theme or notion, as a figure of intentionality, and as a signification of one’s consciousness of the world—our ‘world-horizon’. It argues that the central philosophical significance of the problematic of the horizon makes itself apparent in realizing how this problematic enriches our philosophical understanding of subjectivity. Systematic, thorough, and revealing, this study of the significance of a core concept in phenomenology will be relevant not only to the phenomenological community, but also to anyone interested in the intersections of phenomenology and other philosophical traditions, such as hermeneutics and pragmatism.?

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789400746442; 1283633914; 9781283633918
    Other identifier:
    RVK Categories: CI 3017
    Series: Contributions to Phenomenology ; 67
    Array
    Subjects: Philosophy (General); Philosophy, modern; Phenomenology; Philosophy; Philosophy (General); Philosophy, modern; Phenomenology; Philosophy
    Other subjects: Husserl, Edmund, 1859-1938; Horizon; Phenomenology
    Scope: Online-Ressource (XII, 237 p, digital)
    Notes:

    Description based upon print version of record

    The Origins of the Horizonin Husserl's Phenomenology; Acknowledgments; Contents; Abbreviations; Chapter 1: Introduction; 1.1 A Preliminary Determination of the Horizon; 1.2 The Horizon as a Philosophical Notion and Its Historical Origins; 1.3 The Horizon as a Phenomenological Notion; 1.4 The Question of Origins; 1.5 The Structure of the Following Investigation; 1.5.1 Part I: The Emergence of the Horizon; 1.5.2 Part II: The Horizons of Transcendental Subjectivity; 1.5.3 Part III: The World-Horizon as the Wherefrom , Wherein , and the Whereto of Experience

    1.6 The Indeterminacy of the Horizon in Husserl's Phenomenology and in Post-Husserlian ThoughtReferences; Part I: The Emergence of the Horizon; Chapter 2: Indexicality as a Phenomenological Problem; 2.1 The Emergence of Indexicality in Phenomenology and the Immediate Suppression of Its Phenomenological Sense; 2.2 The Emergence of the Horizon and the Modification of the Distinction Between Meaning-Intentions and Meaning; 2.3 Noematic Intentionality and the Rejection of the Early Analysis of the Indexicals

    2.4 The Hidden Dimension of Horizon-Intentionality and the Sense of Indexicality as a Phenomenological ProblemReferences; Chapter 3: James and Husserl: The Horizon as a Psychological and a Philosophical Theme; 3.1 William James and the Fringe of Consciousness; 3.2 Horizont, Hof, Hintergrund: Husserl's Discovery of the Horizon; 3.3 The Transcendental Dimension of the Horizon; References; Chapter 4: The World-Horizon in Ideas I; 4.1 A Preliminary Indication of the Horizon in Its All-Determining Sense; 4.2 The World as the Original Figure of the Horizon in Ideas I

    4.3 The Suppression of the World-Horizon in Ideas IReferences; Chapter 5: The Structures of Horizon-Consciousness in Ideas I; 5.1 Epochē and the Self-Showing of the Horizons; 5.2 Self-Givenness, Originary Givenness, and the Pregivenness of the Horizon; 5.3 The Horizon and the Manifestation of Objectivity; 5.4 The Horizon and the "I Can"; 5.5 The "I Can" and the Primacy of the Practical; 5.6 The Horizons of Experience and the Horizon of the Stream of Experience; 5.7 The Limits of Husserl's Early Analysis of the Horizon; References; Part II: The Horizons of Transcendental Subjectivity

    Chapter 6: The Static and Genetic Determinations of the Horizon6.1 Static and Genetic Phenomenology: A Preliminary Account; 6.2 A General Determination of the Horizon as Horizon-Consciousness; 6.3 The Static Notion of Horizon-Consciousness; 6.4 The Genetic Notion of Horizon-Consciousness; 6.5 The Ego in Its Static and Genetic Determinations: The Emergence of Transcendental Subjectivity; References; Chapter 7: The Reduction as the Disclosure of the Horizons of Transcendental Subjectivity; 7.1 The Significance of the Reduction for the Thematization of Horizon-Consciousness

    7.2 The Cartesian Path to the Reduction Suppresses the Phenomenality of the Horizon
  7. Break boundary
    places real and imagined
    Contributor: Mateer, Jenee (FotografIn, VerfasserIn); Weiss, Francine (VerfasserIn von ergänzendem Text)
    Published: [2018]; ©2018
    Publisher:  George F. Thompson Publishing, Staunton, VA

    Break Boundary' refers to the transformative point at which any system suddenly and irrevocably changes from its original state into something new. Coined by Kenneth E. Boulding in 1963, the term serves as the underlying metaphor for the photographs... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2019:1306:
    Inter-library loan:
    No inter-library loan

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Break Boundary' refers to the transformative point at which any system suddenly and irrevocably changes from its original state into something new. Coined by Kenneth E. Boulding in 1963, the term serves as the underlying metaphor for the photographs of Jenee Mateer. In her original works of art, the horizon that divides land, water, and sky shifts and multiplies producing bands of varied colors and luminosity that transform the natural landscape into imaginative 'waterscapes' and challenge our understanding of photography. Reminiscent of the abstract paintings of Mark Rothko and the photographic seascapes of Hiroshi Sugimoto and New Mexican landscapes of Edward Weston, Mateer's images are layered photographs of the natural world assembled to suggest imaginary places where light, water, land and sky coalesce into rhythmic patterns of shimmering opalescence or luscious color. 0'Break Boundary' features 34 of Mateer's waterscapes and also includes her opening essay about the work and two poems by the artist, 'The World Is Water' and 'The Sky Is Lemonlime', that separate the first series of images from the second series and offer a deeper look into the artist's thoughts about the work

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Mateer, Jenee (FotografIn, VerfasserIn); Weiss, Francine (VerfasserIn von ergänzendem Text)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1938086597; 9781938086595
    RVK Categories: AP 94100
    Edition: First hardcover edition
    Subjects: Marine photography; Photography of water; Horizon; Horizon; Marine photography; Photography of water
    Other subjects: Mateer, Jenee
    Scope: 87 Seiten, 31 cm
    Notes:

    "George F. Thompson Publishing in association with the American Land Publishing Project.". - Includes bibliographical references